Phil Greenwood Still-life Prints

In "Late Night", Frederick Mershimer created a winter scene where Berkeley Place meets Seventh Avenue in Brooklyn's Park Slope. This image, the seventh in t...

Signed, titled and numbered from the edition of 30. Imaginary topiary and garden scene, with incredibly fine line work in one of Houtin's earliest etchings. François Houtin was born in Craon en Mayenne, France in 1950. He has lived and worked in Paris since 1971. He was trained as a landscape architect, and worked on such prominent projects as the renovation of the Jardin des Tuilleries in 1991. It wasn't until 1973 that he learned printmaking from Jean Delpech, and by 1979 he had become a full-time artist known for his highly detailed prints...

Artist: Jane Freilicher, American (1924 - 2014) Title: Peonies Year: 1989 Medium: Etching with Aquatint, signed and numbered in pencil Edition: 25 Size: 29.5 x 22 in. (74.93 x 55.88 cm)

Signed, titled and numbered in pencil, 28/30. Imaginary landscape with waterfalls, incredibly fine line work in this small etching. François Houtin was...

Signed, titled and numbered by the artist. This intaglio print shows a plum tree in full bloom, with the architectural details that often accompany Smith-Harrison's portraits of trees. David Smith...

Signed, titled and numbered by the artist. This intaglio print shows an orchard combined with the classical architectural imagery that often accompany Smith-Harrison's portraits of ...

Archival inkjet print of a realistic Birch tree forest landscape made with blue ball-point pen "Yield and Overcome", original drawing made in 2022 by Linda Newman Boughton, limited edition of 15 prints made the same year Archival inkjet prints on German watercolor paper 38.5 x 30 inches unframed, framing options available Signed and editioned by the artist Excellent condition This suite of limited edition prints captures Linda Newman Boughton’s Baroque inspired landscape "Yield and Overcome" in vivid detail. Taking four months to create, the original drawing was made entirely using the artist's favorite brand of “Rite in the Rain” waterproof blue-ink pen. Working from a photograph, Boughton employed a variation of pen strokes, combining gestural lines that serve as the drawing’s foundation, with tighter strokes to develop the sections of intricate detail. From a wild and tangled web of lines emerges identifiable forms, such as a complex root system or a bushy canopy of leaves. The work itself feels kinetic; millions of mark makings vibrate with an energy that stems from a sacred connection to nature. Boughton’s passion for the arts began early, as she acted, made art, and designed theatrical sets throughout her youth. She went on to study fashion illustration at Florida State University before transferring to F.I.T in New York City. Experience in the fashion world and her love for theatre soon landed her jobs in Hollywood, painting sets and murals for feature films such as Nightmare on Elm Street VII, Fight Club, among many others. The artist lives in Ghent, NY with her husband where she continues to make art and write and create show ideas for television. Artist Bio: Linda grew up in an artistic and theatrical family in Tampa, Florida. Drawing and painting always felt effortless and fun for her. Acting and designing in theatre also made up much of her early years. Her first choice in higher education was at Florida State University where she was a theatre major and had an art minor. At the University drawing skills were emphasized, and with a love of drawing people, she found herself in a fashion illustration class, loving every minute of it. Within a year of taking that class, she taught a summer fashion illustration course at Florida State University, and soon made her move to New York City where she attended the prestigious Fashion Institute of Technology, graduating Cum Laude, with a degree in fashion illustration. She worked in the fashion industry for the next several years, illustrating, designing accessories and shooting freelance photography. Her love of acting and design soon propelled her to seek out Hollywood and the creative opportunities of working in the movie industry. Within in a year Linda was working as a lead scenic artist painting sets and murals for feature films. On a feature called: Wes Craven's New Nightmare- Nightmare on Elm Street VII, there was a need for a Warhol TextBody">EXHIBITIONS Davenport and Shapiro Fine Art East Hampton, NY July - October 2012 Eckerd College St. Petersburg, FL The 10th Anniversary Invited Artists Exhibit January - March 2012 1078 Gallery Chico, CA September 2011 The Happening Gallery Los Angeles, CA Group Show September 2010 Strohl Art Center / Chautauqua Institute Chautauqua, New York Juried Show June - July 2010 James Gray Gallery at Bergamot Station Santa Monica, CA 2009 Gallery 800 Los Angeles, CA Group Show 2009 Art Salon Washington DC 2009 MJ Higgins Gallery Los Angeles, CA Group Show 2008 The Long Beach Museum of Art Long Beach, CA Group Show - Art Auction X 2005 The Long Beach Museum of Art Long Beach, CA Group Show - Art Auction IX 2003 ART WORK FOR MOVIES ART WORK FOR TV The Man with the Iron Fists Up All Night The Lone Ranger Hemlock Grove Beautiful Creatures Big Love Savages Desperate Housewives Water For Elephants Will and Grace Jonah Hex Access Hollywood Eagle Eye Various pilots Déjà vu Domino Starsky and Hutch Skeleton Key The Crow - City of Angels Fight Club Fear and Loathing...

"Moonlight Glade", a small intimate etching of a New England graveyard, is a remembrance of the artist's roots. There is a quiet reverent calm to this moonlit scene,. William Woodward, born in Seekonk, Massachusetts, received his art training at the Rhode Island School of Design and the Massachusetts Normal Art School. He taught at the Rhode Island School of Design while still a student there. At the behest of William Preston...

This view of the Brooklyn and Manhattan Bridges is looking down "Plymouth Street" to the intersection of Jay Street. It is #35 in the catalogue raisonne by Retif & Salzer and is in the permanent collection of the Museum of City of New York...

Rye bread. 1980, Paper, linocut, print size 50x65 cm; total 65x73 cm Dainis Rozkalns (1928 - 2018) Artist, graphic artist, illustrator of folklore and fiction publications. The mai...

Flower. Original color aquatint and etching, 1976. Edition of A.P. (artist’s proof) signed and numbered impressions on Arches paper. Kyu-Baik Hwang is contemporary painter and printm...

2010, etching with aquatint, 22 x 22 1/4 inches, edition of 40