20TH CENTURY DESIGN

Sophia was inspired by stylish Italian design from the 1950s and is now created by English craftsman for the 21st century. We developed a lounge chair with the option of producing an...

Sophia was inspired by stylish Italian design from the 1950s and is now created by English craftsman for the 21st century. We developed a lounge chair with the option of producing an...

The Sophia chair was inspired by stylish Italian design from the 1950s and is now created by English craftsman for the 21st century. We developed a lounge...

The high back lounge chair ‘Marcello’ was inspired by stylish Italian design from the 1950s and is now created by English craftsman for the 21st century. We developed a lounge chair ...

Sophia was inspired by stylish Italian design from the 1950s and is now created by English craftsman for the 21st century. We developed a lounge chair with the option of producing an...

Sophia was inspired by stylish Italian design from the 1950s and is now created by English craftsman for the 21st century. We developed a lounge chair with the option of producing an...

The high back lounge chair ‘Marcello’ was inspired by stylish Italian Design from the 1950s and is now created by English craftsman for the 21st century. We developed a Lounge chair ...

Sophia was inspired by stylish Italian design from the 1950s and is now created by English craftsman for the 21st century. We developed a lounge chair with the option of producing an...

Sophia was inspired by stylish Italian design from the 1950s and is now created by English craftsman for the 21st century. We developed a lounge chair with the option of producing an...

A vintage midcentury round wicker ottoman, stool or side table in good condition. A completely versatile piece that adds warmth and a handmade craftsmanship. In the era of flower pow...

A vintage heavy duty metal, fully functioning hole punch mounted on oak base found in the Lake District in the North of England.

An organic and Brutalist style Butterly table lamp. No chips or cracks. Easily retired for all regions. Bernard Rooke (born 1938) is a British artist and studio potter. Rooke has exhibited his "Brutalist" ceramics and painting both in the UK and abroad with work in many collections both public and private including the Victoria and Albert Museum, Cleveland Museum of Art, Nuffield Foundation, Röhsska Museum in Sweden and the Trondheim Kunstmuseum in Norway. Bernard Rooke attended Ipswich School of Art studying painting and lithography before going on to study at Goldsmiths College of Art. It was while studying here that he decided to take up pottery. Although unfamiliar with this craft and tradition, he found that working with clay provided new opportunities for freedom of interpretation and creativity. In 1960 Rooke set up his first pottery in Forest Hill in South London along with Alan Wallwork. It was a very small room with enough space for a small electric kiln. He was initially using mainly hand building, coiling, blocking and slabbing techniques. While researching ideas, he was supporting himself by part-time lecturing at London University, Goldsmiths College and St Mary's College. In addition, Rooke's membership of 'The Craftsman Potters' Association' enabled him to show his work in a shop in Carnaby Street in London. In 1967, both the need for a larger working space and becoming disillusioned with living in London spurred Rooke into moving out of the city and to an old mill building in Swilland in Suffolk. Rooke wanted to widen the range of work so as to become more commercial. With the birth of his son, Aaron, and much needed work to be done on the mill, it was important to be able to make a living. In 1968, the Grand Metropolitan Hotel commissioned Rooke to make 120 standard lamps, 120 table lamps as well as a 24 foot long ceramic mural and another 9 foot high, which incorporated interior lighting. The money from the commission helped to pay for much needed restoration work on the mill. By the 1970s, a gallery space was opened in the windmill and run by Susan Rooke, Bernard's wife, selling work to locals and tourists as well as to American airmen based nearby. The vision for Mill Gallery was beginning to develop and alongside this a reputation was building bringing in a good source of income. Sons Aaron and Felix were becoming more involved with the running of the pottery, giving Bernard more time to develop new ideas and designs and more time to continue with his painting. In 2004, the Rooke family decided not to sell to the public through the gallery anymore and close the pottery to concentrate more on painting and printmaking. In 2017 Bernard's lighting was featured in the Exhibition: “Glass, Light, Paint & Clay” at the Peterborough Museum and Art Gallery. The exhibition featured four artists: Bernard Rooke, John Maltby...

This refined and sculptural translucent glass bowl was produced by Daum, one of the most illustrious glass makers of the period in Nancy, France, circa 1950. Daum was awarded a Grand...

A fine example of a Scandinavian Modern teak ice bucket designed by Jens Quistgaard, a master of the sculptural paired back and simplistic form. This teak ice bucket has had its wood...

An organic and Brutalist style Jardine which would work perfectly with trailing foliage. Bernard Rooke (born 1938) is a British artist and studio potter. Rooke has exhibited his "Brutalist" ceramics and painting both in the UK and abroad with work in many collections both public and private including the Victoria and Albert Museum, Cleveland Museum of Art, Nuffield Foundation, Röhsska Museum in Sweden and the Trondheim Kunstmuseum in Norway. Bernard Rooke attended Ipswich School of Art studying painting and lithography before going on to study at Goldsmiths College of Art. It was while studying here that he decided to take up pottery. Although unfamiliar with this craft and tradition, he found that working with clay provided new opportunities for freedom of interpretation and creativity. In 1960 Rooke set up his first pottery in Forest Hill in South London along with Alan Wallwork. It was a very small room with enough space for a small electric kiln. He was initially using mainly hand building, coiling, blocking and slabbing techniques. While researching ideas, he was supporting himself by part-time lecturing at London University, Goldsmiths College and St Mary's College. In addition, Rooke's membership of 'The Craftsman Potters' Association' enabled him to show his work in a shop in Carnaby Street in London. In 1967, both the need for a larger working space and becoming disillusioned with living in London spurred Rooke into moving out of the city and to an old mill building in Swilland in Suffolk. Rooke wanted to widen the range of work so as to become more commercial. With the birth of his son, Aaron, and much needed work to be done on the mill, it was important to be able to make a living. In 1968, the Grand Metropolitan Hotel commissioned Rooke to make 120 standard lamps, 120 table lamps as well as a 24 foot long ceramic mural and another 9 foot high, which incorporated interior lighting. The money from the commission helped to pay for much needed restoration work on the mill. By the 1970s, a gallery space was opened in the windmill and run by Susan Rooke, Bernard's wife, selling work to locals and tourists as well as to American airmen based nearby. The vision for Mill Gallery was beginning to develop and alongside this a reputation was building bringing in a good source of income. Sons Aaron and Felix were becoming more involved with the running of the pottery, giving Bernard more time to develop new ideas and designs and more time to continue with his painting. In 2004, the Rooke family decided not to sell to the public through the gallery anymore and close the pottery to concentrate more on painting and printmaking. In 2017 Bernard's lighting was featured in the Exhibition: “Glass, Light, Paint & Clay” at the Peterborough Museum and Art Gallery. The exhibition featured four artists: Bernard Rooke, John Maltby...

A midcentury teak ice bucket in the style of Jens Quistgaard. This piece is one of a collection we have collected and restored by the Italian Maker Arni Form...

Scandinavian staved and turned teak bowl of good proportions. It has been re oiled and wax polished, with a new felt base cut.

Antique French Glazed Terracotta Water Spout Jug - Authentic Southern France This rare antique French glazed terracotta water spout handle jug is a unique and authentic piece from ...

Scandinavian Modern rocking chair in ebonized wood model IW3 designed 1958 by Illum Wikkelsø.

Once described as 'the worlds most comfortable chair' this reupholstered piece in Italian velvet will surely bring out your inner Bond Villain. Appearing in original black the model ...

Scandinavian Modern Rosewood Table by Poul Cadovius – Timeless Design Introducing a timeless piece of Scandinavian Modern design, this exquisite table is a creation of renowned desi...

The Otilia hand finished organic wave design wool blanket/throw has been created by an incredible and unique family owned weaving and textile company in Portugal. This company impres...

The Otilia hand finished organic wave design wool blanket/throw has been created by an incredible and unique family owned weaving and textile company in Portugal. This company impres...

He began painting and writing in 1947 in Madrid while suffering from tuberculosis, having already been confined to his bed for five years. In his beginnings he created numerous drawings and paintings with a dreamlike surrealist character that most often represented imaginary landscapes, employing a flat smooth treatment that offers a rich palette of colors. He claimed Hans Arp and Yves Tanguy as his artistic influences. He stayed in Paris in 1952 and in 1954–1955 during which he met Benjamin Péret and associated with the Surrealists, although he soon parted with the group, joining instead the company of his friend the painter Simon Hantaï. Using the technique of scraping, he adopted a gestural style and created an abstract type of painting, still very colorful with an organic, aleatory design. The first appearances in his work of forms that will soon become archetypes of the female body or the human figure occur in the mid-1950s. Starting in 1956 Saura tackled the register of what will prove to be his greatest works: women, nudes, self-portraits, shrouds and crucifixions, which he painted on both canvas and paper. In 1957 in Madrid he founded the El Paso Group and served as its director until it broke up in 1960. During this period Saura met Michel Tapié. During the 1950s he had his first solo exhibition at the Rodolphe Stadler Gallery in Paris, where he regularly exhibited throughout his life. Stadler introduced him to Otto van de Loo in Munich and Pierre Matisse in New York City, both of whom exhibited his work and represented him, and eventually his paintings were collected by major museums. Limiting his palette to blacks, grays and browns, Saura asserted a personal style that was independent of the movements and trends of his generation. His work followed in the tradition of Velasquez and Goya. Starting in 1959 he began creating a prolific body of works in print, illustrating numerous books including Cervantes's Don Quijote, Orwell's Nineteen Eighty-Four, Nöstlinger's adaptation of Pinocchio, Kafka’s Tagebücher, Quevedo’s Three Visions, and many others. In 1960 Saura began creating sculptures made of welded metal elements which represented the human figure, characters and crucifixions. In 1967 he settled permanently in Paris, and joined the opposition to Francoist Spain. In France he participated in numerous debates and controversies in the fields of politics, aesthetics and artistic creation. He also broadened his thematic and pictorial register. Along with his Femmefauteuil (literally "Womanarmchair"), he also worked on the series "Imaginary Portraits",and Goya’s Dog...

"Set of 4 1930s English Elm Tub Chairs by G T Harris Ltd – Rare Arts & Crafts" --- This set of 1930s elm tub chairs showcases the finest in English craftsmanship, made by renowned...

A vintage midcentury round wicker ottoman, stool or side table. A completely versatile piece that adds warmth and a handmade craftsmanship. This is one of three pieces.

Jean-Michel Folon (1 March 1934 – 20 October 2005) was a Belgian artist, illustrator, painter, and sculptor The first exhibition of his watercolors was in New York in 1969 in the Lefebre Gallery. One year later he exhibited in Tokyo and in the Il Milione gallery in Milan. He also participated in the XXVth Venice Biennale. In 1973 he joined the selection of Belgian artists in the XXVth São Paulo Biennale, where he was granted the Grand Prize in Painting. Over the years his work concentrated on different techniques, including watercolor, etching, silkscreen, illustrations, mosaics, and stained glass, which showed the diversity of his art. His work Ein Baum stirbt - Un albero muore, 1974, is by Museo Cantonale d’Arte [de] of Lugano. He also designed numerous posters, often for humanitarian causes. Around 1988 he created his first sculptures made out of wood. He then moved on to creating sculptures in clay, plaster, bronze and marble, while continuing to paint. Several museums dedicated exhibitions to him, among them the Musée des Arts Décoratifs in Paris in 1971, the Museum Boijmans Van Beuningen in Rotterdam in 1976, the Institute of Contemporary Arts in London in 1977, the Musée Picasso in Antibes...

Set of 4 Vintage Made Vono Wheels with Distinctive Fender Design 1950’s This set of 4 Made Vono wheels, crafted by the British furniture maker Vono, captures the rugged charm and fu...

Once described as 'the world’s most comfortable chair' this recently reupholstered piece in fine Italian black leather will surely bring out your inner Bond Villain. Appearing in ori...

These beautiful Mugler H&M black ankle boots are the only footwear designed for this unique Limited edition 2023 Mugler x H&M collaboration where these and other key pieces sold out within 20 minutes of the launch date. In Mugler’s late seventies-early eighties women's collections, he used exclusively Maud Frizon, the most influential shoe designer of the period and many pieces from this collaboration derive from the archives and have been re-invented for this outstanding collection. These ankle boots are from the men’s collection but are an easy unisex classic statement for any wardrobe. In a supple black leather with patent detail, they feature an elegant, pointed toe and an accented offset block heel. For closure, this pair feature a side zipper with silver coloured hardware metal and the Mugler branded pull. Height of heal 4.5cm Top of Heal to ankle shaft front 22.7cm Heal width 10.7cm Widest width of sole 11.5cm Weight of single boot 853grammes Upper: Leather 100% Lining: Leather 100% Sole: Polyurethane 100% PLEASE CONTACT US FOR FURTHER INFORMATION AND TO VIEW OTHER KEY PIECES FROM THIS LTD EDITION COLLECTION. Manfred Thierry Mugler (21 December 1948 – 23 January 2022) A French fashion designer, creative director and creative adviser of Mugler. In the 1970s, Mugler launched his eponymous fashion house; and quickly rose to prominence in the following decades for his avant-garde architectural, hyperfeminine and theatrical approach to haute couture. He was one of the first designers to champion diversity in his runway shows, which often tackled racism and ageism, and incorporated non-traditional models such as drag queens, pornstars, and transgender women. In 2002, he retired from the brand, and returned in 2013 as the creative adviser. At the beginning of his career he designed signature looks for Michael Jackson, Madonna, Grace Jones, Duran Duran, Viktor Lazlo, David Bowie and Diana Ross; most notably Demi Moore's dress from the 1993 movie Indecent Proposal, which was once coined "the most famous dress of the 1990s". In 1992, he directed and designed the outfits for George Michael's "Too Funky" music video; also that year he launched the perfume Angel, which became one of the best-selling perfumes of the 20th century. Mugler's fall 1995 haute couture collection, marking the 20th anniversary of his brand, was staged at the Cirque d’Hiver venue in Paris; and has been referred to as the "Woodstock of Fashion", for having over 300 designed looks, an elaborate set design, dozens of high-profile supermodels and a performance from James Brown. He also designed costumes for Beyoncé's I Am... World Tour, and created a one-off design for Kim Kardashian to wear to the 2019 Met Gala. At the age of 24, Mugler moved to Paris. He began designing clothes for Gudule, a Parisian boutique. At 26, he began to design for a variety of large ready-to-wear fashion houses in Paris, Milan, London and Barcelona. In 1971, he began designing clothes for Karim, already showing the broad-shouldered, 1940s-derived looks he would become famous for in later years. In 1972, his full-skirted raincoat became a hit. In 1973, Mugler created his first personal collection called "Café de Paris". The style of the collection was both sophisticated and urban. Melka Tréanton, a powerful fashion editor, helped to launch his career. In 1976, she asked him to show his work in Tokyo for an event organized by Shiseido. The 1977 showing of his spring 1978 line displayed a punk influence. In 1978, he opened his first Paris boutique at the Place des Victoires in the 1er Arrondissement and rapidly gained attention as among the most extreme of the Fall 1978 broad-shoulder brigade of designers, with a penchant for mid-20th-century sci-fi themes and exaggerated 1940s-50s-style glamour marked by sharply constructed tailoring At the same time, Mugler launched a fashion collection for men. He would continue into the following decade with his 1940s-style shoulders on 1950s-tailored suits amid retrograde Wagnerian showmanship. During the 1980s and 1990s Mugler became an internationally recognized designer, often grouped with his friends Claude Montana and Azzedine Alaïa but known especially for his shapely suits, and his collections garnered much commercial success. Except for a couple of sedate salon presentations in 1986 and 1987 (when he also reduced his shoulder padding), his fashion shows were extravagant affairs held in arena-like environments and the collections associated with them had themes, sci-fi and cavewoman themes in the late seventies, celestial themes later, a 60s theme one season, an Africa theme another, a vampire-devil theme the next, and an aquatic theme the next, with ongoing creative motifs that would span multiple collections, like his late-eighties inclusion of garments and accessories modelled after the tailfins and chrome trim of 1950s U.S. automobiles most recognisably 1959 Cadillacs At the request of the Chambre Syndicale de la Haute Couture, he completed his first haute couture collection in 1992. He designed the dresses of Viktor Lazlo for hosting Eurovision 1987. He created the black dress worn by Demi Moore in the 1993 movie Indecent Proposal. Mugler also directed short films, advertising films and video clips. He regularly designed costumes for musical comedies, concerts, operas, and the theatre (including Macbeth for the Comédie Française). He worked with Robert Altman and George Michael (he directed the video for Michael's "Too Funky" in 1992). He also directed the first advertising film for one of his fragrances, Alien. Mugler left fashion in 2002. In 2002, Mugler collaborated with the Cirque du Soleil. He directed "Extravaganza", one of the scenes of Zumanity, and created all of the costumes and the identity of the characters in the show. In 2008, the Mugler brand launched Thierry Mugler Beauty, a high-end line of cosmetics. In 2009, Mugler worked as artistic advisor to singer Beyoncé. He created the costumes for her "I Am... World Tour". In September 2010, Nicola Formichetti was announced to be the Creative Director of the Thierry Mugler brand. He changed the brand name to MUGLER, removing the first name, and in January 2011, he launched the revival of the brand's menswear collection in collaboration with Romain Kremer. In December 2013, House of Mugler announced David Koma as the artistic director. In 2016, Mugler created and directed the music video and staging for San Marino's Eurovision Song Contest entry "I Didn't Know" performed by Turkish singer Serhat. Despite retiring from his brand in 2003, he made the exception to design under his name "House of Mugler" for the Met Gala in 2019 and for Kim Kardashian. Getting his inspiration from Sophia Loren in the film Boy on a Dolphin, Mugler envisioned a wet California girl; hence the creation of the "wet couture dress". The American designer Casey Cadwallader was named Mugler's new creative director in December 2017. During the period of the pandemic, Mugler skipped runways for video shows that were co-created with DIS magazine's spin-off, Torso Solutions. Megan Thee Stallion, Chloe Sevigny, Bella Hadid, and Eartheater were featured in the Mugler Spring 2022 Ready-to-Wear Collection video which ended with a brief homage to the late Mugler. The homage was dancing feature by prima ballerina Maria Kochetkova and vogueing superstar Barbie Swaee. After an almost three-year hiatus from runway shows, Mugler returned to an in-person show in Paris FW 2023. The runway featured models Adut Akech, Paloma Elsesser...