Adrian Alan Wall Decorations

A Pair Of White Marble Portrait Roundels Of Female Portraits Representing 'Morning' and 'Evening', By Madison Colby (American, 1842-1871). White statuary marble. 'Morning' signed ’...

'Le Jardin d'Armide' (‘The Garden of Armida’) A Rare Wallpaper Panel Designed By Édouard Muller (1823 - 1876) and Manufactured By Jules Desfossé. Woodblock hand printed and polychr...

A Large Louis-Philippe Gilt-Bronze Charger. Of finely cast and chased gilt-bronze with matte and burnished gilding. The dished central basin cast in relief with Neptune driving a c...

'Una Gitana' A Large Berlin (KPM) Porcelain Plaque After Angelo Asti (1847-1903), depicting a portrait of a beautiful young woman in profile wearing a red cap. In an oval giltwood f...

A Roman Micromosaic Plaque Depicting a Basket of Flowers. Inscribed verso 'From The Townshend Colln.', 'Poe 200, Florentine Mosaic', 16.5 x 18 cm, the plaque 18.5 x 20 cm, overall...

Pierre-Victor GALLAND (1822-1892) ‘Les Quatre Eléments’ Four, oil on canvas. France, Circa 1873. Each painting depicting one of the cardinal elements personified as a female figure in the presence of its most evident attribute. Painted with strong light and colour. Earth panel depicts one of the four elements in a compelling fashion with an ascendent female figure robed in flowing drapery with foot and arm extended reaching skyward: each with attendant putti below. Earth is shown swathed in robes of greens and white, with a fanciful foliate headdress of lush leaves and bullrushes. Air leaps effortlessly into the sky draped in blush pink and holding a slender fruiting bough. Fire ascends dramatically into the sky holding forth a flaming torch and draped in bright burnished orange and grey, her image seemingly lit from a fire kindled below by an ignipotent putto. Water suitably draped in billowing azure blue with a translucent undergarment, holds aloft a bubble representing water is portrayed with shimmering translucent wings, an attendant winged putto pulling at her hem. Under the Second Empire, Haussmann’s transformation of Paris went hand in hand with the construction of luxurious mansions for the new haute bourgeois. Gallards extensive work for wealthy patrons such as Lionel de Rothschild and Edouard André, led him to become one of Paris’s most admired and sought-after decorative artists. His fame quickly spread and led him to carry out projects outside the capital for, among others, Baron von Derwies in Nice, Prince Narischkine in Saint Petersburg and William Vanderbilt in the United States. Literature Pierre-Victor Galland, Un Tiepolo français au XIXe siècle. Published in 2006, Somogy, Piscine-musée d'art et d'industrie André Diligent, Musée départemental de l'Oise (Paris, Roubaix, Beauvais). ISBN 978-2-7572-0027-8. (in French) Materials Oil on Canvas Provenance Acquired in France with four other panels (The Four Seasons), at the end of the 19th century by Herman Ossian Armour (1837-1901), businessman, and founder of the Armour Meat Company and American humanist. He brought them back to his USA residence at Fifth Avenue, New York Bequeathed to Mary Armour...

A fine Berlin (K.P.M.) porcelain plaque of A Vestal Virgin, after Angelica Kauffman, in a giltwood frame. Impressed sceptre mark, 'KPM', letter 'H', ...

'Clementine', A Large Berlin (KPM) Porcelain Plaque After Conrad Kiesel. In a fine pierced giltwood and composition frame. Inscribed 'nach C. Kiesel'...

'Esther' A Fine Berlin (KPM) Porcelain Plaque, After Hering Levanon. In a carved giltwood and composition frame. Signed 'Wagner', impressed sceptre mark, KPM, letter C, numeral 3...

'Erblüth' a large and very fine Berlin (KPM) Porcelain plaque, after Angelo Asti. In a giltwood and composition shadow box frame. Signed 'Weigel', impr...

A Large Rectangular Imari Porcelain Charger. Of rectangular form with scalloped edge this finely painted charger depicts a peacock perching on a branch of flowering peony within dia...

A fine KPM porcelain plaque depicting a scene from Shakespeare's Play Othello, after the painting by Carl Ludwig Friedrich Becker, (German, 1820-1900).  Signed ‘R. Wagner’. Impressed mark to the reverse ‘KPM’ (Konigliche Porzellan...

‘Vanity’- A fine painting of a young woman in repose admiring her reflection in a mirror, by Gustave Wertheimer (Austrian, 1847-1904). Oil on canvas in a giltwood and composition...

A pair of paintings by Francesco Peluso (1836-1916): 'Neapolitan Promenade’ and ‘Pastoral Promenade’. Oil on canvas. Signed 'F Peluso' to the ...

An Aubusson tapestry depicting a pastoral scene. The tapestry depicts a pastoral scene of a young couple fishing by the side of a stream with a bridge and rural buildings in the m...

‘The Bridegrooms Health, The Betrothal’. A rare and large KPM plaque after the painting by Otto Erdmann in a finely carved giltwood Frame. German, circa 1890. Signed to the lower right hand corner with the initials ‘TK’ for Thomas Koenig. The reverse with impressed ‘KPM’ mark beneath a sceptre to the lower right and the centre inscribed with the registered mark of the Munich porcelain painter Th. Koenig, in the form of an armorial crest with a putti supporting a banner inscribed ‘Munchen’, an artists palette and a shield bearing the initials ‘TK’. It is further inscribed with the size code ‘30. E’ . Thomas Koenig, was a renowned porcelain artist with a studio in Munich, active in the late nineteenth and early twentieth centuries. The original oil painting this plaque is based on is entitled ‘The Betrothal’ or ‘Bound for Life’ and was painted in 1883, by the German painter Otto Erdmann (1834-1905). Otto Wilhelm Eduard Erdmann (born Leipzig 1834 – died Duusseldorf 1905) was a German Realist painter, heavily influenced by Impressionism and famous for his fine interior scenes with figures from the eighteenth century. Works by Erdmann are displayed in the museum of Cologne, Düsseldorf, and Leipzig. Founded in Berlin in 1750 ‘KPM’ or 'Koenigliche Porzellan-Manufaktur' acquired its name and Royal patronage when the Prussian king, Frederick the Great, purchased the manufactory in 1760. Its distinguished trademark from then on became the royal blue sceptre, which is stamped (painted prior to 1837) on every piece. All painted pieces produced by KPM are signed by the painter. The complicated and exacting process of painting on porcelain became very popular in the mid to late nineteenth century...

A rare and unusual matched pair of Louis XVI style gilt bronze-mounted wall vitrines by Joseph-Emmanuel Zwiener. French, circa 1890. Signed ‘E. Zwiener’ to the base of the bro...

A KPM Porcelain Plaque Depicting The Three Eldest Children of Charles I, After The Painting By Sir Anthony van Dyck. German, Circa 1890. The...

An enamel plaque depicting Napoleon crossing the Alps, by Camille Fauré, Limoges. French, circa 1930. Signed 'FAURÉ, Limoges France. N...

A circular KPM style porcelain plaque depicting a Maiden as a young Bacchante, set in a finely carved Florentine giltwood frame. German, circa 1910. Founded in Berlin in 1750 ...

A very fine KPM porcelain plaque of a young woman in a giltwood frame. German, circa 1890. This fine KPM plaque is superbly painted with a portrait bust of a young woman holdi...