Michael Knigin Landscape Prints

Wilderness by Chris Keegan [2022] Please note that insitu images are purely an indication of how a piece may look This is a hand-pulled limited edition screen print in three colours including Gold metallic ink. The inspiration for this print comes from wandering through a forest, looking up and seeing the changing patterns and shapes as the different types of trees overlap and intersect with each other. Limited edition of 50. Its 40 x 40 cm. Artwork printed on Southbank smooth 250 gsm. £. Chris Keegan artist online and in Wychwood Art Gallery...

Artist: Peter Max (1937) Title: Liberty & Justice for All Year: 2002 Edition: 152/300, plus proofs Medium: Lithograph on Lustro Saxony paper Size: 12.5 x 9 inches Condition: Excellen...

Artist: Romare Bearden (1911-1988) Title: Bopping at the Birdland (Gelburd/Rosenberg 74) Year: 1979 Medium: Lithograph on Arches paper Edition: 131/175, plus proofs Size: 24 x 33.25 ...

Artist: Peter Max (1937) Title: Vase of Flowers Year: 1979 Edition: 138/350, plus proofs Medium: Lithograph on Somerset paper Size: 30 x 22 inches Condition: Excellent Inscription: S...

Artist: Romare Bearden (1911-1988) Title: Tenor Sermon (Gelburd/Rosenberg 75) Year: 1979 Medium: Lithograph on Arches paper Edition: 101/175, plus proofs ...

Artist: Billy Al Bengston – American (1934-2022) Title: Untitled Year: 1990 Medium: Lithograph, silkscreen on Arches paper Sight size: 19.5 x 25.5 inches. Sheet size: 24 x 30 inches. Signature: Signed lower right Publisher: Cirrus Editions, Ltd., Los Angeles, CA Edition: 250 This one: 120/250 Condition: Excellent This print is by Billy Al Bengston. It depicts what looks like a coyote staring out at the horizon on a full moon night. This print was created at the same time Bengston was creating his Moon paintings. The print has dark colors. As a result, my photographs are imperfect; they have a bit of glare. The print is in excellent condition. It is attached by two hinges to a matboard measuring 26 x 32 inches and has a Plexiglas frame. The frame is in fair condition with some light scratches. Billy Al Bengston (June 7, 1934 – October 8, 2022) was an American visual artist and sculptor who lived and worked in Venice, California, and Honolulu, Hawaii. Bengston was probably best known for work he created that reflected California's "Kustom" car and motorcycle culture. He pioneered the use of sprayed layers of automobile lacquer in fine art and often used colors that were psychedelic and shapes that were mandala-like. ARTnews referred to Bengston as a "giant of Los Angeles's postwar art scene." Early life and education Bengston was born in Dodge City, Kansas, on June 7, 1934. His family relocated to Los Angeles in 1948. He attended Los Angeles City College in 1952. Subsequently, he studied painting under Richard Diebenkorn and Saburo Hasegawa at the California College of Arts and Crafts, in Oakland, California, in 1955 and returned to Los Angeles to study at Otis Art Institute in 1956. Career Bengston began showing with the Ferus Gallery in Los Angeles (founded and run by Walter Hopps and Edward Kienholz, and later Irving Blum), having five shows between 1958 and 1963. As a fixture at the gallery, he was among a cohort of artists that included Kienholz, Ed Ruscha, Larry Bell, Kenneth Price, Ed Moses, and Robert Irwin. (The gallery closed in 1966.) In a 2018 article in Vanity Fair, Bengston recalled that he and Irwin hung the 32 pieces in Andy Warhol's Campbell's soup-can paintings show at Ferus in 1962. He notably described the atmosphere of Ferus as a "macho intellectual gang bang". After seeing the work of Jasper Johns at the 1958 Venice Biennale he adopted the motif of a set of sergeant's stripes. This recurring chevron image was painted with industrial materials and techniques associated with the decoration of motorcycle fuel tanks and surfboards. According to Grace Glueck of The New York Times, Bengston "was among the first to ditch traditional oil paint on canvas, opting instead for sprayed layers of automobile lacquer on aluminum in soft colors, achieving a highly reflective, translucent surface." Bengston encouraged viewers in the early 1960s to associate his art with motorcycle subculture; on the cover of a 1961 catalogue for a Ferus show, he was seen straddling a motorcycle. (He also competed in motocross competitions.) "When I painted these motorcycle paintings...

Cedar (small), 2022 Screenprint on Somerset Velvet Antique 280gsm hand-signed and numbered 47.5 x 38 cm Edition of 150 To commemorate Ai Weiwei’s gift of a tree sculpture, Cedar, 20...

Artist: Peter Max (1937) Title: Sunset Sail Year: 1998 Edition: 233/300, plus proofs Medium: Lithograph on Coventry Smooth paper Size: 4.75 x 5.75 inches Condition: Excellent Inscrip...

Artist: Romare Bearden (1911-1988) Title: Introduction for a Blues Queen (Gelburd/Rosenberg 71) Year: 1979 Medium: Lithograph on Arches paper Edition: 109/175, plus proofs Size: 24 x 35.50 inches Condition: Excellent Inscription: Signed and numbered by the artist. Notes: Published by London Arts Group, Detroit. ROMARE BEARDEN (1911-1988) Regarded as one of America's master painters and collagists who depicted African-American life within different types of media. He is famous for his collages and assemblages mixed with over-paint, and is highly regarded as one of the century's most inventive print makers, in a league with Charles White and Jacob Lawrence and in the line of Picasso, Braque and Robert Rauschenberg. Due to this achievement, Bearden remains one of the most influential artists of his time. His childhood memories and art historical influences are blended and transformed to create an original and exciting narrative on African-American history...

Artist: Peter Max (1937) Title: United We Stand Year: 2002 Edition: 107/300, plus proofs Medium: Lithograph on Lustro Saxony paper Size: 12.5 x 9 inches Condition: Excellent Inscript...

Clare Halifax Tropical Overlook Limited Edition 10 colour screen print Edition of 100 Sheet Size: H 27cm x W 25cm x 0.1cm Sold Unframed Hand printed by the artist onto somerset satin...

Artist: Peter Max (1937) Title: Liberty Head V Year: 2001 Edition: 454/500, plus proofs Medium: Lithograph on Lustro Saxony paper Size: 3.5 x 3 inches Condition: Excellent Inscriptio...