Sea Glasbruk Sculptures

An impressive clear and frosted glass paperweight in the form of a grazing bison with excellent hand finished detail, signed Lalique France ADDITIONAL INFORMATION Height: 9.5 cm Width: 12 cm Condition: Excellent Condition circa: 1970 Materials: Frosted Glass ABOUT Lalique Glass René Lalique (1860-1945) began his career as a jewellery apprentice at the age of 16, and by 1881 he was a freelance designer for many of the best-known Parisian jewellers. In 1885, he opened his own workshop on Place Gaillon in Paris, the former workshop of Jules Destape. In 1887, Lalique opened a business on Rue du Quatre-Septembre, and registered the "RL" mark the following year. In 1890, he opened a shop in the Opera District of Paris. Within a decade, Lalique was amongst the best-known Parisian jewellers. In 1905, Lalique opened a new shop at Place Vendôme which exhibited not only jewellery, but glass works as well. It was close to the shop of renowned perfumer François Coty; in 1907, Lalique began producing ornate perfume bottles for Coty. The production of glass objects began at his country villa in 1902, and continued there until at least 1912. The first Lalique glassworks opened in 1909 in a rented facility in Combs-la-Ville, which Lalique later purchased in 1913. In December 1912, Lalique hosted an exhibition of Lalique Glass—as his glass would come to be known—at the Place Vendôme shop. During the First World War, the glassworks produced mundane items in support of the war effort. In 1919, work began on a new production facility in Wingen-sur-Moder, which opened in 1921. From 1925-1931, Lalique produced 29 models of hood ornaments; a mermaid statuette first produced in 1920 was also later sold as a hood ornament. During the 1920s and 1930s, Lalique was amongst the world's most renowned glassmakers. René Lalique died in 1945. His son Marc Lalique took over the business, operating initially as "M.Lalique" and later as "Cristal Lalique...

Heavy unusual glass object with several decorative sides/angles. It can also be used as a bowl for car keys, change etc. Its was made at Kosta Boda in Sweden during the 1970s and pro...

SPORELOVE, blown glass sculpture. Their curves intertwine in a perfect hug for an elegant accent made by the designer Orfeo Quagliata. This piece is perfect for a touch of elegant an...

Bronze, brass and wood cabinet scale Brutalist sculpture by noted sculptor Dimitri Hadzi. Intriguing abstract mixed metal example signed on the base, as shown.           

Swedish glass artist, four Dala horses in clear mouth-blown art glass. Approximately from 1970. Perfect condition. The largest measures: H 16.0 cm x L 14.5 cm. The smallest measures:...

René Lalique (1860-1945), France. Large art glass sculpture of a bird in clear glass. Handmade. 1970s/80s. Marked. Perfect condition. Dimensions: B 19.0 cm x H 22.7 cm.

Brutalist bronze and textured stained glass sculpture by SF Bay Area artist Ralph Halloway.

Swedish glass artist. Four Dala horses in clear mouth-blown art glass. Approximately from 1970. Perfect condition. The largest measures: H 16.0 cm x L 14.5 cm. The smallest measures:...

A very set of three art glass animal paperweights / sculptures by Kosta Boda Sweden, circa 1980s. The set includes a hippo, rhino and polar bear. They are in very good vintage cond...

Beautiful clear crystal art glass dolphin sculpture by Daum of France, circa 1980s. The piece is in very good vintage condition with no chips or crac...

A set of 3 strong and spectacular metal cactus, contemporary brutalist sculptures, unique pieces by artist ESOJ, France 2020. Dimensions : The higher : H 101.5 x D 23 cm / H 40 x D 9 inch The medium : H 50 x D 17 cm / H 20 x 6.7 inch The smaller : H 21 x D 16,5 cm / H 8.2 x 6.5 inch These pieces allow to be presented independently, as well as together (recommended) allowing various esthetic compositions. They are made to be set up indoor as radical sculptures, as well as outdoor on a terrasse or in any garden or even wild nature to create a trouble illusion between wildness and modernity. We represent ESOJ and organized his exhibition "Metal Spirit", November 2022, in our gallery in Paris, and this unique piece was presented during this event. Esoj's work is rooted in a direct link to daily life, to the visual value of consumer objects. Whether they are elements of nature or products of pop culture, he fixes them in the metal to give them a definitive appearance, a form of immortality: a box of opened chocolates will be there forever, nothing will not erase Mickey's sluggish smile, nor his middle finger; a succulent plant frozen in iron will no longer need water... A parallel world under construction, a world of avatars springing from a metallic quintessence which confronts man with himself, with matter, with progress, to the flow of time. Beyond their symbolic force, Esoj's sculptures express as much the visceral gesture of the artist in a world losing meaning, as they catalog his universe in a subjective archive. For his first collaboration with us, Esoj looks away from his Barbie dolls, Playmobils and bags of M&Ms, to sketch a sort of return to Nature and vibrate an ancestral wisdom evident in his new series of cacti, succulents, vases and masks murals with shamanic connotations. A wisdom that he draws from his Portuguese origins, this saudade: “tension between opposites, on the one hand the feeling of a lack, on the other hand the hope and the desire to find what we lack”, embodied here by a particularly inhabited desert; where cacti are next to agaves, aloes, prickly pears, plants which are certainly ornamental but also hallucinogenic and healing, sometimes fatal; where the series of containers suggests an almost medicinal link between these inert objects, even more obvious in the wall piece inspired by Korean...

1970’s Italian clear murano glass fish sculpture by Seguso. In good original vintage condition no chips, Some scratches on the underside of base. They might be able to be polished...