AYN Gallery Art

A Tribute to Arab Women – A Collaboration Between Marion Boehm & Roger Moukarzel For this tribute to Arab women, Marion Boehm collaborated with Lebanese photographer Roger Moukarzel,...

A Tribute to Arab Women – A Collaboration Between Marion Boehm & Roger Moukarzel For this tribute to Arab women, Marion Boehm collaborated with Lebanese photographer Roger Moukarzel,...

Original Limited Edition Worldwide Yves Klein Ours Pompon, sculpture in resin with IKB pigments under Plexiglas, signed, titled and numbered, from 2022 Yves Klein tirelessly sought the essence of art and wanted to expose its immateriality. The artist thus found in sculpture a true space of freedom where the monochrome impregnates the space in three dimensions. In 1962, Yves Klein covered universally admired masterpieces with his IKB blue: the Venus of Alexandria, the Victory of Samothrace or Michelangelo's Dying Slave. They then become incarnate objects, sensitive presences. In 2022, 100 years after its success at the Salon d'Automne, François Pompon's White Bear ( Ours Pompon ) meets Yves Klein's Blue. One captured the essence of form, the other that of color and beyond, the essence of art. The art of reality, of freedom, of life. Important : This splendid orignal and authentic edition was handmade by French artisans out of respect and passion for the living heritage. The work has been executed without interpreting, without damaging, without altering, with respect and admiration of the original work. A careful edition in matter and form faithful to the spirit of the creator. It has been carried out with the agreement of the owners of the works and are also subject to the approval of the rights holders or their representatives with all the requirement and respect for the creations of the artists. EDITIONS ARTEMUS, 2022 The Pompon bear...

Zerrouki Boukhari is an Algerian painter and scenographer who wears many hats. Born in Mostaganem, he was a trainee at the School of Dramatic Art in Sidi Fredj from 1964 to 1968, when he became an assistant stage designer at the Algerian National Theatre and an assistant in plastic arts at the National School of Dramatic Art in Bordj El Kiffan. Between 1964 and 1970, after studying at the National School of Architecture and Fine Arts in Algiers, Zerrouki became a member of the Group of 35 painters. In 1973, on the fringes of a seminar led by the great playwright Abdelkader Alloula, he produced a collective fresco with the most important contemporary Algerian artists, including Mohammed Khadda, co-founder of the National Union of Plastic Arts in 1964, Denis Martinez and Mohamed Benbaghdad, co-founders and initiators of the Aouchem (tattoo) movement in 1967. As a set designer for the Oran theatre and Algerian television, he worked with the greatest names in theatre and designed the sets and costumes for some forty plays, including those by Abdelkader Alloula (Homk Salim, Lithem, Ledjouad, Hafila Tassir), M'Hamed Benguettaf (Arrêt fixe), Ziani Chérif Ayad (Les Martyrs...

This splendid sculpture represents Young Girl with a Goat (Amalthea and Jupiter's Goat), after the original by Pierre Julien commissioned by Louis XVI in 1785 and completed in 1787 for the cot of Queen Marie-Antoinette in Rambouillet. The work of the sculptor Pierre Julien decorated the interior of a grotto in a pavilion decorated with bas-reliefs by the same sculptor (acquired by the State by dation in 2003). The work was the main element of a rock basin, which was destroyed during the renovation of the gardens of the small castle. The same sculpture was seized during the Revolution and exhibited in the Louvre from 1829. The terracotta sketch, which belonged to the collector Ernst May, must have adorned his château de la Couharde (Yvelines) before entering the Louvre's collections in 1920. The bronze set with a beautiful gilded patina presented here is a work after the original by Pierre Julien (1731-1804) and dates from the 19th century (around 1850). The superbly preserved sculpture, which has belonged to the same family since its acquisition, is presented on its original base in grey serpentine marble. The quality of this work is doubly certified: - on the one hand it is stamped with a round stamp at the top "A. This stamp is a sign of high quality. Achille Collas (1794 - 1859) was the French engineer, engraver and illustrator, inventor among other things of the patented mathematical reduction process of the 19th century to reproduce sculpted objects in reduction, which was very successful. He was awarded a prize at the 1855 exhibition: his "Procédé mécanique", the name under which he prints all his productions, is easily recognisable by the finesse of its execution and by the famous stamp which appears on the base (terrace) of this sculpture. - On the other hand, an important signature is found on the terrace of the sculpture "F. Barbedienne Fondeur", founder. In 1844, Achille Collas, in order to protect his invention, formed the Société Collas et Barbedienne (Paris) with the art founder Ferdinand Barbedienne (1810-1892), which began to produce and sell famous but smaller sculptures in plaster, wood, bronze or ivory. The first object to be marketed was the Venus de Milo after the original in the Louvre Museum. Other sculptures such as the sculpture of George Washington, of which a bronze bust was made by the Barbedienne & Process Collas foundry, are currently in the Metropolitan Museum of Art. HEIGHT OF THE SCULPTURE without base 69CM + BASE = 84CM WIDTH OF THE SCULPTURE without base 28 CM + BASE = 30,5 CM LENGTH OF THE SCULPTURE without base 46 CM + BASE 51 CM The Collas and Barbedienne company was highlighted at the Great Exhibition in London in 1851, the objects of the Barbedienne foundry received a medal and sales soared. At the 1889 Universal Exhibition in Paris, the Barbedienne company again presented a large number of its compositions, including the large neo-Renaissance clock of 1878. This clock, which was part of the Leblanc-Barbedienne estate, was donated by his heirs to the city of Paris, and is kept in the city hall. Pierre Julien (20 June 1731 - 17 December 1804) was a French neo-classical sculptor who worked in the full range of rococo and neoclassical styles. He had an early apprenticeship in Le Puy-en-Velay, near his native village of Saint-Paulien, and then at the École de Dessin in Lyon, before entering the Paris workshop of Guillaume Coustou le Jeune. In 1765, he won the Prix de Rome for sculpture with a bas-relief panel depicting a subject from Antiquity and entered the Royal School for Protected Pupils, which offered a special curriculum under the direction of the painter Louis-Michel van Loo. He was a boarder at the Académie de France in Rome from 1768 to 1773, where he was influenced by the wave of neoclassicism affecting his fellow students. As boarders were required to do, he sent back to France a slightly reduced marble copy of the so-called Cleopatra, the Sleeping Ariadne from the Vatican, which survives in Versailles. Back in France and with his former master, he worked on the sculpture of the mausoleum of Louis, the Grand Dauphin, in the cathedral of Sens. After a failed attempt in 1776, with his Ganymede, he was accepted by the Royal Academy of Painting and Sculpture in 1778, with a Dying Gladiator. He was appointed one of the first members of the Institut de France in 1795, and knight of the Legion of Honour in 1804. He was commissioned by the Count of Angiviller, director of the King's Buildings, on behalf of Louis XVI, to paint the figures for a series of life-size portraits of the great men of France: he produced a Jean de La Fontaine and a Nicolas Poussin, whom he chose to depict in a nightgown, similar to the draperies of a Roman toga. While fulfilling commissions in Paris, for the church of Sainte-Geneviève (now the Panthéon, Paris), or for the Pavillon de Flore in the Louvre, he sculpted in 1785 a virtuoso marble set representing the nymph Amalthée and Jupiter's nurse goat for the Queen's Dairy at the Château de Rambouillet; for his model, he adapted the pose of the famous Venus of the Capitoline. The bas-reliefs of the Dairy, considered his masterpieces, were sold at auction in 1819, but were recovered by the State in 2005, thanks to a gift from the son of the great dealer-collector Daniel Wildenstein. 19th century French school, after Pierre Julien (1731-1804)Amalthea and Jupiter's Goat Bronze with a light brown patina and gilding, reduction made after the marble by Pierre-Julien 1785 executed for Marie-Antoinette at the Laiterie du parc du château de Rambouillet in the Louvre Museum. Among his major works: - Dying Gladiator, marble, 1779, Musée du Louvre. - Ganymede pouring nectar to Jupiter changed into an eagle, [4] marble group, 1776-1778, Paris, Musée du Louvre. - Jean de La Fontaine, marble, 1783-85. Musée du Louvre - Nicolas Poussin, marble, 1789 - 1804. Musée du Louvre - Sketch of a model in terracotta by Nicolas Poussin, ca. 1787 - 1788. Musée du Louvre - Amalthea and Jupiter's goat, marble group, 1787 for the Rambouillet Dairy. The Queen's Dairy at Rambouillet - The girl with the goat, terracotta statuette, 1786. Louvre Museum - Sainte Geneviève restoring her mother's sight, terracotta bas-relief, 1776. Musée du Louvre The works of the famous sculptor Pierre Julien have been referenced in several books and catalogues, including The exhibition catalogue. Gilles Grandjean and Guilhem Scherf. "Pierre Julien 1731-1804". Le Puy-en-Velay, France: Musée Crozatier, 2004. The Lure of Classical Sculpture 1500-1900 (Yale University Press, 1981), cat. no. 24, pp 184-87). Michael Preston Worley, 2003. Pierre Julien: Sculptor to Queen Marie Antoinette. The first modern monograph. Europe in the age of enlightenment and revolution, a catalogue from the libraries of the Metropolitan Museum of Art (fully available online in PDF format), which contains information on Julien. Excerpts from the Grove Dictionary of Art online Pierre Julien in American Public Collections, on the French Sculpture Census website STATUE BARE (BODY) NANNY GOAT (ANIMAL) AMALTHAEA SITTING WOMAN ABOUT US: AYN GALLERY is located in the heart of old Paris on the Ile Saint-Louis surrounded by the Seine, in the most prestigious district of Paris. Just a few steps away from Notre Dame, like a village, this place preserved from urbanists offers a setting as it existed centuries ago with its numerous private mansions which earned the island the nickname "island of palaces" and its illustrious occupants: Charles Baudelaire, Marie Curie, Georges Pompidou or Camille Claudel Our gallery is located just opposite one of the oldest churches in Paris. As the eponymous name of the place indicates, Yasmine Azzi, the owner and artistic director of the place, has a keen eye. Born from the desire to bring together, in a unique space, vintage pieces of 20th century design, contemporary creations, original works of art and interior design know-how, AYN GALLERY was created in 2017. Our gallery presents an eclectic and daring mix, driven by a total freedom of styles and periods. We offer a collection that combines aesthetics and authenticity, in a word what we like and what our customers like. We offer an inspiring selection of furniture from the last century with rare antiques, but also precious objects and lighting with a special emphasis on vintage Italian...

AYN GALLERY propose a curated collection of unique objects like this exceptional and a unique table from the artist Philippe Pasqua. Pasqua is one of the ...

"La Chorale" (The Choir) is a sculpture by Paul Ahyi depicting three women joyfully singing. This beautiful sculpture is made with "L'Argile de Nawaré" which...

Vanité aux Papillons "Vanity with Butterflies", bronze painted in white. Stamped and Signed on the base 2018 - Edition of 5 This one 5/8 Among Pasqua's masterpieces are the butterfly vanities...

Title "Duo", “Together” is two elements, one is an engraved zinc element (on both sides) and the other painted wooden element (on both sides) on two identical bases. The sculptures a...

More than Art an installation, this exquise painted screen paravent is painted in both side ( back side from the picture number 11 ). Each panel is 4...

Lizica Delaunay From the series Bord à Bord # 6 Technique acrylic painting on canvas No frame The canvas can be rolled or mounted on frame "Chassis". Please contact before for shipp...

Symbolizing the Chinese wise dragon, known as Lung or Long, with many things as the Greatness, blessing, power, excellence, perseverance, heroism, boldness, divinity, nobility, optimism, energy, intelligence, etc. Taking on the majestic form and colorful paintings, every detail symbolizes the power of the auspicious mythical creature and the cosmic sheng chi it releases with every breath. Through his work the artist exploits this formidable dragon power Nathalie Fontenoy is a french artist working and living in Paris. Her work has been shown in many personal and collective exhibitions in France and abroad. She comes from a family of artists. Her grand mother Lizica Codréano choregrapher dancer of Romanian origin, arrives in Paris with her sister Iréne Codréano, sculptor. Very quickly they are at the heart of the Parisian artistic avant-garde, with a close friends of Brancusi and Iréne will be assistant of the sculptor and Lizica gives performances at the ege of the performance in Constantin Brancusi's studio, especially on Erik Satie's Gymnopedies with great costumes as Sonia Delaunay decor and fabric. Nathalie works on several series with different techniques, acrylic on canvas, paper...

Hello Maillol # 3 is artwork of Nathalie Fontenoy who honor and pay tribute to the artist Aristide Maillol and to the woman. Aristide Maillol Friend of Paul Gauguin started sculpt...

Hello Maillol # 1 is artwork of Nathalie Fontenoy who honor and pay tribute to the artist Aristide Maillol and to the woman. Aristide Maillol Friend of Paul Gauguin started sculpti...

Civilisation, technique acrylic painting on canvas No frame For less shipping cost the canvas can be rolled. If you prefer to have it mounted on frame "Chassis", please contact befor...

Title: Lueurs "Gleams " Year: 2008 Black and White silver print on ultra smooth Hahnemühle fine art paper, signed in pencil by the artist on the plate. Edition: limited 1/3 "Photography is for me a moment of poetry that I capture to stop time and he photographic act is that moment when everything stops when the gaze freezes selects and tears off this fragment of reality, to reveal and eternate it" - Dalel Tangour...

Black and White, silver print on Hahnemühle ultra smooth fine art paper Edition: limited 1/3, signed in pencil by the artist on the plate. Title : Sur les traces de l'oubli "In the footsteps of oblivion" The artist Dalel Tangour...

Portrait diptyque, technique print from Negative Black & White treated in the laboratory on Lith film to obtain a solarization effect. Signed in pencil by the artist on the plate. Edition: limited 1/3 The artist Dalel Tangour...

Plexiglass object # 11, Series “Singular Portrait” Composed of two plates of plexiglass plates each one centimeter thick. Technical digraphy. Unique ...

For celebrating Love, Life, friendship and extravagance ! "Art is transformation" Art is the purpose of art as love is the purpose of love. “Heinrich Heine Ines Hildur...

"Adultery", 1990 Large original serigraphy printed on fabric, very rare and limited Edition of 30 Artist Proof signed hand by the artist in black ink and accompanied by its certificate of authenticity. Number: EA - 30 EA (30 Artist Proof ) Dimensions of the serigraphy : 140 x 140 cm Very good condition. Imposing and important highly illustrated monograph, with a lively layout, of one of the best-selling French artists on the international contemporary art market. A colorful and highly circumscribed painting, inspired by comics, graphics and popular art, and anchored in rock’n’roll imagery since 1977. The art market confirms that Robert Combas is the most successful living French artist with Pierre Soulages. During the last two years, the value of his works has multiplied by 5 , proof with the last Artcurial auction sale from December 4th 2019. With its carefully surrounded black shapes, its faces out of a comic strip and its bright colors, this work which treats adultery with derision corresponds well to the criteria of Free Figuration, a movement, born in 1979, around this Lyonnais artist and and his cronies. Casually appropriating advertising images, comics, science fiction as well as great works in the history of classical art, these artists break with the seriousness of the time. It is in Epinal style illustration and imagery that one must look for the missing link to understand the art of Combas. Robert COMBAS has been pursuing a unique approach since the 1980s. His eccentric and powerful representations of the world make this genius one of the emblematic figures of French contemporary art. The artist's work is now the subject of numerous retrospectives and institutional exhibitions. The enthusiasm of collectors becomes more important with each new public sale and its rating climbs which confirms the sustainable nature of the art of Robert COMBAS. He brought at the dawn of the 80s a new figurative painting. Present on the artistic scene since 1979 he is the creator of a movement that the artist Ben called the Free Figuration, movement comprising: Rémi Blanchard...

Too many people have the idea that art caters to the eyes. Marielle's works go beyond contemplation, her paintings as her minimalist engravings, confront us with the beauty of a quie...

Too many people have the idea that art caters to the eyes. Marielle's works go beyond contemplation, her paintings as her minimalist engravings, confront us with the beauty of a quie...

The fourth of 20 of this limited edition Marielle Guégan engraving created in 2011 The engraving size : H 34.5 cm x w 13.5cm Marielle Guégan is a French painter and engraver. Durin...

" Non-Color Augsburg", Mixed Media on Canvas 2016 signed No frame "Art is transformation" Art is the purpose of art as love is the purpose of love. “Heinrich Heine...

Lizica Delaunay From the series Bord à Bord # 5 Technique acrylic painting on canvas No frame The canvas can be rolled or mounted on frame "Chassis". Please contact before for shipp...

Painting "Danse" is a tribute to her grand mother Lizica Codréano choreographer dancer. Year 2010 Unframed, this can be rolled or we can fixe it on a frame "chassis" Please let us kn...

Painting "Formes Blanches" White Shapes. Year 1994 Unframed, this can be rolled or we can fixe it on a frame "chassis" Please let us know to calculate the shipping price. Nathalie ...

"" Green and Black Field"" , Mixed Media on Canvas 2019 signed on the back Not framed "Art is transformation" Art is the purpose of art as love is the purpose of love. “Heinrich Heine...

" Serie White" , Mixed Media on Canvas 2019 signed on the front No frame "Art is transformation" Art is the purpose of art as love is the purpose of love. “Heinrich Heine Ines Hildur...

" Black and White", Mixed Media on Canvas 2019 signed on the back No frame "Art is transformation" Art is the purpose of art as love is the purpose of love. “Heinrich Heine Ines Hil...

Blackfield over Light field, mixed media on canvas 2019 signed on the back No frame "Art is transformation" Art is the purpose of art as love is the purpo...

" Diptichon" Mixed Media on Canvas Signed on the back No framed "Art is transformation" Art is the purpose of art as love is the purpose of love. “Heinrich Heine Ines Hildur...

"In attesa" , " Waiting" 2013, Technic mix on canvas Signed on the back The artist perform this splendid work during pregnancy, she did not want to part with it until today ! In 2018 Veronica Botticelli is one of the 222 emerging artists worth investing in. She was selected by the most prestigious curators, critics, journalists and art galleries Veronica Botticelli seems to have frozen the image and now she presents it on structured backgrounds of large fields of color, on which she intervenes by applying paper that then becomes one with the canvas. Whatever the medium, sheet, canvas, ministerial envelopes, the works of Veronica are in the form of palimpsest, they are made of accumulations, erasures, presence, absence and speak with force of painting and painting. a resolutely contemporary painting. She has chosen this object precisely because of its strong poetic message, making it the custodian of memories, both personal and collective, in which we mix the nostalgic thoughts we have as we gaze at a work that suggests to us the enchantment of a lost past. Veronica Botticelli currently lives and works in Paris. Graduated at the Accademia di Belle Arti in Rome. She began working in 2004 taking part in "Cortilarte", an exhibition held at the Casa della Letteratura in San Lorenzo. In 2006 she won the first prize at the National Contest of Visual Arts, organized by ANMIL and INAIL , held at the Palazzo della Cancelleria in Rome. In the same year she held her solo exhibition Ateliers d'Artista at the library in Villa Mercede in collaboration with Fondazione Pastificio Cerere. After participating in several collective exhibitions in 2010, Fabio Sargentini supervised Veronica Botticelli's solo exhibition "Un Quadro Nel Teatro" at the Galleria L'Attico in Rome. In 2011 she held an exhibition at the L.E.S. Gallery, CSV Center in New York City. In 2012 she was among the young artists chosen to enter the 5th edition of the Premio VAF with a traveling exhibit at the Stadtgalerie in Kiel; the Museum Biedermann in Donaueschingen; CIAC Centro per L'Arte Contemporanea, Castello Colonna in Genazzano. In 2013 she held her solo show “Sono tutto quello che vedo” at the Annamarracontemporanea gallery in Rome. In 2015 she wos awarded the prize "Premio Giovani" Accademia Nazionale di San Luca in Rome. In 2018 she held her solo show “Io ho sentito la musica" curated by Catherine Tirelli, Gallerie L & C Tirelli, Vevey, Svizzera Solo exhibitions 2018 "Io ho sentito la musica", a cura di/curated by Catherine Tirelli, Gallerie L & C Tirelli, Vevey, Svizzera 2017 "La disanza delle ragioni" , doppia personale a cura di/curated by Giorgia Calò, annamarracontemporanea, Roma, Italy (cat. ed. Gangemi) 2015 "Amore mio non te ne andare", a cura di/curated by Catherine Tirelli, Gallerie L & C Tirelli, Vevey,Svizzera 2013 "Sono tutto quello che vedo”, a cura di/curated by Giorgia Calò, annamarracontemporanea, Roma, Italy (cat. ed. Gangemi) 2011 “16, 26 tutto quello che volevo dire”, a cura di/curated by Fabrizio Pizzuto, Closet, Roma 2010 “Un quadro nel teatro”, Galleria L' attico di Fabio Sargentini, Rome, Italy 2006 "Ateliers d'Artista”, a cura di/curated by Maurizio Carresi e Rosanna Rago, Biblioteca di villa Mercede, in collaborazione con la Fondazione Pastificio Cerere, Roma (cat.) Collective exhibition 2019 Art ON PAPER, Galleria Anna Marra, Brussels, Belgium Paris Design WEEK, Ayn Gallery, Paris, France/ curated by Yasmine Azzi “Libri d' Artista, l’arte da leggere”, a cura di/curated by Mariastella Margozzi e Valentina Gigante, Castello Svevo di Bari; Castello di Copertino, Lecce, Italy Art Paris Art Fair, Galleria Anna Marra, Grand Palais, Paris, France “Brias'' Internationale Art Symposium and master Classes, a cura di/curated by Tima Jam, Istanbul, Turkey 2018 “Arimondi3 rewired’’ a cura di/curated by Angelo Cricchi e Barbara Santoro, via Arimondi, Roma, Italy 2017 "Invisibili connessioni" a cura di/curated by Viola Invernizzi, Museo Italgas.Torino “Una Festa dell'Arte” a cura di/curated by di Anna Nassisi, scuderie di palazzo Farnese di Caprarola. Viterbo, Italy 2015 Vincitrice del premio "Premio giovani" Accademia Nazionale di San Luca. Roma, Italy(cat.) 2015 "[ Sé-gni]", a cura di/curated by Giorgia Calò, Galleria Riccardo Crespi, Mostra realizzata in occasione dell'asta raccolta fondi in favore della IIFCA-Fondazione Italia Israele per la Cultura e le Arti, Teatro Franco Parenti di Milano. Milano,Italy (cat.) 2014 “L'arte guarda avanti" (Premio Terna) a cura di/curated by di Cristiana Collu e Gianluca Marziani, Archivio di Stato di Torino, Torino (cat.) 2013 “Interno e memoria”, a cura di/curated by Valentina Casacchia, Edward Cutler Gallery, Milano (cat.) “It diary of a neuter”, a cura di/curated by Caterina Silva, Private Basement, Parigi 2012 “PPP Una Polemica Inversa, omaggio a Pier Paolo Pasolini”, a cura di/curated by Flavio Alivernini, Palazzo Incontro, Roma (cat. Fandango libri) “Premio Fondazione VAF”, a cura di/curated by Volker W. Feierabend, Silvia Holler, Norbert Nobis, Peter Weiermair, Klaus Wolbert, CIAC Centro Internazionale per l'Arte Contemporanea, Castello Colonna di Genazzano; Museum Biedermann, Donaueschingen; Stadtgalerie, Kiel (cat.) “Portonaccio, Artisti in condominio”, a cura di/curated by Achille Bonito Oliva studi di Via Arimondi n.3, Roma (cat.) “Ditelo con i fiori”, a cura di/curated by Claudio Libero Pisano, CIAC Centro Internazionale per l'Arte Contemporanea, Castello Colonna di Genazzano 2011 “The Shadow Line”, a cura di/curated by Valentina Casacchia, L.E.S Gallery, CSV Center, New York “Brooklyn Boudoir”, a cura di/curated by Valentina Casacchia, Studio 400, New York “Via Arimondi”, a cura di/curated by Shara Wasserman e Mauro Di Silvestre, Temple Gallery – Temple University, Roma 2010 “Che cento fiori sboccino...”, a cura di/curated by Roberto Gramiccia, La Nuova Pesa Centro per l'Arte Contemporanea, Roma 2009 “Sursum Corda”, a cura di/curated by Cinzia Fratucello, Interno Ventidue Arte Contemporanea, Roma 2008 “Falce e Martello, Simboli di ferro”, a cura di/curated by Daniele Arzenta, Giorgia Calò, Roberto Gramiccia, MUSPAC, Museo Sperimentale d'Arte Contemporanea de L'Aquila (cat. Edizioni Horti Lamiani Bettivò) 2007 Opera selezionata per la campagna abbonamenti Teatro Ambra Jovinelli, Roma “Detour the Moleskine city notebook”, a cura di/curated by Raffaella Guidobono, Londra 2006 “Premio Vasto. Vertigini, il fantastico oggettuale”, a cura di/curated by Silvia Pegoraro, Vasto (cat.) Vincitrice del primo premio “Lʼaltra metà del lavoro”, a cura di/curated by Pino Casagrande, Presidente di Giuria Paolo Balmas, Palazzo della Cancelleria, Roma (cat.) “Sottovetro”, a cura di/curated by Pier Paolo Pancotto, Cafè Dagnino - Galleria Esedra, Roma (cat.) 2005 “S/AGO/ME 547”, a cura di/curated by Paola...

"Io sono qui" 2019, Technic mix on paper Signed on the back Not framed In 2018 Veronica Botticelli is one of the 222 emerging artists worth investing in. She was selected by the most prestigious curators, critics, journalists and art galleries Veronica Botticelli seems to have frozen the image and now she presents it on structured backgrounds of large fields of color, on which she intervenes by applying paper that then becomes one with the canvas. Whatever the medium, sheet, canvas, ministerial envelopes, the works of Veronica are in the form of palimpsest, they are made of accumulations, erasures, presence, absence and speak with force of painting and painting. a resolutely contemporary painting. She has chosen this object precisely because of its strong poetic message, making it the custodian of memories, both personal and collective, in which we mix the nostalgic thoughts we have as we gaze at a work that suggests to us the enchantment of a lost past. Veronica Botticelli currently lives and works in Paris. Graduated at the Accademia di Belle Arti in Rome. She began working in 2004 taking part in "Cortilarte", an exhibition held at the Casa della Letteratura in San Lorenzo. In 2006 she won the first prize at the National Contest of Visual Arts, organized by ANMIL and INAIL , held at the Palazzo della Cancelleria in Rome. In the same year she held her solo exhibition Ateliers d'Artista at the library in Villa Mercede in collaboration with Fondazione Pastificio Cerere. After participating in several collective exhibitions in 2010, Fabio Sargentini supervised Veronica Botticelli's solo exhibition "Un Quadro Nel Teatro" at the Galleria L'Attico in Rome. In 2011 she held an exhibition at the L.E.S. Gallery, CSV Center in New York City. In 2012 she was among the young artists chosen to enter the 5th edition of the Premio VAF with a traveling exhibit at the Stadtgalerie in Kiel; the Museum Biedermann in Donaueschingen; CIAC Centro per L'Arte Contemporanea, Castello Colonna in Genazzano. In 2013 she held her solo show “Sono tutto quello che vedo” at the Annamarracontemporanea gallery in Rome. In 2015 she wos awarded the prize "Premio Giovani" Accademia Nazionale di San Luca in Rome. In 2018 she held her solo show “Io ho sentito la musica" curated by Catherine Tirelli, Gallerie L & C Tirelli, Vevey, Svizzera Solo exhibitions 2018 "Io ho sentito la musica", a cura di/curated by Catherine Tirelli, Gallerie L & C Tirelli, Vevey, Svizzera 2017 "La disanza delle ragioni" , doppia personale a cura di/curated by Giorgia Calò, annamarracontemporanea, Roma, Italy (cat. ed. Gangemi) 2015 "Amore mio non te ne andare", a cura di/curated by Catherine Tirelli, Gallerie L & C Tirelli, Vevey,Svizzera 2013 "Sono tutto quello che vedo”, a cura di/curated by Giorgia Calò, annamarracontemporanea, Roma, Italy (cat. ed. Gangemi) 2011 “16, 26 tutto quello che volevo dire”, a cura di/curated by Fabrizio Pizzuto, Closet, Roma 2010 “Un quadro nel teatro”, Galleria L' attico di Fabio Sargentini, Rome, Italy 2006 "Ateliers d'Artista”, a cura di/curated by Maurizio Carresi e Rosanna Rago, Biblioteca di villa Mercede, in collaborazione con la Fondazione Pastificio Cerere, Roma (cat.) Collective exhibition 2019 Art ON PAPER, Galleria Anna Marra, Brussels, Belgium Paris Design WEEK, Ayn Gallery, Paris, France/ curated by Yasmine Azzi “Libri d' Artista, l’arte da leggere”, a cura di/curated by Mariastella Margozzi e Valentina Gigante, Castello Svevo di Bari; Castello di Copertino, Lecce, Italy Art Paris Art Fair, Galleria Anna Marra, Grand Palais, Paris, France “Brias'' Internationale Art Symposium and master Classes, a cura di/curated by Tima Jam, Istanbul, Turkey 2018 “Arimondi3 rewired’’ a cura di/curated by Angelo Cricchi e Barbara Santoro, via Arimondi, Roma, Italy 2017 "Invisibili connessioni" a cura di/curated by Viola Invernizzi, Museo Italgas.Torino “Una Festa dell'Arte” a cura di/curated by di Anna Nassisi, scuderie di palazzo Farnese di Caprarola. Viterbo, Italy 2015 Vincitrice del premio "Premio giovani" Accademia Nazionale di San Luca. Roma, Italy(cat.) 2015 "[ Sé-gni]", a cura di/curated by Giorgia Calò, Galleria Riccardo Crespi, Mostra realizzata in occasione dell'asta raccolta fondi in favore della IIFCA-Fondazione Italia Israele per la Cultura e le Arti, Teatro Franco Parenti di Milano. Milano,Italy (cat.) 2014 “L'arte guarda avanti" (Premio Terna) a cura di/curated by di Cristiana Collu e Gianluca Marziani, Archivio di Stato di Torino, Torino (cat.) 2013 “Interno e memoria”, a cura di/curated by Valentina Casacchia, Edward Cutler Gallery, Milano (cat.) “It diary of a neuter”, a cura di/curated by Caterina Silva, Private Basement, Parigi 2012 “PPP Una Polemica Inversa, omaggio a Pier Paolo Pasolini”, a cura di/curated by Flavio Alivernini, Palazzo Incontro, Roma (cat. Fandango libri) “Premio Fondazione VAF”, a cura di/curated by Volker W. Feierabend, Silvia Holler, Norbert Nobis, Peter Weiermair, Klaus Wolbert, CIAC Centro Internazionale per l'Arte Contemporanea, Castello Colonna di Genazzano; Museum Biedermann, Donaueschingen; Stadtgalerie, Kiel (cat.) “Portonaccio, Artisti in condominio”, a cura di/curated by Achille Bonito Oliva studi di Via Arimondi n.3, Roma (cat.) “Ditelo con i fiori”, a cura di/curated by Claudio Libero Pisano, CIAC Centro Internazionale per l'Arte Contemporanea, Castello Colonna di Genazzano 2011 “The Shadow Line”, a cura di/curated by Valentina Casacchia, L.E.S Gallery, CSV Center, New York “Brooklyn Boudoir”, a cura di/curated by Valentina Casacchia, Studio 400, New York “Via Arimondi”, a cura di/curated by Shara Wasserman e Mauro Di Silvestre, Temple Gallery – Temple University, Roma 2010 “Che cento fiori sboccino...”, a cura di/curated by Roberto Gramiccia, La Nuova Pesa Centro per l'Arte Contemporanea, Roma 2009 “Sursum Corda”, a cura di/curated by Cinzia Fratucello, Interno Ventidue Arte Contemporanea, Roma 2008 “Falce e Martello, Simboli di ferro”, a cura di/curated by Daniele Arzenta, Giorgia Calò, Roberto Gramiccia, MUSPAC, Museo Sperimentale d'Arte Contemporanea de L'Aquila (cat. Edizioni Horti Lamiani Bettivò) 2007 Opera selezionata per la campagna abbonamenti Teatro Ambra Jovinelli, Roma “Detour the Moleskine city notebook”, a cura di/curated by Raffaella Guidobono, Londra 2006 “Premio Vasto. Vertigini, il fantastico oggettuale”, a cura di/curated by Silvia Pegoraro, Vasto (cat.) Vincitrice del primo premio “Lʼaltra metà del lavoro”, a cura di/curated by Pino Casagrande, Presidente di Giuria Paolo Balmas, Palazzo della Cancelleria, Roma (cat.) “Sottovetro”, a cura di/curated by Pier Paolo Pancotto, Cafè Dagnino - Galleria Esedra, Roma (cat.) 2005 “S/AGO/ME 547”, a cura di/curated by Paola D...

The sixth of six of this limited edition Marielle Guégan engraving created in 2005. Marielle Guégan is a French painter and engraver. During her studies as an interior designer, sh...

Painting "Bonjour Monsieur Soulages" The artist wanted to pay tribute to Pierre Soulage who will be 100 years old on December 24th, she painted the artwork after having seen the exhi...

Painting "Fenêtre" Window reference to Matisse's work Year 2012 Unframed, this can be rolled or we can fixe it on a frame "chassis" Please let us know to calculate the shipping price...

"Art is transformation" Art is the purpose of art as love is the purpose of love.« Heinrich Heine Ines Hildur starts her paintings intuitively, without any preconceived programme. From the subconscious things occur, which she cannot predetermine. The artist does not convert these inner pictures to specific things. With a special feeling for rhythm and through subtile color sounds she tells about free, associative picture stories. The works exude tranquillity, clarity and sensuality. The visible aesthetic sensitivity has a suggestive power, which captivates the observer. If you get involved in these pictures – in the colored moods, the symbolic, fragile lines, symbols – they appear to be the beginning of a story, which the observer can continue in his imagination. At the trans-lation into the terms of language, however, something mysterious remains, which cannot be translated. The painter apparently leaves the processes for the creation of the painting: color layers overlay each other, lines are covered and released again, used papers are stuck onto the work. The artist describes her way of painting like this: » violations at places of change are connected, sewed, covered in a varnishing way, shine through like under a wax layer or can still haptically be realised. Special importance is attached to the picture passages, which appear to be particularly successful, they support their environment – are significant for fringe areas, however, can also lose their function again during the working process and have to be given up – sometimes this is quite painful like the loss of a good friend.« She discovers special beauty in apparently everyday things. This can be a crumbling wall, moss between concrete slabs, traces of transience. Due to this special talent of perception the artist converts her impressions to compact pictures, which sometimes remind me of releasing layers, preserving a certain state, which could quickly disappear: also the forms of cocoon are ambiguous, a cocoon for wrapping something up, giving protection and security – or are they projectiles reaching new shores? In an environment of over-stimulation the artist wants to train our ability of perception to see things in a new way. For several years she has been communicating the interrelation between painting and seeing at the private art school Wameling Richon in Baden near Zurich. The painter and architect Ines Hildur – this is her pseudonym – belongs to the cross-border artists, to whom one attributes a special open view due to the different fields of activity. Since 1991 she has intensively been occupying herself with painting. By encountering the Berlin film-maker and painter Jürgen Böttcher Alias Strawalde, the Vienna painter Gunter Damisch and the artist couple Nancy Spero and Leon Golub at the renowned Summer Academy of Fine Arts in Salzburg she received particularly lasting ideas and stimuli. In the meantime the artist, who presently lives in Leipzig, shows her individual and group presentations in Germany, Austria, Switzerland and France. The paintings of Ines Hildur appear to be very open, they invite to discuss about them. Perhaps it will be a dialogue between her expectations and those aspects you can find here. You can take up this trace if you want to come closer to the secret behind the obvious things, which works of art always have for us. Andrea Richter-Mahlo I Art Historian I Leipzig. Ines Hildur is born in Freiberg / Saxonia in Germany She studied architecture at the University Dresden from 1977 to 1982. In 1991 she study Arts in the Arts School of Fine Arts & Design and in the International Summer Academies of Fine Arts Saarbrücken Living and working in Leipzig as an Artist Painter she still working as an Architect and Interior Designer in Dresden, Saarbrücken, Salzburg and Leipzig since 1982 and Temporarily in Saint Paul De Vence - Cote d'Azur Teaching free painting at serval academies of Fine arts since 2002 . Selected Solo Exhibitions 1994 Galerie Filmhaus Saarbrücken 1995 Atelier Studio Silke Wagler Leipzig Galerie Mittelsächsisches Theater Freiberg 1996 Galerie Alcatraz Hallein/Austria 1997 Galerie Hofhaus Saarlouis Galerie Pro Arte Hallein/Austria 1998 Galerie Schubert Neunkirchen Mdr-Galerie Leipzig 1999 City Managment/Galerie Spandow Berlin Galerie Kunst + Objekte Leipzig 2000 Regierungspräsidium Dresden Galerie Hanstein Saarbrücken 2001 Galerie Spandow Berlin 2002 Galerie Wameling Richon, Baden/Suisse 2003 Kunstverein Die Treidler, Frankenthal Galerie Ferry, Paris 2004 Drive - Die Medienagentur, Hannover 2005 Galerie Ferry Paris Galerie Wameling Richon Baden/Suisse Galerie Victoria Wittek Schwalmtal/Rainrod/D 2006 Kunstverein Ebersberg 2007 Nexolab München 2010 Art und Ambiente Leipzig Kunst und Justiz Karlsruhe 2013 Helmaxx Salzburg 2014 Werkschau Salzburg 2015 2018 Galerie Schöllerbank Salzburg Galerie Katapult Basel Galerie Mikhail Nefedov Nizza Galerie der Havilandbank Monte Carlo Selected Group Exhibitions 1994 Galerie Filmhaus Saarbrücken 1996 Galerie am Damm, Dresden Galerie Hanstein, Saarbrücken Galerie Pro Arte Hallein/Austria 1997 Landeskunstaustellung Saar, St. Ingbert 1999 Passages - House of Artists, Saarbrücken Art in the Box - House of Artists, Saarbrücken 2001 Galerie Hanstein, Saarbrücken House of Artists, Saarbrücken 2002 Galerie Hanstein, Saarbrücken Galerie Pro Arte Hallein/Austria 2003 Galerie Hanstein, Saarbrücken Galerie Ferry, Paris 2004 Galerie Wameling Richon, Baden/Suisse Grosse Kunstausstellung, Wasserburg/Inn Galerie Nicole...

Painting the Tree " Arbre" 7 Year 2018 Unframed, this can be rolled or we can fixe it on a frame "chassis" Please let us know to calculate the shipping price. Nathalie Fontenoy is ...

Technique collage of paper on canvas, Indian ink, charcoal, pastel "series Fragment # 3 Nature & Kraft Paper collage is a technique of artistic creation that consists in organizing ...

Technique collage of paper on canvas, Indian ink, charcoal, pastel "series Fragment # 5 signed on the back. Blue, Turkis - Rolled and unframed " Chassis" canvas, there is possibility...

Technique collage of paper on canvas, Indian ink and charcoal acrylic paint "series Fragment # 4" signed. - Unframed canvas (no frame) Paper collage is a technique of artistic crea...

Technique acrylic painting on canvas, series Bord à bord avec Rothko et Delaunay "Edge to Edge "#2 Year 2003 Signed on the back . The painting can be sent rolled or on a frame "Chass...

From the series Bord à Bord avec Rothko et Delaunay "Edge to Edge" # 12 Technique acrylic painting on canvas The canvas can be rolled or mounted on frame "Chassis" signature in f...

The art market confirms that Robert Combas is the most successful living French artist with Pierre Soulages. During the last two years, the value of his works has multiplied by 5 , proof with the last Artcurial auction sale from December 4th 2019. This sculpture "The Cannon Dancer" is one of the most interesting of his major works from the 90s where he touched on themes dear to him like: battles, war, religion, love, sex, women, mythology, music, genre scenes... - "Le danseur au canon", The Cannon Dancer Painted polychrome resin sculpture. This is a limited édition signed Combas, dated 95 and numbered 4/8 on the base. - Is it a carnival ? a character, a buffoon representing power by a cannon exhibited as a phallic object that symbolizes power. "The moment when the official hierarchies collapse, where the powerful become ridiculous and the fools the only wise respected. The moment of inversions, negations, derision and extravagance. Abel and Cain, Salome and Saint John the Baptist : whatever the time and the weapons, it is almost always the same story", said Combas. Robert Combas love to Deforms when, allowing itself disproportions, exaggerations and deletions, it gives birth to creatures with noses, lips or feet disproportionately inflated or stretched, even monstrous and comic. In this case, Combas flirts with satire, farce, the grotesque. Make love better than a war ! Robert COMBAS has been pursuing a unique approach since the 1980s. His eccentric and powerful representations of the world make this genius one of the emblematic figures of French contemporary art. The artist's work is now the subject of numerous retrospectives and institutional exhibitions. The enthusiasm of collectors becomes more important with each new public sale and its rating climbs which confirms the sustainable nature of the art of Robert COMBAS. He brought at the dawn of the 80s a new figurative painting. Present on the artistic scene since 1979 he is the creator of a movement that the artist Ben called the Free Figuration, movement comprising: Rémi...

This work can be hung horizontally or vertically. The artist has left the choice to the buyer to choose the meaning according to his harmony and his mood .. signed on the back Marie...

More than Art an installation, this exquise painted screen paravent is painted in both side. Each panel is 40 cm,. Marielle Guégan is a painter and ...

Marielle Guégan is a painter and engraver. During her studies as an interior designer, she is passionate about drawing and revelation of color with its different impacts related to o...

How is the business going, the stock market is going up or down? comment ça va bien ? La vie est belle? You Like or not Like ? ... The motorized sculpture of Michael is rotative. Depending on the mood of each, this giant hand with a thumb up or down or in between, lets the viewer choose the direction of the thumb by removing the plug once the choice is made. With his inexhaustible ingenuity, Michael Sailstorfer...

Marielle Guégan is a painter and engraver. During her studies as an interior designer, she is passionate about drawing and revelation of color with its different impacts related to o...

"Art is transformation" Art is the purpose of art as love is the purpose of love.« Heinrich Heine Ines Hildur starts her paintings intuitively, without any...

Plexiglass object # 16, Series “Singular Portrait” Consisting of two plates of plexigass 1cm thick each. Technical digraphy. Unique piece Signature engraved lower right Year 2014. ...

Nathalie Fontenoy French Artist "Singular Portrait“ Plexiglass Unique Piece Plexiglass object # 2, Series “Singular Portrait” Consisting of two plates of plexigass 1cm thick each. T...

Nathalie Fontenoy French Artist, Acrylic Painting on Canvas "Au Balcon" a nod to Edouard Manet's work. Technique acrylic painting on canvas Year 2010 Signed on the back Nathalie ...