The Academy of Plato Plato and His Disciples
By Salvator Rosa
Located in Fairlawn, OH
The Academy of Plato Plato and His Disciples Etching and drypoint c. 1662, printed c. 1710 Signed in the plate lower left Inscribed lower left: 'In villa ab Academo attributa sua[m]...
Etching
Italian 17th Century Baroque Oil on Canvas Painting Coastal Landscape Fishermen
By Salvator Rosa
Located in Portland, OR
Italian 17th Century oil on canvas Baroque painting, attributed to Salvator Rosa (1615-1673), a coastal landscape scene with fishermen, circa 1650. The painting depicts a rocky coast...
Oil, Canvas
Salvator Rosa. Original etching: Warrior with Mace and Shield. 17th century.
By Salvator Rosa
Located in Firenze, IT
Salvator Rosa (Naples, July 20, 1615 - Rome, March 15, 1673) Warrior with Mace and Shield Etching and engraving, ca. 1650-1652 Second state (final) Plate: 14 × 9.5 cm - Sheet: approx...
Engraving, Drypoint
$338
H 2.76 in W 3.55 in D 0.04 in
Cap. Cardoni and Maramao - Etching by Jacques Callot - 1621/22
By Jacques Callot
Located in Roma, IT
This etching is part of Balli di Sfessania, Jacques Callot’s celebrated series depicting grotesque dancers inspired by the Neapolitan commedia dell’arte tradition. The figures Capita...
Etching
$375
H 14.5 in W 10.07 in
'The Deluge' from 'The Temple of the Muses' — 18th Century Engraving
By Bernard Picart
Located in Myrtle Beach, SC
Bernard Picart, 'The Deluge' from 'The Temple of the Muses', engraving, 1730. Signed in the plate and dated '1730' lower left. Titled in French, English, German, and Dutch. A superb...
Engraving
$301
H 10.52 in W 7.41 in D 0.04 in
Sexual Encounter - Original Etching ad Drypoint by A. Doré - Late 1900
By Amandine Doré
Located in Roma, IT
Sexual Encounter is a beautiful drypoint made by the French painter, illustrator, and writer Amandine Doré in the second half of the 20th century. The st...
Drypoint, Etching
$398
H 10.24 in W 8.27 in D 0.04 in
Erotic Scene - Etching by Mino Maccari - Mid-20th Century
By Mino Maccari
Located in Roma, IT
Erotic Scene is an Etching and Drypoint realized by Mino Maccari in the Mid-20th Century. Hand-signed in the lower part. Good conditions. Mino Maccari (Siena, 1924-Rome, June 16, ...
Paper, Etching, Drypoint
$1,200
H 14.88 in W 13.88 in
The Crucifixion (Christ on the Cross) /// Jesus after Albrecht Dürer Old Masters
Located in Saint Augustine, FL
Artist: Lambrecht Hopfer (German, Active c. 1525-1550) Title: "The Crucifixion (Christ on the Cross)" Portfolio: (after) The Engraved Passion *Issued unsigned, though monogram signed by Hopfer in the plate (printed signature) lower right Circa: 1530 (second state of three, published c. 1690) Medium: Original Etching on laid paper Limited edition: Unknown Printer: The Hopfer family, Augsburg, Germany; (David Funck, Nuremberg, Germany) Publisher: The Hopfer family, Augsburg, Germany; (David Funck, Nuremberg, Germany) Reference: Bartsch No. VIII.527.12; Hollstein No. 12.II Framing: Recently framed, the sheet is floated over, and top-matted with a 100% cotton fabric rag mat from Holland in a wood moulding and Museum glass Framed size: 14.88" x 13.88" Sheet size: 5.5" x 3.63" Condition: Trimmed to platemark. A few tiny professional repairs: at elbow of Jesus's right arm and the inside thigh of Jesus. Some light skinning upper right corner and lower right area. It is otherwise a strong impression in good condition Very rare Notes: Provenance: private collection - Green Bay, WI; acquired from Sotheby's, New York, NY in c. 2015. The artist Lambrecht Hopfer's printed monogram signature "LH" lower right. The printer/publisher David Funck's (plate) number "182" lower right. This etching is after Albrecht Dürer’s 1511 engraving "The Crucifixion (Christ on the Cross)", ("Dürer-Katalog" - Meder No. 13, page 73). Printed in black from an iron plate. The image depicts Christ on the cross at center, the Virgin at left, two Maries behind her, St. John standing at right, a Roman solider behind him. It is after the eleventh plate of Dürer's sixteen plates from his 1507-1513 "The Engraved Passion" series, ("Dürer-Katalog" - Meder No. 3-18, page 70-74). "The print was originally designed without the number engraved in the lower margin (First state: Lambrecht Hopfer, c. 1530). The Hopfers' descendant David Funck (Nuremberg, 1642–1705) acquired over two hundred of their original iron plates, engraved numbers into them, and re-printed them around 1686-1700. The "182" indicates that "The Crucifixion" was the 182nd print in Funck’s series (Second state: David Funck, c. 1686-1700). About a century later, 92 of these plates were acquired by Carl Wilhelm Silberberg in Frankfurt and printed for the third and final time in the book "Opera Hopferiana", of which "The Crucifixion" was the 90th print (Third state: Carl Wilhelm Silberberg for "Opera Hopferiana", 1802)". - Elizabeth Upper, Cambridge University Library, University of Cambridge, Cambridge, UK Biography: Lambrecht (Lambert) Hopfer (Active c. 1525-1550) was a German Old Masters printmaker. He was the brother of Hieronymus Hopfer (Active c. 1520-1530) and son of Daniel Hopfer...
Etching, Laid Paper
$900
H 22.5 in W 16.63 in
Vespera; Der Abend (Evening; The Evening) /// Johann Daniel Preissler Old Master
Located in Saint Augustine, FL
Artist: (after) Johann Daniel Preissler (German, 1666-1737) Title: "Vespera; Der Abend (Evening; The Evening)" Portfolio: Die Vier Tageszeiten (The Four Times of Day) Year: 1723 Medium: Original Etching and Engraving on laid paper Limited edition: Unknown Printer: likely Johann Balthasar Probst, Augsburg, Germany Publisher: Jeremias Wolff (Erben), Augsburg, Germany Reference: Le Blanc No. 255, 38; Nagler No. 23 Sheet size: 22.5" x 16.63" Image size: 17.38" x 13.63" Condition: Soft handling creases and folds to sheet. Some scattered foxmarks in left margin. Two small tears skillfully repaired from verso in margins. Has been professionally stored away for decades. It is otherwise a strong impression in good condition with full margins Extremely rare Notes: Provenance: private collection - Aspen, CO. Engraved by German artist Johann Balthasar Probst (1673-1750) after a drawing by German artist Johann Daniel Preissler (1666-1737). Comes from Preissler's 1723 "Die Vier Tageszeiten (The Four Times of Day)" portfolio of four etchings and engravings. Printed from one copper plate in one color: black. Descriptions of the portrayed image are printed in Latin and German. Biography: Johann Daniel Preissler, or Preisler (1666–1737) was a German painter and director of Nuremberg's Academy of Fine Arts. He was a notable member of a German artistic family, originating in Bohemia. His children included Johann Justin Preissler (1698–1771), Georg Martin Preisler (1700–1754), Barbara Helena Preisler (1707–1758; married to Oeding), Johan Martin Preisler (1715–1794), and Valentin Daniel Preisler (1717–1765), all in their time renowned artists. Most notable for his portraits, nudes and history paintings, Johann Daniel Preissler also produced drawings and frescoes. He was particularly known beyond his native Nuremberg for his "Die durch Theorie erfundene Practic", a sequence of works on art theory – the individual works were translated into several other languages and served as textbooks for students such as the Swiss Salomon Gessner...
Laid Paper, Engraving, Etching
$241
H 2.76 in W 2.76 in D 0.04 in
Letter of the Alphabet S - Original Etching - 18th Century
Located in Roma, IT
Letter of the Alphabet S, from the series "Antiquities of Herculaneum", is an etching on paper realized by Various Authors in the 18th century. Good conditions. The etching belong...
Etching
$1,500
H 15 in W 20 in
Lux Aeterna I (Eternal Light -The Requiem/ copters hover over fearful refugees)
By Ana Maria Pacheco
Located in New Orleans, LA
Ana Maria Pacheco portrays the fear and feelings of the displacement of refugees cowering beneath helicopters overhead. The title of the work refers ...
Drypoint
$900
H 22.5 in W 16.32 in
Meridies; Der Mittag (Noon; The Midday) /// Johann Daniel Preissler Old Master
Located in Saint Augustine, FL
Artist: (after) Johann Daniel Preissler (German, 1666-1737) Title: "Meridies; Der Mittag (Noon; The Midday)" Portfolio: Die Vier Tageszeiten (The Four Times of Day) Year: 1723 Medium: Original Etching and Engraving on laid paper Limited edition: Unknown Printer: likely Johann Balthasar Probst, Augsburg, Germany Publisher: Jeremias Wolff (Erben), Augsburg, Germany Reference: Le Blanc No. 255, 38; Nagler No. 23 Sheet size: 22.5" x 16.32" Image size: 18.13" x 14.32" Condition: Soft handling creases and folds to sheet. A few light areas of staining and scattered small areas of discoloration in margins. Two small tears skillfully repaired from verso in margins. Has been professionally stored away for decades. It is otherwise a strong impression in good condition with full margins Extremely rare Notes: Provenance: private collection - Aspen, CO. Engraved by German artist Johann Balthasar Probst (1673-1750) after a drawing by German artist Johann Daniel Preissler (1666-1737). Comes from Preissler's 1723 "Die Vier Tageszeiten (The Four Times of Day)" portfolio of four etchings and engravings. Printed from one copper plate in one color: black. Descriptions of the portrayed image are printed in Latin and German. Biography: Johann Daniel Preissler, or Preisler (1666–1737) was a German painter and director of Nuremberg's Academy of Fine Arts. He was a notable member of a German artistic family, originating in Bohemia. His children included Johann Justin Preissler (1698–1771), Georg Martin Preisler (1700–1754), Barbara Helena Preisler (1707–1758; married to Oeding), Johan Martin Preisler (1715–1794), and Valentin Daniel Preisler (1717–1765), all in their time renowned artists. Most notable for his portraits, nudes and history paintings, Johann Daniel Preissler also produced drawings and frescoes. He was particularly known beyond his native Nuremberg for his "Die durch Theorie erfundene Practic", a sequence of works on art theory – the individual works were translated into several other languages and served as textbooks for students such as the Swiss Salomon Gessner...
Laid Paper, Engraving, Etching
$375
H 14.5 in W 10.07 in
'The Death of Hercules' from 'The Temple of the Muses' — 18th Century Engraving
By Bernard Picart
Located in Myrtle Beach, SC
Bernard Picart, 'The Death of Hercules' from 'The Temple of the Muses', engraving, 1730. Signed in the plate, lower left. Titled in French, English, German, and Dutch. A superb, rich...
Engraving
Notre-Dame Cathedral from the Seine
Located in Middletown, NY
Etching with drypoint on cream wove paper, 7 x 8 3/4 inches (177 x 223 mm); sheet 10 1/2 x 11 3/4 inches (267 x 300 mm), full margins. Signed V. E. Chapel and numbered 62/250 in penc...
Etching, Drypoint
$1,654Sale Price|20% Off
H 19 in W 23 in
Early 19th-Century Italian Painting Boat Expedition Grotto Coastal Cave
Located in Cirencester, Gloucestershire
Boat Expedition Italian School, early 1800's period oil on canvas, framed Framed: 19 x 23 inches Canvas : 18.5 x 22.5 inches Provenance: private collection, France Condition: the fr...
Oil, Canvas
Saint Francis of Assisi in Ecstasy
By Salvator Rosa
Located in Paris, Île-de-France
Salvatore Rosa (Naples 1615 - 1673 Rome) Saint Francis of Assisi in Ecstasy Pen and brown ink, brown wash over black chalk, on paper 7 x 5 cm Bears the stamps of collections on the...
Ink
Sold
H 27.56 in W 19.69 in D 0.04 in
Saint Alexander - Original Etching by Salvator Rosa - Mid 17th Century
By Salvator Rosa
Located in Roma, IT
Saint Alexander is an original etching hand-watercolored, Image Dim: cm 44.5x27, Sheet Dim:cm 70x50 Interesting Artist's Proof, signed on plate lower into the cartouche with the ca...
Etching
Sold
H 64.97 in W 43.31 in D 1.58 in
Mountainous landscape with a rugged rock with ancient build and figures
By Salvator Rosa
Located in Roma, IT
Mountainous landscape in the middle of which is a rugged rock with ancient buildings. Below, not far from the rock, is a small river, the water of which flows cascading over pieces o...
Oil
Seated Soldier Framed
By Salvator Rosa
Located in Saint Augustine, FL
An original etching on laid paper by Italian artist Salvator Rosa (1615-1673) titled "Figure" c. 1730. Signed in the plate with the SR monogram. An 18th century edition of the print....
Etching
Figure
By Salvator Rosa
Located in Saint Augustine, FL
An original etching on laid paper by Italian artist Salvator Rosa (1615-1673) titled "Figure" c. 1710. Signed in the plate with the SR monogram. An 18th century edition of the print....
Etching
Figure
By Salvator Rosa
Located in Saint Augustine, FL
An original etching on laid paper by Italian artist Salvator Rosa (1615-1673) titled "Figure" c. 1710. Signed in the plate with the SR monogram. An 18th century edition of the print. Matted in 100% cotton rag matt from Holland; this work is frame ready. Image size: 5.5" x 3.75". Matted size: 14" x 12". Salvator Rosa, (born June 20, 1615, Arenella, Sicily, Spanish Habsburg domain [now in Italy]—died March 15, 1673, Rome, Papal States [Italy]), Italian Baroque painter and etcher of the Neapolitan school remembered for his wildly romantic or “sublime” landscapes, marine paintings, and battle pictures. He was also an accomplished poet, satirist, actor, and musician. Rosa studied painting in Naples, coming under the influence of the Spanish painter and engraver José de Ribera. Rosa went to Rome in 1635 to study, but he soon contracted malaria. He returned to Naples, where he painted numerous battle and marine pictures...
Etching
Figure
By Salvator Rosa
Located in Saint Augustine, FL
An original etching on laid paper by Italian artist Salvator Rosa (1615-1673) titled "Figure" c. 1710. Signed in the plate with the SR monogram. An 18th century edition of the print....
Etching