Pierre Dionisi Drawings and Watercolor Paintings

Tall French Landscape by Bernard Labbe (French mid 20th century) signed original watercolour/ gouache painting on paper , unframed size: 18.5 x 12.5 inches condition: very good and r...

The Family is an original artwork realized by Georges Henri Tribout in about 1940. Ink, pencil drawing and watercolor; hand signed on the left ma...

Cherry Blossom and Winter Trees [2022] original Pen & Ink with Watercolour Image size: H:33.5cm cm x W:26.0cm cm Complete Size of Unframed Work: H:42 cm cm x W:32 cm cm x D:1mmcm Sold Unframed Please note that insitu images are purely an indication of how a piece may look Pen and Ink Drawing with Watercolour on Watercolour Paper.Elizabeth Chalmers...

Gathering Vraic on a Jersey Shore. c. 1937. Ink and watercolor on 'Castle Linen Tolli & Harvey LD London' countermarked paper. 7 1/8 x 13 1/2 (sheet 12 1/2 x 16 1/4). Good condition, apart from small professionally repaired paper losses at the corners, from previous hinges. Dedicated 'To my friend Harold James Bailey E.B.' and annotated 'To wish you a glad glow of happiness for Christmas and the New Year'. From the collection of the famous Blampied scholar and collector, Harold J. Bailey, who wrote an article, 'Edmund Blampied: Artist and Philosopher' in the Print Collector's Quarterly 24 (1937). Housed in a 15 1/2 x 21 1/2-inch Whistler style gold wood frame. In the left rear section is a Martello or Conway tower, built as a fortiffiction. A Jersey Round Tower Coastal towers stand all along the coast of the island. The British built 22 round towers, one similar square tower, and eight Martello towers towards the end of the 18th Century and in the early to mid-19th Century, but now only 24 remain, including seven of the Martellos. Vraic is a seaweed found in the Channel Islands. The main use of vraic is for spreading over potato fields during the winter. It is then ploughed into the soil before the potatoes are planted in late winter and spring. Vraic was traditionally gathered by horse and cart in Grouville Bay and St Ouen's Bay, and in smaller quantities at Le Hocq and Havre des Pas. The practice continues using...

Early 1960s work on paper of a group of trees at Buckfast Abbey in Devon, England, by Alban Atkins. Signed bottom left, titled and dated to the reverse. There is also a collection or accession number to the backboard. Atkins has captured the sculptural nature of the tree trunks as they have grown in the landscape giving the work a feeling of living, writhing things as well as an abstract feel in the composition. Atkins was one of the group of important artists chosen and commissioned by Sir Kenneth Clark...

Mejdel Yaba. 20 September, 1918 Pencil, ink and watercolour on paper. 8 1/8 x 22. Provenance: The Fine Art Society. Annotated, upper left, "due N at ???' Dated on the ink drawing on ...

Into the Woods is an original modern artwork realized by the French artist Gabrielle Kayser in 1948. Original watercolored and china ink on paper. Hand-signed and dated by the ar...

Basilica of the Sacred Heart of Paris is an original drawing in China ink and felt tip pen on cardboard realized in 1950ca. by an Anonymous artist of the XX century. The State of p...

Rio della Misericordia. October 1924. Watercolor. 14 x 8 3/4. McBey did a striking nocturnal view of the bridge in his 1926 drypoint, The Bridge by Night Carter 232. Signed and dated, lower right; titled verso. Housed in a French mat and a 22 x 16 1/2-inch gold leaf frame. The Rio Della Misericordia ( from the Venetian to the Misericordia Canal ) is a canal from Venice in the sestiere of Cannaregio, Contrada San Marzillan in Italy. The river runs along the old Servite convent. The canal is crossed by two bridges, from east to west: the San Marziale spawning linking the campo of the same name with the Fondamenta de la Misericordia and the dei dei Servi or Betania linking the Mensa di Betania to the Fondamenta de la Misericordia . Born in Newburgh near Aberdeen, James McBey attended evening classes at Graydon's School of Art and taught himself etching, building his own press at the age of fifteen. He moved to London to prepare for a one-man show at Goupil's Gallery, and shortly after this highly successful first show, he traveled to Morocco with James Kerr...

Lighthearted Illustration of Outdoor Pursuits This one of a fisherman signed "W. Steig" Provenance: from Mrs. Joseph B. Ryan, Commissioned by Joe Ryan for the bar at his ski resort, Mount Tremblant Lodge, in 1938. Mont Tremblant, P.Q., Canada Watercolor and ink on illustration board, sights sizes 8 1/2 x 16 1/2 in., framed. In 1938 Joe Ryan, described as a millionaire from Philadelphia, bushwhacked his way to the summit of Mont Tremblant and was inspired to create a world class ski resort at the site. In 1939 he opened the Mont Tremblant Lodge, which remains part of the Pedestrian Village today. This original illustration is on Whatman Illustration board. the board measures 14 X 22 inches. label from McClees Galleries, Philadelphia, on the frame backing paper. William Steig, 1907 – 2003 was an American cartoonist, sculptor, and, in his later life, an illustrator and writer of children's books. Best known for the picture books Sylvester and the Magic Pebble, Abel's Island, and Doctor De Soto, he was also the creator of Shrek!, which inspired the film series of the same name. He was the U.S. nominee for both of the biennial, international Hans Christian Andersen Awards, as a children's book illustrator in 1982 and a writer in 1988. Steig was born in Brooklyn, New York in 1907, and grew up in the Bronx. His parents were Polish-Jewish immigrants from Austria, both socialists. His father, Joseph Steig, was a house painter, and his mother, Laura Ebel Steig, was a seamstress who encouraged his artistic leanings. As a child, he dabbled in painting and was an avid reader of literature. Among other works, he was said to have been especially fascinated by Pinocchio.He graduated from Townsend Harris High School at 15 but never completed college, though he attended three, spending two years at City College of New York, three years at the National Academy of Design and a mere five days at the Yale School of Fine Arts before dropping out of each. Hailed as the "King of Cartoons" Steig began drawing illustrations and cartoons for The New Yorker in 1930, producing more than 2,600 drawings and 117 covers for the magazine. Steig, later, when he was 61, began writing children's books. In 1968, he wrote his first children's book. He excelled here as well, and his third book, Sylvester and the Magic Pebble (1969), won the Caldecott Medal. He went on to write more than 30 children's books, including the Doctor DeSoto series, and he continued to write into his nineties. Among his other well-known works, the picture book Shrek! (1990) formed the basis for the DreamWorks Animation film Shrek (2001). After the release of Shrek 2 in 2004, Steig became the first sole-creator of an animated movie franchise that went on to generate over $1 billion from theatrical and ancillary markets after only one sequel. Along with Maurice Sendak, Saul Steinberg, Ludwig Bemelmans and Laurent de Brunhofff his is one of those rare cartoonist whose works form part of our collective cultural heritage. In 1984, Steig's film adaptation of Doctor DeSoto directed by Michael Sporn was nominated for the Academy Award for Best Animated Short Film. As one of the most admired cartoonists of all time, Steig spent seven decades drawing for the New Yorker magazine. He touched generations of readers with his tongue–in–cheek pen–and–ink drawings, which often expressed states of mind like shame, embarrassment or anger. Later in life, Steig turned to children's books, working as both a writer and illustrator. Steig's children's books were also wildly popular because of the crazy, complicated language he used—words like lunatic, palsied, sequestration, and cleave. Kids love the sound of those words even if they do not quite understand the meaning. Steig's descriptions were also clever. He once described a beached whale as "breaded with sand." Throughout the course of his career, Steig compiled his cartoons and drawings into books. Some of them were published first in the New Yorker. Others were deemed too dark to be printed there. Most of these collections centered on the cold, dark psychoanalytical truth about relationships. They featured husbands and wives fighting and parents snapping at their kids. His first adult book, Man About Town, was published in 1932, followed by About People, published in 1939, which focused on social outsiders. Sick of Each Other, published in 2000, included a drawing depicting a wife holding her husband at gunpoint, saying, "Say you adore me." According to the Los Angeles Times, fellow New Yorker artist...

Gravesend. August 1928. Ink and watercolor on paper. 13 1/2 x 21. Signed and dated in ink, lower left; and titled in ink, verso. Housed in a 24 1/2 x 31-inch Whistler-style gold frame. Gravesend is a town in northwest Kent, England, on the south bank of the Thames, opposite Tilbury in Essex, about 15 miles southeast of London. Born in Newburgh near Aberdeen, James McBey attended evening classes at Graydon's School of Art and taught himself etching, building his own press at the age of fifteen. He moved to London to prepare for a one-man show at Goupil's Gallery, and shortly after this highly successful first show, he traveled to Morocco with James Kerr Lawson...

Temple in the Garden is an original artwork, pencil, watercolor and charcoal on paper. Is not signed and dated but we can attribute the period early 20th Century. It's an evocative...