Gale Antokal Mixed Media

Contemporary mixed media (acrylic, pastel, pencil, and collage) abstract floral painting by emerging artist Federica Aiello Pini, exploring nature...

This piece titled "This Must Be the Place VE 1/7" is a variable edition piece by Kate VanVliet and is made from Intaglio with soft ground on Rives BFK. This piece is an edition of 7 ...

Ghost Souls III • 2022 • Edition of 18 prints in 3 different sizes. A collaboration of photographer Angelika Büttner and visual artist Laure Laferrerie. All prints are numbered and ...

René Galassi uses in his plastic technique: resins, paper, pure pigments, clay, golden and silver leaf, concrete and sand. Always seeking for new and textured materials. In his last ...

This piece titled "Because the Night VE 1/5" is a variable edition piece by Kate VanVliet and is made from two-plate etching with aquatint, soft ground and relief chine colle on Rive...

Nam June Paik Untitled, Plate Six from Novecento, 1992 Mixed Media: Color offset lithograph with unique chalk pastel drawing 13 3/10 × 18 inches Edition 104/130 Pencil numbered 104/130, hand signed in pastel chalk on the front Edizioni Carte Segrete, Rome, Italy Excellent condition; held in matting which can be easily removed The matting measures 18" x 21" This was part of a series of works produced for the Nam June Paik retrospective at the Palazzo delle Esposizioni, Rome, 1992, Nam June Paik: Arti Elletroniche. This is one of the editions which bears unique hand coloring with pastel chalk. A comparable work sold at auction in 2015 for US $12,583. (see details below): Nam June Paik Title Novecento Description Nam June PAI K Novecento 1930-1940, 1992 Pastel sur offset en couleurs, épreuve signée et numérotée 104/130 Edizioni Carte Segrete, Rome 23,5 x 39,5 cm EH Oeuvre réalisée a l'occasion de la rétrospective Paik au Palazzo delle Esposizioni, Rome, 1992, Nam June Paik: Arti Elletroniche, cinema e Media Verso il XXI Secolo Medium pastel Year of Work 1992 Size Height 9.3 in.; Width 15.6 in. / Height 23.5 cm.; Width 39.5 cm. Misc. Signed Sale of Millon & Associés: Monday, June 22, 2015 [Lot 00090] Design Sold For 11,057 EUR Hammer (12,583 USD) Nam June Paik Biography Nam June Paik was born in 1932 in Seoul. He received a BA in aesthetics from the University of Tokyo in 1956 where he also studied music and art history. After graduating, he studied for a year with composer Thrasybulus Georgiades Georgiades at the University of Munich and for two years with composer Woflgang Fortner at the International Music College in Freiburg. He attended the International Summer Courses for New Music in Darmstadt in 1957, when he met Karlheinz Stockhausen, and in 1958, when he met John Cage. Cage, and through him Marcel Duchamp, had a significant influence on Paik as he became a major force in the avant-garde through performances. In Hommage à John Cage (1959), Paik employed audiotape and performance to attack traditional musical instrumentation and compositional practices, splicing together piano playing, screaming, bits of classical music, and sound effects. Realizing that taped sound was not enough, he decided to move into performance, first by introducing performative actions into his audio works. In 1961 Paik performed Simple, Zen for Head and Étude Platonique No. 3, in which he became a volatile figure, thrashing about in unexpected patterns and sudden movements to his signature soundtracks. In 1962 Paik participated in the Fluxus International Festival of the New Music in Weisbaden. Paik's first exhibition, entitled Exposition of Music - Electronic Television, in 1963 at Galerie Parnass at Wuppertal, launched his transition from composer and performance artist to the inventor of a new art form: an engagement with the material site of television as an instrument. In the exhibition, thirteen televisions lay on their backs and sides with their reception altered; for example, Zen for TV (1963) reduced the television picture to a horizontal line and Kuba TV (1963) shrank and expanded the image on the television set according to the changing volume. In 1964 Paik traveled to the US. He quickly settled in New York and became a leading innovator among an emerging generation of artists seeking new modes of artistic expression and distribution. That same year, Paik collaborated with Shuya Abe to create Robot K-456 (1964), a remote controlled robot that played audiotaped speeches by John F. Kennedy and defecated beans in Paik's Robot Opera (1964). In the interactive work Magnet TV (1965), Paik invited viewers to modify the television's output into swerving abstract lines through the movement of a magnet over the TV. In 1967 Paik and frequent collaborator Charlotte Moorman were arrested when Moorman performed Paik's Opera Sextronique (1967), a striptease as she played the cello at the Filmmakers' Cinematheque in New York. Paik's TV Bra for Living Sculpture (1969), which Moorman wore in performances, featured two television tubes...

This piece titled "Somebody That I Used to Know" is an original piece by Kate VanVliet and is made from two-plate intaglio with soft ground, chine colle, carborundum plate and chine ...

This piece titled "Timesteps" is an limited edition piece by Kate VanVliet and is made from two-plate etching with sugarlift, aquatint, drypoint on Rives BFK. This piece is an editio...

This piece titled "This Must Be the Place VE 2/7" is a variable edition piece by Kate VanVliet and is made from Intaglio with soft ground on Rives BFK. This piece is an edition of 7 ...

Ghost Souls IV • 2022 • 1/6 • Edition of 18 prints in 2 different sizes. A collaboration of photographer Angelika Büttner and visual artist Laure Laferrerie. All prints are numbered...

Ghost Souls III • 2022 • Edition of 18 prints in 3 different sizes. A collaboration of photographer Angelika Büttner and visual artist Laure Laferrerie. All prints are numbered and ...

Elvis:The Sewing Lesson (2011) Mixed media intaglio print with embroidery, photogravure, thread, and collage on Magnani Pescia white paper. edition of 100 plus 12 APs, 6 printers proofs, and 6 CCP archive proofs 17 ¾" x 13 ½" Published by Center for Contemporary Printmaking. Elvis Presley, Rock & roll icon. Liliana Porter (born 1941) is a contemporary artist working in a wide variety of media, including photography, printmaking, painting, drawing, installation, video, theater, and public art. Porter was born in Buenos Aires, Argentina in 1941, but lives and works in New York. As a teenager, she attended the Universidad Iberoamericana in Mexico City, Mexico, where she studied under Guillermo Silva Santamaria and Mathias Goeritz. She returned to Argentina and completed her training at the Escuela Nacional de Bellas Artes in Buenos Aires. In 1964, she moved to New York City, where she co-founded the New York Graphic Workshop with fellow artists Luis Camnitzer and José Guillermo Castillo. In 1974 she was a co-founder and etching instructor at Studio Camnitzer, an artist's residence studio near Lucca, Italy that welcomes artists working in all media. After holding teaching positions at the Porter-Wiener Studio, the Printmaking Workshop, SUNY Purchase and State University of New York at Old Westbury, Porter became a professor at Queens College, City University of New York in 1991 and remained there until 2007. Porter cites Luis Felipe Noe, Giorgio Morandi, Roy Lichtenstein, the Arte Povera group, and the Guerrilla...