Rebekah Wilhelm Prints and Multiples

Matthew Brannon is best known for his letterpress and screen prints of incongruous combinations of images and text. These prints are rendered in a subtle, stripped-down aesthetic, ev...

A substantial trillium monotype landscape showing a view of the cultivated fields and coastal hills of Monterey County, California bathed in the glow of a radiant sunset. Signed lower left, "Maxon" for John Maxon (American, 20th century) and created circa 1985. Coming from a western tradition in Wyoming, John Maxon developed an expansive view of nature and the spiritual essence it imbued. Moving eventually to the San Francisco Bay area, John’s delight in the effects of light and color led him to the decision to become an artist at the young age of 15. His natural ability was encouraged and, at 16, he began figurative art classes with Howard Brodie. Maxon spent his youthful days painting seriously in the fields behind Stanford University, and was fortunate to be exposed to and to study the works of Nathan Oliviera, Wayne Thiebaud and David Park during those years. He attended San Jose State University, and apprenticed for Sam Richardson...

Matthew Brannon is best known for his letterpress and screen prints of incongruous combinations of images and text. These prints are rendered in a subtle, stripped-down aesthetic, evoking mass production and marketing design. For a 2006 series of blue and black silkscreen prints, Brannon paired representations of potted plants with grim subtitles such as Sick Whore and How It All Ends, in keeping with his thematic interest in pathology and personal struggle. Brannon’s sculptures exhibit a similar pictorial simplicity, often executed in few colors and with meticulous attention to symmetry and balance. Like a stage set for the performance of a play set...

MARIA STELMASZCZYK (born in 1983) Studies at the Faculty of Graphic Arts and Painting Laboratory of Woodcut Techniques and Artistic Book at the Academy of Fine Arts Władysław Strzemi...

Will Mentor received his BFA at the Rhode Island School of Design and arrived on the New York art scene in the early 1980’s, gaining instant success for what critics referred to as h...

Original lithographic poster printed by L.R.B Permild and Rosengreen.

Yasuhide Kobashi (古橋 矢須秀 Kobashi Yasuhide, 1931–2003) was a Japanese woodblock print artist, painter, sculptor and stage designer. He was born in Kojima in Okayama Prefecture. His father was a ceramic clay artist and head of the Kyoto Industrial Craft Company. Kobashi learned printmaking from the sōsaku hanga (creative prints) master Unichi Hiratsuka (1895–1997). In 1955, Kobashi graduated from the Kyoto College of Crafts and Textiles, and in 1959, he moved to New York City. At first he was sponsored by Lincoln Kirstein of the New York City Ballet, who had visited his studio in Kyoto and commissioned a number of works from him. Elaine De Kooning, art critic and wife of influential Abstract Expressionist Willem De Kooning recommended Kobashi to the Allan Stone Gallery, He would continue to work with this gallery for more than 30 years. When Kobashi moved to New York in 1959, many American intellectuals and artists were eager to learn about Japan. Among the early influences to reach a wide cross section of American society was Suzuki Daisetsu's (1870-1966) Introduction to Zen Buddhism, published in English in 1949 with a preface by the noted psychologist Carl Jung. Nelson Rockefeller (governor of New York and later vice-president) was Kobashi's patron, and acquired one of the artist's sculptures for the New York State Executive Mansion in Albany. As a young man he was exposed to a wide range of arts, including sculpture, stage design, carpentry, stone cutting, ceramics, calligraphy, painting, and furniture design. Most notably, he studied woodblock printmaking under Hiratsuka Unichi (1895-1997), one of the leading innovators in the Creative Print (ssaku-hanga) movement that advocated total artistic control by a single artist over the entire printmaking process, in contrast to the traditional methods of ukiyo-e in which designer, carver, printer, and publisher all had a role in production. Kobashi is best known for his sosaku hanga woodblock prints and his sculptures intended to be rearranged, which he called "self-constructions". The Cleveland Museum of Art, the Honolulu Museum of Art, the Metropolitan Museum of Art, the Museum of Modern Art (MoMA New York City), the Neuberger Museum of Art (Purchase, New York), the Albright Knox, the Weisman Art Museum (University of Minnesota, Minneapolis), and Southern Illinois University Edwardsville are among the public collections holding work by Kobashi. Yasuhide Kobashi created some of his first prints in New York at the Pratt Graphic Art Center. He became a member of the Society of Independent Artists and exhibited regularly with them. He is included in the book JAPANESE SCULPTORS: Isamu Noguchi, Yayoi Kusama, Akio Takamori, Yoshimoto Nara...

"Road Runner 7" is an original four-color screenprint artwork by Miriam Singer measuring 26"h x 17"w framed. Miriam Singer grew up in Buffalo, New York, In 2000 she received her BA ...

A unique hand-painted lithograph of a colorful Bouquet of Flowers by Wayne Ensrud, American (1934). Quiet Sunday (Blue) Wayne Ensrud, American (1934) Date: 1980 Hand-Painted Lithogra...

David Shapiro (American, b. 1922) Waterfall I (de-accessioned from the Denver Art Museum), 1979 Spit-bite etching, drypoint and carborundrum on Lanaquerelle...

An original mid century modern abstract expressionist monotype print by American artist Toma Yovanovich. Toma Yovanovich (1931-2016) Yovanovich was a painter/printmaker whos...

’Geranium’ By Yutaka Takayanagi. Medium - Relief and lithographic print Edition - 5/20 Signed - Yes Size - 510mm x 660mm Date - 1978 Condition - Excellent. 10 out of 10. Born in Tokyo in 1941, Takayanagi's artistic journey began when he enrolled at Tokyo University of the Arts in 1960, studying under the renowned oil painter Kaoru Yamaguchi. His talent was quickly recognized when he received an Honorable Mention at the 8th Shell Arts Award Exhibition in the same year. During his time at university, Takayanagi took an intensive course in copper plate printing under Tetsuro Komai, receiving his degree from the graduate school in 1966. Fascinated by the simultaneous color print method, he started creating copperplate prints and soon gained recognition for his unique metallic reliefs, which he produced using collages of English newspapers. Takayanagi's passion for experimentation led him to create metallic emboss reliefs using his own photographs, and in the latter half of the 1980s, he moved on to silkscreen prints. He continued to push the boundaries of his art, constantly exploring new techniques and mediums. In 1978 and the following year, Takayanagi was appointed as an arts researcher for the Ministry of Culture and traveled to the United States, France, and the UK. These experiences enriched his artistic perspective and further cemented his reputation as a highly regarded artist. Takayanagi was part of the influential printmaking group Sosaku Hanga, which emerged in the early 20th century in Japan. This movement emphasized the artist's involvement in every stage of the printmaking process, from designing the image to carving and printing the blocks. Takayanagi's work often incorporates elements of nature and landscape, with an emphasis on texture and pattern. He also experimented with collage, incorporating found materials like newspaper clippings and photographs into his prints. Takayanagi's work has been exhibited extensively in Japan and internationally, including at the Museum of Modern Art in New York and the National Museum of Modern Art in Tokyo. He has also received numerous awards for his contributions to printmaking, including the Japan Print Association Award and the Purple Ribbon Medal...