Raine Bedsole Art
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Artist: Raine Bedsole
Reef
By Raine Bedsole
Located in New Orleans, LA
Antique papers and maps, graphite, watercolor on paper.
Category
Raine Bedsole Art
The Space Between Us I & II
By Raine Bedsole
Located in New Orleans, LA
Steel, fabric, plaster, glass, watercolor.
Category
Raine Bedsole Art
Aphrodite
By Raine Bedsole
Located in New Orleans, LA
cast bronze.
Category
Raine Bedsole Art
Circe
By Raine Bedsole
Located in New Orleans, LA
Cast bronze.
Category
Raine Bedsole Art
Mare del Nort
By Raine Bedsole
Located in New Orleans, LA
Maps, antique papers, steel.
Category
Raine Bedsole Art
Navigating Gravity
By Raine Bedsole
Located in New Orleans, LA
Antique papers, maps, clay paint.
Category
Raine Bedsole Art
Blue Coral Study
By Raine Bedsole
Located in New Orleans, LA
Antique papers, maps, clay and paint.
Category
Raine Bedsole Art
Argus
By Raine Bedsole
Located in New Orleans, LA
A patinated cast bronze boat.
Category
Raine Bedsole Art
Imagined Islands
By Raine Bedsole
Located in New Orleans, LA
A hauntingly beautiful boat sculpture made of steel, silk, antique pages, plaster and graphite. This sculpture is suspended from the ceiling using monofi...
Category
Raine Bedsole Art
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Eighteenth-century Grand Tour marble bust of Faustina the Younger
Located in London, GB
Signed and dated: ‘F. Harwood Fecit 1764’
Collections:
Probably commissioned by Alexander Gordon, 4th Duke of Gordon (1743-1827);
Probably by descent at Gordon Castle, Banffshire to c.1948;
Possibly acquired by Bert Crowther of Syon Lodge, Middlesex;
Jacques Hollander (1940-2004);
Christie’s, 5 December 2013, lot 101;
Private collection;
Sotheby’s, 2 July 2019, lot 106
Literature:
John Preston Neale, Views of the seats of noblemen and gentlemen, in England, Wales and Scotland, London, 1822, vol.I, unpaginated.
This marble copy of an ancient bust in the Musei Capitolini usually identified as Faustina the Younger, the daughter of Antoninus Pius and future wife of Marcus Aurelius, was made in Florence by Francis Harwood in 1764. Harwood was one of the most prolific suppliers of decorative marbles for the Grand Tour market and this finely worked example demonstrates the quality of luxury goods available to travellers to Italy. So often anonymous, this unusually signed and dated example, raises questions about the status of marble copies in the period and of sculptors such as Harwood who are known principally for ornamental work.
Harwood’s origins remain obscure. He is documented living in Palazzo Zuccari with Joshua Reynolds and the Irish sculptor Simon Vierpyl at Easter 1752, he had certainly settled permanently in Florence by the following year, when he is recorded working with Joseph Wilton. He was admitted to the Florentine Academy on 12 January 1755 (as pittore Inglese, although he was described as scultore in the matriculation account). After Wilson returned to England in 1755 Harwood appears to have worked in a studio near SS. Annunziata with Giovanni Battista Piamontini who had made life-size copies of The Wrestlers and The Listening Slave for Joseph Leeson in 1754. In 1758 both sculptors were contracted to make a statue and a trophy to complete the decoration of the Porta San Gallo, Harwood completing a statue of Equality, installed the following year.
By 1760 Harwood was on the brink of his most productive period as a sculptor, producing copies of celebrated antiquities for the ever-increasing audience of Grand Tour travellers and for the domestic market in London. In 1761 Harwood met the young architect James Adam who was in Italy specifically to make contact with suppliers for Robert Adam’s burgeoning practice back in Britain. The Adams offered a remarkably cohesive design package to their clients, encompassing not just architecture, but fixtures, fittings and furniture as well. Harwood was able to supply the brothers with marbles for their new interiors. At Syon, for example, Harwood produced a full-size copy of Michelangelo’s Bacchus for the new dining room the Adams had designed for Hugh Smythson, 1st Duke of Northumberland.
Harwood seems to have also specialised in producing sets of library busts. In 1758 Charles Compton, 7th Earl of Northampton, a distinguished traveller commissioned a set of busts which remain in situ at Castle Ashby in Northamptonshire. It is perhaps no coincidence that the Adam brothers were producing designs for new interiors at Castle Ashby at this date. The set included representations of: Cicero, Julius Caesar, Marcus Aurelius, Faustina the Younger, Sappho, Seneca and Homer. Each of these busts Harwood seems to have replicated for multiple patrons, another Adam patron, Thomas Dundas...
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Nok Culture
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Terracotta
Height 60 cm
TL expert opinion of the University of Vienna
Prof. Dr. Rudolf Erlach
Provenance:
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Located in New Orleans, LA
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By Raine Bedsole
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Located in New Orleans, LA
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Callisto
By Raine Bedsole
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Located in New Orleans, LA
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Raine Bedsole Art
Raine Bedsole art for sale on 1stDibs.
Find a wide variety of authentic Raine Bedsole art available for sale on 1stDibs. Not every interior allows for large Raine Bedsole art, so small editions measuring 10 inches across are available. Customers who are interested in this artist might also find the work of Francoise LeClerc, Carole A. Feuerman, and Luke O'Sullivan.
Artists Similar to Raine Bedsole
Questions About Raine Bedsole Art
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