Salviati Desk Accessories
Italian
Not only did Salviati support the revival of Venice’s flagging Murano glass industry in the 19th century, but the company also became world-renowned for its innovative glassmaking techniques, revolutionizing the art of mosaics and glassware design.
The story of Salviati glass begins with Vicenza-born lawyer and entrepreneur Antonio Salviati. His love of Murano glass art and mosaics inspired him to establish his own mosaic and glass manufacturing firm, the Salviati Dott. Antonio fu Bartolomeo company, in Venice in 1859. Glassmakers in the region had been weathering a dismal political climate and growing competition in neighboring countries, and Salviati had initially hoped to revive Murano glassmaking in order to restore deteriorating mosaics in local cathedrals.
In 1864, Salviati exhibited a monumental glass mosaic at the “First Glassmakers’ Exhibition,” which won the gold medal. His award-winning mosaic solidified his company’s reputation as a first-rate glassmaker, which soon drew the attention of international investors, particularly investors from Great Britain.
In 1866, Salviati and C. opened in London with the support of historian William Drake and diplomat Sir Austen Henry Layard. Meanwhile, the Salviati company established its headquarters on the Rio dei Vetrai in Murano.
Throughout the late 1800s, Salviati and C. expanded its production to include household glassware and serveware and decorative objects such as cups, glasses, amphoras and vials. Salviati also received commissions to produce mosaics for St Paul’s Cathedral and the Houses of Parliament in London, the Paris Opera House and the Viceroy of Egypt’s Palace in Alexandria.
After Antonio Salviati died in 1890, his sons Giulio and Silvio took over the company. The Barovier family — a dynasty that stretches as far back as 1295 — bought the manufacturer in 1883, and a glass master named Maurizio Camerino, who had honed his skills at Salviati, was appointed to lead the company. Camerino’s children took the reins following the glass master’s death in 1931 and launched a successful lighting line of table lamps and chandeliers after World War II.
Throughout the 20th century, Salviati participated in several Venice Biennale exhibitions from 1958 to 1972. In 1962, the company was awarded the Compasso d’Oro prize for the Marco vase, designed by architect Sergio Asti.
Since its acquisition by the Umana group in 2015, Salviati has collaborated with numerous renowned designers such as Federico Peri, Davide Bruno, Renzo Stellon, Alberto Lago and Anna Gili. Salviati's pieces can be found in the collections of the Museum August Kestner in Hanover, Germany, the Museum of Modern Art and Corning Museum of Glass in New York, the Eretz Museum in Tel Aviv, Israel, and the Murano Glass Museum in Venice.
Find antique Salviati glass that includes bowls, vases, lighting and more.
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Creator: Salviati
Salviati Murano Sommerso Blue Green Italian Art Glass Snail Figure Sculpture
By Salviati, Luciano Gaspari
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Beautiful, and large, vintage Murano hand blown Sommerso green with bubbles and cobalt blue Italian art glass snail sculpture. Documented to the Salvia...
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Late 20th Century Italian Mid-Century Modern Salviati Desk Accessories
Materials
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Salviati Murano Sommerso Cobalt Blue Italian Art Glass Owl Figure Paperweight
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Beautiful, and large, vintage Murano hand blown Sommerso cobalt blue over clear Italian art glass owl figurine, paperweight / sculpture. Documented to th...
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Late 20th Century Italian Mid-Century Modern Salviati Desk Accessories
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Early 20th Century Art Nouveau Ambra Vase, Murano Glass "Sommerso" by Salviati
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A characteristic Art Nouveau ambra vase, Murano Glass "Sommerso" by Salviati.
Measures cm: Height 38, diameter 22.
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Early 1900s Italian Art Nouveau Antique Salviati Desk Accessories
Materials
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Salviati Murano White Orange Blue Murrines Italian Art Glass Cabinet Vase
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Beautiful vintage Murano hand blown white Filigrana ribbons, red-orange aventurine and blue millefiori canes Italian art glass cabinet vase. Documented to Salviati & Co., with intact...
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Mid-20th Century Italian Mid-Century Modern Salviati Desk Accessories
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Salviati Vintage Green Orange Purple Crystal Murano Glass Sculpture Work of Art
By Salviati
Located in New York, NY
1970s Mid-Century Modern mouth blown Murano glass organic sculpture by Salviati, a crystal clear glass "stone" decorated in the interior with swirls of colors in lime green and red o...
Category
1970s Italian Mid-Century Modern Vintage Salviati Desk Accessories
Materials
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Ducks Murano, 1930, Italian, Sing Salviati & C
By Salviati
Located in Ciudad Autónoma Buenos Aires, C
Murano
We have specialized in the sale of Art Deco and Art Nouveau and Vintage styles since 1982. If you have any questions we are at your disposal.
Pushing the button that reads 'View All From Seller'. And you can see more objects to the style for sale.
Salviati & C
Measures: Violet : 33 long x 10 high x 5.5 depth
Green: 30 long x 9 high x 5.5 depth
The lawyer Antonio Salviati and his dream
In 1859 in his premises at Number 731 of Dorsoduro, Venice the “Salviati Dott. Antonio fu Bartolomeo” company was established. This is when, Vicenza-born lawyer Antonio Salviati started the entrepreneurial career, moved by a passion for the precious mosaics of the Basilica of San Marco and fascinated by Murano glass art, he decided to start-up his own production of mosaics and objects in Murano glass.
An ambitious and far-sighted goal pushed him along this path: to revive the fate of Murano glass production that has been fallen for decades.
A challenge which finds the maximum support from two fundamental figures in the history of Murano glass: the mayor of the island, Antonio Colleoni, and the Abbot Vincenzo Zanetti, founder of the glass museum and of the first art school for glass masters.
The first successes and international investments
The launchpad was the “First Glassmakers’ Exhibition” in 1864 in which Salviati participated with a monumental mosaic that earns him a prize superior to the Gold Medal. The success achieved affirmed the credibility of the Company which thus started its glass production in Palazzo da Mula.
The new corporate and productive reality needed investors and the lawyer started to internationalise the company by addressing the economic and financial market across the Channel.
The UK immediately showed huge interest in Salviati’s mosaics – as testified by the mosaic that can be seen on the façade of the current Apple Store in Regent Street, London. It was also in London, on 21st December 1866, that the “Società Anonima per Azioni Salviati & C.” was established with the support of diplomat Sir Austen Henry Layard and historian William Drake. The new corporate set-up was further established with the purchase of a new headquarter, this time on the Riva dei Vetrai in Murano.
The universal show of Paris in 1867 celebrated the relaunch project of Antonio Salviati
“Venice owes a debt of gratitude to the knight Salviati in the resurgence for one of the most legitimately famous of its industries”. From Esposizione Illustrata di Parigi, 1867 pg. 275.
“Venice and Italy have gain huge success in the Universal Exhibition. The resurgence of one of the city’s most famous industries is consecrated in this very occasion by the gold medal awarded by the jury to Mr Salviati […] the crowd […] is gathering around the display cases that hold those pieces of glass that are so transparent and so light as to appear like woven air, impregnated, when in their elegant forms that become rainbows of those iridescent reflections that cover them at the artist’s whim – the author of a real ray of sunshine from the beautiful and splendid Venice”. From Esposizione Illustrata di Parigi, 1867 pg. 311
The fundamental role of training in murano glass
Training plays a fundamental role for the Company; attendance at the Art School was made compulsory for “[…] all the young workers of the Factory who don’t only tire themselves in manual work. This was established with the idea not only to lift their dignity and their initially limited aspirations, […] but also to improve their artistic education and thereby facilitate an improvement also in their economic situation”.
Together with the art school, a free school was also set up to teach all employees to read and write.
Diversification in production and made-to-measure projects
In a short time, Salviati & C. diversified its production to include glasses, cups, amphoras, and vials which guaranteed the first prize in the universal exhibition for three consecutive years.
Its mosaic production also flourished, being used in world-class projects: from the Houses of Parliament in London, to the Viceroy’s palace in Alessandria in Egypt, to the Opera House of Paris, including the private homes of wealthy New York personality.
The entire 19th century for Salviati & C. was represented by development, success and fame in the national and international markets, and the Company became a symbol and reference point of Murano glass art throughout the world.
The Salviati legacy at the turn of the century
On the death of Antonio Salviati in 1890, first his three children followed one another at the helm of the company and then Maurizio Camerino, previously general manager. It was thanks to him that the decorative mosaic project of the Stanford Memorial Church in Palo Alto (California, USA) took place after 12 years of work. As well as the opening of a sales point in Via Montenapoleone in Milan and the institution of a museum collection of Murano glass from the 19th and 20th centuries.
The post-war years, biennials and lighting
After Maurizio Camerino’s death in 1931, his three children took over the helm of the company: its solid foundations allowed them to strive for new important goals in the art world, participating in the Biennials of 1932 and 1934.
Not even the Second World War could tarnish the strength of the Salviati brand: in the post-war years Renzo Camerino renewed the ruined production headquarter and enthusiastically restored all his commercial contacts. Thanks to his grandson Renzo Tedeschi (newly graduated in Engineering at the Polytechnic of Turin and upon his return from an apprenticeship in the United States), Salviati launched its production in lighting appliances.
The following years saw intense growth in the number of collaborations with renowned artists and designers. In 1959, the production site was moved to Fondamenta Radi 16, where it still stands today.
The great lighting projects
The larger production area allowed the company to further expand the international market in the field of architectural lighting.
A number of projects were undertaken, such as the 9-tonne, 22-metres high chandelier in the Chamber of Commerce in Parma, the ceiling illumination in the premises of the World Intellectual Property Organisation in Geneva and the Kowloon Hotel in Hong Kong; not to mention the sound-absorbing windows of the Aula Nervi in the Vatican and the lighting system of the great honour hall of the Philippine Plaza Hotel in Manila in collaboration with architect John Marsteller.
The reputation of Salviati & C. was further affirmed by the commission – after an international call for bids – for twelve 11-metre high chandeliers for the Tonhalle concert hall in Dusseldorf, made using an innovative system of modular glass elements – “LS- System” – one of the today company’s cornerstones.
Salviati from the modern age to the present
The story of Salviati continues in the modern era, keeping the focus on creating an innovative style that had distinguished it since its inception. Participation in international exhibitions increased, such as the Venice Biennials from 1958 to 1972 (the final year in which Murano glass was allowed) thanks to projects by designers of the calibre of Betha and Teff Sarasin, Claire Falkestein, and Luciano Gaspari.
In 1962 Salviati was awarded with the highest recognition in the Design world, the “Compasso d’Oro” prize assigned by A.D.I. for the Marco vase designed by architect Sergio Asti.
In 1965 the company changed its name to Salviati & C. s.p.a.; then it was purchased by the Gruppo Ferruzzi in 1987 which later on it was transferred to a French company.
Since 2015 the company returned to be Venetian with the acquisition by the Umana group.
Salviati and its designers
Salviati’s designers:
Luciano Gaspari, Sergio Asti (Compasso d’Oro 1962), Claire Falkenstein, Ward Bennet, Teff and Betha Sarasin, Ingo Maurer, Ross Lovegrove, Amanda Levete, Tom Dixon, Nigel Coates, Thomas Heatherwick, Luca Nichetto, Ben Gorham...
Category
1930s Italian Art Deco Vintage Salviati Desk Accessories
Materials
Murano Glass
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ABOUT
Louis Comfort Tiffany
Louis Comfort Tiffany (February 18, 1848 – January 17, 1933) was an American artist and designer who worked in the decorative arts and is best known for his work in stained glass. He is the American artist most associated with the Art Nouveau and Aesthetic movements. Tiffany was affiliated with a prestigious collaborative of designers known as the Associated Artists, which included Lockwood de Forest, Candace Wheeler, and Samuel Colman. Tiffany designed stained glass windows and lamps, glass mosaics, blown glass, ceramics, jewellery, enamels and metalwork.
Early Life
He was born in New York City, New York, the son of Charles Lewis Tiffany, founder of Tiffany and Company; and Harriet Olivia Avery Young. He attended school at Pennsylvania Military Academy in West Chester, Pennsylvania, and Eagleswood Military Academy in Perth Amboy, New Jersey. His first artistic training was as a painter, studying under George Inness in Eagleswood, New Jersey and Samuel Colman in Irvington, New York. He also studied at the National Academy of Design in New York City in 1866-67 and with salon painter Leon-Adolphe-Auguste Belly in 1868-69. Belly’s landscape paintings had a great influence on Tiffany.
Career
Louis started out as a painter, but became interested in glassmaking from about 1875 and worked at several glasshouses in Brooklyn between then and 1878. In 1879, he joined with Candace Wheeler, Samuel Colman and Lockwood de Forest to form Louis Comfort Tiffany and Associated American Artists. The business was short-lived, lasting only four years. The group made designs for wallpaper, furniture, and textiles. He later opened his own glass factory in Corona, New York, determined to provide designs that improved the quality of contemporary glass. Tiffany’s leadership and talent, as well as his father’s money and connections, led this business to thrive.
In 1881 Tiffany did the interior design of the Mark Twain House in Hartford, Connecticut, which still remains, but the new firm’s most notable work came in 1882 when President Chester Alan Arthur refused to move into the White House until it had been redecorated. He commissioned Tiffany, who had begun to make a name for himself in New York society for the firm’s interior design work, to redo the state rooms, which Arthur found charmless. He worked on the East Room, the Blue Room, the Red Room, the State Dining Room and the Entrance Hall, refurnishing, repainting in decorative patterns, installing newly designed mantelpieces, changing to wallpaper with dense patterns and, of course, adding Tiffany glass to gaslight fixtures, windows and adding an opalescent floor-to-ceiling glass screen in the Entrance Hall. The Tiffany screen and other Victorian additions were all removed in the Roosevelt renovations of 1902, which restored the White House interiors to Federal style in keeping with its architecture.
A desire to concentrate on art in glass led to the breakup of the firm in 1885 when Tiffany chose to establish his own glassmaking firm that same year. The first Tiffany Glass Company was incorporated December 1, 1885 and in 1902 became known as the Tiffany Studios.
In the beginning of his career, he used cheap jelly jars and bottles because they had the mineral impurities that finer glass lacked. When he was unable to convince fine glassmakers to leave the impurities in, he began making his own glass. Tiffany used opalescent glass in a variety of colors and textures to create a unique style of stained glass. He developed the “copper foil” technique, which, by edging each piece of cut glass in copper foil and soldering the whole together to create his windows and lamps, made possible a level of detail previously unknown. This can be contrasted with the method of painting in enamels or glass paint on colorless glass, and then setting the glass pieces in lead channels, that had been the dominant method of creating stained glass for hundreds of years in Europe. (The First Presbyterian Church building of 1905 in Pittsburgh, Pennsylvania is unique in that it uses Tiffany windows that partially make use of painted glass.) Use of the colored glass itself to create stained glass pictures was motivated by the ideals of the Arts and Crafts movement and its leader William Morris in England. Fellow artists and glassmakers Oliver Kimberly and Frank Duffner, founders of the Duffner and Kimberly Company and John La Farge were Tiffany’s chief competitors in this new American style of stained glass. Tiffany, Duffner and Kimberly, along with La Farge, had learned their craft at the same glasshouses in Brooklyn in the late 1870s.
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Salviati desk accessories for sale on 1stDibs.
Salviati desk accessories are available for sale on 1stDibs. These distinctive items are frequently made of glass and are designed with extraordinary care. There are many options to choose from in our collection of Salviati desk accessories, although blue editions of this piece are particularly popular. Many of the original desk accessories by Salviati were created in the mid-century modern style in italy during the 20th century. If you’re looking for additional options, many customers also consider desk accessories by Alfredo Barbini, Flavio Poli, and Seguso Vetri d'Arte. Prices for Salviati desk accessories can differ depending upon size, time period and other attributes — on 1stDibs, these items begin at $262 and can go as high as $3,500, while a piece like these, on average, fetch $695.