Bureau of Interior Affairs Portrait Paintings

'The Banana Plantation Guadeloupe', oil on canvas, by Robert Humblot (1959). In 1959, when the artist visited French Guadeloupe, he painted several colo...

'The Tennis Star', oil on art paper, by Luc Martinsen (1995). Known for his use of wild and vibrant colour, this painting is not for the faint of heart. It is painted in a naive style leveraging its unrestrained use of colour to speak to the viewer. Not traditionally known for its great tennis players, Belgium has since had two female superstars in the game, Justine Henin and Kim Clijsters, who both played in the 1990s and into the 2000s. Perhaps this is a composite of those gifted players. The artwork exudes resounding energy and would undoubtedly be the centrepiece of any space in which it is hung. The work is in good overall condition and has been newly framed and glazed with anti-reflective glass. It is signed and dated ('95) by the artist in the lower right hand. Please enjoy the many photos accompanying this listing. Upon request a video may be provided. About the Artist: Belgian born (1951) artist, Luc Martinsen attended the Academy of Ghent as a student of Etienne Elias...

'Rolling Stones - Three Heads' acrylic on canvas, by Peter Robert Keil (1985). Big, bold with brash brush strokes painted in exuberant colours is the trademark of the artist. Strange...

'The Fisherman', oil on board, by Gabriel Vié (circa 1940s). This artwork depicts a solitary man fishing in a river surrounded by abundant foliage. He is p...

'Boy with Anemones', oil on cardstock paper, by Raymond Debiève (1965). Here the artist paints a young boy having his breakfast with a beautiful bouquet of an...

'Portrait of Woman with Irises', oil on cardstock paper (1976), by Raymond Debiève. Here the artist paints a young woman holding a bunch of enchantin...

'Mother and Child II', watercolour on fine art paper (1970), by Raymond Debiève. In a clear nod to Picasso's influence both stylistically and in terms of subject matter (Picasso pain...

'The Family', gouache on fine art paper (1984), by Raymond Dèbieve. In a clear nod to Picasso's influence both stylistically and in terms of subject matter ...

'Nude Posing on the Sofa', oil on canvas, by Louis Latapie (circa 1940s). From a long line of renowned paintings whose subject is reclining nudes, this ext...

'Outstanding in His Field', oil on cardstock paper, by Raymond Debiève, 1976. The artist depicts a salt-of-the-earth farmer seated on a fence post, arms crossed with a look of wholeh...

'The Chess Match', oil on cardstock paper, by Raymond Debiève (1973). Rich colours, bold, painterly brush strokes and an unusual subject for a work of art, Debiève has created this s...

'Nude Viewed from the Back', oil on canvas, by Charles Kvapil (1937). The world of art has for centuries depicted nudes in one form or another. Kvapil's wonderfully alluring versions may likely be inspired by Courbet and Cézanne. This nude appears on a chair with her back to the artist and viewer. There are plush reds, sensuous pinks and darker, patterned curtains...

'Portrait of Boy in a Chair', gouache on art paper, by Raymond Debiève (circa 1960s). Here the artist paints a young boy, very probably his son, Vincent, sitting in a chair posing fo...

'Woman with Yellow Blouse', oil on cardstock paper (1979), by Raymond Debiève. Here the artist paints a woman posing in front of her home under a blue sk...

'Portrait of Future Man', oil on board, Berlin School, (circa 1960s). A thoroughly modern portrait clearly in the style of Italian Futurist, Fortunato Depero (1892-1960). Futurism co...

'The Cabaret Dancer', crayon on art paper, by Kolomon Moore (circa 1930s). The Crazy Years (les Années Folles) of Paris in the 1920s hit an abrupt end in...

'Landscape with Two Bathers', oil on panel, by Guillaume Dulac (circa 1920s). Dulac's oils and drawings manifest an elegant classicism with an immediately identifiable style. It is these qualities which are so attractive both aesthetically and in the context as an investment in fine art. Our gallery holds virtually the entire remaining collection of Guillaume Dulac's sketches and memorabilia with impeccable provenance. In this acquisition of a Dulac oil painting, one finds a depiction of two women, one of them in the nude, seated on the edge of a bathing pool. The other is peacefully seated on a comfortable boulder stone...

'Portrait of a Young Man', oil on board, by Peter Robert Keil (1983). Big, bold with brash brush strokes painted in exuberant colours is the tr...

'Portrait of Blue-Eyed Woman', oil on board, signed by artist, Ayral, French School (circa 1960s). Discovered in the South of France, this small portrait is painted with vibrant colo...

'The Kids', pastel on paper (1967), by Raymond Dèbieve. Picasso's influence is undeniable in this artwork yet Dèbieve's own naive artistic style is on display ...

'Portrait of Smiling Woman', pastel and crayon on art paper, by Raymond Debiève (circa 1970s). Is this a modern version of da Vinci's Mona Lisa? The simi...

'Portrait of a Girl', gouache and crayon on fine paper (1966), by Raymond Debiève (1931 - 2011). Here the artist paints a young girl with blond hair in his post-cubist style. Clearly...

'Portrait of a Man', oil on canvas, by Yvonne Guégan (circa 1970s). This is not a portrait of the reclusive billionaire, Howard Hughes. Regrettably, we d...

'The Bather', oil on board, by Charles Kvapil (1934). The world of art has for centuries depicted bathers in one form or another. Kvapil's wonderfully allur...

'Portrait of Renée', oil on board, by Louis Latapie (1941). When combined with the artist's passionate brush strokes, the wood panel upon which this piece is painted, creates both a ...

'The Red Headdress', pastel on art paper, by W. Worms (circa 1960s). A beautiful woman with contemplative expression and tender eyes is exquisitely portrayed by the artist. The treat...

'Women in Deckchairs', oil on canvas, by Camille Hilaire (circa 1960s). Folding wooden chairs with woven or cane seats and backs, of the type now...

'Lunch at Chez Louis', oil on canvas, by Roland Dubuc (circa 1970s). The outdoor terrace at restaurants and cafés in France goes back centuries as they have always been a gathering place for intellectuals to meet and debate philosophical issues; for the Avant Garde set to display their works; for artists to compare and exchange ideas and for writers to drown their sorrows over their artistic anguish or melancholy. Even the freedom fighters of the French Revolution and later the French Resistance would meet in cafés to plot their course. Regular people of course also enjoy these venues. A very delightful feature of these French institutions is that there is always room for quiet book readers, romantic couples, business meetings and lively groups of friends sharing a bottle of wine. The artist Dubuc captures a slice of this lovely aspect of French culture in this smile-inducing depiction painted in vivid oils. With a background of greenery, the patrons enjoy the outdoors protected from the intense sun by the table's parasols. Ah, the life. The artwork is in good vintage condition, is framed and signed by the artist in the lower left hand corner. Please enjoy the many photos accompanying this listing. Upon request a video may be provided. About the Artist: Roland DuBuc (1924-1998), French artist, the sixth of 13 children and son of a construction worker. The very precariousness of the family's financial situation forced him to go to work at the age of 14. In extreme poverty, he moved to Rouen where he was lodged by the Salvation Army. During that time he struck up friendships with several artists who gave him advice and taught him techniques of drawing. He moved to other cities later where he met painters including, among others, Fred Pailhès...

'The Cyclists Rest Stop in Honfleur' by Jean-Marie Luc Blanpain, oil on canvas (circa 1970s). The artist's depiction of the terrace of the well known Honfleur restaurant, 'Au Relais ...

'Portrait of Boy' by Luigi Corbellini (circa 1930s). The artist painted this endearing young boy whose name remains unknown. Perhaps the slightly timid expre...

'Sailors in the Port of Nice', mixed media - gouache, pastel and oil on paper, by Alfred Salvignol (circa 1950s). The Port of Nice is one of the key hubs of Nice and, in fact, of the entire French Riviera, standing out as one of the main harbours for the boats which sail across the Mediterranean Sea. It accommodates both the ships operated by ferry companies and the private yachts of visitors who come to Nice by sea. The artist here depicts a group of crusty sailors watching...

'La Montera', gouache, watercolour and ink on art paper, by Pierre Ambrogiani (circa 1960s). The artist created many artworks with bullfighting as theme. In this case, a single torer...

'Parc des Buttes-Chaumont' in Paris, gouache on art paper, by Lucien Génin (circa 1930s). A charming depiction of well turned out Parisians enjoying a day at the park. Boaters, strollers and swans all co-mingle around the peaceful lake. The reflection of the rocky bluff in the water is superbly treated by Génin. It's a cheerful and uplifting image of days-gone-by in 1930s Paris. The park takes its name from the 'bare hill' (chauve-mont) that once occupied the site. It became a place where gypsum was mined, and where the limestone was quarried to be used in buildings in Paris and the United States. Worse, though, it was a site that also became a dumping ground. Luckily, during the 19th-century renovation of Paris under Napoleon III, chauve-mont was chosen as a place for a large park, as part of the emperor's fascination with endowing Paris with green spaces. The artificial lake created at that time wraps around a hilly central island. The lake attracts waterfowl and other birds and is stocked with fish. The 19th-century planners cleaned up the site and added tons of soil to fill the pits left by a limestone mining operation. Then dynamite was used to "sculpt" the site into the craggy shapes seen today, including the 50-metre-high central hill with cliffs, an interior grotto, pinnacles, and arches. Up on top, overlooking the rest of the park - and depicted in this artwork - is a small, round belvedere, based on the Roman Temple of Vesta in Italy. From that spot you can see a lovely view of Montmartre and the white cupolas of the Sacre-Coeur. The painting is in very good condition. It has been newly framed and glazed with museum-quality glass (anti-reflective and UV protection) to preserve this significant artwork for decades to come. Dimensions with frame: H 62 cm / 24.4" W 76 cm / 29.9" Dimensions without frame: H 48.5 cm / 19.1" W 63 cm / 24.8" About the Artist: After the devastation of the First World War, Lucien Génin (1894 - 1953) left his provincial home in the autumn of 1919 to find his fortune among the lively Parisians in the heart of Montmartre. Génin befriended the painters Frank Will, Gen Paul, Émile Boyer, Marcel Leprin...

'The Power of Words', oil on board, Berlin School, (circa 1950s-1970s). A thoroughly modern depiction clearly in the style of Italian Futurist, Fortunato Depero (1892-1960). Futurism...

'Grand Prix Racer', French School, oil on board (circa 1960s). The 'good ole' days' of Formula One racing are depicted in this thrilling mid-century...