Mauro Accardi & Silvia Buccheri Tables

This futuristic sculptural work takes its name after the young titan of the Greek mythology Fated to sustain the pillars that separated the Earth from Heaven. Design: Adolfo Abejon ...

Envisioned by designer Yaniv Chen, the Constant nightstand exudes an air of refined luxury, celebrating the inherent splendor of wood. Meticulously crafted ...

Inspired by his fascination with the aesthetic allure of interiors depicted in films and literature, Yaniv Chen endeavors to capture the essence of captivating spaces. Reflecting upon his formative influences, he recalls the delightful charm of the classic television series "Jeeves & Wooster," set in the extravagant backdrop of the 1920s. It was within the confines of Wooster's apartment that Chen encountered the enchanting allure of art deco design, characterized by the juxtaposition of yellow timbers against meticulously lacquered, high-polished walnuts and mahoganies. With the Various Positions Nightstand...

Merging clean lines with warm materials, the faceted geometry of the MiMi desk creates a slender, elegant profile punctuated with painted surfaces that captu...

Pair of side tables rosewood. Designed by Aksel Kjærsgaard in 1960s, Denmark. Great original condition.

Rare side / tray table model no 1775 designed by Peter Hvidt. Produced by Fritz Hansen in Denmark.

LB7 bookcase, designed by Franco Albini and manufactured by Poggi in 1957. Modular bookstore composed by upholds, containers with flying and doors, shelve. The industrial standard for every product component allows permanent and different solutions, from the bearing structures to the elements. The structure does not need anchorages to the wall and can be placed in the middle of the space. This set is composed of 3 modules, ten shelves, and three containers. It is made of Rosewood, iron, and brass. Excellent vintage condition. Franco Albini was born in Robbiate in 1905, and after his childhood and part of his youth, he moved to Milan. He graduated at Politecnico of Milan, Faculty of Architecture, in 1929, and He collaborated for three years in Giò Ponti and Emilio Lancia’s office. He probably had his international contacts here, at The International Exposition of 1929 in Barcelona and Paris, where he visited le Corbusier’s office, as Franca Helg used to tell. Throughout these first three years, his works were undoubtedly related to XIXth Century. His meeting with Edoardo Persico marks an evident turnover towards rationalism and writers for “Casabella” magazine. Persico’s thoughtful and ironical comments on some of Albini’s drawings for office furniture caused him deep upsetting. “I spent days of real anxiety – tells Albini – I had to answer all questions. I had a long fever”. The new phase that the meeting provoked begins with opening his own first office at Via Panizza with Renato Camus and Giancarlo Palanti. The group of Architects starts taking care of social housing, participating in the competition for the Baracca neighborhood in 1932, and then realizing the Ifacp neighborhood: Fabio Filzi (1936/38), Gabriele D’Annunzio, and Ettore Ponti (1939). During those years, He also worked for his first private villa (Pestarini). It is mainly in the context of exhibitions that the Italian architect experiments the compromise between rigor and poetic fantasy that Pagano was talking about; He conceived all the elements that would become recurrent in all types of his work – Architecture, Interiors, Design. The 1933 opening of the new Triennale of Milano, in Palazzo dell’Arte, becomes an occasion to express the highly innovative character of rationalist thinking. In this place, to experiment with new materials and solutions, but most of all a “method”. Young rationalist architects cultivated the art of exhibiting as a communication lab, an open field to space solutions. Albini, with Giancarlo Palanti, sets the steel structure house (with R. Camus, G. Mazzoleni, G. Minoletti and coordination by G. Pagano) designing also its furniture. For the next Triennale in 1936, marked by Persico’s early death, Franco Albini, together with a group of young architects around Pagano, takes care of the exhibition of Dwelling, where he presented 3 types of lodgings. In the same year, Albini and Romano design the exhibition for Ancient Italian jewelry: vertical uprights, simple linear poles design space. This element is recurring in other works, like the Scipione exhibition (1941), Vanzetti stand (1942), and Olivetti shop in Paris (1956). The architectural space is readable through a grid, introducing a third dimension, the vertical one, with a sense of lightness and transparency. Upright is also used in design objects, such as the Veliero bookcase...

Inspired by old brass buttons and cuff links, this series includes three different table tops each with a distinct base. The series continues to grow and each piece can be modified t...

Patinated wood, gold leaf and mirror three piece set of Venetian rococo console table and night stands. Italy, late 19th century. Console di...

Hand-sculpted wall consoles that can be used as nightstands or as a group on a wall. This piece is both a sculpture and very functional with its large drawer that pulls out from the inverted handle below the apron. This piece can be customized to your dimension needs and made in oak or in MDF. See larger wall console by Jacques Jarrige. Jacques Jarrige is a sculptor and furniture artist from Paris exclusively represented in the U.S. by Valerie Goodman Gallery

A statement piece for refined workspaces – handcrafted in solid OAK, this minimalist executive desk blends functionality and sculptural presence. Elevate your workspace with this lu...

A Mid-Century Modern small desk that can also be used as mirrored vanity. It has one tilt mirror (still bearing the original label) and one drawer. Legs are in hardwood and the top i...