Maurice Brianchon Landscape Prints

Arches Poster Paper - Perfect Condition A+ When The Mourlot Studio opened a branch in New York City, after a successful exhibition organized by the Smithsonian Institute in 1963, it...

Manfred Schwartz (American, b. Poland, 1909-1970), Beach Horizontal Composition, Lithograph on Paper, mid 20th century, marked "artist's proof" lower left, signed in pencil and with ...

"Trees in Ranchitos II" is a striking 1975 color lithograph by acclaimed modernist artist Andrew Michael Dasburg (1887–1979). This collectible artwork, initialed in the lower right, beautifully captures the serene landscapes of New Mexico, reflecting Dasburg’s signature fusion of Post-Impressionism and Cubist influences. The composition conveys the tranquil rhythm of trees and desert terrain, combining geometric abstraction with lyrical naturalism. The lithograph is presented in a custom frame measuring 30 ½ x 36 ¼ inches, with an image size of 16 ½ x 23 ¼ inches, making it a sophisticated and visually compelling addition to any collection of Taos Modernist art, American modernism, or Southwestern landscape prints. About Andrew Michael Dasburg (1887–1979): Born in Paris, France, Dasburg immigrated to New York City in 1892, where his early talent was recognized. He trained at the Art Students League of New York under notable instructors including Robert Henri, Kenyon Cox, and Birge Harrison. In 1908, he returned to Paris and encountered the works of Henri Matisse and Paul Cézanne, experiences that ignited his lifelong commitment to modernism. After settling in Woodstock, NY, Dasburg immersed himself in the avant-garde scene, collaborating with Morgan Russell...

This is an exclusive handprinted limited edition cyanotype. "Day Time Seascape in Blue" is a handmade cyanotype print portraying the vibrant reflections of the Sun as seen from the c...

Ed: 28/300 Paper glue to cardboard Dimension with frame : 145 x 83.5 x 3.7 cm This captivating painting depicts an interior space marked by a striking interplay of light and shadow. ...

“Tidings (Carolina Memories), 1970-72” by Romare Bearden (American, 1911-1988). A masterwork of Bearden’s mature printmaking, this work is a complex fusion of screenprint, stencil, ...

A man raises his hand to his chin, his neck tilted and face turned to look at a dilapidated farmhouse, barely held together by planks of wood and exposed to the elements. Behind him ...

Richard Florsheim created this color lithograph entitled “Incandescent City” in 1960 in an edition of 35 pieces. This impression is signed and inscribed “34/35.” It is in good condit...

Howard Cook, 'Financial District', lithograph, 1931, edition 75, Duffy 155. A fine, richly-inked impression, on cream wove paper, the full sheet with wide margins (2 3/4 to 5 5/8 inches), in excellent condition. Image size 13 5/16 x 10 3/8 inches (338 x 264 mm); sheet size 23 x 16 inches (584 x 406 mm). Matted to museum standards, unframed. Literature: 'American Master Prints from the Betty and Douglas Duffy Collection', the Trust for Museum Exhibitions, Washington, D.C., 1987. Collections: Crystal Bridges Museum of American Art, Library of Congress, Metropolitan Museum of Art, Philadelphia Museum of Art, Smithsonian American Art Museum. ABOUT THE ARTIST Howard Norton Cook (1901-1980) was one of the best-known of the second generation of artists who moved to Taos. A native of Massachusetts, he studied at the Art Students League in New York City and at the Woodstock Art Colony. Beginning his association with Taos in 1926, he became a resident of the community in the 1930s. During his career, he received two Guggenheim Fellowships and was elected an Academician in the National Academy of Design. He earned a national reputation as a painter, muralist, and printmaker. Cook’s work in the print mediums received acclaim early in his career with one-person exhibitions at the Denver Art Museum (1927) and the Museum of New Mexico (1928). He received numerous honors and awards over the years, including selection in best-of-the-year exhibitions sponsored by the American Institute of Graphics Arts, the Brooklyn Museum, the Society of American Etchers, and the Philadelphia Print Club. His first Guggenheim Fellowship took him to Taxco, Mexico in 1932 and 1933; his second in the following year enabled him to travel through the American South and Southwest. Cook painted murals for the Public Works of Art Project in 1933 and the Treasury Departments Art Program in 1935. The latter project, completed in Pittsburgh, received a Gold Medal from the Architectural League of New York. One of his most acclaimed commissions was a mural in the San Antonio Post Office in 1937. He and Barbara Latham settled in Talpa, south of Taos, in 1938 and remained there for over three decades. Cook volunteered in World War II as an Artist War Correspondent for the US Navy, where he was deployed in the Pacific. In 1943 he was appointed Leader of a War Art Unit...

Matted in a 16 x 20 inch mat Paper size is 11 3/4 x 17 7/16 inches

A fine impression of this very popular image with full margins (smaller on top and bottom) published by Associated American Artists.

This is an exclusive handprinted limited edition of a cyanotype. This beautiful triptych is called "Fresh California Pool patterns", which shows the semi-abstract movements of light reflecting in a California swimming pool. Details: + Edition Size: only 20 + Medium: Cyanotype Print on Watercolor Paper + Stamped and Certificate of Authenticity provided. + Measurements : 100x210 cm (40 x 84 in.) Each paper measures 100cm x 70cm (about 40 in. x 28 in.) each. , a standard frame size. + All cyanotype prints...