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Martin Lewis Landscape Prints

American, Australian, 1881-1962

Martin Lewis was born in Castlemaine, Victoria, Australia, on June 7th, 1881. He was the second of eight children and had a passion for drawing. 

At the age of 15, Lewis left home and traveled in New South Wales, Australia, and in New Zealand, working as a pothole digger and a merchant seaman. He returned to Sydney and settled into a Bohemian community outside Sydney. Two of his drawings were published in the radical Sydney newspaper, The Bulletin. He studied with Julian Ashton at the Art Society's School in Sydney. Ashton was an English-born Australian artist and teacher known for his support of the Heidelberg School and for his influential art school in Sydney. 

In 1900, Lewis left Australia for the United States. His first job was in San Francisco, painting stage decorations for William McKinley's presidential campaign of 1900. By 1909, Lewis was living in New York, where he found work in commercial illustration. His earliest known etching is dated 1915. However, the level of skill in this piece suggests he had been working in the medium for some time previously. It was during this period that he helped Edward Hopper learn the basics of etching

In 1920, after the breakup of a romance, Lewis traveled to Japan, where for two years he drew and painted and studied Japanese art. The influence of Japanese prints is very evident in Lewis's prints after that period. In 1925, he returned to etching and produced most of his well-known works between 1925 and 1935. Lewis's first solo exhibition in 1929 was successful enough for him to give up commercial work and concentrate entirely on printmaking. 

Lewis is most famous for his black and white prints, mostly of night scenes of non-tourist, real-life street scenes of New York City. During the Depression, however, he was forced to leave the city for four years between 1932 and 1936 and move to Newtown, Connecticut. His work from this period includes a number of rural, night-time, and winter landscape scenes in this area. 

Lewis returned to Manhattan in 1936 and continued to etch and paint. He taught printmaking at the Art Students League of New York from 1944 until his retirement in 1952. Now he is considered one of the most important American printmakers of the twentieth century.

Find original Martin Lewis prints and other art on 1stDibs.

(Biography provided by Allinson Gallery, Inc.)

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Artist: Martin Lewis
Stoops in Snow
By Martin Lewis
Located in Storrs, CT
Stoops in Snow. 1930. Drypoint and sandpaper ground. McCarron catalog 89.state ii. 9 x 14 7/8 (sheet 13 1/4 x 18 7/16 ). Edition 115 recorded impressio...
Category

1930s American Modern Martin Lewis Landscape Prints

Materials

Drypoint, Etching

Spring Night, Greenwich Village
By Martin Lewis
Located in Storrs, CT
Spring Night, Greenwich Village. 1930. Drypoint and sand ground. McCarron 85. 10 x 12 3/8 (sheet 13 1/4 x 15 5/8)). Edition 92. A rich, tonal impress...
Category

1930s American Modern Martin Lewis Landscape Prints

Materials

Drypoint, Etching

Fifth Avenue Bridge.
By Martin Lewis
Located in Storrs, CT
Fifth Avenue Bridge. 1928. Drypoint. McCarron 72. 9 7/8 x 12 (sheet 12 3/4 x 15). Edition of 108 recorded impressions. A rich impression printed on cream laid paper, with full margin...
Category

1920s American Modern Martin Lewis Landscape Prints

Materials

Etching, Drypoint

Building a Babylon, Tudor City, NY.
By Martin Lewis
Located in Storrs, CT
McCarron 76. 12 7/8 x 7 7/8 (sheet 16 5/8 x 12 1/4). 6th trial proof (McCarron records 84 impressions including 4 trial proofs). Illustrated L'Amérique de la Dépression: Artistes En...
Category

Early 20th Century American Modern Martin Lewis Landscape Prints

Materials

Drypoint, Etching

Rainy Day, Queens
By Martin Lewis
Located in New York, NY
Martin Lewis (1881-1962), Rainy Day, Queens, drypoint, 1931, signed in pencil lower right [also signed in the plate lower right]. Reference: McCarron 94, only state, from the edition...
Category

1930s American Realist Martin Lewis Landscape Prints

Materials

Drypoint

QUARTER OF NINE - SATURDAY'S CHILDREN
By Martin Lewis
Located in Portland, ME
Lewis, Martin (American, born Australia, 1881-1962). QUARTER OF NINE, SATURDAY'S CHILDREN. McCarron 79. Drypoint, 1929. McCarron says the intended edition was 100 , but 107 were prin...
Category

1920s Martin Lewis Landscape Prints

Materials

Drypoint

Tree, Manhattan
By Martin Lewis
Located in New York, NY
Martin Lewis (1881-1962), Tree, Manhattan, drypoint, 1930, signed in pencil lower right [also signed in the plate lower left]. Reference: McCarron 87, only state; 91 recorded impress...
Category

1930s American Realist Martin Lewis Landscape Prints

Materials

Drypoint

Shadows, Garage at Night
By Martin Lewis
Located in New York, NY
Martin Lewis (1881-1962, Shadows, Garage at Night, drypoint, 1928, signed in pencil lower right [also signed in the plate lower right]. Reference: McCarron 69, only state, from the t...
Category

1930s American Realist Martin Lewis Landscape Prints

Materials

Drypoint

Shadows on the Ramp
By Martin Lewis
Located in Storrs, CT
Shadows on the Ramp. 1927. Drypoint and sand ground. McCarron 64. 9 x 10 1/2 (sheet 12 3/8 x 14). Edition 75 recorded impressions. A rich, tonal impression with drypoint burr, printe...
Category

1920s American Modern Martin Lewis Landscape Prints

Materials

Drypoint, Etching

The Passing Freight, Danbury
By Martin Lewis
Located in Storrs, CT
.The Passing Freight, Danbury. 1934. Drypoint and sand ground. McCarron 108. 8 7/8 x 14 7/8 (sheet 12 1/7 x 17 5/8). Edition 46 (including 6 trial proofs). A rich, tonal impression p...
Category

1930s American Modern Martin Lewis Landscape Prints

Materials

Drypoint

Martin Lewis Original Etching, 1928 - “Rain on Murray Hill”
By Martin Lewis
Located in Phoenix, AZ
Original drypoint in mint condition printed in greenish black ink on wove paper by well-known New York artist and printmaker Martin Lewis (1881-1962). The print is signed in pencil ...
Category

Early 20th Century Martin Lewis Landscape Prints

Materials

Paper

"Under the Street Lamp" Imp. Etching
By Martin Lewis
Located in Houston, TX
Copperplate etching by Martin Lewis titled "Under the Street Lamp." Edition of 100. Printed on laid paper with watermark and 83 recorded impressions. McCarron catalogue raisonne #70. Signed in pencil with "imp" next to the signature. In the bottom right corner is a penciled 75 and in the top right corner is a 50. The etching is framed and was taken out of the frame for condition report and photographs. The gallery label is on the back of the matte inside the frame. Dimensions without Frame: H 15 in x W 9.5 in. Artist Biography: Martin Lewis (1881-1962) was born in Castlemaine, Victoria, Australia on 7 June 1881. He was the second of eight children and had a passion for drawing. At the age of 15, he left home and traveled in New South Wales, Australia, and in New Zealand, working as a pothole digger and a merchant seaman. He returned to Sydney and settled into a Bohemian community outside Sydney. Two of his drawings were published in the radical Sydney newspaper, The Bulletin. He studied with Julian Ashton at the Art Society's School in Sydney. Ashton, an English-born Australian artist and teacher, known for his support of the Heidelberg School and for his influential art school in Sydney. In 1900, Lewis left Australia for the United States. His first job was in San Francisco, painting stage decorations...
Category

1920s Naturalistic Martin Lewis Landscape Prints

Materials

Etching, Laid Paper

Break in the Thunderstorm
By Martin Lewis
Located in New York, NY
Martin Lewis (1881-1962, Break in the Thunderstorm, drypoint, 1930, signed and titled in pencil (also signed in the plate in a rectangle lower left). Reference: McCarron 86, second s...
Category

1930s Realist Martin Lewis Landscape Prints

Materials

Drypoint

White Monday
By Martin Lewis
Located in Fairlawn, OH
Signed in the plate lower left Note: Printed on September 26, 1980 in an edition of 4 restrikes. Reference: Paul McCarron, The Prints of Martin Lewis: A Catalogue Raisonne (Bro...
Category

1970s Martin Lewis Landscape Prints

Materials

Drypoint

Quarter of Nine, Saturday's Children.
By Martin Lewis
Located in Storrs, CT
Quarter of Nine, Saturday's Children. 1929. Drypoint. McCarron 78. 9 3/4 x 12 3/4 (sheet 12 7/8 x 17 7/8). Illustrated: American Etchers: Martin Lewis. Edition 107. A fine impression...
Category

1920s American Modern Martin Lewis Landscape Prints

Materials

Drypoint, Etching

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Niagara
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Previously Available Items
Dock Workers under the Brooklyn Bridge
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The Great Shadow
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The Great Shadow
The Great Shadow
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Trade Winds
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McCarron catalog number 25. Image: 7 7/8 x 11 3/4. Sheet 12 x 15 1/4. Edition of 22 recorded impressions (intended edition 50). A rich impression with drypoint burr printed on cr...
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Sunday Garden Inspection.
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Sunday Garden Inspection. 1927. Drypoint. McCarron catalog 67 state ii. 11 3/4 x 8 (sheet 16 x 11 5/8). Edition of 34 recorded impressions (intended edition 50). A rich, well-inked...
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Martin Lewis landscape prints for sale on 1stDibs.

Find a wide variety of authentic Martin Lewis landscape prints available for sale on 1stDibs. You can also browse by medium to find art by Martin Lewis in drypoint, engraving, etching and more. Much of the original work by this artist or collective was created during the 20th century and is mostly associated with the modern style. Not every interior allows for large Martin Lewis landscape prints, so small editions measuring 8 inches across are available. Customers who are interested in this artist might also find the work of Frederick Mershimer, Kerr Eby, and David Klein. Martin Lewis landscape prints prices can differ depending upon medium, time period and other attributes. On 1stDibs, the price for these items starts at $700 and tops out at $80,000, while the average work can sell for $24,500.

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