Allinson Gallery, Inc. Animal Prints
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Warning Camp
By Graham Sutherland
Located in Storrs, CT
Warning Camp. 1924. Etching. Tassi 9; Cooke 15. 5 1/8 x 6 1/8 (sheet 8 1/8 x 10 1/2). Edition of 62 in two states. Published by Twenty-One Gallery, London. A fine impression printed on cream-colored laid paper with wide margins. Excellent condition. A scarce early image printed by the artist. Signed in pencil. .his early etching by Sutherland is extremely rare. Housed in a 20 x 16-inch archival mat.
Warningcamp is a small village and civil parish in the Arun District of West Sussex, England. It is located to the north-east of Arundel, on the east bank of the River Arun...
Category
Early 20th Century Modern Landscape Prints
Materials
Etching
Cudham, Kent
By Graham Sutherland
Located in Storrs, CT
Cudham, Kent. 1924. Etching. Tassi 15; Cooke 20. 3 1/8 x 4 (sheet 4 3/8 x 6 7/16). Edition of 42, including some artist's proofs. Published by the Twenty-One Gallery in London. Slight paper loss in the top left-hand corner. A rich impression with plate tone, printed by the artist on antique laid paper...
Category
Early 20th Century Modern Landscape Prints
Materials
Etching
Misty Morning.
By Edmund Blampied
Located in Storrs, CT
Misty Morning. 1928-29. Drypoint. Appleby 137. 8 5/8 x 12 (sheet 11 5/8 x 18 1/16). Edition 100, #86. A rich impression with drypoint burr. Printed with ...
Category
1920s Modern Landscape Prints
Materials
Drypoint, Etching
White Fronted Geese Flying above Reeds and Water.
By Ohara Koson
Located in Storrs, CT
White-Fronted Geese Flying above Reeds and Water. c. 1933. Shikishiban: 10 10/16 x 9 1/16 (sheet 10 14/16 x 9 12/16). Signed and sealed Shoson. Publisher: Watanabe Shozaburo. Illustrated: Crows, Cranes & Camellias, S11.6, p. 197. Stamped "made in Japan" verso, indicating that it was printed for the United States after 1921. A fine impression with subtle shading and gauffrauge in the 2 large birds' feathers. Based on the body markings, these actually appear to be mallard ducks, not geese. Good olor and condition Housed in a 20 x 16-inch archival mat.
Koson Ohara...
Category
Early 20th Century Showa Animal Prints
Materials
Color, Woodcut
Market Day
By Marius Bauer
Located in Storrs, CT
Market Day. 1889. Etching and drypoint. Wisselingh 42. 7 5/8 x 5 13/16 (sheet 8 3/8 x 6 3/8). Edition 100. Printed on cream laid paper. Mat burn and toning ...
Category
Late 19th Century Old Masters Figurative Prints
Materials
Etching
A Fairy Tale
By Marius Bauer
Located in Storrs, CT
A Fairy Tale. 1897. Etching. Wisselingh 18. 2 3/4 x 4 3/8 (sheet 5 9/16 x 7 5/8). Edition 100, #51. A rich impression printed on cream laid paper. Signed an...
Category
Late 19th Century Old Masters Figurative Prints
Materials
Etching
The Cornfield
By John Constable
Located in Storrs, CT
Mezzotint by David Lucas (1802 - 1881) after the painting by John Constable. Shirley catalog 3 state 6.iv. Christopher Lennox-Boyd state vi/vi. London: Republished Feb.y 15, 1853, by Thomas Boys (of the late Firm of Moon, Boyd & Greaves,) Printseller to the Royal Family, 467, Oxford Street - Paris. E.Gambart & C. 9 Rue d'Orleans au Marais,-Depose. Originally Published July 1.1834. Image 22 1/4 x 19 1/2, plate 26 3/4 x 20 3/8, sheet 30 3/4 x 24 3/8. A rich impression printed on sturdy wove paper with full margins, mounted on archival paper. A few unobtrusive scrapes and folds, one horizontally across the center of the image, and a faint water stain in the top right-hand image and margin. Signed in the plate.
Housed in a double archival mat and a Hogarth 36.50 x 30.50 x 1.25-inch Hogarth frame with gilded corner ornaments.
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The Cornfield depicts Fen lane as it leads from East Bergholt towards Dedham; a village in the borough of Colchester. A flock of sheep are followed by a dog as the path winds towards figures active in a cornfield. A boy, prone and with his face on the surface of a stream, slakes his thirst. The church in the distance is thought to have been an invention on Constable's part.
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First exhibited at the Royal Academy in 1826, Constable's The Cornfield became one of the artist's most celebrated works. It was reproduced in mezzotint by David Lucas in 1834 and sold by J. McLean and Hodgson, Boys and Graves, and Rudolph Ackermann. This print, however, derives from a posthumous collection of Constable's works entitled 'English Landscape Scenery,' edited by H.G. Bohn and published by Thomas Boys in 1853. The series consisted of forty mezzotint engravings on steel plates; all of which were produced by Lucas.
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The Cornfield is one of Constable’s best-known works. It was also the first of his pictures to enter a public collection. Shortly after his death in 1837, a committee was set up to subscribe towards the purchase of a painting for the nation, and The Cornfield was bought for the National Gallery for 300 guineas. The list of subscribers included the poet William Wordsworth, the scientist Michael Faraday...
Category
19th Century Romantic Landscape Prints
Materials
Mezzotint
Rivals
By Edward Julius Detmold
Located in Storrs, CT
Rivals. c. 1925. Etching. Subsequent to Dodgson. 11 7/8 x 10 3/8 (sheet 18 5/8 x 12 1/2). Edition 75, #8. A fine, richly inked impression with plate tone, printed on tan-colored simi...
Category
Early 20th Century Modern Animal Prints
Materials
Etching
Animals All: WHO WERE THE FIRST TO CRY NOWELL ANIMALS ALL AS IT BEFELL.
By Eric Gill
Located in Storrs, CT
Animals All: WHO WERE THE FIRST TO CRY NOWELL ANIMALS ALL AS IT BEFELL. 1916. Woodcut. Physick 51. 14 7/8 x 16 3/8 (sheet 25 x 27 ). No published edition. Printed on simili-Japan pa...
Category
Early 20th Century Modern Figurative Prints
Materials
Woodcut
The Butterfly.
By Edmund Blampied
Located in Storrs, CT
Edmund Blampied, R.E. The Butterfly. 1928-29. Drypoint. Appleby 133. 9 5/8 x 7 7/8). Etching (sheet 15 1/4 x 10 3/16)on 100. A rich impression printed on cream-colored laid 'F.J.He...
Category
Early 20th Century Modern Animal Prints
Materials
Drypoint, Etching
Fetching the Doctor (In Haste for the Doctor)
By Edmund Blampied
Located in Storrs, CT
Fetching the Doctor (In Haste for the Doctor) 1930. Lithograph. Appleby Lithographs 24. 11 x 16 (sheet 13 3/8 x 18 1/2). Edition 50. Illustration used as a ...
Category
Early 20th Century Modern Animal Prints
Materials
Lithograph
Hybrid Fertility
By Jane Martin VonBosse
Located in Storrs, CT
11 3/4 x 8 5/8 (sheet 12 1/4 x 16). Edition 20, #5. A fine impression printed on green Ingres d'Arches laid paper. Signed, titled and numbered in pencil. Housed in a 20 x 16-inch ar...
Category
Mid-20th Century American Modern Abstract Prints
Materials
Linocut
Changing Pastures
By Edward Julius Detmold
Located in Storrs, CT
Changing Pastures. c. 1926. Etching. 6 15/16 x 14 3/8 (sheet 10 3/4 x 17 3/4). Printed on the full sheet of cream 'AN 1922' 'England' laid paper. Provanance: Baldwin-Wallace College ...
Category
Early 20th Century Modern Animal Prints
Materials
Etching
The Flight into Egypt
By Robert Sargent Austin, R.A., P.R.E., P.R.W.S.
Located in Storrs, CT
c.1925. Line engraving. 6 1/2 x 10 3/8 (sheet 10 1/4 x 17). A rich impression with plate tone printed on cream laid paper. Signed and dated in pencil.
Housed in a 16 x 20-inch archi...
Category
1920s Modern Figurative Prints
Materials
Engraving
Melonen-kaufer (Melon Seller).
By Maria Ressel
Located in Storrs, CT
Etching printed in grey/green. 5 1/4 x 7 (sheet 9 3/4 x 12 5/8). A fine impression with plate tone printed on cream wove paper. Signed and titled in pencil. Housed in a 16 x 20-inch...
Category
Early 20th Century Modern Figurative Prints
Materials
Color, Etching
A Yorkshire Dell or The Heron’s Pool.
By Sir Frank Short
Located in Storrs, CT
A Yorkshire Dell or The Heron’s Pool. (after J.M.W. Turner, R.A., 1775-1851.) Soft-ground etching and mezzotint. Hardie 85. mezzotint over etching on India paper printed on chine-co...
Category
Early 20th Century Romantic Landscape Prints
Materials
Etching, Mezzotint
Landscape with Horses.
By James Abbott McNeill Whistler
Located in Storrs, CT
Kennedy catalog 36 state ii; Glasgow 45 state ii. Image: 4 7/8 x 7 3/4 (sheet 6 7/8 x 9 5/8).The Glasgow catalog records 32 known impressions. A scarce early etching -- there was no ...
Category
Mid-19th Century American Impressionist Landscape Prints
Materials
Drypoint, Etching
A Lancashire River.
By Sir Francis Seymour Haden, R.A.
Located in Storrs, CT
Schneiderman 203.viii. 10 7/8 x 15 7/8 (sheet 13 7/8 x 17 7/8). Illustrated: Print Collector's Quarterly 1 (1911): 27. A 1-inch printing fold in the left-hand side of the image, and ...
Category
Late 19th Century Landscape Prints
Materials
Etching
Through the Storm.
By Edmund Blampied
Located in Storrs, CT
Appleby 97. 4 x 6 15/16 (sheet 8 1/8 x 10 3/8). Edition 100. A rich impression with drypoint burr and carefully wiped plate tone, printed on 'FJ Head' paper, on the full sheet with ...
Category
1920s Modern Animal Prints
Materials
Drypoint, Etching
A Fierce Bull
By James McBey
Located in Storrs, CT
A Fierce Bull. 1911. Drypoint. Hardie 108. 5 3/8 x 8 (sheet 8 5/16 x 11 7/8). Edition 8. An exceptional impression with rich drypoint burr printed on antique laid paper. A proof of t...
Category
1910s Modern Animal Prints
Materials
Drypoint, Etching
Lumbermen.
By Edmund Blampied
Located in Storrs, CT
Lumbermen. 1923. Etching. Appleby 91. 9 x 12 (sheet 12 3/8 x 18 1/8). Edition 100. A cleanly-wiped impression printed on off-white 'FG Head & Co' laid paper with full margins. Signed...
Category
1920s Modern Landscape Prints
Materials
Drypoint, Etching
Night Time in a Stable.
By Edmund Blampied
Located in Storrs, CT
Night Time in a Stable. 1927-28. Drypoint. Appleby 131. 10 1/8 x 12 1/8 (sheet 11 1/2 x 16 1/2). Edition 100. Illustrated: Print Collector's Quarterly 25 (1...
Category
Early 20th Century Modern Animal Prints
Materials
Drypoint, Etching
Returning to the Stable.
By Edmund Blampied
Located in Storrs, CT
Returning to the Stable. 1920. Drypoint. Appleby 64. 8 3/4 x 12 1/4 (sheet 11 7/16 x 16 1/8). Edition 100. A rich impression printed on cream laid paper wi...
Category
1920s Modern Interior Prints
Materials
Drypoint, Etching
Ostend Horse
By Edmund Blampied
Located in Storrs, CT
Ostend Horse. 1926-27. Drypoint. Appleby 125. 7 x 815/16 (sheet 9 1/8x 12 1/5). Proof B, apart from the edition 100. A rich impression with tonal wiping and drypoint burr, printed on...
Category
1920s Modern Animal Prints
Materials
Drypoint, Etching
The Vraic Season (No 1).
By Edmund Blampied
Located in Storrs, CT
The Vraic Season (No 1). 1936. Etching. Appleby 181. 12 x 14 1/4 (sheet 15 1/4 x 20). Edition 125 for The American College Society of Print Collectors (alternatively titled Seaweed H...
Category
1930s Modern Landscape Prints
Materials
Drypoint, Etching
Night Time, Dieppe.
By Edmund Blampied
Located in Storrs, CT
Night Time, Dieppe. 1926-27. Drypoint. Appleby 123. 7 7/8 x 11/ Edition 100. A fine impression printed on cream laid paper with full margins. Signed in penc...
Category
1920s Modern Figurative Prints
Materials
Drypoint, Etching
Water Mill
By Sir Frank Short
Located in Storrs, CT
Water Mill (after the drawing by J.M.W. Turner, R.A., 1775-1851). 1885. Mezzotint. Hardie 3.ii. With the publication line. 7 x 10 1/8 (sheet 12 1/4 x 16 5/8...
Category
1880s Animal Prints
Materials
Mezzotint
The Matador.
By James McBey
Located in Storrs, CT
The Matador. 1911. Drypoint. Hardie 109. 6 7/8 x 10 7/8 (sheet 7 7/8 x 12). Edition 15. A few scattered foxing marks and slight mat line; otherwise fine o...
Category
1910s Modern Animal Prints
Materials
Drypoint, Etching
The Picador Incites the Bull.
By James McBey
Located in Storrs, CT
The Picador Incites the Bull. 1911. Drypoint. Hardie 104. 6 1/4 x 9 7/8 (sheet 8 1/4 x 11 7/8). Edition 30, #5. Slight mat line, 1 hinge stain in the lower margin, well outside the i...
Category
1910s Modern Animal Prints
Materials
Drypoint
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