Riccardo Rosso, Piero Derossi and Giorgio Ceretti Furniture

Maharam Bear by PIN-UP 001 Terracotta Initially created for PIN–UP’s Fall/Winter 2016/2017 issue, the Bear is handmade by a small-scale Canadian produ...

For FULL item description click on CONTINUE READING at the bottom of this page. Offering One Of Our Recent Palm Beach Estate Fine Furniture Acquisitions Of A Taylor King Baudelaire home theater sofa...

Gufram pulls back from the world of design. It declares it and turns the page – with a tombstone. Since the time has come to call it quits because of the many mudslinger that have al...

Exhibited for the first time at the Triennale in Milano in 1968, Sassi became one of the symbols of Gufram's naturalistic inspirations and of the ""true-fake"" concept, which can be found in many of its products. The stones, the largest is a pouf; the small ones ornamental elements...

A lounge chair hand built by us in Norwalk, Connecticut upholstered in a wooly synthetic cotton fabric. This piece features a super comfortable sloping design for ultimate relaxation...

GIOBAGNARA Renowned for its elegant creations that convey luxury without ostentation, GIOBAGNARA adheres to the highest standards of craftsmanship. By pursuing a philosophy that incorporates traditional know- how with leading-edge technologies, and offering a limitless color palette of quality leathers and suede, founder Giorgio Bagnara has been able to experiment and push the technical boundaries of his craft in order to create pieces that are both beautiful and functional. Launched in 1999, the GIOBAGNARA brand has quickly earned a reputation for expert leather workmanship, and its founder has become a key partner for a large number of interior designers as well as a select group of yacht and private jet designers who rely on his specialized knowledge to realize made-to-measure commissions. In 2015, Giorgio Bagnara expanded his leather goods portfolio with the acquisition of saddle leather specialist RABITTI1969. In 2017, Bagnara initiated a collaboration with French designer Stéphane Parmentier, who was appointed creative director of GIOBAGNARA and its affiliate brands. In 2018, the company’s portfolio grew with the strategic acquisition of PIGMENT FRANCE...

Modern Oversized Chaise Lounge / Daybed. Upholstered in an off-white fabric.

Chaise Lounge Chair by Preview, 1970. Channel tufted original upholstery which as shown in pictures has some tears at the seams in the back. Measures 66" long, 31" wide, 27" tall 15"...

We are delighted to offer for sale this lovely brown leather Chesterfield chaise lounge daybed. A very good looking well made and excepti...

Constantin Bookends by Colé Italia, C with Agustina Bottoni Dimensions: H.20 D.7 W.7 cm Materials: The body is a cube in Marquina black marble with white veins. The top is in solid...

A bespoken sterling silver necklace with five roundel bell shape of gradual sizes linked by joint chains, designed and made by Graziella Laffi, Lima, Peru, circa 1965. The subtly hammered roundels evoke a sense of history with the form found in pre-Columbian culture, yet the necklace appears beyond ethnic, it exuberates a confident and bold modernism. The necklace with Peruvian Cultural Ministry label to verso. Graziella Laffi was born in 1923 in Florence, Italy to Gino Laffi, a silversmith and artist. Following her family tradition, Graziella enrolled in master classes after elementary school, focusing on design and painting. She next attended Escuela de Bellas Artes de Puerta Romana for three years, where Gino taught, and then to the Accademia di Belle Arti di Firenze, where she concentrated in architecture until the start of World War II. In 1947, Graziella, then twenty-four, immigrated with her parents to Peru. Gino later created a silversmith studio and showroom called Fabrica Laffi on Avenue Mexico, where Graziella initially learned her Craft. The Pre-Columbian culture in her adopted country inspired Graziella to travel and collect, which ultimately influence her design in the silver pieces. Graziella learned the metalworking techniques of the ancient Peruvian civilizations and rejected the current technology. She mostly used hammering, rolling and creating joints as the ancients do. As an ambassador of Peruvian culture, her work promoted the indigenous Peruvian art and rekindled the interest in its ancient heritage throughout South America, the United States and Europe. She exhibited her growing collection of Peruvian artifacts...

The quintessential distillation of American Pop culture in the eighties, "Pictures" by Herb Ritts, circa 1988. The book is in very good vintage condition and measures 11.25" x 14.5". A must have! #4282 Herb Ritts was an American fashion photographer who concentrated on black-and-white photography and portraits in the style of classical Greek sculpture. Consequently some of his more famous pieces are of male and female nudes in what can be called glamour photography. Ritts was born in Los Angeles, California to a prosperous family. His parents, Herb and Shirley Ritts, owned a successful furniture business. He received an economics degree from Bard College in upstate New York in 1974 and soon after returned to Los Angeles to work as a sales representative for his family's business. He came out as gay to his parents while in college; they were accepting and supportive. However, Ritts started taking night classes in photography and decided to dedicate himself to the art in the late 1970s. His first break into the business occurred as a result of taking portraits of his actor friend Richard Gere. These photos gained national exposure on the covers of many magazines. Throughout the 1980s and 1990s he worked with magazines such as Harper's Bazaar, Rolling Stone, Vanity Fair and Vogue on portraits of famous people and artistic photos of models. Subjects of his black-and-white celebrity portraits included Kofi Annan, Cindy Crawford, Tenzin Gyatso (the Dalai Lama), Madonna, Jack Nicholson and Elizabeth Taylor. In 1981, Ritts took photos for the album cover of Olivia Newton-John's Physical. He started his long term collaboration with Madonna in 1984, when he shot the ad for her movie Desperately Seeking Susan. In 1984, he photographed Eagles drummer and vocalist Don Henley for his second solo album Building the Perfect Beast. In 1986, Ritts shot the cover photo of Madonna's True Blue album. He later ventured into the world of music video at a suggestion of Madonna and filmed her video "Cherish". In 1988, he photographed Steve Winwood for his Roll With It album. In 1989, he photographed Belinda Carlisle...