Uwe Ommer Mixed Media

Ghosts of Love If love took form, if we could see it, and if so watch, as it faded, or got lost, or just gave up, slowly softly, disappeared, disillusioned, dejected, I think I saw it, as a tree in the woods, as a pale moth, a boat upturned on a shore, moonlight on ocean, a feather, drifting down, discarded, I looked and, love was everywhere, sighing, trembling, shimmering, fluttering, tender, as it departed, and as I watched...

This is a beautiful contemporary photograph of a Greek sculpture. The photograph is processed in a way that the grain of the wood eventually becomes the "canvas" and backdrop for this image. It is processed directly on Baltic birch wood using archival inks and is then sealed with a durable Hi-gloss lacquer. HUGO G. URRUTIA + MK SEMOS Urrutia is an interdisciplinary artist, interested in the cross-pollination between art and architecture. A graduate and active member of the Architectural Association in the United Kingdom, Urrutia’s work creates a distinct spatiality located at the interstice of art and architecture. His work explores and uses the technology for design and fabrication, with a sensitive and conscious reminder of the creativity of human endeavor. Urrutia graduated from the Architectural Association in 2013, earning a Master of Architecture in the Design & Make programme. In 2000, he graduated from Texas Tech University, with a Bachelor of Architecture and Design and received the 2000 Outstanding Thesis Award. In 2004, he founded Decorazon Gallery in Dallas’ historic Bishop Arts District where he directed, curated and exhibited numerous art/architectural exhibitions for national and international artists. His personal artwork has been exhibited in the United States, United Kingdom, Thailand, Colombia, and Hong Kong. His participation in art and architectural competitions and public projects include; the AIA Cincinnati, where he received the Design Award for the 2000 National Urban Poetry I competition and the 2005 ARQUINE - International Architecture Competition in Mexico City. His art installations – The Mexican Tsunami, and Making a Killing – have both been featured at the Art Santa Fe 2010 Contemporary Art Fair, curated by Charlotte Jackson...

Carly Anne Amos, in collaboration with Globe Photos, brings you a new collection of gorgeous twists to classic icons from our archives. Carly Anne is a streetwear designer (The Colo...

For me, an artistic process is an act of investigation – a passionate attempt to establish an understanding of the natural world – a version that incorporates both intellectual and e...

For me, an artistic process is an act of investigation – a passionate attempt to establish an understanding of the natural world – a version that incorporates both intellectual and e...

Ghost Souls I • 2022 • Edition of 18 prints. A collaboration of photographer Angelika Büttner and visual artist Laure Laferrerie. All prints are numbered...

Nan Goldin Supreme Skateboard Deck: "Kim in Rhinestones, Paris 1991": Published in 2018 by Supreme New York. Features a Nan Goldin printed signature o...

"Kate Moss Nr. 8" Photography 58 × 53 1/2 in Edition 1/1 by Kate Garner Signed on the back. High Quality Print on Hahnemuhle paper using archival ink with red full diamond dust bac...

Ghost Souls IV • 2022 • 2/12 • Edition of 18 prints in 2 different sizes. A collaboration of photographer Angelika Büttner and visual artist Laure Laferrerie. All prints are numbered and signed by both artists. Printed on Hahnemühle Archival Paper. Two different sizes are available, the series is limited to a total of 18 prints H 42.00. cm x W 29.70 cm - Edition of 12 - 1/12 to 12/12 H 59.40 cm x W 42.00 cm - Edition of 6 - 1/6 to 6/6 The artwork is sold unframed as a print only. • Renowned photographer Angelika Buettner and accomplished visual artist Laure Laferrerie join forces in a captivating creative collaboration, unveiling a mesmerizing series that seamlessly merges nude photography with the allure of digital paintings. Together, these visionary women embark on a duet of creation, capturing reflections of concealed female souls. Angelika Buettner's revealing eye and Laure Laferrerie's raw artistic gesture converge in a project that transcends whispers to explosive artistic expression. Having previously established a creative rapport through various editorial collaborations, Angelika Buettner and Laure Laferrerie draw inspiration from their deep understanding of each other. Their enchanting nude series delves into the depths of the soul, unveiling the eternal bond with our unique soul sisters...

We are the Earth is comprised of a photograph, acrylic paint, found objects in nature (bones, leaves, flowers, stones, crystals) and resin. The base materials for the work consist of a wooden paneled canvas that provides the platform for the adhesion of a rolled photographic canvas, a fine art photography print. The canvas print, in this case a double exposure digital photograph, is adhered to the wood using a clear acrylic varnish. Acrylic Paint is added along with the objects that I found in nature, which are all placed in a careful and meticulous fashion, finally cemented in resin. This specific piece of art was my first large scale piece of its kind, created in my studio in Brooklyn in 2019. This piece was inspired by the colors of my travels, the deserts, trees, mountains and sunsets. The human depicted is myself, it is a self-portrait captured in Great Sand Dunes...

For me, an artistic process is an act of investigation – a passionate attempt to establish an understanding of the natural world – a version that incorporates both intellectual and e...

"Kate Moss Nr. 1" Photography 58 × 53 1/2 in Edition 1/1 by Kate Garner Signed on the back. High Quality Print on Hahnemuhle paper using archival ink with partial diamond dust and ...