Tracey Emin Nude Prints
British, b. 1963
Tracey Emin was born in Croydon, in South London, in 1963, and raised in Margate, Kent. She studied fashion at the Medway College of Design (now the University for the Creative Arts) from 1980–82. At Medway, she met Billy Childish, who would become a huge inspiration for her work, and became closely associated with The Medway Poets. During this time, Emin became the administrator for Childish’s small printing press, Hangman Books.
In 1984 she went on to study printing at Maidstone Art College. In 1983, Emin opened a shop with fellow artist Sarah Lucas, called The Shop in Bethnal Green. The Shop sold works by Emin and Lucas, including original t-shirts and ashtrays featuring iconic artist Damien Hirst.
In November 1993, Emin held her first solo show at White Cube in London. She named her autobiographical exhibition “My Major Retrospective,” which largely consisted of personal photographs, photos of her own early paintings that she had destroyed, and a few emotionally charged items such as a packet of cigarettes her uncle was holding when he was decapitated in a car crash.
In 1994, Emin toured the United States, making stops en route with partner Carl Freedman to give readings from her autobiographical book Exploration of the Soul. In 1995, Emin produced her famous “tent” — Everyone I Have Ever Slept With 1963-1995 — which was exhibited in Freedman’s curated show “Minky Manky” at the South London Gallery. This piece was later bought by Charles Saatchi and included in the acclaimed 1997 “Sensation” exhibition at the Royal Academy of Arts in London, going on to tour Berlin and New York.
Emin appeared on a Channel 4 television series in 1997 titled Is Painting Dead? that largely comprised a discussion over the Turner Prize. Two years later, in 1999, Emin was shortlisted for the Turner Prize herself and exhibited My Bed at the Tate Gallery. In the same year, she exhibited a number of monoprint drawings inspired by Princess Diana for an exhibition at The Blue Gallery, London.
Elton John and George Michael are both famed collectors of Emin’s work, with Michael holding the “A Tribute to Tracey Emin” exhibition in September 2007 at the Dallas-based Goss-Michael Foundation. A solo exhibition, “This is Another Place,” was held at the Modern Art Oxford from 2002–03, and in 2007, Emin was included in the British Pavilion at the Venice Biennale. The same year, Emin was made Royal Academician by the Royal Academy of Arts. She has previously been invited to include works at the Royal Academy “Summer Exhibitions” dating back to 2001. Emin curated the 2008 “Summer Exhibition” and gave a public talk and interview with Matthew Collings, during which they mused on her role within the Royal Academy. Emin’s art has fetched astronomical amounts at auction, selling to Charles Saatchi, the 2011 Prime Minister (David Cameron), David Bowie and more for their private collections.
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Artist: Tracey Emin
I Could Feel You, Tracey Emin, rare 2015 giclee print plate signed 300 gsm paper
By Tracey Emin
Located in New York, NY
Tracey Emin
I Could Feel You, 2015
Archival quality giclée print on Purcell Ultrasmooth Fine Art Paper 300 GSM
9 1/2 × 12 inches
Plate signed
Unframed
Rare archival quality, giclée reproduction of Tracey Emin's original gouache I Could Feel You, which is in the permanent modern art collection of the Tate. This was printed back in 2015 in an undisclosed limited edition, and is now long sold out.
More details about the original 2014 work are on the Tate Gallery's website as follows:
Emin, whose work is often candidly autobiographical, scrutinises her relationship with her own body, using drawing...
Category
2010s Contemporary Tracey Emin Nude Prints
Materials
Giclée
I loved my Innocence
By Tracey Emin
Located in London, GB
I Loved My Innocence, 2019
Lithograph on Somerset Velvet Warm White 400gsm paper
hand-signed, numbered, titled and dated by the artist
60 x 76 cm
Edition 118 of 200
published by Coun...
Category
2010s Contemporary Tracey Emin Nude Prints
Materials
Lithograph
Tracey Emin, Choose Love - Signed Lithograph, Abstract Figuration, British Art
By Tracey Emin
Located in Hamburg, DE
Tracey Emin (born 1963 in Croydon)
Choose Love, 2024
Medium: Lithograph on paper
Dimensions: 76 × 60 cm (29 9/10 × 23 3/5 in)
Edition of 100: Hand-signed, numbered and titled in penc...
Category
21st Century and Contemporary Young British Artists (YBA) Tracey Emin Nude Prints
Materials
Lithograph
Tracey Emin, Tattoo, Photocopies on Paper, 2001
By Tracey Emin
Located in London, GB
Tracey Emin, Tattoo, Offset Lithograph on Paper, 2001
Colour photocopies on A4 paper, from a limited edition of 200 (No. 129).
Hand signed and numbered in pencil by the artist, rect...
Category
21st Century and Contemporary Young British Artists (YBA) Tracey Emin Nude Prints
Materials
Lithograph, Offset
Tracey Emin, Grand Hotel I, Lithograph Print, 2016
By Tracey Emin
Located in London, GB
Tracey Emin, Grand Hotel I, Lithograph Print, 2016
A Polymer gravure lithograph printed on Somerset 300gsm paper
From a limited edition of 100.
81/100
Hand signed, titled and numb...
Category
21st Century and Contemporary Feminist Tracey Emin Nude Prints
Materials
Paper, Lithograph, Polymer
Further Back to You
By Tracey Emin
Located in London, GB
Tracey Emin
Further Back To You, 2014
Polymer Gravure on 300 gsm Somerset Paper
Signed, numbered and dated by the artist
framed in ink blue frame.
42 × 50.8 cm
Edition of 150
publish...
Category
2010s Contemporary Tracey Emin Nude Prints
Materials
Paper, Lithograph
Tracey Emin, Holiday Inn, Lithograph on Paper, 1998
By Tracey Emin
Located in London, GB
Tracey Emin, Holiday Inn, 1998
From a limited edition of 3000.
Excellent. Sold unframed.
5.71 x 4.13 in (14.5 x 10.5 cm)
Publisher, Gesellschaft für Aktue...
Category
20th Century Young British Artists (YBA) Tracey Emin Nude Prints
Materials
Lithograph
Untitled -- Print, Polymer Gravure Etching, Figure, Feminist Art by Tracey Emin
By Tracey Emin
Located in London, GB
Untitled, 2004
Tracey Emin
Etching, on wove paper
Initialed from the edition of 125
Published by White Cube, London
With the artist's ink stamp on the reverse
Image: 14 × 19 cm (5.5...
Category
Early 2000s Feminist Tracey Emin Nude Prints
Materials
Etching
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Located in Saint Augustine, FL
Artist: (after) Karl Schmidt-Rottluff (German, 1884-1976)
Title: "Kunsthandel Wolfgang Werner KG (Nudes)"
Year: 1984
Medium: Original Offset-Lithograph, Exhibition Poster on yellow wove paper
Limited edition: Unknown
Printer: Unknown
Publisher: Kunsthandel Wolfgang Werner KG, Bremen, Germany
Framing: Recently framed in a contemporary black moulding with frame space
Framed size: 29.25" x 19.5"
Sheet size: 27.25" x 17.75"
Image size: 9.5" x 12"
Condition: In excellent condition
Extremely rare
Notes:
Poster produced for a special posthumous exhibition of Rottluff's early watercolors and printmaking "Schmidt Rottluff" at Kunsthandel Wolfgang Werner KG, Bremen, Germany from March 8 - May 12, 1984, in tribute to the artist's, would have been, 100th birthday.
GIA Gallery Poster Disclaimer:
Not to be confused with thousands of contemporary inkjet/giclée/digital reproductions ignorantly or deliberately passed off as originals on the market today. The examples we offer here are the original period vintage (exhibition) posters, created and designed by, or under the supervision and authorization of the artist or their respective estate (posthumously), for various exhibitions and events in which they participated. If applicable, this poster is also fully documented within its respective artists' official catalogue raisonné of authentic graphic works, prints, and or posters.
Biography:
Karl Schmidt-Rottluff (born December 1, 1884, Rottluff, near Chemnitz, Germany—died August 9, 1976, West Berlin [now Berlin]), German painter and printmaker who was noted for his Expressionist landscapes and nudes.
In 1905 Schmidt-Rottluff began to study architecture in Dresden, Germany, where he and his friend Erich Heckel met Ernst Ludwig Kirchner and Fritz Bleyl, two other architecture students who shared their passion for painting. Together they formed the organization of Expressionist artists known as Die Brücke...
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Raymond Pettibon Black Flag 1982 postmarked (Raymond Pettibon punk flyer)
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Located in NEW YORK, NY
Raymond Pettibon: Rare early Black Flag punk flyer:
Black Flag Santa Monica Civic Auditorium, Jun 11, 1983. Santa Monica, CA. Flyer / handbill for gig by Black Flag, Misfits, Vandals featuring artwork by Pettibon. Post-marked 1983 on verso; rare as such given the SST stamp on verso (Black Flag's record label).
Offset Print; 8.5 x 11 inches.
Features Pettibon printed signure on the lower right.
Condition: Minor signs of handling and fading or yellowing; fold-lines and staple marks to upper & lower center (these were originally stapled together and mailed); in otherwise very good overall condition given age & medium.
Post-marked 1983 and hand addressed on verso. Rare.
Flea, the Red Hot Chili Peppers bassist once said of Pettibon's Black Flag illustrations and iconic logo: "Before I knew what Black Flag was I remember walking around Hollywood and seeing Raymond's flyers and being like, 'What the fuck is that?'… Those flyers made me feel like something is going on and it's romantic and it's mysterious and it's heavy and I don't know what it is but I wanna know."
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Keith Haring Into 84 (Keith Haring Tony Shafrazi announcement card)
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Located in NEW YORK, NY
Keith Haring Painted Man:
Original 1983 announcement card for Keith Haring’s well-documented exhibition, Keith Haring 'Into 84' at Tony Shafrazi Gallery, New York, 1983. For this series Haring borrowed Jones' body — from head to toe — as the canvas to his work. A bodily canvas defined by much of the bold pictograms characteristic of Haring's artistic signature. Photos by Haring's long-time friend and collaborator Tseng Kwong Chi.
Off-set printed, 1983.
Dimensions: 6 x 4 inches.
Some minor fading to the reverse; otherwise very good overall condition with strong colors.
Literature: Keith Haring: Posters (Prestel pub.)
Further About
In 1983 Keith Haring teamed up with award-winning choreographer and dancer Bill T. Jones, founder of the Bill T. Jones/Arnie Zane Dance Company. Keith and Bill met in London in 1983 at a time when the graffiti artist was opening a major show at the Robert Fraser Gallery, and together they produced a series of exceptional collaborations in both performance and drawing.
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H 6 in W 4 in D 0.01 in
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From the Vargas Portfolio **Portfolio Cover Not Included**
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Andy Warhol Studies for a Boy Book (1950s Warhol illustrated announcement)
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Located in NEW YORK, NY
Andy Warhol Studies for a Boy Book 1956:
A rare sought-after, 1950s Andy Warhol designed poster invitation published on the occasion of: Warhol's 'Studies for a Boy Book', held at the Bodley Gallery and Bookshop Feb. 14 - March 3, 1956. A rare early Warhol collectible that seldom comes to market. Not to be passed upon.
Medium: Offset lithograph on wove paper. Framed in glass.
Dimensions: 15.75 x 13.5 inches (40 x 34.3 cm).
Framed dimensions: 24h x 26w inches.
Good overall vintage condition; fold-lines as originally issued;
Unsigned from an edition of unknown. Rare.
With the Estate of Andy Warhol and the Andy Warhol Foundation for the Visual Arts Authorization ink-stamps on the reverse; initialed 'T.J.H.' by Timothy J. Hunt of the Andy Warhol Foundation and annotated 'XX-07.16' and 'PM19.0242' in pencil on the reverse.
Provenance:
The Andy Warhol Foundation for the Visual Arts, New York
Susan Sheehan Gallery, New York
Private Collection, New York
Further Background:
"In the 1950's Warhol self-published a large series of artist’s books & hold parties at Serendipity 3, a restaurant and ice cream parlor on Manhattan’s Upper East Side, where his friends would help him hand color his books. In 1956, he presented a solo exhibition at the Bodley Gallery called Studies for a Boy Book. These sketchbook drawings of portraits of young men and erotic portrayals of male nudes contrasted with the work of other contemporary gay artists, such as Robert Rauschenberg and Jasper Johns, who considered Warhol 'too swish.' (source: The Andy Warhol Museum)
Collections:
The Art Institute of Chicago
Further background:
Warhol’s career began as a commercial illustrator on New York’s Madison Avenue in 1949, during the massive post-war economic boom. His arrival additionally coincided with an extensive change in the motivations and strategies behind advertising, utilizing applied psychology to influence American consumers to purchase products. This stint as an ad man would further his Pop interest in cultural commercialization and start his artistic career; thus began the first chapter of Warhol’s oeuvre, dominated by charming and light-handed ink drawings.
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The simple yet sophisticated line drawings contain... his favorite things: cherubs, shoes, cats, and often young men. Across these drawings and hand-colored prints, we see Warhol as a compulsive creator, documenting life and fantasy with the stark clarity of ink on paper." (source: Phillips)
_
Obsessed with celebrity, consumer culture, and mechanical reproduction, Pop Art king, Andy Warhol created some of the 20th century’s most iconic images. Warhol was widely influenced by popular & consumer culture, with this being evident in some of his most famous works: 32 Campbell's soup cans, Brillo pad box sculptures, and portraits of Marilyn Monroe & Mick Jagger, for example. Rejecting the standard painting and sculpting modes of his era, Warhol embraced silk-screen printmaking to achieve his characteristic hard edges and flat areas of color. The artist mentored Keith Haring and Jean-Michel Basquiat and continues to influence contemporary art around the world: His most bold successors include Richard Prince, Takashi Murakami, and Jeff Koons. Warhol has been the subject of exhibitions at the Whitney Museum of American Art, Museum of Modern Art, Tate Modern, and Centre Pompidou, among other institutions.
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Archival quality giclée print on Purcell Ultrasmooth Fine Art Paper 300 GSM
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On My Knees -- Lithograph, Human Figure, Nude Woman by Tracey Emin
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From Tate Modern 21 Years Print Portfolio...
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H 23.63 in W 29.93 in
I Loved My Innocence, Young British Artist (YBA), Contemporary Art, 21st Century
By Tracey Emin
Located in Hamburg, DE
Tracey Emin (born 1963 in Croydon)
I Loved My Innocence, 2019
Medium: Lithograph on wove paper
Dimensions: 76 x 60 cm (29.9 x 23.6 in)
Edition of 200: Hand signed, numbered, titled a...
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Something Good
By Tracey Emin
Located in Calabasas, CA
Artist: Tracey Emin
Title: Something Good
Year: 2017
Medium: Polymer gravure etching on Somerset White 300gsm paper
Edition: 50; signed, titled, dated and numbered pencil
Sheet: 11 3...
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Year: 2017
Medium: Polymer gravure etching on Somerset White 300gsm paper
Edition: 50; signed, titled, dated and numbered pencil
Sheet: 11 3...
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Something Good
By Tracey Emin
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Year: 2017
Medium: Polymer gravure etching on Somerset White 300gsm paper
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By Tracey Emin
Located in Miami Beach, FL
Tracey Emin’s art is one of disclosure, using her life events as inspiration for works ranging from painting, drawing, video and installation, to photography, needlework and sculptur...
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Tracey Emin nude prints for sale on 1stDibs.
Find a wide variety of authentic Tracey Emin nude prints available for sale on 1stDibs. You can also browse by medium to find art by Tracey Emin in lithograph, offset print, paper and more. Much of the original work by this artist or collective was created during the 21st century and contemporary and is mostly associated with the contemporary style. Not every interior allows for large Tracey Emin nude prints, so small editions measuring 12 inches across are available. Customers who are interested in this artist might also find the work of Ian Laurie, Kate Garner, and Ellen Von Wiegand. Tracey Emin nude prints prices can differ depending upon medium, time period and other attributes. On 1stDibs, the price for these items starts at $3,500 and tops out at $13,219, while the average work can sell for $9,450.