Helga Horner Inc. Prints

Signed M. Ogier (Fecit:by), this set of four hand colored engravings is part of a larger edition of plates. These plates are numbered PL 16, 347, 365 and 386. The subject is probably...

Basilius Besler (1561–1629) was a Nuremberg apothecary, chemist, healer and botanist whose magnificent etchings transformed drab documentations of plants into works of exquisite beau...

A large 19th Century engraving by Giovanni Battista Piranesi depicting the decoration on the leg armor worn by a Roman gladiator. The illustration includes masks and emblems of Bacch...

Beautiful pencil and red chalk drawing representing a melancholic young man’s face Framed in a beautiful gilt frame. Giovanni Battista Cipriani RA (1727 – 14 December 1785) was an Italian painter and engraver, who lived in England from 1755. He first studied with Ignatius Hugford, a Florentine artist of English descent, and then under Anton Domenico Gabbiani...

Interesting trio of English Sir William Hamilton Greco-Roman neoclassical hand-colored engravings set of images made in the Grand Tour style. Hamilton was a British ambassador to the...

Antique print titled 'Jesuite'. Print of a Jesuit. This print originates from 'Histoire et Costumes des Ordres Religieux'. Artists and Engravers: Author: Abbé Tiron. Condi...

The dramatic large, almost 4 foot tall etching is framed with a green ground and gold double border with cream French matting. Copper-plate engraving by Italian artist Giovanni Piran...

Fantastic pair of rare framed etchings by Peter Max (American b. 1937) V3 X and XI. In the manner of Picasso each color pencil signed lower ce...

18th century German, a hand-colored engraving of a dressage horse and rider from Description du Manège Moderne by Friedrich Wilhelm, Baron Rais d' Eisenberg (German, ca. 1700-ca. 1770). Engraved by Bernard Picart (French, 1673-1733). Titled "Le Brillant", this dressage engraving is plate XXXIII. There is a gallery label verso. The print is matted and framed under UF-3 plexiglass, which offers the maximum amount of UV protection (approx. 97%). This print was originally part of an illustrated book Baron d'Eisenberg made describing the art of the cavaliers and depicting the different breeds of horses- The full title of the book is L'Art de Monter a Cheval: ou Description du Manége Moderne, Dans sa Perfection, published in Leipzig: Arkstée et Merkus, 1747). A set of 7 framed engravings from the same book sold at Sotheby's for $9,500 (plus tax and buyers premium). Reference: The author, a German horseman and artist, spent some of his youth at the manège of Saxe-Weimar before entering into the service of the Emperor. He then spent six years in Naples as the Master of Horse of the Viceroy before returning to Vienna where he studied under M. de Regenthal, the imperial Master of Horse. He participated in the coronation of the Emperor Charles V at Frankfurt in 1711, then spent some time in England, but was back in Germany before 1753. He probably died in Tuscany where he was Director and Master of the Horse at the Academy in Pisa. Brunet II, 957; Mennessier de la Lance I, p. 438. The Baron wrote several important and lavishly illustrated books on horses: his Description du manège moderne dans sa perfection, London 1727, and Dictionnaire des termes du manège moderne, 1747, being the best well-known. He dedicated Description du Manège Moderne to King George II and to his son, His Royal Highness the Prince of Wales. Subscribers to the book included royalty and nobility from all over Europe. The engraver was Bernard Picart, born in Paris in 1673. He gained honors at the Academy of Paris at the age of sixteen. He was a master designer and engraver and worked in Paris and Amsterdam until his death in 1733. Dimensions: 9"h x 12"w (sight), 16.5"h x 19.25"w (frame) Condition: Good, some rippling to sheet, not examined out of frame. Provenance: Lombard Antiquarian Maps & Prints, Cape Elizabeth...

French engraving in a 19th century entitled "Le Premier Pas A La Fortune" on hand-laid paper with a decorative giltwood frame. A charming double-entendre scene of seduction. Du Bois ...

Large framed etching of a massive urn by Francesco Piranesi in the style of his father, Giovanni Battista Piranesi, plate 549 #43, signed lower left on plate Cavalier Piranesi Delin,...

This is a Giovanni Battista piranesi copper etching. Giovanni did these copper plates in the 1770s and these prints are a restrike from Rome using those copper plates. This etching o...