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Action de Vin sur Le Moral (How Wine Affects the Morale)
By Raoul Dufy
Located in Laguna Beach, CA
“My eyes were made to erase all that is ugly”. -Raoul Dufy
Raoul Dufy’s depictions for an instant charmer of a "medical book" illustrates the myriad benefits of wine, while being splashed by accompanying literature from a medical physician. However, his illustrations did not depict people drinking wine...
Category
1930s Post-Impressionist Landscape Prints
Materials
Lithograph
Decheance de al Buveuse d'Eau(Downfall of a Lady Teetotaler)
By Raoul Dufy
Located in Laguna Beach, CA
“My eyes were made to erase all that is ugly”. -Raoul Dufy
Raoul Dufy’s depictions for an instant charmer of a "medical book" illustrates the myriad benefits of wine, while being splashed by accompanying literature from a medical physician. However, his illustrations did not depict people drinking wine...
Category
1930s Post-Impressionist Landscape Prints
Materials
Lithograph
Le Vin Contre la Depression Nerveuse et l'Anemie
By Raoul Dufy
Located in Laguna Beach, CA
“My eyes were made to erase all that is ugly”. -Raoul Dufy
Raoul Dufy’s depictions for an instant charmer of a "medical book" illustrates the myriad benefits of wine, while being splashed by accompanying literature from a medical physician. However, his illustrations did not depict people drinking wine...
Category
1930s Post-Impressionist Landscape Prints
Materials
Lithograph
Le Vin est Necessaire aux Artistes
By Raoul Dufy
Located in Laguna Beach, CA
“My eyes were made to erase all that is ugly”. -Raoul Dufy
Raoul Dufy’s depictions for an instant charmer of a "medical book" illustrates the myriad benefits of wine, while being splashed by accompanying literature from a medical physician. However, his illustrations did not depict people drinking wine...
Category
1930s Post-Impressionist Landscape Prints
Materials
Lithograph
Wine as a Remedy for Convalescents
By Raoul Dufy
Located in Laguna Beach, CA
“My eyes were made to erase all that is ugly”. -Raoul Dufy
Raoul Dufy’s depictions for an instant charmer of a "medical book" illustrates the myriad benefits of wine, while being splashed by accompanying literature from a medical physician. However, his illustrations did not depict people drinking wine...
Category
1930s Post-Impressionist Landscape Prints
Materials
Lithograph
Wine is Essential for Writers
By Raoul Dufy
Located in Laguna Beach, CA
“My eyes were made to erase all that is ugly”. -Raoul Dufy
Raoul Dufy’s depictions for an instant charmer of a "medical book" illustrates the myriad benefits of wine, while being splashed by accompanying literature from a medical physician. However, his illustrations did not depict people drinking wine...
Category
1930s Post-Impressionist Landscape Prints
Materials
Lithograph
Wine and Childhood Aliments
By Raoul Dufy
Located in Laguna Beach, CA
“My eyes were made to erase all that is ugly”. -Raoul Dufy
Raoul Dufy’s depictions for an instant charmer of a "medical book" illustrates the myriad benefits of wine, while being splashed by accompanying literature from a medical physician. However, his illustrations did not depict people drinking wine...
Category
1930s Post-Impressionist Landscape Prints
Materials
Lithograph
River Turns
By Wayne Thiebaud
Located in Laguna Beach, CA
Wayne Thiebaud has long been recognized as one of America’s most prominent modern artists. Probably best known for his straightforward, deadpan still-life paintings of the 1960s, and...
Category
21st Century and Contemporary Pop Art Landscape Prints
Materials
Etching, Drypoint
Heart Ridge
By Wayne Thiebaud
Located in Laguna Beach, CA
The images in Wayne Thiebaud's drypoints fill the space around them, carving into it. They are images of mountains. In one, only the mountaintop shows and a gigantic cloud is in the ...
Category
21st Century and Contemporary Contemporary Landscape Prints
Materials
Etching, Drypoint
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Free Shipping
H 21.25 in W 26 in
Notre Dame, Framed Lithograph by Bernard Buffet
By Bernard Buffet
Located in Long Island City, NY
Artist: Bernard Buffet, French (1928 - 1999)
Title: Notre Dame
Year: 1968
Medium: Lithograph, signed in the plate
Size: 25.5 x 19.5 in. (64.77 x 49.53 cm)
Frame Size: 31 x 25.5 inches
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Marseille : L'Estaque Landscape - Lithograph, 1972
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Georges BRAQUE (after)
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Printed signature in the plate
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Quai Boïeldieu, à Rouen by Camille Pissarro - Landscape lithograph
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Femme a l'ombrelle
By Jean-Pierre Cassigneul
Located in San Francisco, CA
This art work titled "Femme a l'Ombrelle" 1972 is an original color lithograph on Arches paper by French artist, Jean Pierre Cassigneul, born 1935. It is hand signed and numbered 29/150 in pencil by the artist. Referenced and pictured in the artist's catalogue raisonne by Sauret plate #42. The image size is 22.25 x 16 inches, framed size is 36.15 x 28.25 inches. Custom framed in a wooden gold leaf frame, with fabric matting and gold color spacer. It is in excellent condition.
About the artist:
Jean-Pierre Cassigneul is a French painter known for his serene portraits of women in hats that recall the French Post-Impressionist avant-garde, including the works of Pierre Bonnard and Edouard Vuillard. He was born on July 13, 1935, in Paris.
He studied at the École des Beaux-Arts in Paris and went on to exhibit in various group exhibitions, including the Salon d' Automne in Paris (of which he was member), the Salon de la Jeune Peinture, He exhibited at the Beaubourg Center in Paris in 1977 and solo as of 1952, on a regular basis in France but also in New York, and Tokyo and worldwide
Jean PierreCassigneul is known for his charming and extremely popular Van Dongen-influenced paintings of women in floral hats, complete with frequent allusions to other aspects of the Années Folles.
1952 First private exhibition at the Galerie Lucy Kroge in Paris aged 17.
1954 Enters into the Académie Charpentier and then decides to study under Jean Souverbie
at the Ecole des Beaux-Arts de Paris.
1955 He passes his entrance exam a year later and enrolls at the "Ecole Nationale Superieure"
des Beaux-Arts de Paris. Works in Chapelain-Midy’s studio.
1958 First exhibition at the Galerie des Beaux-Arts.
1959 Appointed member of the Salon d’Automne.
1956–1960 Instructed by the French painter Roger Chapelain-Midy.
1963 Present at the Salon de la Jeune Peinture for the first time.
1964 Private exhibition at the Galerie Tivey-Faucon, Paris.
Meets Kiyoshi Tamenaga, who becomes his art dealer for Japan.
1965 Creation of his first lithographic works.
Exhibition at the Galerie Bellechasse, Paris.
1966 Present at the International Exhibition of Figurative Art, Tokyo.
Exhibition at the Galerie Bellechasse, Paris.
1968 Exhibition at the Galerie Juarez in Palm Beach, USA.
Private exhibition at la Galerie Vital, Paris.
1969 Exhibition of lithographic works at the Mitsukoshi Gallery, Tokyo.
1970 January : Exhibition at the Wally Findlay Gallery, Palm Beach, then in New York.
First trip to Japan, where he stays for three months.
Important private exhibition at the Mitsukoshi Gallery, Tokyo.
1973 Exhibition at the Wally Findlay Gallery in Palm Beach, then in New York.
Private exhibition at the Tamenaga Gallery, Tokyo. Meets art publisher Alain Mazo.
1974 Private exhibition at the Galerie Wally Findlay, Paris, then in New York.
1975 Exhibition at the Wally Findlay Gallery, New York.
1976 Private exhibition at the Mitsukoshi Gallery, Tokyo.
Publication of the album “Parcs” by Editions Mazo-Paris.
1977 June : Private exhibition at the Galerie René Kieffer, Paris
Private show of paintings and pastels at the Galerie Wally Findlay, Paris.
1978 Retrospective exhibition of lithographic works at Vision Nouvelle.
June-July : Exhibition at the Wally Findlay Gallery, New York.
Important private showat the Mitsukoshi Gallery, Tokyo.
1980 Designs his first tapestry, executed by Atelier 3...
Category
Late 20th Century Post-Impressionist Figurative Prints
Materials
Lithograph
Japanese Woodblock Artist French Lithograph Fauvist Colors School of Paris
By Shungo Sekiguchi
Located in Surfside, FL
Shungo Sekiguchi, (Japanese, 1911-2002):
Lithograph in color on Rives paper
Hand signed in pencil lower right, hand numbered
It appears to be the village of Montmarte in Paris
This was published by the Guilde de la Gravure, Paris, France and bears their GG blindstamp.
They were a mid century French art publisher and published many masters including Raoul Dufy, Max Erns, Jean Hans Arp, Ruffino Tamayo, Balthus, Gino Severini and Leonard Tsuguharu Foujita.
Shungo Sekiguchi was born 1911 in Japan. In 1932 Shungo Sekiguchi contributed to the print series "One Hundred Views of Great Tokyo" (Dai Tokyo hyakkei). Prints from watercolors published by Kaneda Shoten (Nihon Hanga Ken-kyusho). In 1935, Sekiguchi moved to Paris, France to study at the prestigious Ecole des Beaux Art of France with a scholarship of the French government. He studied together with two other Ecole de Paris Japanese artists, Takanori Ogisu and Tsuguji Foujita. He exhibited at the prestigious "Salon d'Automne" in Paris. In 1940 when Paris was occupied by the German Nazis, Shungo Sekiguchi returned to Japan, but kept his ties with France. In 1952 he exhibited at the famous Salon d'Automne and received an award. In 1959, he received an award at the Vicci International Art Contest. In 1964, he received the Diplome d'Honneur des at Jobiji International Art Show. His retrospective exhibition has been held in many places in Japan.
In 2002 the artist died in Japan. He is popular in Japan and several retrospective exhibitions were held in Japan. He was part of the Shin Hanga and Sosaku Hanga woodblock artists known for their woodcut prints and scrolls. Shin-hanga was an art movement in early 20th-century Japan, during the Taisho and Showa periods, that revitalized traditional ukiyo-e art rooted in the Edo and Meiji periods. He also worked as a book illustrator and did the artwork for the French edition of Le démon doré by Ozaki Kohyo. He is included in Helen Merritt and Nanako Yamada's classic book "Guide to Modern Japanese Woodblock...
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1950s Post-Impressionist Landscape Prints
Materials
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Seine River and Boat in Chatou - Lithograph, 1972
By (after) Maurice de Vlaminck
Located in Paris, FR
Maurice de VLAMINCK (after)
Seine River and Boat in Chatou
Color lithograph after a painting
Printed signature in the plate
On Arches Vellum 50 x 65 cm (c. 20 x 26 inch)
Excellent ...
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1970s Fauvist Landscape Prints
Materials
Lithograph