Galerie Pierre Arts & Design Asian Art and Furniture

A small elegant glazed ceramic tea bowl (chawan) by Japanese American artist Toshiko Takaezu (American, 1922 - 2011). The well-balanced form is hand b...

An impressively large ceramic vase with a bulbous body and a long coiled neck by potter Brother Thomas Bezanson (1929-2007). The minimalist modern form might be distilled from the classic Chinese garlic bottle. The high glossy surface displays a splendid shades of dark purple, copper red, auberge and blue, in a copper flambé pattern called "peacock" glaze that was clearly inspired by ancient Jun Kiln...

A small elegant glazed ceramic tea bowl (chawan) by Japanese American artist Toshiko Takaezu (American, 1922 - 2011). The well-balanced form is hand built and shows just a slight irr...

A ceramic bowl with celadon glaze by Japanese potter Ono Kotaro (Japanese, b. 1953). Named "Circular Reef", the fine porcelain bowl features an irregular ed...

A glazed ceramic tea bowl (chawan) by Japanese American artist Toshiko Takaezu (American, 1922 - 2011). The well-balanced form is hand built and shows...

A massive stoneware tsubo floor jar created by Japanese contemporary ceramic artist Kai Tsujimura (1976-). The heavy jar with its impressive volume was made in the tradition of Iga ware with local coarse sandy clay that turned reddish after the firing. It took its shape from heavy medieval storage jars with a wide-open mouth. For a nearly identical form, see an Echizen jar from Heian period (794–1185) in the collection of MET (Accession Number: 1977.261). The surface showcases scattered white crystalized feldspars and a green vitrified ash glaze cascade down the body (known as biidoro in Japanese - after the Portuguese word for glass vidoro). These is a globular shape impressed on the jar. It is a signature practice of the Tsujimura potter family by stacking bowls between the pieces in the kiln during the firing, resulting in an accidental but iconic aethetic (Kai and Yui Tsujimura...

Bear figure in ceramic, designed by Knud Kyhn Bear figure of stoneware from Royal Copenhagen. Additional information: Material: Ceramic Artist: Knud Kyhn Size: 13 W X 8 D X ...

A bespoken ceramic sculpture made by American Korean artist Steven Young Lee (1975-) circa 2010s. Inspired by the antique blue and white porcelain jar from Joseon Dynasty, the piece ...

A miniature Japanese ceramic vase from the end of Meiji period circa 1880s- 1910s by Kinkozan (1645-1927). One of the largest studio manufacturers of the export ceramics at the time ...

A glazed ceramic vessel by Japanese potter Ryoji Koie (1938-2020). Hand-built with intention to be seen as such, the tsubo has a primordial irregular form with a small opening and a swelled body resembling a beehive. The upper body was covered in a glassy green oribe glaze with fine crackles, highlighted with three incised geometrical symbols. The lower body is unglazed and exposed the white clay with marks of the hand-making pinches and kneading along the base. The base also shows highly irregular surface due to the seashell spur marks and clay pitting in the kiln during the firing process. All these occurrences honestly preserved and presented as part of the character of this wonderful modern piece. The jar comes with a plain wooden tomobako box. "One of Japan’s most versatile and forward-thinking contemporary artists, KOIE RYOJI...

Made by Japanese ceramic artist Makoto Yabe (1947-2005), this stoneware vase features a globular body supported by a round pedestal foot. A similarly shaped neck extends to a rimmed mouth opening. Robust in form with thick wall, the vase is noted for its irregular cloved form. The surface is covered in a beige-yellow glaze, on top of which, dark brown strokes and thick white feldspar slip were artistically applied in a splashed and washed pattern. Together with some random shallow incision lines, they form an abstract painting with textured surface where some slip forms small droplets at the end of the stroke. The work was created in traditional Japanese manner and reflects the beauty of Wabi Sabi, a Zen aesthetic for the imperfect perfection. The base was incised with the artist's cipher. "Makoto Yabe's work beautifully exemplifies the transmission of Japanese ceramics to the West. Born in Fukushima, Japan, Yabe began studying ceramics in Kyoto at the age of nine. He completed his training at the age of 24, with a four-year apprenticeship under Jinmatsu Uno and Sango Uno. Yabe then came to Boston, where he was an integral member of the local ceramic community, yet he maintained his Japanese roots. As an instructor of ceramics, Yabe worked in the Boston area at numerous schools and universities, touching the lives of all his students and expanding their knowledge and appreciation of studio ceramics." Biography sited from Pucker Gallery...

ABOUT A mid-century ceramic glazed jewelry or trinket box. Marked "Italy" underneath. CREATOR Attributed to Raymor, Italy. DATE OF MANUFACTURE 1960. MATERIALS AND TECHN...