Rebeca Cors Tables

I. ABOUT REBECA CORS Rebeca Cors (México, 1988). Her work oscillates between sculpture and utility object, studying the limits and meeting points between these two concepts.
 The intention of her work is to question paradigms in order to reinterpret objects from It’s established forms.
 As a result, her practice approaches sculpture as: Abstract Sculpture - and - Utility Sculpture.

 The materialized compositions embody simplicity and balance, inspired by anthropometric proportions and nature’s forms.
 Simplicity is not a lack of content – but  the synthesis of the complex.
 A balanced and simple composition conveys peace.

The art work’s origin comes from a place of inner peace, the materials and hands that materialize the piece add the same intention – as a result, the works emanate and propagates this serenity. Human beings surround themselves with objects through their existence, some for simple necessity or function, and -these others- that virtuate the space they inhabit, transmitting emotions that words simple fall short to describe; emotions that lead us to a state of contemplative meditation, in which the world around us seems to disappear for an instant, time vanishes and we enter this intimate human-object ritual, where a dialogue with the sculptural piece begins, words are not necessary.

 All hand-made in Mexico.
 All Mexican...

I. ABOUT REBECA CORS Rebeca Cors (México, 1988). Her work oscillates between sculpture and utility object, studying the limits and meeting points between these two concepts.
 The in...

Rebeca Cors (México,1988). Cors' work oscillates between sculpture and function, studying its limits and meeting points. As a result, Cors creates abstract sculptures -and- utility s...

Rebeca Cors (México,1988). Cors' work oscillates between sculpture and function, studying its limits and meeting points. As a result, Cors creates abstract sculptures -and- utility s...

Rebeca Cors (México,1988). Cors' work oscillates between sculpture and function, studying its limits and meeting points. As a result, Cors creates abstract sculptures -and- utility sculpture...

Rebeca Cors (México,1988). Cors' work oscillates between sculpture and function, studying its limits and meeting points. As a result, Cors creates abstract sculptures -and- utility s...

I. ABOUT REBECA CORS Rebeca Cors (México, 1988). Her work oscillates between sculpture and utility object, studying the limits and meeting points between these two concepts.
 The in...

Rebeca Cors (México,1988). Cors' work oscillates between sculpture and function, studying its limits and meeting points. As a result, Cors creates abstract sculptures -and- utility s...

Rebeca Cors (México,1988). Cors' work oscillates between sculpture and function, studying its limits and meeting points. As a result, Cors creates Abstract Sculptures -and- Utility S...

I. ABOUT REBECA CORS Rebeca Cors (México, 1988). Her work oscillates between sculpture and utility object, studying the limits and meeting points between these two concepts. The int...

I. ABOUT REBECA CORS Rebeca Cors (México, 1988). Her work oscillates between sculpture and utility object, studying the limits and meeting points between these two concepts. The int...

Utility sculpture: 1 Neru, functions as a stool/table Create your own TOTEM by stacking 3 or 4 Nerus! Material: Radiata Wood (Indoors) Rebeca Cors ...

I. ABOUT REBECA CORS Rebeca Cors (México, 1988). Her work oscillates between sculpture and utility object, studying the limits and meeting points between these two concepts.
 The intention of her work is to question paradigms in order to reinterpret objects from It’s established forms.
 As a result, her practice approaches sculpture as: Abstract Sculpture - and - Utility Sculpture.

 The materialized compositions embody simplicity and balance, inspired by anthropometric proportions and nature’s forms.
 Simplicity is not a lack of content – but  the synthesis of the complex.
 A balanced and simple composition conveys peace.

The art work’s origin comes from a place of inner peace, the materials and hands that materialize the piece add the same intention – as a result, the works emanate and propagates this serenity. Human beings surround themselves with objects through their existence, some for simple necessity or function, and -these others- that virtuate the space they inhabit, transmitting emotions that words simple fall short to describe; emotions that lead us to a state of contemplative meditation, in which the world around us seems to disappear for an instant, time vanishes and we enter this intimate human-object ritual, where a dialogue with the sculptural piece begins, words are not necessary.

 All hand-made in Mexico.
 All Mexican...

I. ABOUT REBECA CORS Rebeca Cors (México, 1988). Her work oscillates between sculpture and utility object, studying the limits and meeting points between these two concepts. The int...

I. ABOUT REBECA CORS Rebeca Cors (México, 1988). Her work oscillates between sculpture and utility object, studying the limits and meeting points between these two concepts.? The ...

I. ABOUT REBECA CORS Rebeca Cors (México, 1988). Her work oscillates between sculpture and utility object, studying the limits and meeting points between these two concepts.
 The in...

I. ABOUT REBECA CORS Rebeca Cors (México, 1988). Her work oscillates between sculpture and utility object, studying the limits and meeting points between these two concepts. The int...

I. ABOUT REBECA CORS Rebeca Cors (México, 1988). Her work oscillates between sculpture and utility object, studying the limits and meeting points between these two concepts. The int...

I. ABOUT REBECA CORS Rebeca Cors (México, 1988). Her work oscillates between sculpture and utility object, studying the limits and meeting points between these two concepts. The int...

I. ABOUT REBECA CORS Rebeca Cors (México, 1988). Her work oscillates between sculpture and utility object, studying the limits and meeting points between these two concepts.
 The in...