Valton Tyler Abstract Prints

Artist: James Rosenquist (1933-2017) Title: Diver’s Line, State II (Glenn 167-A) Year: 1979 Medium: Etching, aquatint, stencil on Pescia Italia paper Edition: 28/78 Size: 22.75 x 40 ...

Artist: Salvador Dali (1904-1989) Title: Le Girafe en Feu Year: 1976 Medium: Lithograph on Arches paper Edition: CXLII/CCL; 250 Roman Numerals, plus proofs...

Artist: Alexander Calder (1898-1976) Title: Sky Bird, Braniff International Airways Flying Colors Collection Year: 1975 Medium: Lithograph on vélin d’Arches paper Size: 20 x 26 inche...

Amsterdam IX is an intriguing early career aquatint dry-needle etch print by renowned French-Dutch artist Olivier Julia. It depicts a detail of an old Amsterdam house facade and is b...

Plate VI, Le Cocu Magnifique etching & aquatint, 1968 Unsigned as usual From the unsigned edition of 200 impressions printed on Rives BFK paper There is also a signed edition of 30 i...

Jack Zajac, American, born 1929 1964 Etching and aquatint hand printed on Fabriano paper, pencil signed and editioned. Edition Roman Numeral III Image: 12 9/16 x 8 5/8 in. (31.9 x 2...

This exquisite etching after Joan Miro (1893–1983), titled Serie V (Series V), from the folio Derriere le miroir, 10 Ans d'Edition 1946–1956, No. 92–93, originates from the 1956 edition published by Maeght Editeur, Paris, and printed by Atelier Crommelynck, Paris, 1956. Serie V reflects Miro’s fascination with rhythmic abstraction and the poetic balance between spontaneity and structure, uniting delicate etched line with the fluid energy and symbolism that defined his mature graphic work. Executed as an etching from cuivre raye apres tirage on velin paper, this work measures 15 x 11 inches, overall; 5.91 x 4.92 inches, image size. Unsigned and unnumbered as issued. The edition exemplifies the superb craftsmanship of Atelier Crommelynck, Paris. Artwork Details: Artist: After Joan Miro (1893–1983) Title: Serie V (Series V), from the folio Derriere le miroir, 10 Ans d'Edition 1946–1956, No. 92–93 Medium: Etching from cuivre raye apres tirage on velin paper Dimensions: 15 x 11 inches (38.1 x 27.94 cm), overall; 5.91 x 4.92 inches (15.01 x 12.50 cm), image size Inscription: Unsigned and unnumbered as issued Date: 1956 Publisher: Maeght Editeur, Paris Printer: Atelier Crommelynck, Paris Catalogue raisonne reference: Cramer, Patrick, and Isabelle Monod-Fontaine. Joan Miro: Catalogue Raisonne des Livres Illustres. Patrick Cramer Editeur, Geneva, 1989, no. 36. Condition: Well preserved, consistent with age and medium Provenance: From the folio Derriere le miroir, 10 Ans d'Edition 1946–1956, No. 92–93, published by Maeght Editeur, Paris; printed by Atelier Crommelynck, Paris, 1956 Notes: Excerpted from the folio (translated from French), This catalogue, forming a special issue of Derriere le miroir, was completed in October 1956 on the presses of Draeger Freres on behalf of Aime Maeght, Editeur. The original lithographs of Miro, Chagall and Bazaine were shot by Mourlot Freres. The eaux-fortes rayees of Miro and Giacometti were shot by Crommelynck. Raoul Ubac composed and pulled the engraved wood from the cover. The photographs of Braque's reproduced works are by Mr. Routhier. Those of the other artists of Y. Hervochon. About the Publication: Derriere le miroir (Behind the Mirror) was one of the most important art publications of the 20th century, created and published by Maeght Editeur in Paris from 1946 to 1982. Founded by the visionary art dealer and publisher Aime Maeght, the series served as both an exhibition catalogue and a work of art in its own right, uniting original lithographs by leading modern and contemporary artists with critical essays, poetry, and design of the highest quality. Printed by master lithographers such as Mourlot Freres and Arte, Derriere le miroir became synonymous with the artistic vanguard of postwar Europe. Each issue was devoted to a single artist or theme and published to accompany exhibitions at the Galerie Maeght in Paris, featuring works by Pablo Picasso, Henri Matisse, Georges Braque, Joan Miro, Marc Chagall, Alexander Calder, Fernand Leger, and Alberto Giacometti, among others. The publication reflected Maeght’s belief that art should be both accessible and elevated—an ideal realized through its luxurious production values, meticulous printing, and collaboration with the greatest creative minds of its time. About the Artist: Joan Miro (1893–1983) was a Catalan painter, sculptor, printmaker, and ceramicist whose visionary imagination and lyrical abstraction made him one of the most influential and beloved artists of the 20th century. Born in Barcelona, Miro drew inspiration from Catalan folk art, Romanesque frescoes, and the luminous landscapes of Mont-roig del Camp, developing a deep connection to nature that infused his work with vitality and symbolism. After formal training at the Escola d'Art in Barcelona, he absorbed the lessons of Post-Impressionism and Cubism before moving to Paris in the early 1920s, where he became a leading figure in the Surrealist movement. There, Miro forged a personal visual language of biomorphic shapes, floating symbols, and radiant color harmonies that reflected both spontaneity and spiritual depth. In creative dialogue with peers such as Alexander Calder, Alberto Giacometti, Salvador Dali, Wassily Kandinsky, Marcel Duchamp, and Man Ray, he helped revolutionize modern art by dissolving the boundaries between abstraction and dream imagery. Miro's inventive approach extended far beyond painting, embracing sculpture, ceramics, and monumental public commissions that redefined how art could interact with space and emotion. His expressive freedom and gestural abstraction profoundly influenced later artists including Jackson Pollock, Mark Rothko, Alexander Calder, Jean Dubuffet, Antoni Tapies, and Joan Mitchell, inspiring generations who sought to merge instinct, color, and imagination. Today, Miro's work remains a cornerstone of modernism, prized by collectors and celebrated in major museums worldwide. His highest auction record was achieved by Peinture (Etoile Bleue) (1927), which sold for £23,561,250 (approximately $37 million) at Sotheby's, London, on June 19, 2012. Joan Miro Serie...

Conrad Marca Relli - Composition XIII Date of creation: 1977 Medium: Etching and aquatint on Gvarro paper Edition: 75 + AP + HC Size: 56 x 76 cm Condition: In very good conditions an...

Aquatint and etching on vélin cuve de Rives paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, Feuilles éparses, 1965. Published and print...

Etching on Rives paper with the artist's watermark. Hand signed lower right by Henry Moore. Hand numbered 26/50 lower left (there were also 13 artist's proofs). Sheet size 20 x 14...

"Fete" Mid Century Abstract Etching and Aquatint on Paper (Artist's Proof) Bold abstract composition by Renee Lubarow (French, 1923-2017). This piece is somewhat architectural or in...

Savage Beasts in the Desert  or Little Animal Kingdom ( Les Betes Sauvages sans Le Desert ) is an original signed lithograph (+ original etched remarque)  by Salvador Dali . L...