Nancy Graves Abstract Paintings

Antique American modernist abstract signed oil painting. Oil on canvas. Signed illegibly. Framed. Image size, 36L x 16H.

Alfred Cohen (American, 1920 - 2001) Signed: A. Cohen (Lower, Right) Stamped: Atelier Alfred Cohen (on Canvas Verso) " Off Boulogne ", circa 1950s Oi...

Antique American modernist framed oil painting. Oil on board. No signature found. Framed. Image size, 13L x 12H.

Susan Kiefer Planar Assembly Oil on Canvas Year: 2022 Size: 40x30x1.35in Signed by hand COA provided Though born and raised in Kansas City, artist Susan Kiefer lived on the west co...

Antique American modernist abstract oil painting. Oil on canvas. Framed. Image size, 30L x 24H.

Rites of Passage by Parris Jaru is a commanding composition that captures the essence of transformation and resilience. The figure, painted in deep brown against a vibrant yellow bac...

In this painting, I blend the tumultuous depth of abstract with the softer edges of impressionism, capturing an emotional landscape that speaks to our lives of loneliness or willing ...

Reality Artist signed lower right corner and back, canvas 43"x95"x1.5 Maximo Caminero Born in the Dominican Republic in 1962. Artist, self-taught formation. He made his first...

Waterline Fine Art, Austin, TX is pleased to present the following work: Oil on canvas. Signed lower right, signed and dated verso. 62.25 x 56.25 in. 64 x 58 in. (framed) Custom framed in a natural cherry wood floater. Provenance Washburn Gallery, New York Behnke Doherty Gallery, Washington Depot, CT Born in 1908 in Chicago, John Opper moved with his family to Cleveland, Ohio, in 1916. In high school, he began studying art and attending classes at the Cleveland Museum of Art. After graduation, he enrolled in the Cleveland School of Art (now Cleveland Institute of Art), only to withdraw after a year and move to Chicago, where he took classes at the Art Institute of Chicago. He eventually returned to Cleveland, enrolling at Western Reserve University (now Case Western Reserve), receiving his bachelor’s degree in 1931. The Depression has taken hold during this period, so Opper found work by teaching metalworking and sketching classes at the Karamu Settlement House, the oldest African American theater in the United States. In 1933, Opper traveled to Gloucester, Massachusetts, eventually connecting with the artist Hans Hofmann, who was teaching at the school run by Ernest Thurn. Hofmann encouraged Opper to work “in a more modern vein and start finding what it’s all about.” Heeding this advice, Opper relocated to New York, co-founding a mail-order club of American and British prints for dissemination to schools and museums. By the mid-1930s, he joined the Works Progress Administration (WPA) Easel Division, and also began attending the 57th Street school that Hans Hofmann had established after leaving the Art Students League. Looking back at his time at the school, Opper felt that beyond Hofmann’s teaching, most advantageous was his contact with fellow artists, including Byron Browne, Rosalind Bengelsdorf, and George McNeil. At the time, he also met Giorgio Cavallon and the sculptor Wilfrid Zogbaum. In 1936, Opper became a founding member of the American Abstract Artists, along with Balcomb and Gertrude Greene. The organization was formed to provide an opportunity for artists to show abstract works at a time when such opportunities were scarce. This led to his first solo show in 1937 at the Artists’ Gallery in New York. During his summer in Gloucester in 1933, Opper came to know Milton Avery. Painting in Avery’s informal studio in New York City the following winter, he became acquainted with Adolph Gottlieb and Mark Rothko. Opper participated in a couple of shows during the 1930s of the American Artists Congress Against War and Fascism, whose president was Stuart Davis. About the same period, Opper joined the Artists’ Union and served as the business manager of its publication, Art Front. During World War II, Opper worked for a ship design company creating drawings for piping systems used in PT boats...

Paris, Tuileries Garden. 1961. Oil on canvas, 27x41 cm Andree Cottavoz (1922-2012) André Cottavoz is a painter and lithographer who belonged to the Sanzistes group and Paris School...

This abstract landscape is reminiscent of my last trip to northern Norway. Very cold but on the islands the sea creates a moderation of climate, snow is great when it's dry but ofte...

Petra Rös-Nickel’s original paintings merge playful forms, bright colors and architectural compositions in oil and mixed media on canvas. Her contemporary artworks contain rich textures and patterns, referencing popular European textile design of the fifties and sixties. Rös-Nickel’s work translates the geometric and organic elements of an era which hoisted the flags of modernism and which, due to a trend to return to a rather retro style, has become topical once more. This colorful 28 inch high by 16 inch wide contemporary oil painting can be installed horizontally or vertically. The sides of this artwork are painted and it does not require framing. This one-of-a-kind painting is signed by the artist on the back. Free local Los Angeles area delivery. Affordable U.S. and global shipping available. A certificate of authenticity issued by the art gallery is included. Petra was born 1963 in Wathlingen near Celle, Germany, and breaks completely new ground with her abstract forms of painting and expression. After studying fashion design at the professional school for clothing in Bremen, 1980, Petra Rös-Nickel changed her field of study to architecture in Eckernförde, 1982. She now lives in Hamburg, Germany. Preferring the creative aspects of the studies to the technical ones, the artist developed the basics of her painting, never denying the roots of applied design and soon ending in a refreshing, distinctive style. Petra Rös-Nickel experiments with form, along with the use of a technique that draws attention to the processes used in creating a painting. Essential is the color space presented in multiple layers that offers the beholder access to more profound color planes. These details, scratchings, and rubbings lead to various elements of tension, such as “patchwork” or harmonious-contemplative forms (“windows”) and “oscillating lines”. Rös-Nickel's modernist paintings develop an energetic impact on the space they‘re displayed in, conveying her joy of life and self-confidence. Her abstract geometric textured artworks have been exhibited and collected worldwide, including Germany, Belgium, USA, Canada, Singapore and Hong Kong. Notable collectors include Chris Rock...