William Frederick Hulk Art

Clive Madgwick "Countryside Hunt" Original Oil on Canvas C.1980 A hunt out in the English countryside Original oil on canvas Dimensions 36" wide x 2...

Lajos Szanto (1889-1965) Original Oil Painting c.1930s A bustling market scene. Oil on canvas. Dimensions 30.5" wide x 24.5" high. The frame measures 36.5" wide x 30.5" high. Sig...

Orrin White California Mountain Landscape Signed lower right Oil on board 8 x 10 inches A nationally known landscape painter, who spent the prime of his career in California, Orrin White was born in Hanover, Illinois. He was artistically inclined at an early age but did not pursue an art career until he was in his thirties. After receiving a Bachelor of Arts degree from Notre Dame University...

6000 Antique birch trees landscape,oil on artist board displayed in a wood frame.Signed lower left by Mori.Image size 9.5 H x 7.5 W

5193 American Modernist Sailboat at Full Mast Inscribed on back Proud Little Coaster John Chancelor" Gilt frame Image size 16.5x23" Signed Ranrd 1996

Paul Arndt (1881-1978) Large Scale Mountain Landscape C.1951 Original oil on canvas affixed to board Dimensions 89" wide x 52" high Housed in a simple fr...

Vintage Oil Painting California Sierra Foothills Town by D. Grech c.1997 Original oil on masonite Dimensions 22" wide x 14" high The lightly distressed frame measures 16" wide x 1...

Landscape with Temple ruins and figures 19th century Possibly signed lower right Oil on canvas 31 x 40

Mid-century Italian abstract titled “Lake Garda” Signed indecipherably lower right Oil on masonite 26 x 27.25 framed 21.5 x 22.5 unframed

Charles Warren Eaton (1857 – 1937) The Shadow of Mount Rockwell, Glacier National Park, Montana, 1921 Oil on canvas 20 x 24 inches Signed lower right: CHAS WARREN EATON. Provenance: The artist The Macbeth Gallery, New York Private Collection Sotheby's New York, American Art, April 14, 1989 ConocoPhillips, Houston Simpson Galleries, Houston, Fine Art & Antiques, May 18, 2019, Lot 447 Exhibited: New York, The Macbeth Gallery, Paintings of Glacier National Park by Charles Warren Eaton, December 13, 1921 - January 2, 1922, no. 2. Literature: "Two Exhibitions at Macbeth's," American Art News, New York, Vol. XX, No. 10, December 17, 1921. A contemporary critic wrote that the paintings of Charles Warren Eaton appeal to “the dreamers who find in them the undiscovered scenes in which their fancy long has dwelt.” Eaton’s contemplative landscapes exude a spiritual quality that moves the observer into a similar frame of mind. He loved to depict the ethereal light of dawn and dusk in late autumn or winter, usually without any reference to human or animal figures or buildings. These Tonalist paintings, with their subdued palette and relatively intimate scale, marked a definite break with the fading popularity of the panoramic and romantic views of the Hudson River School painters. Charles Warren Eaton was born in Albany, New York to a family of limited means. He began painting while working in a dry-goods store. At age 22, he enrolled at the National Academy of Design in New York City and then studied figure painting at the Art Students League. By 1886, he was successful enough to quit his day job and make a living as a landscape painter. That year, he traveled to Europe with fellow Tonalist painters Leonard Ochtman and Ben Foster. In France, Eaton visited popular artist’s spots such as Paris, Fontainebleau and Grez-sur-Loing, and fell in love with the loose brushwork and moody style of French Barbizon painting. Returning to the United States, Eaton fell under the spell of George Inness, the foremost exponent of Barbizon style in the United States. In 1888, Eaton settled near Inness in Bloomfield, New Jersey, where Eaton lived until his death in 1937. In this period, he painted shadowy and ambiguous landscapes inspired by rural scenery in the northeastern United States. His signature theme was a cropped view of the branches, trunks, and foliage of a pine grove silhouetted against a delicately illuminated sunset or moonlit sky. He painted this vision so often between 1900 and 1910 that he picked up the sobriquet ‘‘The Pine Tree Painter.” After 1910, Eaton responded to the popularity of Impressionism by using brighter colors and painting sunlit daytime scenes. In 1921, he was hired to paint Glacier Lake, in Glacier National Park by the Great Northern Railroad Company as part of their ‘See America First’ campaign. He produced more than 20 paintings, among the artist's last works, that now poignantly remind viewers of the vast disappearing glaciers. Eaton tended to approach this mountain scenery from an oblique vantage point; he liked to capture small episodes, showing mountaintops nearly obscured by dramatically attenuated screens of fir trees. Eaton, like many Tonalist artists of his generation such as Henry Ward Ranger, John Francis Murphy, and Charles Melville Dewey...

"Le Cafe Boheme De Paris" by Gerard Valtier is an original oil on canvas that measures 29x36 inches. This impressionistic painting has an array of bright c...

Fabulous late 19th or early 20th century oil on canvas. It looks to be in the style of the Barbizon School moving into impressionim. Most of the earl...