Philippe Mallet Art

Edouard Detaille (1848-1912) A trophy of arms 11.5 x 20 cm Pen and ink with heightenings of white gouache on paper Signed and dated 1885 lower right and annotated "Armée française ...

This 1946-54 ink on paper fashion illustration is by illustrator Marjorie Ullberg. Ullberg worked for H. Liebes and Neiman Marcus department stores, creating their ad work and fashio...

Secret Garden 12, 2020 white ink on black cardboard 27 9/16 H x 39 3/8 W in. 70 H x 100 W cm The drawings signed by Alina Aldea show the meticulousness and perfection of microscopic...

This 1950s ink and gouache fashion illustration of a woman in a long navy blue dress with a belted waist and matching cropped jacket is by fashion designer Frederick Gibson Bayh (1917-2007). Bayh frequently used silks and brocades selected from Gump's famous collection of Asian art treasures. Bayh designed with a dramatic sense of Hollywood glamour for clients such as Dinah Shore...

Still Life is an Ink and tempera drawing realized by Reynold Arnould (Le Havre 1919 - Parigi 1980). Good condition on a white envelope. Titled on the lower right corner, another s...

Finely detailed figurative illustration of a young woman leaning against a fence. The woman is wearing a plaid dress and bonnet with a black ribbon. Some of the landscape has been il...

Gareth Pugh, by Manuel Santelices Ink pen, and watercolor on paper Image size: 9 in. H x 12 in. W One of a Kind Unframed 2021 The worlds of fashion, society, and pop culture are ex...

Prada Bag Ladies by Manuel Santelices Ink pen, gouache, and watercolor Image size: 12 in. H x 9 in. W One of a Kind Unframed 2021 The worlds of fashion, so...

This 1950s ink and gouache fashion illustration of a woman in an olive green dress is by fashion designer Frederick Gibson Bayh (1917-2007). Bayh frequently used silks and brocades selected from Gump's famous collection of Asian art treasures. Bayh designed with a dramatic sense of Hollywood glamour for clients such as Dinah Shore...

Expressionist ink and pastel crayon drawing of flowers in vase. Framed in a vintage cobalt blue glass original frame Hand signed and dated Framed it measures 13.5 X 10.5 The actual paper is 7.5 X 5.5 Born in 1897, Ben-Zion Weinman celebrated his European Jewish heritage in his visual works as a sculptor, painter, and printmaker. Influenced by Spinoza, Knut Hamsun, and Wladyslaw Reymont, as well as Hebrew literature, Ben-Zion wrote poetry and essays that, like his visual work, attempt to reveal the deep “connection between man and the divine, and between man and earth.” An emigrant from the Ukraine, he came to the US in 1920. He wrote fairy tales and poems in Hebrew under the name Benzion Weinman, but when he began painting he dropped his last name and hyphenated his first, saying an artist needed only one name. Ben-Zion was a founding member of “The Ten: An Independent Group” The Ten” a 1930’s avant-garde group, Painted on anything handy. Ben-Zion often used cabinet doors (panels) in his work. Other members of group included Ilya Bolotowsky, Lee Gatch, Adolph Gottlieb, Louis Harris, Yankel Kufeld, Marcus Rothkowitz (later known as Mark Rothko), Louis Schanker, and Joseph Solman. The Art of “The Ten” was generally described as expressionist, as this style offered the best link between modernism and social art. Their exhibition at the Mercury Gallery in New York held at the same time as the Whitney Annual Exhibition of Contemporary American Painting, included a manifesto concentrating on aesthetic questions and criticisms of the conservative definition of modern art imposed by the Whitney. Ben-Zion’s work was quickly noticed. The New York Sun said he painted “furiously” and called him “the farthest along of the lot.” And the triptych, “The Glory of War,” was described by Art News as “resounding.” By 1939, The Ten disbanded because most of the members found individual galleries to represent their work. Ben-Zion had his first one-man show at the Artist’s Gallery in Greenwich Village and J.B. Neumann, the highly esteemed European art dealer who introduced Paul Klee, (among others) to America, purchased several of Ben-Zion’s drawings. Curt Valentin, another well-known dealer, exhibited groups of his drawings and undertook the printing of four portfolios of etchings, each composed of Ben-Zion’s biblical themes. He worked as a WPA artist. Ben-Zion’s work is represented in many museums throughout the country including the Metropolitan, the Whitney, and the Museum of Modern Art in New York, the Art Institute of Chicago, the Philadelphia Museum of Art and the Phillips Collection, Washington. The Jewish Museum in New York opened in 1948 with a Ben-Zion exhibition. Ben-Zion consistently threaded certain subject matter—nature, still life, the human figure, the Hebrew Bible, and the Jewish people—into his work throughout his life. "In all his work a profound human feeling remains. Sea and sky, even sheaves of wheat acquire a monolithic beauty and simplicity which delineates the transient as a reflection of the eternal. This sensitive inter- mingling of the physical and metaphysical is one of the most enduring features of Ben-Zion's works." (Excerpt from Stephen Kayser, “Biblical Paintings,” The Jewish Museum Catalogue, 1952). Mystical Imprints: Marc Chagall, Ben-Zion, and Ben Shahn presents the print work of three prominent 20th century Jewish artists born in the Russian Empire. Among these seventy pieces are etchings and lithographs from Chagall’s Bible series...

Gucci Spring 19 Accessories by Manuel Santelices One of a kind, watercolor, and ink on paper Signed by the artist. Image size: 10 in. H x 7 in. W Unframed...

This mid 20th century mixed media anatomical study of the musculature of the torso is by Illinois artist Dellard Cassity (1926-2008). Cassity graduated from Washington University in ...