William Joseph Shayer Paintings

Richly-colored and vibrant Edwardian Beach Scene, British oil painting on canvas in impressionist style, presented in contemporary gold frame. The oil paint is raised and textured, lifting the beach sands, sea, sky and dresses from the canvas. Gathering in Edwardian period costuming looks out over the sands to the sea and clouds, with distant sailboats and children playing in the waves. This is a delightful contemporary painting, unsigned, but original oil dating to the 20th century. Framers tags verso from Oxford and Glasgow. In very good condition, with a few minor chips on the gold frame, but otherwise the painting is bright and beautiful. Provenance to gallery in the United Kingdom, imported by Saltire Gallerie...

The scene of this landscape unfolds with a tranquil river nestled between rolling hills, its heavily wooded banks casting a serene backdrop. In the center of the composition, two fis...

George Wright British, (1860-1942) On the Scent Oil on canvas, signed Image size: 9.5 inches x 15.5 inches Size including frame: 13 inches x 19 inches George Wright was a sporting and landscape artist who was born in Leeds in 1860. He was the son of George E Wright a cashier and his wife Elizabeth. His brother Gilbert Scott Wright...

William Watson Jnr British, (1847-1921) On the Mountains, Loch Awe Oil on canvas, signed & dated 1892, further inscribed verso Image size: 12.5 inches x 18.5 inches Size including frame: 18.5 inches x 24.5 inches A wonderful painting of Highland sheep resting near Loch Awe by William Watson Jnr. Loch Awe is located in Argyll and Bute in the Scottish Highlands and this scene is taken from the mountain side overlooking the loch. William Watson was born in Islington in 1847, the son of the London miniature painter William John Watson (1810-1871) and his wife Caroline (née Butcher). His brothers Charles Watson (1837-1900) and Robert Watson (1855-1921) were also artists. His father seems to have travelled around and after spending time in Brighton, the family moved to Bransford Road in Worcester during the early part of the 1860’s. As well as being taught by his father, Watson received his early training in the studio of Sir Francis Grant PRA (1803-1878). He later became a pupil of Sir Edwin Henry Landseer RA (1802-1873) and Rosa Bonheur (1822–1899). Both Landseer and Bonheur had a great influence on his work and he began specialising in scenes of cattle and sheep. By 1866 he had become a full time artist and began exhibiting at the Royal Society of British Artists. Perhaps to take advantage of the inspiring scenery, Watson moved to Birkenhead, Cheshire where in 1871 he met and married Eleanor Davies who was from Caernarvonshire. Four of their children Sidney Watson (1881-1931), Caroline Ellen...

A beautiful woman sits at an open window, gazing down at a small bird who has landed nearby in this serene portrait by Charles Levier. Warm orange tones are played off their complements in shades of blue, the artist utilizing several different layers of oils to create a subtle and relaxed view of a spring day near the sea. Beyond the window a small chapel sits on a peninsula, surrounded tranquil blue waters. This work, like many of Levier's, belongs to the French figurative movement of the Glorious Thirty (Les Trente Glorieuses) - the golden period of thirty years after WWII which were a time of great hope and prosperity in France. Inspired by Hollywood cinema, Charles Levier sought harmony in composition and purity of color and form. His said that his creations represented "a light and delicate world, of dark and subtle shades and colors." Levier worked in a somewhat abstracted, cubist style. Additionally he often employed the French technique of "cloisonnism" (after the French for "partition"), a style of post-Impressionist painting with bold and flat forms separated by dark contours, also seen in this work. The term was coined by critic Edouard Dujardin on the occasion of the Salon des Indépendants, in March 1888 and was commonly used by artists like Émile Bernard, Louis Anquetin, Paul...

Alfred Augustus Glendening Snr British, (1840-1921) Swans on the River Oil on canvas, signed & dated (18)96 Image size: 17.75 inches x 30.75 inches Size including frame: 25 inches x 38 inches Provenance: Ravensbourne Galleries, Beckenham, Kent A beautiful river landscape painting of swans...

William Watson Jnr British, (1847-1921) Up Glen Goil, West Highlands Oil on canvas, signed & dated 1892, further inscribed verso Image size: 23.5 inches x 35.5 inches Size including frame: 36.25 inches x 48.25 inches This highly atmospheric and well executed painting by William Watson Jnr depicts Highland Cattle watering at Glen Goil. Glen Goil is a valley area of Argyll and Bute in the West Highlands. It is situated at the junction of Hell’s Glen and Gleann Mor and has the river Goil flowing through. Located around 2 miles from Lochgoilhead, it is well known as an area of outstanding natural beauty. Watson made several trips to the Highlands and produced a number of paintings of the locality, many of which included highland cattle such as this fine example. Another painting by him of Glen Goil is held by the Walker Art Gallery, Liverpool. William Watson was born in Islington in 1847, the son of the London miniature painter William John Watson (1810-1871) and his wife Caroline (née Butcher). His brothers Charles Watson (1837-1900) and Robert Watson (1855-1921) were also artists. His father seems to have travelled around and after spending time in Brighton, the family moved to Bransford Road in Worcester during the early part of the 1860’s. As well as being taught by his father, Watson received his early training in the studio of Sir Francis Grant PRA (1803-1878). He later became a pupil of Sir Edwin Henry Landseer RA (1802-1873) and Rosa Bonheur (1822–1899). Both Landseer and Bonheur had a great influence on his work and he began specialising in scenes of cattle and sheep. By 1866 he had become a full time artist and began exhibiting at the Royal Society of British Artists. Perhaps to take advantage of the inspiring scenery, Watson moved to Birkenhead, Cheshire where in 1871 he met and married Eleanor Davies who was from Caernarvonshire. Four of their children Sidney Watson (1881-1931), Caroline Ellen Watson (1871-1947), William Robert Charles Watson (1873-1928) and Walter James Watson...

Henry H Parker British, (1858-1930) The River Lledr, Bettws-y-coed Oil on canvas, signed, further signed & inscribed verso Image size: 19.5 inches x 29.5 inc...

William Watson Jnr British, (1847-1921) Morning, Head of Glen Coe Oil on canvas, signed & dated 1897, further inscribed verso Image size: 12.5 inches x 18.5 inches Size including frame: 19.75 inches x 25.75 inches A superb Scottish landscape painting of Highland Sheep at the head of Glen Coe by William Watson. The sheep and their lambs are depicted grazing in the morning light with the dramatic mountains beyond. Glen Coe is a valley located in the Highlands to the North of the county of Argyll and close to the province of Lochaber. The area, which became infamous for the Massacre of Glencoe is one of Scotland’s most scenic Highland glens. William Watson was born in Islington in 1847, the son of the London miniature painter William John Watson (1810-1871) and his wife Caroline (née Butcher). His brothers Charles Watson (1837-1900) and Robert Watson (1855-1921) were also artists. His father seems to have travelled around and after spending time in Brighton, the family moved to Bransford Road in Worcester during the early part of the 1860’s. As well as being taught by his father, Watson received his early training in the studio of Sir Francis Grant PRA (1803-1878). He later became a pupil of Sir Edwin Henry Landseer RA (1802-1873) and Rosa Bonheur (1822–1899). Both Landseer and Bonheur had a great influence on his work and he began specialising in scenes of cattle and sheep. By 1866 he had become a full time artist and began exhibiting at the Royal Society of British Artists. Perhaps to take advantage of the inspiring scenery, Watson moved to Birkenhead, Cheshire where in 1871 he met and married Eleanor Davies who was from Caernarvonshire. Four of their children Sidney Watson (1881-1931), Caroline Ellen Watson (1871-1947), William Robert Charles Watson (1873-1928) and Walter James Watson...

Alfred de Breanski Snr British, (1852-1928) The Head of Loch Lubnaig Oil on canvas, signed & transcribed verso Image size: 23.5 inches x 35.5 inches Size including frame: 32.25 inch...

Claude Cardon British, (1864-1937) Spring Lambs Oil on canvas, signed Image size: 9.5 inches x 13.5 inches Size including frame: 16.25 inches x 20.25 inches A charming painting of ...

Henry H Parker British, (1858-1930) Homeward Bound Oil on canvas, signed & indistinctly inscribed in pencil to stretcher Image size: 11.25 inches x 17.25...