Skip to main content

Reginald Marsh Nude Prints

American, 1898-1954

Reginald Marsh was born in Paris, France, in 1898. His family returned to the U.S. in 1900, settling in New Jersey. The Marsh family moved to New Rochelle, New York, in 1914, where Reginald attended the Riverview Military Academy until 1915. Marsh spent his senior year at the Lawrenceville School where he drew for the school's annual. Marsh then attended Yale School of Art in 1916–20 where he became the star illustrator for The Yale Record and, later, its art editor. In his newspaper work Marsh exhibited a graphic skill and a gift for pictorial humor.

On graduating from Yale in 1920, Marsh moved to New York City where he supported himself as a freelance illustrator for newspapers and magazines, such as Vanity Fair and Harper's Bazaar. In 1922, Marsh became a staff artist for The Daily News, first drawing city life and then a column of vaudeville illustrations. When The New Yorker began in 1925, Marsh became a staff member, contributing through 1931. These illustration jobs provided Marsh with a good income and a great amount of free time, which allowed him to study painting at the Art Students League on and off through the 1920s with Kenneth Hayes Miller, John Sloan and George Luks. When Marsh began to paint in earnest in 1923, he joined the Whitney Studio Club, where he had one-man exhibitions in 1924 and 1928.

In the early 1920s Marsh made his first trip to Coney Island on a project for Vanity Fair. He was instantly drawn to the raucous environment of extremes, capturing the boardwalks, beaches and sideshows in his sketchbooks. Marsh often remained in New York for the summer to spend time at Coney Island. The rest of the year Marsh painted industrial subjects. He also enjoyed recording the physical and social life of a newly commercialized city, focusing on taxi-dance halls, burlesque, Coney Island, subways and the Bowery.

In 1929 Marsh took a studio near Union Square in New York where he remained for most of his life, roaming the streets with his sketchbook. The same sketches he worked up for his newspaper and magazine illustrations found their way into his paintings.

The 1930s and 1940s were very successful for Marsh. He exhibited in most of the annual exhibitions of contemporary American art at the Whitney Museum of American Art (1924–54), the Corcoran Gallery of Art (1932–57), the Pennsylvania Academy of the Fine Arts (1932–52), the Art Institute of Chicago (1928–49) and the National Academy of Design (1927–49). He also had many one-man exhibitions at the Frank K. Rehn Galleries in New York.

Marsh began teaching at the Art Students League in 1935 where he soon became one of the most popular teachers. In the spring of 1954, Marsh was chosen to receive the gold medal of the National Institute of Arts and Letters, an extremely high award in the American cultural world.

Find original Reginald Marsh prints, drawings and paintings on 1stDibs.

to
1
1
Overall Width
to
Overall Height
to
1
60
93
62
56
56
3
2
1
1
3
3
3
2
1
2
1
3
Artist: Reginald Marsh
Fan Dance at Jimmy Kelly’s
By Reginald Marsh
Located in New York, NY
Reginald Marsh (1898-1954), Fan Dance at Jimmy Kelly’s, etching, 1936, signed and inscribed 50 proofs (only 24 known printed) [also with the initials and da...
Category

1930s American Realist Reginald Marsh Nude Prints

Materials

Etching

Irving Place Burlesque, lithograph, 1928
By Reginald Marsh
Located in New York, NY
Reginald Marsh (1898-1954), Irving Place Burlesque, lithograph, 1928, signed in pencil lower right and inscribed 25 proofs lower left margin [also signed and dated in the plate upper...
Category

1920s American Impressionist Reginald Marsh Nude Prints

Materials

Lithograph

Marsh, Reginald. TWO MODELS ON A BED
By Reginald Marsh
Located in Portland, ME
Marsh, Reginald. TWO MODELS ON A BED. Lithograph, 1928 (Sasowsky 9). 9 1/16" x 10 5/8." Signed in pencil and annotated "15 proofs." Only state. Excellent co...
Category

1920s Ashcan School Reginald Marsh Nude Prints

Materials

Lithograph

Related Items
La Pierre aux Trois Croquis
By Pierre-Auguste Renoir
Located in Fairlawn, OH
La Pierre aux Trois Croquis From: Douze lithographies originales de Pierre-Auguste Renoir Publisher: Ambrose Vollard Edition: 950 (signed in the stone) on wove paper as here (see pho...
Category

Early 1900s Impressionist Reginald Marsh Nude Prints

Materials

Lithograph

Jean Gabriel Domergue - Lying Woman - Original Etching
By Jean-Gabriel Domergue
Located in Collonge Bellerive, Geneve, CH
Original Etching by Jean-Gabriel Domergue Dimensions: 33 x 25 cm 1924 Edition of 100 This artwork is part of the famous portfolio The Afternoon of a Faun. Jean-Gabriel Domergue Jea...
Category

1920s Impressionist Reginald Marsh Nude Prints

Materials

Lithograph

Matisse Mother and Child Reading Modern Mid Century
By (after) Henri Matisse
Located in Brooklyn, NY
Henri Matisse's Planche 51 from the 1920 portfolio Cinquante Dessins features a tender scene of two female figures: an older woman standing to the left and a young girl with long hai...
Category

1920s Impressionist Reginald Marsh Nude Prints

Materials

Lithograph

Matisse Mother and Child Reading Modern Mid Century
Matisse Mother and Child Reading Modern Mid Century
$900 Sale Price
40% Off
H 17 in W 20 in D 1.75 in
La Chevelure - Color Lithograph - 2007 - Henri Matisse
By (after) Henri Matisse
Located in Sint-Truiden, BE
Color lithograph after the work by Henri Matisse, plate-signed by Matisse from the edition of 200. This lithograph was printed and published in 2007 in Paris using 100% cotton 300 g...
Category

Early 2000s Fauvist Reginald Marsh Nude Prints

Materials

Handmade Paper, Lithograph

Some do not (A) R.B. Kitaj erotic nude drawing of nude blonde with man on bed
By Ronald Brooks Kitaj
Located in New York, NY
An erotic dalliance between a nude blonde woman lying down, and nude man, on a bed with white sheets. Subtle shades of peach, tan, yellow, and grey and black shadow behind the couple...
Category

1970s Realist Reginald Marsh Nude Prints

Materials

Lithograph

Standing Female Nude
By Frederick Carl Frieseke
Located in Fairlawn, OH
Standing Female Nude Drypoint, c. 1910 Unsigned Estate authentication on verso (see photo) Estate authentication verso by Frances Frieseke Kilmer (Mrs. Kenton Kilmer, 1914-1998) (see photo) Probably depicts the artist's wife, the artist's favorite model Extremely rare original drypoint by Frieseke Printed with selective inking to highlight the figure Condition: excellent Image/Plate size: 10 x 6 5/8 inches Frame size: 19 1/4 x 15 3/4 inches Provenance: Estate of the Artist By descent to his daughter Frances Hirschl & Adler Gallery, Stock No. APG 1106.3D-B (see photo) Biography Frederick Carl Frieseke was born on April 7, 1874, in Owosso, Michigan. After studying for a short while at the Art Institute of Chicago and the Art Students League in New York, Frieseke left for France in 1898, and almost all of his career was spent as an expatriate, with ties to the United States maintained through his New York dealer, William MacBeth, and by occasional visits to America. Following the pattern of innumerable young Americans, he enrolled at the Academie Julian where he studied with Benjamin Constant (1845-1902) and Jean-Paul Laurens (1838-1921). He appears to have had at least brief contact with and to have been influenced by James McNeill Whistler, who had recently opened his Academie Carmen in Paris. By 1900 Frieseke was spending summers in the town of Giverny, made famous by the residence of Monet and subsequently by other artists, among them many Americans. In 1906, the year after his marriage to Sarah O'Bryan, he leased a house once occupied by the American Impressionist Theodore Robinson. Although the property was adjacent to Monet's, Frieseke had only limited contact with the French master. Instead he apparently found Pierre Auguste Renoir the most influential of all the Impressionists. Frieseke's Giverny house and garden, as settings for a series of female models, provided nearly all of his subject matter for the next thirty years, although in 1930 he made a series of watercolors of Florida scenes remembered from his childhood and painted some Swiss landscapes. After World War I, the artist and his family settled in Normandy. Frieseke's career falls roughly into three stages. In the first, figures most clearly show his academic training and draughtsmanship. Gradually these evolve into the most common images of the next decade, comprised of loosely-applied blotches of bright color. The vast majority of these show their subjects in the garden, standing among the flowers, taking tea, or just basking in the sun. Others include models in colorful, light-filled interiors. In Frieseke's latest paintings, the figures very often appear indoors, their forms are given greater solidity, and the brushwork is less broken. At the height of his career, in the 1910s and early 1920s, Frieseke was perhaps the most popular of all living American artists. He received numerous awards and medals and saw his work purchased by private collectors and major museums. Decades after the initial introduction of Impressionism by Monet and his contemporaries, Frieseke assumed this style for his work, choosing to ignore the newer artistic movements of the early twentieth century. Nevertheless, his paintings were acclaimed in both the United States and in Europe. In 1904 he won a silver medal at the St. Louis Universal Exposition and a gold medal at Munich. He was elected a member of the Société National des Beaux Arts in 1908 and the National Academy of Design in 1912. Seventeen of his canvases were featured at the Venice Biennale in 1909 and he won the Grand Prize at the Panama-Pacific International Exposition in 1915. He was commissioned to execute several murals, including one for the New York store of John Wanamaker, one of his most loyal patrons. He died on August 28, 1939, at his home in Normandy, in the town of Le Mesnil sur Blangy. In the decades following his death, however, after artistic tastes had changed considerably, his work was nearly forgotten until it received renewed attention as interest in American Impressionism grew in the 1960s Courtesy National Gallery of Art, Washington Etchings by Frederick Carl Frieseke include The Balcony and Standing Female Nude. Frieseke was an American Impressionist painter who was popular in the 1910s and 1920s. Etchings by Frederick Carl Frieseke: The Balcony: An etching by Frieseke from 1904 Standing Female Nude Other paintings by Frederick Carl Frieseke: The Garden Parasol...
Category

1910s American Impressionist Reginald Marsh Nude Prints

Materials

Drypoint

A Rash Act: erotic drawing of nude blonde, redhead, and man with art deco motifs
By Ronald Brooks Kitaj
Located in New York, NY
A colorful erotic daydream drawing of a nude blonde fantasizing, with a redhead woman, and man. Green and purple patterns on hair and pillows, and art deco motifs, adorn this sensual...
Category

1970s Realist Reginald Marsh Nude Prints

Materials

Lithograph

The Lovers
By Peter Max
Located in Berlin, MD
Peter Max (German / American 1937 - Present) The Lovers. Abstract of two nude women on a bed in vibrant colors. The print is on thick woven paper and is...
Category

Late 20th Century Pop Art Reginald Marsh Nude Prints

Materials

Lithograph

The Lovers
The Lovers
$1,250 Sale Price
24% Off
H 25 in W 32 in D 2 in
Reclining Nude Holding a Necklace
By Albert de Belleroche
Located in Fairlawn, OH
Reclining Nude Holding a Necklace Lithograph, c. 1908 Signed in pencil lower right (see photo) Edition: c. 15 Reference: Belleroche No. 525 Condition: Excellent Image: 16 3/4 x 20" ...
Category

Early 1900s Impressionist Reginald Marsh Nude Prints

Materials

Lithograph

Marquet's Mannequin /// Mel Ramos Figurative Nude Woman Lady Pop Art Lithograph
By Mel Ramos
Located in Saint Augustine, FL
Artist: Mel Ramos (American, 1935-2018) Title: "Marquet's Mannequin" *Unsigned proof Year: 1979 Medium: Original Lithograph on unbranded white wove paper Limited edition: an unsigned...
Category

1970s Pop Art Reginald Marsh Nude Prints

Materials

Lithograph

Domergue - Naked - Original Signed Lithograph
By Jean-Gabriel Domergue
Located in Collonge Bellerive, Geneve, CH
Original Lithograph by Jean-Gabriel Domergue Title: Naked Signed Dimensions: 40 x 31 cm 1956 Edition of 197 This artwork is part of the famous portfolio "La Parisienne" Jean-Gabrie...
Category

1950s Impressionist Reginald Marsh Nude Prints

Materials

Lithograph

Deutsche Werkbund-Ausstellung (German Workers Union Exhibition Art)
By Peter Behrens
Located in London, GB
Peter Behrens, (German 1868-1940), Deutsche Werkbund-Ausstellung, 1914, Deutsche Werkbund-Ausstellung, Kunst in Handwerk, Industrie und Handel Archit...
Category

1910s Art Deco Reginald Marsh Nude Prints

Materials

Paper, Lithograph

Previously Available Items
Peoples Follies
By Reginald Marsh
Located in Fairlawn, OH
Peoples Follies Etching, 1938 Unsigned (as usual for the Whitney edition) Signed with the Whitney Museum blindstamp lower right corner (see photo) Unsigned (as usual for the Whitney ...
Category

1930s American Modern Reginald Marsh Nude Prints

Materials

Etching

Reginald Marsh nude prints for sale on 1stDibs.

Find a wide variety of authentic Reginald Marsh nude prints available for sale on 1stDibs. You can also browse by medium to find art by Reginald Marsh in etching, lithograph and more. Much of the original work by this artist or collective was created during the 20th century and is mostly associated with the modern style. Not every interior allows for large Reginald Marsh nude prints, so small editions measuring 12 inches across are available. Customers who are interested in this artist might also find the work of Giacomo Manzú, Henri Fantin-Latour, and Henry Moore. Reginald Marsh nude prints prices can differ depending upon medium, time period and other attributes. On 1stDibs, the price for these items starts at $1,300 and tops out at $4,700, while the average work can sell for $2,100.

Recently Viewed

View All