Stephanie Serpick Art
American
Stephanie Serpick is a visual artist working primarily as a painter. She received her MFA from the University of Chicago, and her BFA from Carnegie Mellon University. Her work has been shown in various exhibitions in the U.S. and internationally. Born in Baltimore, Maryland, she currently lives and works in New York. The work concerns the themes of isolation and grief, and this was magnified during the pandemic. Our forced isolation and the challenges it brought to our physical and mental health provides a shared experience from which to consider grief and eventual healing. In the most recent work, images of windows, including blowing or transparent curtains, lend a feeling of being cut off from the outside world. And like the bedding in A New Fall and It’s Always Darkest Before Dawn, these paintings are devoid of a human presence, and therefore feel lonely and isolating, reflecting what many have experienced during the pandemic. The paintings of bedding are represented by unmade beds and tossed sheets on intentionally blank, somewhat rough backgrounds. Both the empty bed and the windows represent a place for grief, solitude and healing. As such, the work speaks to our shared feeling of trauma, with the understanding that while we all suffer in our individual ways, suffering is universal. Source material for this work are found photographs, and the intimate size of the paintings references the intimate nature of the subject matter. The backgrounds of the paintings are repeatedly painted and sanded, to create a frame and backdrop for the imagery that is flat, yet rough with work and time. The bedding and windows are seen from different perspectives, but still indicate a scene of desolation and despair.
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Stephanie Serpick, A New Fall 1, 2017, Oil On Panel, 16 x 20 inches, Realism
By Stephanie Serpick
Located in Darien, CT
Intimate paintings represented by unmade beds and tossed sheets, absent of any human evidence, on intentionally blank, somewhat rough backgrounds. The empty bed in these paintings represents a place for grief, isolation or healing. As such, the work speaks to our shared feeling of grief, with the understanding that while we all suffer in our individual ways, suffering is universal.
Source material for this work are photographs the artist has both taken and found, and the intimate size of the paintings references the intimate nature of the subject matter. The backgrounds of the paintings are repeatedly painted and sanded, to create a frame and backdrop for the bedding that is flat, yet rough with work and time. The bedding itself is seen from different perspectives, but still indicates a scene of desolation and despair.
While the series began in the fall of 2016, recent events—including the pandemic—have provided a new dimension to the work and have compelled Serpick to consider the themes in light of these events. Our forced isolation and the challenges it has brought to our physical and mental health provides an additional shared experience from which to consider grief and eventual healing.
Biography
Stephanie Serpick is a painter whose work explores themes of isolation, grief, and healing.
Her work has been shown in various exhibitions in the U.S. and internationally, and she is a fellow at several residencies, most notably at the Florence Trust Studios in London, MASS MoCA in North Adams, Massachusetts, and the Vermont Studio Center, where she was awarded a full fellowship and stipend to attend.
Recent exhibitions include solo shows at Sweet Lorraine Gallery in Brooklyn, the College of Southern Nevada, and a two-person exhibition at The Munson-Williams-Proctor Arts Institute at the Museum of Art at Pratt in Utica NY...
Category
2010s Photorealist Stephanie Serpick Art
Materials
Oil, Panel
Stephanie Serpick, Interior Visions 8, 2023, Oil On Panel, Realism
By Stephanie Serpick
Located in Darien, CT
Intimate paintings represented by unmade beds and tossed sheets, absent of any human evidence, on intentionally blank, somewhat rough backgrounds. The empty bed in these paintings represents a place for grief, isolation or healing. As such, the work speaks to our shared feeling of grief, with the understanding that while we all suffer in our individual ways, suffering is universal.
Source material for this work are photographs the artist has both taken and found, and the intimate size of the paintings references the intimate nature of the subject matter. The backgrounds of the paintings are repeatedly painted and sanded, to create a frame and backdrop for the bedding that is flat, yet rough with work and time. The bedding itself is seen from different perspectives, but still indicates a scene of desolation and despair.
While the series began in the fall of 2016, recent events—including the pandemic—have provided a new dimension to the work and have compelled Serpick to consider the themes in light of these events. Our forced isolation and the challenges it has brought to our physical and mental health provides an additional shared experience from which to consider grief and eventual healing.
Biography
Stephanie Serpick is a painter whose work explores themes of isolation, grief, and healing.
Her work has been shown in various exhibitions in the U.S. and internationally, and she is a fellow at several residencies, most notably at the Florence Trust Studios in London, MASS MoCA in North Adams, Massachusetts, and the Vermont Studio Center, where she was awarded a full fellowship and stipend to attend.
Recent exhibitions include solo shows at Sweet Lorraine Gallery in Brooklyn, the College of Southern Nevada, and a two-person exhibition at The Munson-Williams-Proctor Arts Institute at the Museum of Art at Pratt in Utica NY...
Category
2010s Photorealist Stephanie Serpick Art
Materials
Oil, Panel
Stephanie Serpick, A New Fall 4, 2017, Oil On Panel, 16 x 20 inches, Realism
By Stephanie Serpick
Located in Darien, CT
Intimate paintings represented by unmade beds and tossed sheets, absent of any human evidence, on intentionally blank, somewhat rough backgrounds. The empty bed in these paintings represents a place for grief, isolation or healing. As such, the work speaks to our shared feeling of grief, with the understanding that while we all suffer in our individual ways, suffering is universal.
Source material for this work are photographs the artist has both taken and found, and the intimate size of the paintings references the intimate nature of the subject matter. The backgrounds of the paintings are repeatedly painted and sanded, to create a frame and backdrop for the bedding that is flat, yet rough with work and time. The bedding itself is seen from different perspectives, but still indicates a scene of desolation and despair.
While the series began in the fall of 2016, recent events—including the pandemic—have provided a new dimension to the work and have compelled Serpick to consider the themes in light of these events. Our forced isolation and the challenges it has brought to our physical and mental health provides an additional shared experience from which to consider grief and eventual healing.
Biography
Stephanie Serpick is a painter whose work explores themes of isolation, grief, and healing.
Her work has been shown in various exhibitions in the U.S. and internationally, and she is a fellow at several residencies, most notably at the Florence Trust Studios in London, MASS MoCA in North Adams, Massachusetts, and the Vermont Studio Center, where she was awarded a full fellowship and stipend to attend.
Recent exhibitions include solo shows at Sweet Lorraine Gallery in Brooklyn, the College of Southern Nevada, and a two-person exhibition at The Munson-Williams-Proctor Arts Institute at the Museum of Art at Pratt in Utica NY...
Category
2010s Photorealist Stephanie Serpick Art
Materials
Oil, Panel
Stephanie Serpick, A New Fall 16, 2018, Oil On Panel, 18 x 24 inches, Realism
By Stephanie Serpick
Located in Darien, CT
Intimate paintings represented by unmade beds and tossed sheets, absent of any human evidence, on intentionally blank, somewhat rough backgrounds. The empty bed in these paintings represents a place for grief, isolation or healing. As such, the work speaks to our shared feeling of grief, with the understanding that while we all suffer in our individual ways, suffering is universal.
Source material for this work are photographs the artist has both taken and found, and the intimate size of the paintings references the intimate nature of the subject matter. The backgrounds of the paintings are repeatedly painted and sanded, to create a frame and backdrop for the bedding that is flat, yet rough with work and time. The bedding itself is seen from different perspectives, but still indicates a scene of desolation and despair.
While the series began in the fall of 2016, recent events—including the pandemic—have provided a new dimension to the work and have compelled Serpick to consider the themes in light of these events. Our forced isolation and the challenges it has brought to our physical and mental health provides an additional shared experience from which to consider grief and eventual healing.
Biography
Stephanie Serpick is a painter whose work explores themes of isolation, grief, and healing.
Her work has been shown in various exhibitions in the U.S. and internationally, and she is a fellow at several residencies, most notably at the Florence Trust Studios in London, MASS MoCA in North Adams, Massachusetts, and the Vermont Studio Center, where she was awarded a full fellowship and stipend to attend.
Recent exhibitions include solo shows at Sweet Lorraine Gallery in Brooklyn, the College of Southern Nevada, and a two-person exhibition at The Munson-Williams-Proctor Arts Institute at the Museum of Art at Pratt in Utica NY...
Category
2010s Photorealist Stephanie Serpick Art
Materials
Oil, Panel
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Stephanie Serpick art for sale on 1stDibs.
Find a wide variety of authentic Stephanie Serpick art available for sale on 1stDibs. You can also browse by medium to find art by Stephanie Serpick in oil paint, paint, panel and more. Much of the original work by this artist or collective was created during the 21st century and contemporary and is mostly associated with the Expressionist style. Not every interior allows for large Stephanie Serpick art, so small editions measuring 12 inches across are available. Customers who are interested in this artist might also find the work of Frederick B. Serger, Jonah Kinigstein, and Charles Tersolo. Stephanie Serpick art prices can differ depending upon medium, time period and other attributes. On 1stDibs, the price for these items starts at $2,250 and tops out at $6,250, while the average work can sell for $6,250.