Ruslan Kotev Wall Decorations

Vivid color and intricate design are the focal points of this aquatint colored etching print numbered 2 of 4. Signed I.P.I.

Limited edition serigraph (65 of 495) "Peter Max 2017" embossed seal in lower left Colors are very vibrant and bright Hand signed "Max" in pencil in lower right hand corner Profe...

Ganymede, 1978 Etching with aquatint 9/49 Pencil signed and dated by the artist.       

Artist Antonia Dombrowsky Color Etching - Etat 1/5 2000 Dimension Print Height 50 cm / 19.68 inches Width 40 cm / 15.74 inches Biography of the Artist 1935 Born in Düsseld...

Carborundum etching mix-media on paper by the Great French artist, James Coignard signed. And on the left corner EA Epreuve d’Artiste Artist Proof. Good condition. Framed 1970s.   

Artist Antonia Dombrowsky Color etching - Aus der Edenzeit I Etat 5 1991 Dimension Print Height 78 cm / 30.70 inches Width 55 cm / 21.65 inches Biography of the Artist 1935 ...

ASTRONOMICAL BLACKBOARD (G.149), 1978, etching, signed in pencil, from the numbered edition of 11/15 AP image 17 ¾ x 35 ¾”, full margins Abstract Art , Pop Art Frame: 44"x27''

"Grand Central" carborundum aquatint etching by Antoni Tapies. 50/99. Tapies, who died in February, 2012, was acclaimed by Robert Motherwell as the greatest living European artist. H...

From a distance, the composition is a random collection of large floating "reading glasses", the scourge of middle age. Used by the artist, Fay Sciarra, as a metaphor for "looking de...

ABOUT Sergio Gonzales-Tornero Peace on Earth 1970 Etching with Aquatint, signed, titled, numbered and dated in pencil. Edition: 19/100, Unframed. CREATOR Sergio Gonzales-Tornero, Chilean (1927-2020) DATE OF MANUFACTURE c.1970. MATERIALS AND TECHNIQUES Etching with Aquatint on wove paper. CONDITION Good. Wear consistent with age and use. DIMENSIONS Sheet: H 25.25 in. x W 28.25 in., Image: H 19.75 in. W 23.75 in. HISTORY Sergio Carlo Higinio Gonzalez-Tornero, painter and printmaker, was born in Santiago, Chile on May 22, 1927. The son of diplomats, he studied in Chile, Brazil, and the United States. In 1958 he studied at the Slade School in London before moving to Paris, where he worked at Stanley William Hayter's Atelier 17 and met his wife, fellow printmaker Adrienne Cullom. They settled permanently in New York in 1962, where Sergio and Adrienne worked together at Bob Blackburn's Printmaking Workshop. After visiting the Canadian archipelago of Haida Gwaii, Sergio became fascinated with the arts of the indigenous Haida peoples, finding it to be deeply spiritual: this became and remained a powerful influence in his work. Principally a printmaker, Gonzalez-Tornero had more than forty solo exhibitions in Chile, Canada, Europe, and the United States. He discussed his printmaking techniques in an essay on page 325 of Fritz Eichenberg’s The Art of the Print. Gonzalez-Tornero was awarded a fellowship by the New York State Foundation for the Arts in 1987 and a grant from the Adolph and Ester Gottlieb Foundation in 1990. He was a member of and exhibited with the Society of American Graphic Artists, the Boston Printmakers, and the Philadelphia Print Club. His work garnered numerous prestigious awards including the UNESCO Prize at the International Biennial of Prints in Cracow, Poland; first prize at the XII Biennale of Latin American Prints...

Robert Mangold "Distorted Square Within a Circle", 1973 Aquatint etching, Roman Numeral edition of 10 aside from the numbered edition of 50. Full sheet. Signed dated and numbered in...

Hans Fischer "Beasties" etchings, circa 1959. These etchings are from the limited edition folio ''Homme Deguise en Homme" and dep...