Thorald Læssøe Art

Signed lower right, 'Charlotte A. Morton' (American, 1885-1974) and painted circa 1955. A sensitive study of various blossoms including geraniums, lupin and catmint. A landscape painter and teacher, Charlotte Augusta Morton graduated from Kansas State College before continuing her education at the Art Institute of Chicago, the Art Students League of New York and the Pratt Institute. After moving to California and attending Stanford University where she received her Masters in Education, Morton taught at San Jose State College before moving to Monterey and joining the Carmel Art...

Fine Watercolour Drawing by Alexandre Jules Monthelier. He was a French Artist who worked in France and created many drawings of famous landscape and sceneries (e.g. the cathedral of...

Lovely abstracted floral watercolor painting of bearded irises by artist Jean Warren (American, b. 1945). Signed "J. Warren" lower edge, bi...

STELLATA MAGNOLIA 2 is a new watercolor on Arches paper by Fleur Thesmar. The artwork measures 30x22". Note the fluid precision of the tree, blossoming into...

A Pair of Drawings, Framed Signed and dated 1855 Chalk in black, brown wash, heightened with white, on paper each sheet, 46 x 31 cm . Framed. Two Landscape and Sea View Old Master Drawings, Paris, 18th Century, by Mozin Charles Louis Mozin (* 12 March 1806 in Paris; † 7 November 1862 in Trouville-sur-Mer) was a French painter. He is the grandfather of the Post-Impressionist Fernand Piet. The brother of the composer Théodore Mozin was a pupil of Xavier Leprince. He is considered the "discoverer" of Trouville-sur-Mer, which developed into a popular seaside resort at the end of the 19th century. At the age of nineteen, he first came to the fishing village on the coast...

Mobile Home with Honda - watercolor is 9 3/4 x 21 1/4 inches. Artist signed, titled and dated. Condition is excellent. James Torlakson, an international...

APPLE BLOSSOM AND YEW is a new watercolor on Arches paper by Fleur Thesmar. This is part of a series by the artist examining the inherent geometry and co...

Two bud vases seemingly defy gravity as they teeter upon a watery surface in Christina Haglid's "Janus". This meticulously detailed watercolor invites the viewer to take a closer look at nature, to question what is seen and to enter into a newly created world. Intricate in her execution, Haglid uses watercolor as one might use a colored pencil. Layer upon layer of color is added to achieve this impressively detailed painting. Christina Haglid Janus watercolor and gouache on paper 11h x 8w in 27.94h x 20.32w cm CMH031 Artist's Statement Tiny Sanctuaries There has always been an intersection between the process of writing and the act of painting in my work. It has somehow been my guide. In the last four years, during the making of this work, that connection intensified as I started writing short stories and flash fiction while taking online classes. I find the process of writing and painting so different in almost every way, but there is something freeing and generative in writing which helps my painting process. Or perhaps it's a reminder of what painting is for me - something intuitive that needs to be trusted. And what they do have in common is a desire to encapsulate and distill a single moment, a story, about the complexity of our emotions and experiences. At the heart of my work is the recurring depiction of perseverance, strength of will, and a subtle optimism. Symbolically through the objects, precarious situations depict a moment of possible difficulty, often involving the influence of nature. A paper crane left in the snow. A boat nearly filled to the brim, but not submerged and able to drain its own contents carefully. A slide alone at night...

DEATH VALLEY is a new watercolor on Arches paper by Fleur Thesmar. The artwork measures 22x30" and is professionally framed in white with UV protection, anti-glare glass. Framed it m...

"Rainbow", by Christina Haglid, is a meticulously detailed watercolor of a tiny sea shell painted on a blue starry background. The paper had a deckled edge and matted with a heavy w...

Christina Haglid Artist's Statement I used to write a lot of poetry, and it has shaped the narrative process in my artwork. Now painting has replaced writing. Objects in the painting are considered like words placed on a page. I use flowers, manipulated objects, and architecture together in compositions to symbolize the subtle conversations and interactions between them. They are placed in imaginary landscapes that are inspired by actual places and travels. All the paintings are watercolor and gouache on stonehendge paper, and they are made up almost entirely of individual brushstrokes. EDUCATION 1993 M.F.A., Cranbrook Academy of Art 1991 B.F.A., Maryland Institute, College of Art 1990 Skowhegan School of Painting and Sculpture EXHIBITIONS 2015 "Gallery Group" Ann Nathan Gallery, Chicago, IL 2014 "Gallery Group" Ann Nathan Gallery, Chicago, IL 2013 "Gallery Group" Ann Nathan Gallery, Chicago, IL 2012 "Gallery Group" Ann Nathan Gallery, Chicago, IL 2011 “Gallery Group” Ann Nathan Gallery, Chicago, IL "Meticulous Details: Conservators' Paintings" The Architrouve, Chicago, IL 2010 “Art Chicago” Merchandise Mart, Ann Nathan Gallery, Chicago, IL 2009 “Botanica” Ann Nathan Gallery, Chicago, IL 2006 “Botanicus” Ann Nathan Gallery, Chicago, IL 2006 “Arts Botanica” Loyola University Museum of Art, Chicago, IL 2005 “Blumen: Group Show” Ann Nathan Gallery, Chicago, IL 2004-05 “Think Small” Illinois State Museum, IL [traveled] “Christina Haglid: Microworlds” Greenville...

A large translucent vessels floats upon a lake, so transparent that the wooded shoreline can be seen through this surreal boat. The artist treats watercolor much like oil paints, with layer upon layer to achieve a depth unseen in watercolor. The smallest of detail is apparent upon close examination. The piece is matted and framed in a simple white frame measuring 17.25 x 17.75 inches. Christina Haglid The Junipers watercolor and gouache on paper 8h x 9w in 20.32h x 22.86w cm CMH052 Artist's Statement Tiny Sanctuaries There has always been an intersection between the process of writing and the act of painting in my work. It has somehow been my guide. In the last four years, during the making of this work, that connection intensified as I started writing short stories and flash fiction while taking online classes. I find the process of writing and painting so different in almost every way, but there is something freeing and generative in writing which helps my painting process. Or perhaps it's a reminder of what painting is for me - something intuitive that needs to be trusted. And what they do have in common is a desire to encapsulate and distill a single moment, a story, about the complexity of our emotions and experiences. At the heart of my work is the recurring depiction of perseverance, strength of will, and a subtle optimism. Symbolically through the objects, precarious situations depict a moment of possible difficulty, often involving the influence of nature. A paper crane left in the snow. A boat nearly filled to the brim, but not submerged and able to drain its own contents carefully. A slide alone at night...