Yoshio Minomura Abstract Paintings

Red and Blue Abstract - Original Oil On Canvas Original oil painting depicting blue, red and yellow geometric shapes by J. Greene (American, 20th Century). Shapes of red and yellow ...

Andy Miller (American, b. 1950), Abstract Composition, Oil on Canvas, impasto details, dark greens and browns with orange and maroon highlights and blue flashes, signed to verso with...

Signed and dated by artist on verso

KLAUDIA LATA (born in 1993) Graduate of painting at the Academy of Fine Arts in Katowice. Diploma in 2017 in the studio of prof. Ireneusz Walczak. Scholarship holder of the Ministry ...

A beautiful vibrant abstract painting with colors of green, red, blue and yellow dominating the canvas with a teal square focal point outlined in white. Signed illegibly lower right....

An abstract mid century painting by Duayne Hatchett . Oil on canvas, circa 1973. Signed verso. Framed. Duayne Hatchett was a visual artist whose work included prints, painting...

Contpemporary big format oil on canvas painting by Polish artist Klaudia Lata. Painting is an abstraction of shapes with blurred lines. There are mainly two colors: black and orange....

In the formalist tradition of Joan Miró, Ellsworth Kelly, Josef Albers, and Alexander Calder, Slonim explores the tension between structure, form, color, gravity, and spontaneity. Sl...

Represented by George Billis Gallery, NYC & LA -- JOHN BELINGHERI ​Artist Statement "Thoughts are patterns that bounce back and forth expressing the vacillating dialogue in my ...

Signed & dated Verso. 1965 Paul Reed in 1970. He favored “staining” untreated canvas. Paul Reed, the last surviving member of the Washington Color School, who explored the complexities of color and form in vibrant bio-morphic and hard-edge abstract paintings, died on Sept. 26 at his home in Phoenix. He was 96. His death was confirmed by his daughter, Jean Reed Roberts. Mr. Reed acquired his public identity as an artist when he was included, along with Gene Davis, Kenneth Noland, Morris Louis, Thomas Downing and Howard Mehring, in “The Washington Color Painters,” a landmark traveling exhibition that began at the Washington Gallery of Modern Art in 1965. All of the other painters had been shown, the year before, in “Post-Painterly Abstraction,” a 31-artist exhibition at the Los Angeles County Museum of Art organized by the critic Clement Greenberg in an effort to write a new chapter in the historic march of abstract art. Like his fellow Washington artists, Mr. Reed rejected the hot, gestural approach of Abstract Expressionism and explored color and abstract forms in a cooler mode. Working with diluted acrylic paint, in discrete series that methodically explored formal issues, he created luminous fields of color by letting the paint bleed into, or stain, untreated canvas. “I have a saying: Pollock dripped, Frankenthaler poured,” he told The Washington Post in 2011, referring to the artist Helen Frankenthaler. “Morris Louis poured. Howard Mehring sprinkled. I blot.” In his first stained series, “Mandala,” color radiated from a circular central image. The nearly 100 paintings in his “Disk” series, which he called “a matrix for exploiting color,” consisted of a central circle and two triangles positioned at the corners of the canvas. Over the next decade he moved to hard-edge geometric zigzags and stripes in the vertical “Upstart” series, color grids and shaped canvases that allowed for more complex experiments in form and color relations. He also made welded steel sculptures and, in the “Quad” series of the 1980s, collaged photographs. “Reed was, in a sense, the ‘little master’ of that first batch of Washington colorists,” the critic Benjamin Forgey wrote in The Washington Post in 1997. “He was a latecomer — he didn’t turn seriously to painting until he was in his mid-30s — but he never considered becoming anything other than an abstract painter. And when he was ready to show, in his early 40s, he was a very good abstract painter indeed.” Mr. Reed gave himself a more modest assessment in an interview with NPR last year. “I’m sort of low man on the totem pole of that group of six,” he said. Paul Allen...

We have priced this large 5 foot square at an extremely low price for a quick sale before we receive some new large works at the gallery for the holiday season. We are pleased to announce that we are now representing the large scale paintings of David Austin. In order to make space for new works coming for the Summer Season here in the Hamptons we have reduced the prices for a quick sale on select works. This is one of the works that is currently at our gallery, making this the opportunity to collect a large abstract painting of David Austin at an exceptional price. David Austin's art is the modern expression of today's themes: power, movement, enlightenment, excitement, love, and the interaction of humanity with nature. Spanning abstract expressionism and maximalism. The paintings of David K Austin...

Painting by established contemporary artist Jan Wunderman. Oil on canvas.