Deborah Colton Gallery

Bright, vivid, and highly saturated colors in combination with a furious treatment of the medium compel this work to stand out as an iconic blend of passion and poise. Born in Toky...

This simple, yet elegant, abstract acrylic painting on un-stretched canvas represents an impressive snapshot of the energy and attention to design with which Ushio Shinohara approach...

This monumental drawing on canvas is part of a series, which gives praise to mankind’s quest for wisdom and vigorous resilience. Referring chiefly to the heavens, Earth, and the Underworld, the “Three Worlds...

This monumental drawing on canvas is part of a series, which gives praise to mankind’s quest for wisdom and vigorous resilience. Referring chiefly to the heavens, Earth, and the Underworld, the “Three Worlds...

This work is one in a series of prints conceived during Long’s fellowship in Rome. It’s central feature is a profile of an abstract organic form nestled in a smooth gradient backgro...

This work is one in a series of prints conceived during Long’s fellowship in Rome. The texture and color of the background simulates a fluid substance, while the primary subject matt...

This work is one in a series of prints conceived during Long’s fellowship in Rome. The vertical striations along the background accentuate a sense of rhythm, while the colorful strip...

This abstract drawing on paper features a highly expressive depiction of figure through manic and brazen employment of line work suggest a spirit that is meticulous in execution, yet...

This lively multimedia display features an enchanting field of color across canvas. The luminous washes of blue amidst loose figurative gestures evoke a buoyant atmosphere, while abs...

Phatyos experiments with the mounded form of the Thai pagoda (stupa), which originally derived from a pile of ashes or the burial site of a sacred person. Through the tangible pagoda...

This monumental drawing on canvas is part of a series, which gives praise to mankind’s quest for wisdom and vigorous resilience. Referring chiefly to the heavens, Earth, and the Underworld, the “Three Worlds...

In his "Immortality" series, Plusch explores how notions of beauty and deformity, eternal and momentary, and life and death intermingle and blur together. This work expresses how all...

In this work, the horizontal flowing of paint alongside material possessions seems to insinuate some connection with notions of ownership. Household objects before morbid symbolism d...

Within the universe through our spiritual relationships, we can create a better world. Artwork Details: Paramat Lueng-On "Black Hole" 1998 Rich Gold and Acrylic on Canvas 35 x 43 I...

This oil on canvas painting is inspired by the Hindu Goddess Kaamdhenu, the mother of all cows and Bhatt’s recurring symbol of desire. The dismembered human figures featured in tan...

This work’s strength comes from its range of tonal values combined with coarse texture. In "Selfie," Chambers draws upon a variety of colors and textures to imbue this painting with ...

Similar to Nine Forms (Red), Nine Forms (Blue) relates to good feelings. This painting refers to the love and respect the Thai people have for their King. Artwork Details: Parinya ...

The color red and the odd numbers of one, three, five and nine are all considered lucky by many Asians. By presenting these nine triangular forms on red, Parinya communicates good fe...

Similar to Nine Forms (Red), Nine Forms (White) relates to good feelings and purity that is attained by living a spiritual life. Artwork Details: Parinya Tantisuk "Nine Forms (Whit...

Elongated forms become seed-like, with glowing energy of life at the center. We are reminded of the interactions in nature, that all things are constantly changing, rising and fallin...

Elongated forms become seed-like, with glowing energy of life at the center. We are reminded of the interactions in nature, that all things are constantly changing, rising and fallin...

The texture, light and movement of this mounded, pagoda-like form gives an impression of stability, yet in motion, and calls us to contemplate the nature of the stone. Artist Detai...

In his "Effect" series, we see how Plusch gives location - places and spaces resembling the world around us - the same treatment once reserved for his abstract human forms. Effective...

This abstract oil painting discusses notions of duality. A garden represents the intersection between nature and culture. As depicted in the painting, there is an abstract human figure...

This painting uses a triadic color scheme, giving a strong sense of visual contrast, while the subject matter alludes to notions of psychedelic materials. Bert L. Long Jr., was self...

This work, marked by thin washes of acrylic, depicts a floating figure with Long’s likeness hovering over what appear to be earthly materials below - perhaps an allusion to notions o...

This three-dimensional work incorporates an acrylic painting on canvas laid in a handmade red frame, adorned with scorched wooden planks, a stylized plaster heart, and an ice pick. The painting is a monochromatic depiction of icebergs protruding from the surface of water. While the imagery of the painting speaks to the visible outcome of artistic production, the frame and its adornments implore the viewer to consider the requisite materials necessary for creative actualization. Bert L. Long Jr., was self-taught artist, was born in 1940 in Texas, grew up the Houston’s historic Fifth Ward and received his formal education from UCLA. Following a career as a successful master chef, Long decided to devote himself entirely to art in the late 1970’s. He began to explore folk art and assemblage to create a unique body of work, attracting the attention of Jim Harithas, then Director of the Contemporary Arts Museum Houston, and artists John Alexander, Salvatore Scarpitta and James Surls. His life spanned an era of radical change in the American social climate, the influence of which can be seen clearly in his work. Long’s paintings and sculptures incorporate a high level of skill and sophisticated knowledge of art history, along with complex philosophical and social issues.  Long describes the philosophy behind his work as "a quest to help people diagnose their inner self," believing his art to be "the vehicle to help facilitate the process." “As artists we have the obligation to provide the world with art which communicates as truth. I believe that art has the power to heal our souls of their afflictions. I try to create art which helps to diagnose the prevalent conditions within our societies, hopefully providing an insightfulness which will help us all become brothers and sisters united in equality and compassion”                                       - Bert L. Long, Jr. The late Peter Marzio, former Director of the Museum of Fine Arts, Houston, said of Bert Long during the major retrospective of Long’s work at the museum: “Bert Long does not avert his gaze from that which is painful, but as [his artworks] testify, he also brings a spirit of joy and redemption to his art. We can all learn from this great artist.” Over Long’s 33-year career as a painter, sculptor, and photographer, he had several solo exhibitions at respected museums and was awarded many significant awards including the National Endowment for the Arts Grant in 1987 and the prestigious international Prix de Rome fellowship in 1990. Other notable awards of Long’s include the Texas Accountants and Lawyers for the Arts Artist of the Year Award in 2009, the Adolph and Esther Gottlieb Foundation Emergency Assistance Grant in 1997, the Houston Art League Texas Artist of the Year in 1990, the NEA Visual Artists Fellowship Grant, 1987 and the Bemis Foundation Residency in 1998. His work can be seen in over 100 private and public collections worldwide, including the Metropolitan Museum of Art, New York, the Dallas Museum of Art, the Houston Museum of Fine Art, the Blanton Museum of Art, Austin, the El Paso Museum of Art, and the Instituto de Bachillerato in Spain. With a recent solo exhibition at the Houston Museum of African American Culture and an exhibition overseas which is pending featuring his work, plus interest from several national museums, Bert L. Long Jr. continues to be recognized as an important African American artist throughout Texas, nationally and internationally. Bert L. Long, Jr. "Passion" 2012 Acrylic Paint, Wood Elements...

Bright, vivid, and highly saturated colors in combination with a furious treatment of the medium compel this work to stand out as an iconic blend of passion and poise. Born in Toky...

This monumental drawing on canvas is part of a series, which gives praise to mankind’s quest for wisdom and vigorous resilience. Referring chiefly to the heavens, Earth, and the Underworld, the “Three Worlds...

The rich sense of contrast between green and red hues lends an energetic disposition to this pastoral scene. In combination with a rugged textual treatment, this work’s color and des...

Vibrant, yet also subdued, this work’s use of color and line imbue ordinary subject matter with an uplifting sense of levity and beauty. Bolstered by a strong use of abstract element...

Elongated forms become seed-like, with glowing energy of life at the center. We are reminded of the interactions in nature, that all things are constantly changing, rising and fallin...

This oil on canvas painting blends Greek and Hindu theology to discuss questions concerning justice and morality. In the Greek Mythos, Prometheus was a Titan of fire and forethought...

Buddhists believe in making merit in this life to build Karma for a better future life. The wheel reminds us of the inevitable cycle of birth, death and rebirth. Artwork Details: ...

Artwork Details: Apichai Piromrak "Temple I" 1996 Signed Limited Edition Lithograph Edition 5/20 25 x 21 Inches

Artist Details: Pierre Porretti "Morris at the Salt House" 1988 Matted and Framed Original Hand-colored, Signed Photographic Print 12 x 14 Inches

This monumental drawing on canvas is part of a series, which gives praise to mankind’s quest for wisdom and vigorous resilience. Referring chiefly to the heavens, Earth, and the Underworld, the “Three Worlds...

In Ivan’s "Room" series, we see the impression of a human figure against a background composed of imagery suggesting the dressings of an interior space. The treatment of the backgrou...

"Saudi" discusses man’s modern romance with the oil industry, technology, and capitalism. In his Oil series, Guzman intimates toward the crudeness of industrial domination of nature ...

This work was one of Long’s earliest compositions as an artist. Even earlier in his artistic career, Long was interested in exploring the intersection of various media, branching out into new innovative spaces. This work demonstrates the technique and forms at play that have since germinated into Long’s signature style. Bert L. Long Jr., was self-taught artist, was born in 1940 in Texas, grew up the Houston’s historic Fifth Ward and received his formal education from UCLA. Following a career as a successful master chef, Long decided to devote himself entirely to art in the late 1970’s. He began to explore folk art and assemblage to create a unique body of work, attracting the attention of Jim Harithas, then Director of the Contemporary Arts Museum Houston, and artists John Alexander, Salvatore Scarpitta and James Surls. His life spanned an era of radical change in the American social climate, the influence of which can be seen clearly in his work. Long’s paintings and sculptures incorporate a high level of skill and sophisticated knowledge of art history, along with complex philosophical and social issues.  Long describes the philosophy behind his work as "a quest to help people diagnose their inner self," believing his art to be "the vehicle to help facilitate the process." “As artists we have the obligation to provide the world with art which communicates as truth. I believe that art has the power to heal our souls of their afflictions. I try to create art which helps to diagnose the prevalent conditions within our societies, hopefully providing an insightfulness which will help us all become brothers and sisters united in equality and compassion”                                       - Bert L. Long, Jr. The late Peter Marzio, former Director of the Museum of Fine Arts, Houston, said of Bert Long during the major retrospective of Long’s work at the museum: “Bert Long does not avert his gaze from that which is painful, but as [his artworks] testify, he also brings a spirit of joy and redemption to his art. We can all learn from this great artist.” Over Long’s 33-year career as a painter, sculptor, and photographer, he had several solo exhibitions at respected museums and was awarded many significant awards including the National Endowment for the Arts Grant in 1987 and the prestigious international Prix de Rome fellowship in 1990. Other notable awards of Long’s include the Texas Accountants and Lawyers for the Arts Artist of the Year Award in 2009, the Adolph and Esther Gottlieb Foundation Emergency Assistance Grant in 1997, the Houston Art League Texas Artist of the Year in 1990, the NEA Visual Artists Fellowship Grant, 1987 and the Bemis Foundation Residency in 1998. His work can be seen in over 100 private and public collections worldwide, including the Metropolitan Museum of Art, New York, the Dallas Museum of Art, the Houston Museum of Fine Art, the Blanton Museum of Art, Austin, the El Paso Museum of Art, and the Instituto de Bachillerato in Spain. With a recent solo exhibition at the Houston Museum of African American Culture and an exhibition overseas which is pending featuring his work, plus interest from several national museums, Bert L. Long Jr. continues to be recognized as an important African American artist throughout Texas, nationally and internationally. Bert L. Long, Jr. "Untitled" 1977 Acrylic and Paper Collage on Canvas...

This emotive artwork effortlessly blends figuration and abstraction in colorful concert. Cascading down the length of this multimedia composition, luminous washes of color and abstra...

In this work, the horizontal flowing of paint seems to insinuate some connection with the illusion of our material world. Although the scene appears precise in its rendering, there r...

This abstract oil painting underscores the difference between notions of dark and light, challenging our ideas of how we distinguish good and evil. The firefly is a nocturnal creatur...

This monumental drawing on canvas is part of a series, which gives praise to mankind’s quest for wisdom and vigorous resilience. Referring chiefly to the heavens, Earth, and the Unde...

Ever-turning, life's inevitable cycle of birth and death, reminds us of the rising and falling of all things. Artwork Details: Parinya Tantisuk "Cycle" 1996 Acrylic, Gold and Silv...

Our lips can express a thousand emotions. Use them wisely to create a better world. Artwork Details: Paramat Lueng-On "Big Mouth" 2000 Rich Gold and Acrylic on Canvas 43 x 43 Inches

Artist Details: Pierre Porretti "Morris at the Temple" 1988 Matted and Framed Original Hand-colored, Signed Photographic Print 16 x 12 Inches

In this large abstract oil painting, Bhatt explores notions of desire, life and death, good versus evil, and their roles in the cycle of creation and destruction through ancient E...

This work unites all people from various religions to come together for a better world. Artwork Details: Panya Vijinthanasarn 1998 Signed Lithograph on Handmade Paper Edition 1/19...

Artwork Details: Panya Vijinthanasarn "Economic Crisis in Dhaimha Land" 1999 Signed Lithograph on Handmade Paper Edition 1/300 17 x 28 Inches

Human desire for togetherness, acknowledged by Lord Buddha. Artwork Details: Paramat Lueng-On "Look On" 1999 Rich Gold and Acrylic on Canvas 43 x 43 Inches

Artist Details: Pierre Porretti "Golden Buddha 1" 1998 Matted and Framed Original Hand-colored, Signed Photographic Print 12 x 16 Inches

Artist Details: Pierre Porretti "Golden Buddha 2" 1998 Matted and Framed Original Hand-colored, Signed Photographic Print 12 x 16 Inches

Artist Details: Pierre Porretti "Dancers at Pavilion" 1995 Matted and Framed Original Hand-colored, Signed Photographic Print 12 x 16 Inches

Artist Details: Pierre Porretti "Aris and Cat" 1991 Matted and Framed Original Hand-colored, Signed Photographic Print 16 x 12 Inches

Elongated forms become seed-like, with glowing energy of life at the center. We are reminded of the interactions in nature, that all things are constantly changing, rising and fallin...

Artwork Details: Preecha Thaothong 1998 Signed Limited Edition Lithograph Edition 56/100 19 x 23 Inches

Artist Details: Pierre Porretti "Morris and Monster" 1985 Matted and Framed Original Hand-colored, Signed Photographic Print 12 x 16 Inches

Artist Details: Pierre Porretti "Fisherman" 1991 Matted and Framed Original Hand-colored, Signed Photographic Print 12 x 16 Inches

Artist Details: Pierre Porretti 2001 Matted and Framed Original Hand-colored, Signed Photographic Print 12 x 16 Inches