Scott Gordon Sculptures

Man and Woman welded steel, found objects Dimensions: 14 x 24 x 2 in. Man and Woman is a sculptural meditation on the shared journey of life. Two abstracted figures—one square, one diamond—stand together in a boat, their forms balanced in quiet contrast. They drift along an implied river, evoking a sense of motion, partnership, and endurance.With minimalist clarity and poetic restraint, the work captures the essence of companionship through time. It speaks to the universal rhythm of human connection—the parallel paths, the shared silences, the unseen currents that carry us forward.A timeless expression of unity and passage, Man and Woman invites reflection on life’s unfolding voyage. Artist Statement I work with materials that have already lived a life — steel that’s rusted, bent, scarred. These imperfections hold a kind of quiet beauty, one that speaks not of utility but of presence. Though my work sometimes carries figurative echoes, I’m drawn to the non-figurative: the essential, the raw. Steel, once loud and forceful in its industrial context, becomes still and intimate in this new form.Each composition emerges through direct interaction with found parts. I rarely alter the materials beyond what is necessary. Instead, I allow them to dictate form — interlocking, balancing, and aligning until their relationship feels complete. The process is intuitive, the engineering elemental.Art, for me, is a spiritual act — a practice of selflessness and stillness. It doesn't seek acclaim or commercial appeal. It simply exists, honest and sacred. Biography Scott Gordon (b. 1966, Ridgewood, NJ) lives and works in Vermont. He studied business at the University of Denver and earned an MFA in creative writing from the University of Washington. During his time in Seattle, he worked at David Gulassa...

City welded steel, found objects 14.5 x 18 x 22 in. City evokes the spirit of an ancient metropolis—its architecture forged from myth. The composition rises like a temple complex or a sacred necropolis, where each vertical form suggests an obelisk, pylon, or ceremonial gateway. Arranged on a single platform, the elements feel timeless—weathered silhouettes standing in quiet alignment, like guardians of a forgotten order.With echoes of Egyptian geometry and monumentality, the piece suggests a place where structure and symbol merge. The spaces between forms carry as much weight as the forms themselves—voids as corridors, shadows as history. Gordon...

Man welded steel, found objects 24 x 5 x 4.5 in. In Man, Scott Gordon distills masculinity into a singular, vertical gesture—spare, elon...

Altar II Welded steel and found metal components 23 18.5 x 5in. This compact yet expressive steel sculpture evokes a sense of watchful presence and poised stillness. Constructed from welded and repurposed industrial fragments, Altar II assembles a seemingly abstract figure atop a rectangular base. A gently arched form with an affixed ring suggests a head in profile—open-eyed and alert—while a curved appendage anchors the composition with an anthropomorphic grace. Deeply evocative, the work explores gesture through geometry, invoking the timeless ritual of silent observation. Measures: 5 x 18.5 x 23 in. Artist statement: I seldom use stock material, but prefer distressed and rusted steel that has been scarred, bent, and made imperfect. In this state, the material becomes quite beautiful. There are figurative elements in my work, though I am more drawn to the non-figurative, to the raw and essential aspect of steel. The Industrial purpose of steel must be considered, its use in construction, manufacturing, the military. Steel is forged with enormous energy and power. The process is violent, loud. Here, it is still and approachable. The compositions are constructed mainly from found parts. Their relationships manifest as I interact with the material. The pieces interlock, balance, and become fitted before I fasten or weld them together. The engineering is elemental. Altering the material is avoided. The number of parts kept to a minimum. Art is my spiritual exercise, my selflessness. It identifies me as a creator and satisfies my human longing for place and purpose. It needs not to be great, or preeminent, or commercial. Art speaks because it is Primitive. It exists because it is sacred. Biography: Scott Gordon was born in Ridgewood, New Jersey in 1966. He attended the University of Denver where he studied business and the University of Washington where he pursued an MFA in creative writing. While he was in Seattle, he was introduced to steel as an employee of the David Gulassa...

Bird I sheet metal, wood, and found objects 31 x 12 x 8 in. Bird stands as a figure in a state of quiet awareness. A vertical line rises from a grounded base. At its center, a singl...

Odyssey welded steel Measures: 18.5 x 19 x 18 in. Rooted in industrial materiality and abstract expression, Odyssey invites the viewer into a narrative of motion and emergence. A spiraling steel ribbon unfurls around a central, columnar form—ribbed and machined with mechanical precision—suggesting a journey inward or upward. A sharp, angular plane rises nearby like a sentinel or waypoint, introducing tension and verticality. The contrast of machined and hand-forged surfaces echoes the balance between human intention and mechanical force. With a commanding presence on its rough-edged steel base, Odyssey reflects on structure, evolution, and the persistence of form through time. Artist statement: I seldom use stock material, but prefer distressed and rusted steel that has been scarred, bent, and made imperfect. In this state, the material becomes quite beautiful. There are figurative elements in my work, though I am more drawn to the non-figurative, to the raw and essential aspect of steel. The Industrial purpose of steel must be considered, its use in construction, manufacturing, the military. Steel is forged with enormous energy and power. The process is violent, loud. Here, it is still and approachable. The compositions are constructed mainly from found parts. Their relationships manifest as I interact with the material. The pieces interlock, balance, and become fitted before I fasten or weld them together. The engineering is elemental. Altering the material is avoided. The number of parts kept to a minimum. Art is my spiritual exercise, my selflessness. It identifies me as a creator and satisfies my human longing for place and purpose. It needs not to be great, or preeminent, or commercial. Art speaks because it is Primitive. It exists because it is sacred. Biography: Scott Gordon was born in Ridgewood, New Jersey in 1966. He attended the University of Denver where he studied business and the University of Washington where he pursued an MFA in creative writing. While he was in Seattle, he was introduced to steel as an employee of the David Gulassa...

Woman welded steel, found objects 13 x 5 x 5 in. With Woman, Scott Gordon channels the archetypal feminine through a language of raw for...

Tortoise welded steel, found objects 17 x 10 x 4 in. In Tortoise, Scott Gordon evokes the steady, grounded presence of its namesake through an abstracted, almost calligraphic form. ...

The Cat steel 16 x 15 x 13 in. The Cat leans forward, balanced on a single arc. A square plate tilts slightly, pierced by two round openings that resemble eyes. From behind, a singl...

Venus welded steel Measures: 12-1/2 x 17-1/2-37 in. This vertical steel sculpture presents a commanding, almost anthropomorphic figure, assembled from industrial components and softened by age-worn patina. A central oval form anchors the piece—suggesting a torso—while angular extensions imply limbs or mechanical appendages. The upward-reaching element at the top introduces a sense of gesture or alertness, reinforcing the piece’s totemic quality. Sturdy yet expressive, the work balances raw materiality with suggestive figuration. Its posture hints at motion held in pause, evoking associations with tools, guardians, or relics of an unknown past. Artist Statement I work with materials that have already lived a life — steel that’s rusted, bent, scarred. These imperfections hold a kind of quiet beauty, one that speaks not of utility but of presence. Though my work sometimes carries figurative echoes, I’m drawn to the non-figurative: the essential, the raw. Steel, once loud and forceful in its industrial context, becomes still and intimate in this new form. Each composition emerges through direct interaction with found parts. I rarely alter the materials beyond what is necessary. Instead, I allow them to dictate form — interlocking, balancing, and aligning until their relationship feels complete. The process is intuitive, the engineering elemental. Art, for me, is a spiritual act — a practice of selflessness and stillness. It doesn't seek acclaim or commercial appeal. It simply exists, honest and sacred. Biography Scott Gordon (b. 1966, Ridgewood, NJ) lives and works in Vermont. He studied business at the University of Denver and earned an MFA in creative writing from the University of Washington. During his time in Seattle, he worked at David Gulassa...

Succession welded steel Measures: 6-1/4 x 13-1/2 x 5-1/2 in. This minimalist steel sculpture features a rhythmic progression of three arching forms, each rising from a shared rectangular base. Varying slightly in scale and curvature, the arcs evoke a sense of motion—like a wave cresting and falling, or stages in a structural evolution. The oxidized surfaces lend a rich patina, highlighting the tactile character of the metal and the passage of time. Balancing repetition with variation, the work engages the viewer through its quiet presence and industrial materiality. It is at once architectural and organic, a study in form, balance, and endurance. Artist statement: I work with materials that have already lived a life — steel that’s rusted, bent, scarred. These imperfections hold a kind of quiet beauty, one that speaks not of utility but of presence. Though my work sometimes carries figurative echoes, I’m drawn to the non-figurative: the essential, the raw. Steel, once loud and forceful in its industrial context, becomes still and intimate in this new form. Each composition emerges through direct interaction with found parts. I rarely alter the materials beyond what is necessary. Instead, I allow them to dictate form — interlocking, balancing, and aligning until their relationship feels complete. The process is intuitive, the engineering elemental. Art, for me, is a spiritual act — a practice of selflessness and stillness. It doesn't seek acclaim or commercial appeal. It simply exists, honest and sacred. Biography Scott Gordon...

Monument welded steel, found objects 20.5 x 16 x 4 in. Monument stands as a stark, enigmatic structure—part signal, part shrine. With its twin-columned base and vertical shaft crowned by a cantilevered horizontal arm, the piece recalls ancient markers or industrial relics repurposed for reverence. The form is at once rigid and reaching, grounded yet gestural.Its silhouette suggests a memorial to unseen histories—a tribute to labor, endurance, or forgotten architectures. The off-center balance and weathered presence give it a sense of quiet authority, as though it were a relic unearthed from a future past.With minimalist economy and ritual poise, Monument invites contemplation on permanence, presence, and the symbols we choose to elevate. Artist Statement I work with materials that have already lived a life — steel that’s rusted, bent, scarred. These imperfections hold a kind of quiet beauty, one that speaks not of utility but of presence. Though my work sometimes carries figurative echoes, I’m drawn to the non-figurative: the essential, the raw. Steel, once loud and forceful in its industrial context, becomes still and intimate in this new form.Each composition emerges through direct interaction with found parts. I rarely alter the materials beyond what is necessary. Instead, I allow them to dictate form — interlocking, balancing, and aligning until their relationship feels complete. The process is intuitive, the engineering elemental.Art, for me, is a spiritual act — a practice of selflessness and stillness. It doesn't seek acclaim or commercial appeal. It simply exists, honest and sacred. Biography Scott Gordon...

Shaman steel, found objects 20 x 6 x 20.5 in. Shaman stands upright, tall and composed, with a long outstretched element that could be a staff, or an arm, or the world’s most auster...

Toro welded steel, found objects 14 x 36 x 12 in. Inspired by Picasso’s iconic Bull's Head, Scott Gordon’s Toro distills the figure of t...

Caravan welded steel, found objects 15 x 16 x 8 in. In Caravan, Scott Gordon presents a rolling procession of forms—part vessel, part ritual machine—evoking themes of migration, cer...

Charlie steel, found object 26.5 x 17 x 9 in. Charlie presents a posture that feels at once upright and uncertain. A forked structure rises from a weighted base, supporting a single...

Portal welded steel Measures: 8.5 x 12.5 x 17.5 in. This abstract steel sculpture explores the balance between solidity and openness. A vertical arm rises from an irregularly shaped base, terminating in a cantilevered form that projects outward. The composition is simple yet evocative, suggesting movement or transition—an architectural gesture frozen in time. Surface textures, visible welds, and the rawness of the metal emphasize the hand of the maker and the industrial origins of the material. The work invites contemplation of spatial tension, negative space, and the quiet power of restraint. Both grounded and reaching, it speaks to themes of structure, memory, and impermanence. Artist statement: I work with materials that have already lived a life — steel that’s rusted, bent, scarred. These imperfections hold a kind of quiet beauty, one that speaks not of utility but of presence. Though my work sometimes carries figurative echoes, I’m drawn to the non-figurative: the essential, the raw. Steel, once loud and forceful in its industrial context, becomes still and intimate in this new form. Each composition emerges through direct interaction with found parts. I rarely alter the materials beyond what is necessary. Instead, I allow them to dictate form — interlocking, balancing, and aligning until their relationship feels complete. The process is intuitive, the engineering elemental. Art, for me, is a spiritual act — a practice of selflessness and stillness. It doesn't seek acclaim or commercial appeal. It simply exists, honest and sacred. Biography Scott Gordon (b. 1966, Ridgewood, NJ) lives and works in Vermont. He studied business at the University of Denver and earned an MFA in creative writing from the University of Washington. During his time in Seattle, he worked at David Gulassa...