Stephen Hall Still-life Paintings

Apéritif au Cap Ferret Acrylic on canvas 41 x 33 cm Ornate gold frame included, ready to hang Signed “Mathias” lower left In Apéritif au Cap Ferret, Greg Mathias invites us into a ...

Mâtinée à l'atelier 40 x 32 cm Acrylic on Canvas "Mâtinée à l'atelier" offers a vibrant and dynamic depiction of a morning spent in the artist’s studio. Exemplifying the unique Diac...

Heidi von Faber (Dutch artist) Tea Towels 70 x 70 cm (framed, included in price 75 x 75 cm) Acryl on canvas In the paintings of The Hague-based artist Heidi von Faber, light plays ...

Fabian Jean graduated with a Bachelor of Fine Arts from Concordia University. He has had solo exhibitions in Montreal, Toronto and Halifax and has been included in several group exhi...

This artwork by Andrée De Frémont has a simple theme : Two farms in the distance in a hedged landscape. But on closer inspection, the arrangement of ...

Martin Koole The Well Read Girl, reading 120 x 120 cm ( framed 124 x 124 cm) Acryl on canvas Martin Koole's paintings are distinguished from the work of other painters by his very h...

Shan Fannin's (US based) "1972 Pontiac Firebird Formula 400 M22" is an acrylic painting that depicts a closeup view of the grill of a baby blue 1972 Ponti...

Hela is an emerging contemporary artist whose vibrant and playful paintings celebrate the quiet glamour of everyday life. With a focus on table settings, cocktails, glassware, and el...

Split in two, this composition by Andrée de Frémont offers on the left a bouquet of blue, extinct orange and of Naples yellow, on the right, the blac...

Nature Morte au Pichet Acrylic on canvas 55 x 46 cm Bold and textured Cubist still life by Grégoire Mathias, featuring a fragmented fruit bowl. A striking composition blending abstr...

Photographically accurate realism and conceptualism, peacefully coexisting on the canvases of Pavel Polanski. His canvases are gray with different depths of tone, almost monochrome a...

Josh Talbott's (US based) "Half Spent" is an acrylic painting that depicts a empty honey bear jar reused as a piggy bank, half full of coins with a light blue background. Bio: Josh Talbott grew up in suburban/rural Georgia in the southern US. His first work as a professional artist was in scenic painting and murals for various production companies. An attempt to deepen his well of possibilities led to New Orleans where as a street artist he sold works to people from all over the world before loosing everything in hurricane Katrina. With short stints in Santa Fe and then Los Angeles Josh arrived in the small coastal city of Los Osos, California where he lives and works today. His curiosity is voracious and interests are many, including scuba/ free diving, sailing, surfing, gardening, geology, rock hounding, rationality, AI, history, and philosophy. In his studio there is always an audiobook on, and outside of the studio there are all manner of activities making there way into his work. He has many private collectors scattered across the globe and murals in San Francisco. ARTIST STATEMENT We live in a time of extreme and accelerated change, growing complexity, and specialization. At every stage in our human trajectory from primitive beginnings crawling out of the sea to the present gauntlet of challenges, our thinking tools and their uses are central to the story of what it means to be human. My work is informed by a fascination with thinking tools and the effects of programming and environment through the different phases of life and our capacity for storytelling. My practice consists of constructing small-scale still life scenarios of toys and other artifacts of human development, then creating photorealistic acrylic paintings of these scenes. The work juxtaposes the familiar and playful with a contemporary, complex, adult world. While I am interested in the science of the mind, and what it means to be a human, my work seldom features the human form, focusing instead on the objects and items that are frequently left behind. As such, the subject of the painting becomes the viewer him or herself because their own humanity is ultimately what is revealed. My work honors toys as thinking tools for small people and the scenes depicted explore the ways in which the culture of our formative years leaves a lasting mark and continues to shape our storytelling. The plastic artifacts of my formative years carry memories of simultaneous confusion and wonder at the world around me. These are sensations and emotions still very much present in my life. What were your imaginings and dramas when you played with toys? Are you living them today? The multileveled still life paintings of familiar toys are bright and accessible and connect to the viewer's nostalgia and playfulness while provoking deeper insights into our current evolutionary, cultural, and technological moment. I place each little curio with care into meaningful relationship to their interlocutors and environment. The plastic dinosaurs often depicted are emblematic of childhood curiosities, of great wonder and speculation at past worlds and the depth of evolutionary time, and yet they are made of a material that illustrates our shortsightedness, a quintessential human quality that makes it quite possible that these plastic creations will outlast us all. I do my best to draw inspiration and resources from everywhere to build a visual language. In my divergent path I find the musical compositions and the story of composer, Philip Glass inspiring. The story of his devotion to his craft and his subsequent successes have encouraged and inspired me. I'm influenced by writers such as Kurt Vonnegut, Robert Sapolsky, and Yuval Noah Harari, the many books by Simon Winchester, Daniel Dennet, Robert Wright...