Rowland Suddaby Paintings

White and Purple Dahlias - Floral Still Life in Oil on Illustration Board Delicate still life of dahlias in a green vase by Gertrud Stimming ...

A stunning jewel and pertinent example of Berthelsen's charming Still Life scenes. Here we find a white roses in a blue vase set on top of a glossy table. The artist was truly a mast...

A joyous colorful floral still life painting depicting a bunch of freshly picked flowers placed effortlessly. The piece is done in a highly impressionistic manner and is a wonderful display of Reilly's more impromptu style, with bold colors of joyful yellow, deep rouge, and softer colors of light blue, hints of brown, and pops of pink. White ostrich daisies along with blue bluebells, orange, yellow and mamey flowers on a background of bright green grass and dark bushes in the background. This still life in nature, in the garden from nature. This bouquet reminds us of sunny summer days filled with the scent of flowers and nature. This piece is titled and has artist's estate stamp on the back, it comes housed in a contemporary gold leaf plain air wood frame with hanging wire on verso ready to be displayed. Art measures 30 x 24 inches Frame measures 37 x 31 inches John Reilly is a critically acclaimed and award-winning New Jersey artist, born in Brooklyn, NY in 1942. He received his early art training at the School of Art and Design, formally known as ‘The School of Industrial Art’ in Manhattan, where he studied advertising art. By the age of twenty-three, he operated a mid-town-based sales promotion agency, eventually expanding the business to service large companies such as Bacardi Rum, Johnson and Johnson, Nabisco, and KLM...

Still life of flowers in a vase by Shuman (American, mid-20th Century). Signed and dated "Shuman '65" in the lower left corner. Presented in an ornate frame. Image size: 24"H x 18"W

Bennett Oates, Fine Quality English late 20th century Still life of wild flowers in a vase. Oates was an English painter of flower subjects during the last half of the 20th centur...

Unique still life of a table with geraniums and a lit cigar, with a framed painting of a nude in a forest setting in the background by an unknown artist (American, 20th Century). Pre...

Wonderful expressionist painting of abstracted flowers in vase by Robert Henry Hurdle, RWA (English, b. 1918), 1970. Signed and dated lower right corner. Presented in rustic frame: Condition: Very good; painting had been glued into frame which is now restored. Image size: 16"H x 12"W. Framed size: 18.50"H x 22.50"W. Robert Henry Hurdle, Royal West of England Academy (RWA) was born in London on 9th August 1918. He first trained at the Richmond School of Art and then after distinguished war service during World War 2 he studied painting at Camberwell School of Art under Sir William Coldstream and was later senior lecturer at the West of England College of Art ( later called Bristol Polytechnic ). He has exhibited widely across the British lsles and most notably in Hong Kong and the South of France. His most recent solo show was at the Art Room at Topsham, Devon in 2013. His work is featured in many public and private collections including Bristol City Art Gallery and the Royal West of England Academy. Selected One Man Exhibits: 1969 Faculty of Fine Art, University College, Swansea. 1977 'Land and Water' City Art Gallery, Bristol 1978 'Land and Water' Pao Sui Loong Galleries, Hong Kong Arts Centre. 1981 'Reflections on Bristol 1950-81' King Street Gallery, Bristol. 1983 Farnham Maltings, Kiln Gallery, Farnham. 1987 Peter Sands Gallery, Bristol. 1989 Clevedon Bridge Gallery, Bath 1995 'Retrospective' Royal West of England Academy, 1998 'Robert Hurdle at 80' Fedden Gallery, Royal West of England Academy 2003 'Meeting with Tress' New Gallery, Royal West of England Academy 2009 'Selective Retrospective' New Gallery Royal West of England Academy 2012 'Paintings' The Art Room Group Exhibits: 1949-65 London group exhibitions 1950 Royal Academy Summer Exhibition, London. 1959-2015 Royal West of England Academy, Annual Exhibition 1959 Artists of Fame and Promise, Leicester Galleries 1960 New Arts Centre, London 1964 Frost and Reed Galleries, Bristol 1966 William Ware Gallery, London 1974 Courages Coronation Exhibition, City Art Gallery, Bristol. 'Accent on Colour', The Albany Gallery, Cardiff. 1976 Westward TV Exhibitions, Plymouth. 1978 Frost and Reed Galleries, Bristol. New Ashgate Gallery, Farnham. 1980 'Art in the making', King Street Gallery, Bristol and the City Art Gallery, Bath. 1985 '3 West Country Painters' Hunstrete House, Near Bath. 1988 'Recent paintings' Peter Sands Gallery, Bristol. Anthony Rossiter and Robert Hurdle. 2003 Innocent Fine Art, Bristol. 2004 'Western Approaches' Six members of the Royal West of England Academy: Derek Balmer, John Huggins, Robert Hurdle, Neil Murison...

A stunning jewel and pertinent example of Berthelsen's charming Still Life scenes. Here we find a white rose and two crimson flowers in a white vase set on top of a wooden glossy tab...

Two Cooked Fish with Garnish - Still Life in Oil on Artist's Board Still life of two fish by an unknown artist (20th Century). This piece is executed in a classical, painterly style...

Vibrant contemporary still-life with bold primary colors of a red apple and blue mug on a yellow table cloth with a bottle of wine by E. Star (American, 20th century). Presented in a...

Charming Mid Century still life of pink, purple, and white petunias in a skillfully rendered translucent glass by listed California artist Helen Gleiforst (American, 1903-1997), c.19...

Item is in excellent condition and has only been displayed in a gallery setting. With frame dimensions are approximately 44" x 64" Leon Olmo was born in Moron de la Frontera at the end of the 1940's beginning at a young age to study drawing and wax technique. From heightened stimulation incredible still-lifes are produced from the nearby aromas of lemons, jasmine, pomegranates, and medlars, fruits which often appear throughout his paintings. Olmo is a self-taught painter, reaching the status as one of Seville’s most talented artists through strict perseverance in drawing and painting. Working until complete exhaustion, Olmo attempts to capture all of himself with every image he creates. For Olmo, neatness and cleanliness go hand in hand when creating a work of art. Though he denies traditional academicism, Olmo does utilize a methodical approach in each painting that begins with strict preparation of the fibrapan board upon which he paints. Beginning with a primer composed of calcium sulfate and glue, he sands the board’s surface until smooth. This regimented routine is in accord with Olmo’s insistence of maintaining neatness and cleanliness for he has rejected the use of canvas where any imperfection is not up to standard. He then picks juicy fresh fruits from their trees and retrieves wooden boards from a collection that he has acquired over the years during walks with his father. Arranging the objects for the desired effect, the outcome will be a play of shadows between the background and brilliant center of the composition. With the brush he draws simple motifs and leaves layers of paint until he achieves a magic luminosity, where the observer can actually see through space, a transparent quality distinctly from the hand of Olmo. The recreation of natural elements in his paintings is to remind the observer of humanity’s material nature. The symbolic use of jasmine is special to the artist, in order to represent the grandeur of small things, six petals with an incredible scent which contain within them the magic of the artist and of his Andalusian land. Olmo’s dreamlike masterpieces contain human warmth that has an unsurpassable way of working their way into the hearts and minds of his collectors. Leon Olmo and his son Leon Reina make up a father and son painting...