Art Classique Tables

Elegant center table in mahogany wood, finely carved and of small dimensions. The base, with a graceful star shape, gives a touch of class, while the semi-cylindrical feet add a furt...

DESCRIPTION Title: Set of Italian nesting tables Date/Period: XIX Century Dimension: 54 x 50 x 30 cm Materials: polychrome wood Additional Information: Italian nesting tables ...

This cherrywood and oak dining table of the Louis Philippe period was made in France in the first half of the 19th century. The top is ok cherrywood and the legs are of oak. The turn...

This elegant 19th-century Swedish center table is a beautiful example of Gustavian design, showcasing refined craftsmanship and timeless appeal. The table features a round top with c...

19th century inlaid satinwood centre / occasional table, with an oval shaped top, the apron below profusely inlaid all over, standing on tapering legs with spade feet and brass casto...

Elegant Portuguese oak pedestal table from the 19th century Very beautiful center table which with its rustic side stands out from the usual pedestal tables Very beautiful one-piece...

BEAUTIFULL 19th Century PORTUGUESE TABLE in carved and hollowed out walnut wood. Curved legs carved with scrolls decorated with female ...

A beautiful 19th Century Louis Philippe Northern Italian (Sorrento) walnut center table featuring a superb parquetry top. The table is characterized by a refined inlaid decoration made using small pieces of different precious woods. In the center of the top, there is a large elaborate parquetry star with outer triangular inlaid band and an edge with checked string inlays. This classic center table...

An Italian walnut inlaid circular table or gueridon from the Sorrento region of Italy. Circa 1850.

A Grand Tour Centre Table The Top Attributed to Cesare Roccheggiani The carved gilt wood base in the manner of George Smith having four monopedia supports, each depicting leopards heads atop, with paw feet below, and conjoined by an incurved stretcher base having carved stiff leaf decoration, and raised on castors; the circular platform of marmoro nero, with a stylised Greek Key border within double Malachite reserves; the central micromosaic roundel depicts The Vatican from St Peter's Square, surrounded by eight separate roundels of The Pantheon of the Gods; the smallest of Rome's seven hills, the Capitoline; The Mauseoleum of Hadrian on the Tiber; The Roman Forum, with the remnants of the Temple of Vespasian; The Colosseum; the Temple of Vesta; The Arch of Titus, and the Tomb of Cecilia Metella. English / Italian, Circa 1875 The attribution to Cesare Roccheggiani is supported by Jeanette Hanisee Gabriel, former curator of the Gilbert Collection and Honorary Curator for the Gilbert Collection at the Victoria & Albert Museum. Provenance: From a Noble family, the 6th Earl of Macclesfield (1811-1896) then by descent. The base is similar in design to designs published by George Smith's A Collection of Designs for Household Furniture and Interior Decoration, 1808. The taste for monopedia supports was of fashion, in the Regency period and models of such were displayed in the 1851 Great Exhibition. The Macclesfield coat of arms depicts a shield with a central chevron and three leopard's faces. Views of Roman monuments was the most popular theme used by mosaicists in Rome in the beginning of the 19th century, supplying the flow of wealthy Grand tourists from Northern Europe. From small gold boxes...

A superb quality 19th Century rosewood cente table, the wonderfully figured, shaped and moulded edge top above a carved frieze incorporating carved floral and shell decoration, suppo...

A good quality 19th century French Boulle inlaid serpentine shaped center table, having gilded ormolu mounts of sun bursts on four side, a mahogany lined frieze drawer and raised on ...