Piet Mondrian Posters

Original David Hockney Exhibition Lithograph Poster, entitled "8 Sun chairs by a Pool", was created in 1996 for Hockney's Drawing Exhibition held at the Los Angeles County Museum. T...

Piet Mondrian Late 20th Centry Framed Print In original condition with minor wear consistent of age and use.

Georges Mathieu (français, 1921 - 2012) Reproduction «Paris, Capitale des Arts», 1966.

The Beatles by Richard Avedon, offset lithographs, for Look Magazine, framed. Set of 4 Look Magazine Beatles posters with bright colors and minor toning and handling wear. The posters are in very good condition - having been stored in the original shipping tube (included in the listing). Each poster has been archivally floated on a white matte board, under UV plexiglass and framed in a 1.25 inch white lacquer wood cube molding. Measurements: Sheet image sizes: 31 inches H; x 22.5 inches W; Framed size: 39 inches H x 30 inches W x 1.25 inches D. Printed in the lower left of each poster is the band member's name; E.g., JOHN LENNON photographed by Richard Avedon for Look Magazine. Original Look Magazine shipping tube is emblazoned with groovy psychedelic "Beatles", shows the recipient's address and the sender's return address: Beatles Posters Box 1 Look Building Des Moines, IA. 50304 Background of Avedon/Beatles Collaboration: The Beatles were photographed by Richard Avedon on August 11th, 1967. The shoot took place at a photography studio in a penthouse at Thompson House, 200 Gray's Inn Road, London, England. The American photographer took a number of shots of the group, four of which were later embellished with psychedelic effects. The posters were printed by Waterlow & Sons Ltd of London/ The publisher's information appears in the lower right margin of each poster. One a side note, Avedon sold the copyrights of both the photos he took that day and his psychedelic embellishments, executed in post production, to NEMS Enterprises, Ltd. - a firm run by the Beatles music manager Brian Epstein. On Aug 27, 1967, sixteen days after Avedon’s Beatles photo session, Beatles manager Brian Epstein died from an overdose of Carbitol. The Beatles were shocked. By strange twist of fate, the Beatles were attending Maharishi Mahesh Yogi’s meditation seminar at Bangor, North Wales. The guru they had just met in London became a substitute for their use of psychedelics and a cushion for their bereavement. Avedon, unknowingly to the Beatles, or even himself, had captured this true spiritual essence just weeks before. January 1968 was the initial concurrent publication of the Avedon photos...

Henri de Toulouse-Lautrec was a French illustrator, painter and printmaker, whose subject matter detailed the bohemian lifestyle of Paris during the late 1800’s. 'Ambassadeurs: Aristide Bruant...

These Karel Appel Abstract early 1950's reproductions were fashionable in the 1970's in the Netherlands Printed paper on chipwood Sold in Dutch interior stores these wall decorati...

Piet Mondrian: "Composition C n°III in Red, Blue, and Yellow" – Signed Lithograph Enhance your collection with this exceptional signed lithograph by Piet Mondrian, one of the foremo...

'Loterie Nationale' original vintage French lithograph poster, by Brenot, 1965 Pierre-Laurent Brenot, was a French painter who also...

Piet Mondrian: "Composition C n°III in Red, Blue, and Yellow" - Signed Lithography Elevate your collection with this stunning lithograph by Piet Mondrian, titled "Composition C n°III in Red, Blue, and Yellow." This 8-color passage lithograph is signed in the plate and marked HC, printed on Arches vellum paper measuring 38.5 x 32 cm. Published by Edition d'Art Henri Piazza, it is based on the eponymous 1935 painting and authenticated by the publisher's dry stamp. The lithograph was printed in an edition of 250 copies, plus a few HC proofs, and includes the publisher's certificate. This artwork is in excellent condition, with minor wear consistent with its age and use, preserving a beautiful patina. It is framed in a high-quality black lacquered wood frame. Dimensions: D 3 cm x W 33 cm x H 40 cm. Ideal for collectors and art enthusiasts, this Piet Mondrian lithograph...

Original poster for the exhibition "Piet Zwart Ontwerper (Designer)" held at the Haags Gemeentmuseum in the Netherlands in 1973. Zwart was a Dutch photographer, Industrial designer, and Pioneer of modern typography...

A reproduction imprint of the Iconic 1932 – 33 ‘Bodyline Tour’ poster specially signed by Sir Donald Bradman This reproduction imprint of the iconic travel poster created for the 1932-33 ‘bodyline’ Ashes series entitled ‘Go Out to Australia for the Test Matches September 1932- March 33’ has been specially signed by the all-time greatest batsman, Sir Donald Bradman towards the centre of its image. The original poster was published by Troedel and Cooper Pty Ltd Melb. It was reproduced with permission of the Percy Trompf Estate and published by Post-Age Pty Lid (Sydney). Dimensions: Height - 89 cm Width - 63.5 cm Condition – Very Good This poster was created by Percival Alfred Trompf (1902 – 1964). Trompf was an Australian commercial artist best known for his travel posters, books, advertising hoardings and pamphlets promoting the nation’s tourist industry and Australian and international corporations and companies. His colour lithography was recognised as distinctive during his career and since, Art Decoin style, and innovative in its use of flat colour. Sir Donald George Bradman (27 August 1908 – 25 February 2001) known as Don Bradman and nicknamed ‘The Don’ was an Australian international cricketer who was regarded as the greatest batsman of all time. His career Test batting average of 99.94 collected over 52 matches is considered by some commentators to be the greatest achievement by any sportsman in any major sport. Before the 1932-33 Ashes tour, Douglas Jardine, the captain of England noted that Bradman was uncomfortable facing deliveries higher than usual at a faster pace, having observed him to step back consistently out of the line of the ball. Jardine felt that Bradman was nervous about standing his ground against intimidatory bowling, contrary to orthodox batting technique and decided that the bodyline bowling tactic should be used against him and other top batsmen in forthcoming test matches. Bodyline bowling was a cricketing tactic devised by English cricket team for their 1932-33 Ashes tour to Australia to counter the extraordinary batting skills and prowess of Australia’s leading batsman, Donald ‘Don’ Bradman and curb his scoring. A bodyline delivery was one in which the cricket ball crick was bowled at pace, aimed at the body of the batsman in the expectation that when he defended himself with his bat, a resulting deflection could be caught by one of several fielders placed close on the leg side. At that time, no helmets or upper body protective gear was worn, and critics of the tactic, both in Australia and England, considered it intimidating, overly aggressive, physically threatening and unfair, in a game that was traditionally supposed to uphold traditions of sportsmanship. Over time, several of the Laws of Cricket were changed to render the bodyline tactic less effective and increase player safety. This iconic poster reported to have been signed by The Don as a special gesture for an Australian sports journalist ranks as a unique item of cricket memorabilia...

A beautifully detailed and colored lithograph. By Tiber Studios. Beautiful color and subject matter. These were from a series which were done in the 1970s. New frames with a plex...