Paul von Ringelheim Prints and Multiples

"Orange Row", Abstract Geometric Minimalist Composition w Ovals, Limited Edition Delicate and perfect ovals in orange, yellow, red, and blue are purposefully arranged on lined paper...

Kandinsky at Galerie Karl Flinker - 1977 Exhibition Poster - in Ink on Paper Poster with a reproduction of "Merry Structure" by Vassily Kandinsky (Russian, 1866-1944). This posted i...

Serigraph in colors on paper. Hand signed and numbered by the artist. Edition of 300. Sheet size 24 x 31 inches. Artwork is in excellent condition. Certificate of Authenticity i...

Original World Cup USA ’94, Coca Cola sponsored vintage poster. Archival linen backed in A- condition, ready to frame. This World Cup ’94 poster is very rarely seen or available....

Screen print in colors on hand made wove paper. Hand signed on horizontal black bar by Jim Dine. Hand numbered 78/200 lower left. From 11 Pop Artist's Volume II (Mikro 36). Publi...

Screen print on arches paper. From Double Metamorphosis Series. Hand signed and numbered by Yaacov Agam. From the edition of 180. Sheet size 36.25 x 49.75 inches. Image size 29 ...

Screen print in colors on paper. Hand signed and numbered by Ronnie Cutrone. From the edition of 150. Certificate of Authenticity included. Please do not hesitate to ask us any further questions. All reasonable offers will be considered. Please note our gallery has more than 1 of this artwork in stock and the exact edition number you may receive may be different than pictured. About the artist: Ronnie Cutrone (American, b.1948) is a Pop artist renowned for his vibrant, satirical paintings...

Silkscreen collage on paper. Hand signed, titled and numbered by Peter Blake. From the edition of 175. Image size 19 x 16 inches. Sheet size: 27 x 23 inches. Frame size approx 31....

Silkscreen collage on paper. Hand signed, titled and numbered by Peter Blake. From the edition of 175. Image size 19 x 16 inches. Sheet size: 27 x 23 inches. Frame size approx 31....

Serigraph in colors on paper. From the Menorah series. Hand signed and numbered by the artist. Edition of 200. Certificate of Authenticity Included. Artwork in Excellent Conditi...

Screenprint on paper. Hand signed and numbered by the artist. Edition 19/30 (there were also ten artist’s proofs). From the portfolio Master American Contemporaries, Inaugural Print Invitational. Published by Museu de Arte Contemporânea, São Paulo, printed by American Image, Katonah, NY, and labeled with the museum’s printed anniversary mark in the lower right corner. Custom framed as pictured...

Bold abstract aquatint by Johnny Friedlaender (Polish-French, 1912-1992). Comprised of two main sections, this piece is full of detail and texture. The upper layer is a reddish tan, whereas the bottom layer is a rich brown. Geometrical shapes are arranged such that they almost form mirror images of each other, but vary enough to create interest and a sense of movement. Signed in the lower right corner. Numbered 56/350 in the lower left corner. Includes original certificate of authenticity. Presented in a new cream mat with foamcore backing. Mat size: 42"H x 32"W Paper size: 33.75"H x 24.5"W Johnny Friedlaender was a leading 20th century artist, whose works have been exhibited in Germany, France, Netherlands, Italy, Japan and the United States. He has been influential upon other notable artists, who were students in his Paris gallery. His preferred medium of aquatint etching is a technically difficult artistic process, of which Friedlaender has been a pioneer. Johnny Gotthard Friedlaender was born in Pless (Silesia) and his early studies were in Breslau under Otto Mueller. In 1936 Friedlaender journeyed to Czechoslovakia, Switzerland, Austria, France and Belgium. At the Hague he held a successful exhibition of etchings and watercolours. He fled to Paris in 1937 as a political refugee of the Nazi regime with his young wife, who was an actress. In that year he held an exhibition of his etchings which included the works: L 'Equipe and Matieres et Formes. From 1939 to 1943 he was interned in a series of concentration camps, but survived against poor odds. After freedom in 1944 Friedlaender began a series of twelve etchings entitled Images du Malheur with Sagile as his publisher. In the same year he received a commission to illustrate four books by Freres Tharaud of the French Academy. In 1945 he performed work for several newspapers including Cavalcade and Carrefour. In the year 1947, he produced the work Reves Cosmiques, and in that same year he became a member of the Salon de Mai, which position he held until 1969. In the year 1948 he began a friendship with the painter Nicolas de Stael and held his first exhibition in Copenhagen at Galerie Birch. The following year he showed for the first time in Galerie La Hune in Paris. After living in Paris for 13 years, Friedlaender became a French citizen in 1950. Friedlaender expanded his geographic scope in 1951, and exhibited in Tokyo in a modern art show. In the same year he was a participant in the XI Trienale in Milan, Italy. By 1953 he had produced works for a one-man show at the Museum of Neuchâtel and exhibited at the Galerie Moers in Amsterdam, the II Camino Gallery in Rome, in São Paulo, Brazil and in Paris. He was a participant of the French Italian Art Conference in Turin, Italy that same year. Friedlaender accepted an international art award in 1957, becoming the recipient of the Biennial Kakamura Prize in Tokyo. In 1959 he received a teaching post awarded by UNESCO at the Museum of Modern Art in Rio de Janeiro. By 1968, Friedlaender was travelling to Puerto Rico, New York and Washington, D.C. to hold exhibitions. That year he also purchased a home in the Burgundy region of France. 1971 was another year of diverse international travel including shows in Bern, Milan, Paris, Krefeld and again New York. In the latter city he exhibited paintings at the Far Gallery, a venue becoming well known for its patronage of important twentieth century artists. From his atelier in Paris Friedlaender instructed younger artists who themselves went on to become noteworthy, among them Arthur Luiz Piza, Brigitte Coudrain, Rene Carcan...