Martin Puryear Art

Picasso Les Banderilles from A los toros avec Picasso, 1961 Lithograph on wove paper. Hand signed lower right Numbered 21/50 lower left Lower left in the print dated and inscribed: 6...

Heliogravure, etching, and drypoint, 1934. From the deluxe edition of 40 with the drypoint remarqué, before the published edition of 100 printed from the reduced plate. From the po...

This vibrant abstract orange and green print is part of a group of soft-ground etchings (Artist and Model, Artist and Model (in green and yellow), These…Plants) by Howard Hodgkin. The two versions of Artist and Model are printed from the same plates, but in different colors. In this iteration, green watercolor contrasts beautifully with marigold orange, crimson, and terra cotta red. Seen in all three prints is a bust in silhouette before a window. Artist and Model is a surprising name, as Hodgkin never painted or drew from a model. Signed by the artist with initials, dated 1980, and numbered lower center in red crayon. Soft-ground etching with hand coloring in a yellow watercolor wash and green gouache on Stoneridge mould-made etching paper. Edition 100. Howard Hodgkin was introduced to the etching technique used in Artist and Model (in green and yellow) at Petersburg Press, where this print was produced and where he would become a long-time collaborator. This technique allowed him to work fluidly and spontaneously, creating the moody interior scenes that mark Hodgkin’s work from the late 70s and early 80s. Catalogue reference: Elizabeth Knowles...

Abstract black, white and tan print of interior scene with dots, lines, shadow and painted brushstroke texture. Ideal for display in minimalist, modern and contemporary spaces. While British pop artists such as David Hockney and Patrick Caulfield numbered amongst Howard Hodgkin's circle of friends, Hodgkin's work is painterly, expressionist, and abstract. Late Afternoon in the Museum of Modern Art by Howard Hodgkin. Soft-ground etching on buff BFK Rives mould-made paper. Edition 100: this impression 36/100. Signed by the artist, numbered 36/100, and dated 79 lower center in red crayon. Printed from the same plate as Early Evening in the Museum of Modern Art. Published by Petersburg Press. This print depicts an abstracted scene, perhaps a sculpture in front of a window in the Museum of Modern Art, Oxford, in Hodgkin's signature painterly style. The expressive mark-making in this print is an example of the artist’s movement in the late 70s towards pronounced gestures. Hodgkin used his hand as a mark-making tool, combining these textures with loose and urgent brushwork. Howard Hodgkin was introduced to the etching technique used in Late Afternoon in the Museum of Modern Art at Petersburg Press, where this print was produced and where he would become a long-time collaborator. This technique allowed him to work fluidly and spontaneously, creating the moody interior scenes that mark Hodgkin’s work from the late 70s and early 80s. Part of a series of four prints reflecting on a visit to the Museum...

Playful black and white etching of a child figure looking out on a quaint city square in Nancy, France, 1959. Signed and dated lower right, titled and numbered 16 of 140 lower left. ...

Etching or eau-forte on archival paper with H.C. in pencil at lower left, indicating a Hors Commerce (Artist's/Publisher's Proof) including pencil signature that appears to read Jean...

Picasso La Pique (The Pike) from A los toros avec Picasso, 1961 Lithograph on wove paper. Hand signed lower right Numbered 17/50 lower left Lower left in the print dated and inscribe...

This original lithograph is hand signed in pencil by the artist "Picasso" at the lower right image. It is hand numbered 9 in pencil from the edition of 50, at the lower left image. T...

Peintre, et Modèle Avec un Noeud Dans Les Chevaux, circa 1964, by Pablo Picasso. Original etching and aquatint on RFK Rives, edition 43/50. Published by Galerie Louise Leiris, Paris....

Signed and numbered (7/50) in pencil, recto Offset lithograph on wove paper 10 x 8.5 inches (25.4 x 21.6 cm) This artwork is offered by CLAMP, New York.

This original lithograph is hand signed in pencil by the artist “Robert Longo” at the lower right corner. It is also dated “94” [1994] next to the signature. It is hand numbered 1 i...

Offset lithograph in colors. Hand signed, dated and numbered by the artist. Artwork is in excellent condition. Certificate of authenticity included. Edition of 48. All reasonable off...

This original lithograph is hand signed in pencil by the artist "Picasso" at the lower right image. It is hand numbered 5 in pencil from the edition of 50, at the lower left image. T...

Individual Etchings: St. Julien (1971) by Salvador Dalí. Etching on Japon paper, edition IV/C. Artwork dimensions: 15.24 × 12.5 inches (38.71 × 31.75 cm). Framed dimensions: 32.75 × ...

Keith Haring Galerie Paul Maenz, Cologne, Germany 1984: Super rare, tri-fold poster booklet published to announce Haring’s 1984 solo exhibition at Paul Maenz Gallery in Cologne (Hari...