Victor David Brenner Collectibles and Curiosities

Pietà, devotional plaque. Bronze. Spanish School, 17th century, based on the model of Guglielmo DELLA PORTA. Oval-shaped devotional plaque made of bronze, featuring a ring at the t...

An interesting and very decorative artifact depicting a prominent Historical figure. A profile view of Churchill with a cigar in his mouth as he look...

Stunningly powerful and meaningful work of religious art. With works of religious art being one of our specialties, over the decades we have sold quite a few special antiques in this field. With this bronze antique the artist clearly shows us a fragment out of one of the most famous scenes that took place in the history of mankind. Christ has already been beaten, mocked, given a wreath of thorns and having to carry the enormous cross. As you can see the quality of the details and the workmanship is excellent, but the scene and its meaning ofcourse is even more impressive. Please notice how particularly the facial features reveil the peaceful state of being that lies underneath the exterior of this Christ sculpture...

EVERY LAWYER AND JUDGE MUST HAVE! This extraordinary bronze gavel, dated 1603 and weights 1,3 kg. It is a rare and evocative example of early ceremonial instruments. Cast in the form of a clenched fist- symbolising authority, resolve, and order- it is mounted on a worn, aged wooden handle that enhances its historic character. The craftsmanship and materials suggest it originated in medieval or early Stuart England, a period when guilds, courts, and civic bodies often used symbolic tools to assert power and structure in meetings and proceedings. While the term “gavel” became widely recognised in the 18th and 19th centuries, mallet-like instruments were used much earlier, particularly in English trade guilds and legal contexts, where they served as emblems of control and decision-making. The clenched fist design is highly unusual, possibly denoting a unique ceremonial role or elevated authority within a guild or council. This piece is not only a striking object of early design but also a rare surviving example from the transitional period between the Elizabethan and Jacobean eras...

Rare and sizeable Art Deco religious plaque. Stunning sculpture / plaque by one of the greats when it comes to religious art. This sizeable, heavy and detailed plaque depicts Jesus...

Bronze French Relief Plaque American Indian War Attack 9.25"

One of a kind! The Figure Game (Siang Ki in Chinese), "The Original Game of Chess as Played in Antiquity" set in bronze by Gary Sahl for the Riggs Gall...

Author: VIERECK, George Sylvester. Title: The House of the Vampire. Publisher: NY: Moffat, Yard & Company, 1907. FIRST EDITION OF THE AUTHORS FIRST NOVEL. 1 vol., publishe...

Splendid 17th-century Italian painting by unknown artist, but certainly a follower of Caravaggio, relying on style and drawing. The painting has a very beautiful gilded wooden frame, with a subtle greek with spheres and an overlying rectangular frame with sinuous flowers on each corner, very elegant and beautiful. The painting depicts one of the most depicted religious scenes ever, the scourging of Christ, and is entirely done in oil on copper. The scourging of Jesus is an episode narrated in the Gospels (Mk15:15-16; Mt27:26-27; Lk23:16-26; Jn19:1-17[1]). Scourging is a flogging, particularly bloody, by means of sticks, rods or cat-o-nine-tails, the latter instrument consisting, in the Roman typology, of a short stick to which were secured several strings ending in metal claws, leads and bone splinters that caused tremendous lacerations and fractures to the tortured person. Chains are used in this scene, both to immobilize Jesus Christ and to flog him, as we can see in the upper right hand of the scourger. According to some personal research, it turned out that the actual scourging of Christ was mostly depicted at the column, while this Christ is on the ground, so presumably Christ here is scourged during the Way of the Cross at one of those stages where he fell. The painting has a very dark coloring, which is why this painting is believed to faithfully follow Caravaggio's style of dry, authoritarian brushstrokes. The painting shows a figure agonizing on the ground that continues to receive beatings and floggings of all kinds, representing Christ; his face is crucified in a loquacious expression of pain, he turns his eyes to heaven as if to invoke God, but at the same time those same eyes admonish the wickedness and arrogance inherent in humanity. Christ has one hand resting on the ground in the act of holding himself, while the other takes a completely unnatural stance against the barren ground. His body appears hardened to wanting to parry the blows, his legs are curled up on his knees as he takes kicks from the soldier above him. Christ is depicted pinned down from the neck with a very large and strong black iron bolt held by the other soldier. The soldier on the right in the foreground wears a one-shoulder tunic with an orange tunic and blue pants. On his feet he wears gray shoes, at his waist he has a belt with an iron helmet...

One Bronze Medallion circa 1916 - The Heroes of Verdun Signed by sculptor Charles Pillet 2.75" x 2.75 x .63 2nd piece, Bronze Plaque 1912 "Die Kunst O Mensh" Commemorating inaugu...

Early 20th Century rectangular cast bronze wall plaque from Steubenville of "The Fraternal Order of Eagles". Please note, this item is located in our Scranton, PA location.

“Picasso The Early Years 1881-1907” book By PALAU I FABRE, Josep. New York: Rizzoli, [1981]., 1981. folio. pp.559, [1]. 1587 illus. (361 in color). First Edition of the English ...