Sylvain Sauvage Prints and Multiples
to
1
1
Overall Width
to
Overall Height
to
1
2
1,349
969
773
757
2
2
2
2
1
1
1
1
1
1
1
Artist: Sylvain Sauvage
Personages with Lambs
By Sylvain Sauvage
Located in San Francisco, CA
This artwork "Personages with Lambs" 1924 is an original colors aquatint by noted French artist Felix Roy A.K.A Sylvain Sauvage, 1888-1948. It is hand signed and numbered 88/350 in pencil by the artist.
The image size is 13 x 9.5 inches, framed is 20 16 inches. Published and printed by La Societe Des Graveurs Modernes, Paris. Custom framed in a wooden gold frame.
It is in excellent condition, especially considering the age of this artwork
About the artist.
Félix Roy, said Sylvain Sauvage (born in Baume-les-Messieurs ( Jura ) on May 8 , 1888 and died in Paris in January 1948 ) is an illustrator and technician of the French book.
He was an exhibitor at the Salon des Artistes Décorateurs and Director of École Estienne . He illustrated many books of the French classic literature. The work of Sylvain Sauvage is held in numerous private collections in France and Europe.
Selected books illustrated by the artist.
L'Ingénue de Voltaire, Kieffer, 1922
La fille aux yeux d'or de Balzac, G. Crès, 1923
Monsieur Nicolas ou le cœur humain dévoilé. Mémoires intimes de Restif de la Bretonne, illustrés par Sylvain Sauvage de Restif de la Bretonne, Henri Jonquières, 1924
Les Belles Dames de Paris, historiettes de Tallemant de Réaux, coll. « Le livre du lettré », 1924 (avec une préface de Gérard Bauër)
Anatole France, Les sept femmes de la Barbe Bleue et autres contes merveilleux, A.&G. Mornay, Paris, 1925
Marquis de Sade, Ernestine, Cabinet du Livre / Jean Fort Éditeur, Paris, 1926 : 10 eaux-fortes
Casanova (J. de, Seigneur de Seingalt.), Une aventure de Casanova, Histoire complète de ses amours avec la belle C. C. et la religieuse de Muran. Compositions de Sylvain Sauvage gravées avec la collaboration de E. Feltesse. Paris, [chez l'artiste], 1926.
Candide de Voltaire, chez l'Artiste (imprimé chez Frazier-Soye et Haasen), 1928
Les Dieux ont soif de Anatole France, Éditions du Nord, 1928
Le Bon Plaisir d’Henri de Régnier, La Roseraie, 1929 : 20 eaux-fortes en couleurs et vingt bois gravés
La Troisième Jeunesse de madame Prune de Pierre Loti, Calmann-Levy, 1936
Les Romanesques ; Les Deux Pierrots ; La Dernière Nuit de Don Juan d’Edmond Rostand, éditions Pierre Laffitte, 1939 ; illustrations de Auguste Leroux...
Category
Early 20th Century Art Nouveau Sylvain Sauvage Prints and Multiples
Materials
Aquatint
The Musicians - Woodcut Print by Sylvain Sauvage - Early-20th century
By Sylvain Sauvage
Located in Roma, IT
The Musicians is an artwok realized in early-20th century, by the French Artist Sylvain Sauvage (1888 - 1948).
Woodcut on paper. Signed on plate on the left margin.
The artwork is...
Category
Early 20th Century Modern Sylvain Sauvage Prints and Multiples
Materials
Woodcut
Related Items
English Bar
By Louis Legrand
Located in Storrs, CT
English Bar. 1908. Etching and drypoint. Exsteens catalog 275 state ii. 8 1/8 x 5 5/8 (sheet 17 3/8 x 12 1/4). Series: Les Bars. Edition 65 in this state (total edition 95). Printed ...
Category
Early 1900s Art Nouveau Sylvain Sauvage Prints and Multiples
Materials
Drypoint, Etching
THE RUG WEAVER
By Gustave Baumann
Located in Santa Monica, CA
GUSTAVE BAUMANN (1881 – 1971)
THE RUG WEAVER, 1910 (Chamberlain 26)
Color woodcut signed in pencil. Unnumbed from an edition 100 as published in the Hills o’ Brown...
Category
1910s American Modern Sylvain Sauvage Prints and Multiples
Materials
Woodcut
"Ludovic Halevy Meeting Madame Cardinal Backstage" after Edgar Degas
By (after) Edgar Degas
Located in Hinsdale, IL
Degas, Edgar (after)
(1834 -1917)
"Ludovic Halevy Meeting Madame Cardinal Backstage"
Soft-Ground Etching created from a Monotype, 1938-9
First State. # 251 from the edition of 350 o...
Category
Early 20th Century Art Nouveau Sylvain Sauvage Prints and Multiples
Materials
Etching
H 13.25 in W 15.25 in D 0.125 in
'The Yankee' — America's Cup, 1934
By Jacques La Grange
Located in Myrtle Beach, SC
Jacques La Grange, 'The Yankee', color woodcut, edition 500, 1934. Signed and numbered '25/500' in pencil. A fine impression, with fresh colors, on cream wove paper, with margins (1 1/8 to 1 1/4 inches), in excellent condition. A work from La Grange’s celebrated series of woodcuts 'Drama and Color in the America's Cup Races'. Image size 10 x 10 11/16 inches (254 x 271 mm); sheet size 12 1/4 x 13 1/4 inches (311 x 337 mm). Archivally matted to museum standards, unframed.
When the artist created this print in 1934, the 'Yankee' was one of the most promising yachts eligible for the America's Cup but ultimately 'Rainbow' was chosen to defend against England's 'Endeavor' in that year's race. The 'Endeavor' was built for Thomas Sopwith who used his aviation design expertise to ensure the yacht was the most advanced of its day with a steel hull and mast. She was launched in 1934 and won many races in her first season but the Cup challenge was blighted by a strike of Sopwith's professional crew prior to departing for America. Forced to rely mainly on keen amateurs, who lacked the necessary experience, the campaign failed. 'Rainbow' won the series 4–2. This was one of the most contentious of the America's Cup battles and prompted the headline "Britannia rules the waves and America waives the rules."
ABOUT THE ARTIST
Jacques La Grange was born in Clanwilliam (near Cape Town) in South Africa in 1895. He studied at London University and later immigrated to the United States. La Grange established himself as a painter, illustrator, and printmaker specializing in nautical subjects. He and his wife, Helen La Grange, published 'Drama and Color in the America's Cup Races' in 1934 and 'Clipper Ships of America and Great Britain 1833-1869', in 1936. Both were deluxe hardcover limited edition volumes with signed original color woodblock prints. La Grange had solo exhibitions at the Buchanan Gallery in 1929; the Babcock Gallery and the 56th Street Gallery, New York, in 1930; and at the Nicholas Roerich...
Category
1930s American Modern Sylvain Sauvage Prints and Multiples
Materials
Woodcut
Ex Libris. Paper, etching, 11x7 cm
Located in Riga, LV
Ex Libris A. Zuyeva
Paper, etching, 11x7 cm
Category
1990s Jugendstil Sylvain Sauvage Prints and Multiples
Materials
Paper, Etching
No Footprints Show, Where the Flowers Grow Deep
By Shiko Munakata
Located in Fairlawn, OH
No Footprints Show, Where the Flowers Grow Deep
Woodcut, 1961
Unsigned (as isssued)
From: The "Way" of the Woodcut, three woodcuts, 1961
Publisher: Pratt Adlib Press, Brooklyn, New Y...
Category
1960s Modern Sylvain Sauvage Prints and Multiples
Materials
Woodcut
'Wild Pilgrimage' (Contemplation) — 'Story Without Words' Graphic Modernism
By Lynd Ward
Located in Myrtle Beach, SC
Lynd Ward, 'Wild Pilgrimage', No. 26, wood engraving, 1932, edition not stated but very small. Signed in pencil. A fine, black impression, with full margins (1 1/16 to 3 3/16 inches), on tissue-thin cream Japan paper, in very good condition. A scarce, artist-printed, hand-signed proof impression before the published edition. Matted to museum standards, unframed.
Created by Lynd Ward for his narrative book of illustrations without words, 'Wild Pilgrimage', published by Harrison Smith...
Category
1930s American Modern Sylvain Sauvage Prints and Multiples
Materials
Woodcut
H 5 in W 4.5 in D 0.01 in
On the Beach (Coney Island, New York) — 1930s Graphic Modernism, WPA
By Lou Barlow
Located in Myrtle Beach, SC
Lou Barlow (Louis Breslow), 'On the Beach' (Coney Island) wood engraving, c. 1937, edition c. 25. Signed and titled in pencil. Stamped 'FEDERAL ART PROJECT NYC WPA' in the bottom left margin. A fine, richly-inked impression, with all the fine lines printing clearly, on cream wove paper, with full margins (1 1/2 to 3 inches), in excellent condition. Matted to museum standards, unframed. Scarce.
Image size 11 x 8 1/8 inches; sheet size 16 x 11 3/8 inches.
Created during the Great Depression for the Works Progress Administration (WPA), Federal Art Project, New York City.
Impressions of this work are in the permanent collections of the Amon Carter Museum of Art, Illinois State Museum, and the New York Public Library.
ABOUT THE IMAGE
Due to Coney Island's proximity to Manhattan, Brooklyn, and other New York boroughs, it began attracting vacationers in the 1830s and 1840s. Most of the vacationers were wealthy and went by carriage roads and steamship services that reduced travel time from a formerly half-day journey to two hours. By the late 1870s, the development of Coney Island's amusement park attractions and hotels drew people from all social classes. When the Brooklyn Rapid Transit Company electrified the steam railroads and connected Brooklyn to Manhattan via the Brooklyn Bridge at the beginning of the 20th century, Coney Island turned rapidly from a resort to an accessible location for day-trippers seeking to escape the summer heat in New York City's tenements. In 1915, the Sea Beach Line was upgraded to a subway line, and the opening of the Stillwell Avenue station in 1919 ushered in Coney Island's busiest era. On the peak summer days, over a million people would travel to Coney Island. In 1937, New York City purchased a 400-foot-wide strip of land along the shoreline to allow the boardwalk to be moved 300 feet inland. At this point, Coney Island was so crowded on summer weekends that parks commissioner Robert Moses...
Category
1930s American Modern Sylvain Sauvage Prints and Multiples
Materials
Woodcut
Modern American Industrial Landscape
Located in Buffalo, NY
An original woodblock print dated 1965, titled "Our Town" but signed illegibly.
Category
1960s American Modern Sylvain Sauvage Prints and Multiples
Materials
Paper, Woodcut
Ballerinas Having a Rest - Original etching, Signed
By Charles Paul Renouard
Located in Paris, IDF
Paul RENOUARD
Ballerinas Having a Rest - "Repos", 1893
Original etching
Signed in pencil
On Japan paper 32 x 48 cm (c. 12.5 x 19 inch)
INFORMATION : Limited edition of 20 copies se...
Category
1890s Art Nouveau Sylvain Sauvage Prints and Multiples
Materials
Etching
'Lot Cleaning, Los Angeles' — 1930s Modernism
By Paul Landacre
Located in Myrtle Beach, SC
'Lot Cleaning, Los Angeles', wood engraving, edition 60, Zeitlin & Ver Brugge 69. Signed, titled and numbered '51/60' in pencil. A brilliant, black impression, on Kitakata Japan pape...
Category
1930s American Modern Sylvain Sauvage Prints and Multiples
Materials
Woodcut
Fashionable Dress 145
Located in Columbia, MO
Artist Unknown
"Fashionable Dress, 145"
1914
Etching
Category
Early 20th Century Art Nouveau Sylvain Sauvage Prints and Multiples
Materials
Etching
Sylvain Sauvage prints and multiples for sale on 1stDibs.
Find a wide variety of authentic Sylvain Sauvage prints and multiples available for sale on 1stDibs. You can also browse by medium to find art by Sylvain Sauvage in aquatint, etching and more. Not every interior allows for large Sylvain Sauvage prints and multiples, so small editions measuring 16 inches across are available. Customers who are interested in this artist might also find the work of Georges Meunier, Adolphe Willette, and Charles Paul Renouard. Sylvain Sauvage prints and multiples prices can differ depending upon medium, time period and other attributes. On 1stDibs, the price for these items starts at $600 and tops out at $600, while the average work can sell for $600.