Valentino Panciera Besarel Furniture

Pair of 19th century Italian iron and bronze Savonarola chairs with paw feet and separate loose cushions. Seat H first seat 17" with cushion 21...

PAIR OF 19th Century French CHENETS Louis XVI style, in gilded metal. Dim.: 29 x 13 x 5 cm good conditions

Large 19th Century Grand Tour bronze sculpture of Narcissus after the original found in 1862 at Pompeii. Signed "Bucciano Napoli". When first found in Pompeii it was identified as Na...

Wonderful Italian Baroque chair from the 18th century. Nicely hand carved and upholstered with Fortuny fabric. Seat height is 19.5".

The clock is signed by the Clockmaker Festeau Le Jeune. The case after a design of François Vion in form of a lion supporting a cylindrical case draped with ribbon tied laurel swags ...

Magnificent walnut hand-carved bench attributed to master artist Valentino Besarel (b. July 29 1829, d. Dec 11 1902) of Venice, Italy. Renaissance Revival. High quality; soft, fi...

We are delighted to offer for sale this stunning original 17th century attributed to Andrea Brustolon hand carved Italian walnut armchair with Cherubs...

19th Century bronze statue of a pointer and spaniel hunting grouse with signature of F. Pautrot. Ferdinand Pautrot’s (French, 1832-1874) first recorded exhibit was at the Salon in P...

Pair of Italian walnut armchairs with arched top, floral carved scrolled arms, original needlepoint, and terminating on bulbous turne...

French Baroque style hand carved fruit wood armchair with typical neoclassical rock and plant decorations, gold leaf gilded and painted over in additi...

A fine, large, late 17th century, Flemish, open armchair in the style of Daniel Marot with an upholstered seat This fine, armchair is an, unusually, large size and the carving is of exceptional quality reflecting the status of the owner it was made for. It is sturdy and in usable condition. Chairs of this type, with tall, intricately carved backs, were placed in rows against a wall forming part of the decoration of a room. The carving of the back of this chair is French in style and was based on decorative prints by Daniël Marot The cresting carved with a profusion of acanthus leaf scrolls. The back with fine, pierced carving. The mid-section with a central flowerhead with scrolled shields above and below ornamented with flowerheads acanthus leaf crestings. Two pairs of carved ‘S’ scrolls ornamented with acanthus leaves either side. The tapering turned sections surmounted by ionic capitals and supporting back of the scroll arms carved with acanthus leaf ornament. The front arms supported by baluster and tapering turned sections ornamented with acanthus leaf carving. The legs joined by a shaped ‘H’ stretcher with central finial, on bun feet. The upholstered seat reupholstered in a bargello woven in tones of blue, green, red and gold faced with braid and brass studwork. The back of the chair has an incredible, 19th century, oak support from the cresting to halfway down the back, which has been beautifully carved to conform with the open sections of the back, and two braces down the length of the back. There are also two oak supports behind seat blocks at the top of the legs. These repairs are sensitive to the model of chair and have become part of its character and features in their own right and they are very interesting from a conservation history perspective. There are two old repairs to a small break in the cresting on the right hand side and the hairline cracks are visible, an old repair to a small break in the top right of the central splat with a small piece added and a visible hairline crack. The right side of the back has noticeable worm damage on the right seat block which is probably the root cause of the break on the block on this side from impact as the chair probably fell backwards at some point and either onto its right side or it hit something on that side and the block weakened by worm gave way as the damage to the chair is localised on the far right side. Because the backs are high on these Daniel Marot chairs they are top heavy and invariably do have damage to the backs and crestings from impact damage so this is not unusual. The right block has been repaired thoroughly and is stable and there is no live worm in the chair. It would be possible to disguise these repairs but I have left them as they are consistent with the 19th century date of the supports and conform with museum standards. A full set of photographs...

Large patinated bronze figure of a proud Middle Eastern male. Signed in the cast, Koenig with Patent 1888 Paris. Apparently designed as a stick stand.