Sharon Sieben Portrait Paintings

Urbex is the English acronym for urban exploration and is an activity that consists of searching for and locating abandoned infrastructure with the goal of visiting, photographing an...

Urbex is the English acronym for urban exploration and is an activity that consists of searching for and locating abandoned infrastructure with the goal of visiting, photographing and conveying its contents, with particular involvement of methodologies from geography, anthropology, sociology to cultural studies. Her works have been in the past approached to the works of Anselm Kiefer (b. 1945) and Giovanni Battista Piranesi (1720-1770), but in Gullotta's paintings the absence of color makes the spaces particularly ethereal, allowing them to be ideally lifted to new places and to new life. An artist of international caliber who has decided to entrust her return to her homeland to Almach Art Gallery in Milan, while maintaining connections with important galleries, such as Marlborough Fine Art in London and Galerie Koch in Hanover. The artwork represents the famous Velasca Tower in Milan. This artwork was exhibited during the Daniela Gullotta...

Painting by Noche Crist (1909 - 2004). Work is untitled and signed. Measures 22" x 12". Painting is casein paint and plaster on board. Catalogue of an exhibition in 2008 at the...

Vibrant portrait of a Filipino girl playing a harp by an unknown artist (20th Century). This piece is done in the style of traditional Filipino art, with ...

"Moonlit: Blue I" (2022) color pencil and acrylic wash on Arches paper, mounted on cradled wood panel Contemporary academic realism, hyperrealistic portrait, woman, face, electric blue tones 14" high x 11" wide x 1" deep by Erica Rose Levine...

Oil n canvas Stephen Basso's highly original pastels and oil paintings are romantic, yet thought provoking fantasies. His whimsical works are alive with boundless imagination, wr...

Rabbinical Discussion Hand signed lower left. Provenance: bears label verso for Summit Gallery Dimensions: H 14.25" x W 8" Born in 1897, Ben-Zion Weinman celebrated his European Jewish heritage in his visual works as a sculptor, painter, and printmaker. Influenced by Spinoza, Knut Hamsun, and Wladyslaw Reymont, as well as Hebrew literature, Ben-Zion wrote poetry and essays that, like his visual work, attempt to reveal the deep “connection between man and the divine, and between man and earth.” An emigrant from the Ukraine, he came to the US in 1920. He wrote fairy tales and poems in Hebrew under the name Benzion Weinman, but when he began painting he dropped his last name and hyphenated his first, saying an artist needed only one name. Ben-Zion was a founding member of “The Ten: An Independent Group” The Ten” a 1930’s avant-garde group, Painted on anything handy. Ben-Zion often used cabinet doors (panels) in his work. Other members of group included Ilya Bolotowsky, Lee Gatch, Adolph Gottlieb, Louis Harris, Yankel Kufeld, Marcus Rothkowitz (later known as Mark Rothko), Louis Schanker, and Joseph Solman. The Art of “The Ten” was generally described as expressionist, as this style offered the best link between modernism and social art. Their exhibition at the Mercury Gallery in New York held at the same time as the Whitney Annual Exhibition of Contemporary American Painting, included a manifesto concentrating on aesthetic questions and criticisms of the conservative definition of modern art imposed by the Whitney. Ben-Zion’s work was quickly noticed. The New York Sun said he painted “furiously” and called him “the farthest along of the lot.” And the triptych, “The Glory of War,” was described by Art News as “resounding.” By 1939, The Ten disbanded because most of the members found individual galleries to represent their work. Ben-Zion had his first one-man show at the Artist’s Gallery in Greenwich Village and J.B. Neumann, the highly esteemed European art dealer who introduced Paul Klee, (among others) to America, purchased several of Ben-Zion’s drawings. Curt Valentin, another well-known dealer, exhibited groups of his drawings and undertook the printing of four portfolios of etchings, each composed of Ben-Zion’s biblical themes. He worked as a WPA artist. Ben-Zion’s work is represented in many museums throughout the country including the Metropolitan, the Whitney, and the Museum of Modern Art in New York, the Art Institute of Chicago, the Philadelphia Museum of Art and the Phillips Collection, Washington. The Jewish Museum in New York opened in 1948 with a Ben-Zion exhibition. Ben-Zion consistently threaded certain subject matter—nature, still life, the human figure, the Rabbi, the Hebrew Bible, and the Jewish people—into his work throughout his life. "In all his work a profound human feeling remains. Sea and sky, even sheaves of wheat acquire a monolithic beauty and simplicity which delineates the transient as a reflection of the eternal. This sensitive inter- mingling of the physical and metaphysical is one of the most enduring features of Ben-Zion's works." (Excerpt from Stephen Kayser, “Biblical Paintings,” The Jewish Museum Catalogue, 1952). Mystical Imprints: Marc Chagall, Ben-Zion, and Ben Shahn presents the print work of three prominent 20th century Jewish artists born in the Russian Empire. Among these seventy pieces are etchings and lithographs from Chagall’s Bible series...

A vibrant colourful French portrait of Janine, muse of the artist Armand Avril. Signed and dated mid right. Presented in new contemporary framing under glass. Armand Avril (1926) i...

Acrylic paint, ink and collage on paper Hand-signed and dated lower left by the artist

Mid century pulp art portrait of a somber clown with a yellow shirt, red hair and a red nose, holding a scepter in a dramatized space with a candle and green ...

Old Friends 2022 Acrylic, Color pencil, on Washi (Japanese handmade paper) over wood panel. Brooklyn-based Japanese artist Masaya Nakayama creates work by wrapping wooden panels with Washi (Japanese handmade paper) followed by “drawing” with a special painter's tape. After covering the panels with a mix of acrylic, colored pencil, and gold leaf, Nakayama pulls up the tape to reveal his motif. The artist’s current body of work details his life in the USA as an immigrant on the path to citizenship. He centers on iconic images with themes representing what the artist equates with American culture through the lens of an artist of color...

This piece depicts famous British actress and model Audrey Hepburn. Celebrating the icons from the Golden Era with expressive and bold colors by capturing these moments in history, his paintings serve as vehicles for bringing the American brand to the world. With the use of graphic compositions, glossy textures, and rich colors Mars provided the ultimate medium in which to explore his fascination stemming from the Golden Age of American popular culture and the icons of the 1950’s and 60’s. Mars hand-painted houndstooth pattern in the background with clippings from magazines dating back to this era and incorporates messages from those times throughout the artwork. Creating the perfect backdrop for his statement piece, Hepburn stands out exceptionally, as the GIVENCHY logo is draped across adding an extra character of definition. Mars then layers the entire painting in epoxy resin, so the thickness of the piece pops dramatically. Finishing off the edges of the wood panel with newspaper articles and advertisements from an array of vintage magazines collected over the years. This is a one-of-a-kind piece executed on wood panel and comes ready to be displayed with hanging wire on verso, signed by the artist lower left and on verso. Art measures 36 x 24 inches Robert Mars was born in 1969 and is a graduate of Parsons School of Design in New York. At a young age, between 7 and 8 years old, he was drawn to muscle cars, custom vans, superheroes, and other icons that were relevant as a child. This idea of icons has been an obsession within his life and has continued into his adult life and throughout his artistic career, but the imagery has been refined over time. With the use of graphic compositions, glossy textures, and rich colors Mars provided the ultimate medium in which to explore his fascination stemming from the Golden Age of American popular culture and the icons of the 1950’s and 60’s. Drawing inspiration from the near-mythical fame that surrounded celebrities such as Marilyn Monroe, Elizabeth Taylor, James Dean, Audrey Hepburn, Elvis Presley, and many others, before the instant and all-encompassing presence of the internet, Mars’ daring approach creates paintings with a nostalgic yet innovative vintage feel. Employing concepts rooted in abstract expressionism, Mars has expanded on his body of work in the last years to abstract compositions, finding a balance between chaos and control by precisely cutting the painted vintage newspaper into predetermined patterns with multicolored paint layers of loose and dynamic brushstrokes in order to bridge to the events of the past and anchoring each of his artwork in a particular time of history. Robert Mars taps into the feelings that emanate from his paintings which vacillate between memory and desire. The taste of nostalgia pulls the viewers towards the iconic stars and the consumerist historical subject material of Mars’ works. Mars’ sources are the very core of these dreams. Photographs of stars like Bruce Springsteen, logos of products like Coca-Cola and TIFFANY & CO., and vintage ephemera are layered beautifully with news stories of seminal events; from the death of JFK to the 1969 moonwalk. By capturing these moments in history, his paintings serve as vehicles for bringing the American brand to the world. Based on traditional quilt patterns from American history, the mix of handcraft, and the meditation of...