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Creator: William Gropper
Creator: David Fredenthal
Family at the Beach WPA Modernism American Scene Social Realism Mid 20th Century
By William Gropper
Located in New York, NY
Family at the Beach WPA Modernism American Scene Social Realism Mid 20th Century
William Gropper (1898 - 1977)
"Family at the Beach"
27 1/2 x 19 1/2 inches
Mixed media on paper, c. 1940
Signed lower left
Provenance: Estate of the artist.
The drawing will ship from the home of Mr. Gropper's grandson.
Bio
Throughout his life, William Gropper used his artistic talents to protest social injustice. Born in New York City, he grew up there in poverty and left high school to work as a dishwasher and delivery boy. He eventually began a career in art and was able to study with Robert Henri and George Bellows from 1912 to 1915. He adopted their realistic painting style, and his own work expressed sympathy for common laborers and outrage at society's ills.
In 1919 Gropper established a reputation as a political cartoonist working for the New York Tribune. His blunt, forceful style attracted the attention of other publications, and he provided illustrations and cartoons for a variety of magazines, from the left-wing New Masses to mainstream Vanity Fair. Like many social realist artists of the 1930s, Gropper supported liberal political causes, depicting subjects such as the plight of migrant laborers and striking factory workers.
In his first gallery exhibition in 1936 at ACA Galleries, Gropper's work was so well received by critics, collectors, and artists that the following year he had two one-man exhibitions at ACA Galleries. In 1937, Gropper traveled west on a Guggenheim Fellowship and visited the Dust Bowl and the Hoover and Grand Coulee Dams, sketching studies for a series of paintings and a mural he painted for the Department of the Interior. That same year he had paintings purchased by both the Metropolitan Museum of Art and the Museum of Modern Art.
Gropper exhibited at the 1939 New York World's Fair, Whitney Museum of American Art (1924-55), Art Institute of Chicago (1935-49), Carnegie International (1937-50), Pennsylvania Academy of the Fine Arts (1939-48), and National Academy of Design (1945-48). He was a founder of the Artists Equity Association and member of the National Institute of Arts and Letters.
From 1940 to 1945 William Gropper was preoccupied with anti-Nazi cartoons...
Category
1940s American Modern Figurative Drawings and Watercolors
Materials
Paper, Ink, Watercolor, Gouache
"Unemployed" WPA American Scene Social Realism Mid 20th Century Modern
By William Gropper
Located in New York, NY
"Unemployed" WPA American Scene Social Realism Mid 20th Century Modern
William Gropper (1898 - 1977)
Unemployed
20 x 16 inches
Oil on canvas, 1937
Signed lower right
Provenance: Estate of the artist
Bio
Throughout his life, William Gropper used his artistic talents to protest social injustice. Born in New York City, he grew up there in poverty and left high school to work as a dishwasher and delivery boy. He eventually began a career in art and was able to study with Robert Henri and George Bellows from 1912 to 1915. He adopted their realistic painting style, and his own work expressed sympathy for common laborers and outrage at society's ills.
In 1919 Gropper established a reputation as a political cartoonist working for the New York Tribune. His blunt, forceful style attracted the attention of other publications, and he provided illustrations and cartoons for a variety of magazines, from the left-wing New Masses to mainstream Vanity Fair. Like many social realist artists of the 1930s, Gropper supported liberal political causes, depicting subjects such as the plight of migrant laborers and striking factory workers.
In his first gallery exhibition in 1936 at ACA Galleries, Gropper's work was so well received by critics, collectors, and artists that the following year he had two one-man exhibitions at ACA Galleries. In 1937, Gropper traveled west on a Guggenheim Fellowship and visited the Dust Bowl and the Hoover and Grand Coulee Dams, sketching studies for a series of paintings and a mural he painted for the Department of the Interior. That same year he had paintings purchased by both the Metropolitan Museum of Art and the Museum of Modern Art.
Gropper exhibited at the 1939 New York World's Fair, Whitney Museum of American Art (1924-55), Art Institute of Chicago (1935-49), Carnegie International (1937-50), Pennsylvania Academy of the Fine Arts (1939-48), and National Academy of Design (1945-48). He was a founder of the Artists Equity Association and member of the National Institute of Arts and Letters.
From 1940 to 1945 William Gropper was preoccupied with anti-Nazi cartoons...
Category
1930s American Realist Figurative Paintings
Materials
Canvas, Oil
TOBACCO ROAD Mid 20th Century Realism 1940 Drawing from the Novel WPA Literary 3
By David Fredenthal
Located in New York, NY
TOBACCO ROAD Mid 20th Century Realism 1940 Drawing from the Novel WPA Literary 3
10 1/2 x 6 (sight), Signed David Fredenthal lower right. Framed by Lowy.
Offered here is one of several original drawings by WPA artist David Fredenthal that were first published in the 1940 illustrated edition of the novel TOBACCO ROAD by Erskine Caldwell.
Background on the Drawing
Erskine Caldwell remarked, on seeing the work of David Fredenthal, 26-year-old painter: "That boy could draw my Tobacco Road people." A casual comment, it was enormously productive.
The young painter was just finishing a two-year Guggenhcim Fellowship, preceded by a year's study in Paris, two one-man shows at New York's Downtown Gallery, and a fellowship at the Cranbrook Academy near Detroit. He was out in Colorado Springs when he heard what Caldwell had said about him.
Fredenthal hadn't read Tobacco Road. He had not even seen the play - now breaking all records in its seventh year on Broadway. But he swapped a portrait for a second-hand Ford and headed East.
In New York he learned that Dnell, Sloan & Pearce were bringing out a deluxe edition of Tobacco Road. But he had no entrée to the publishers, and Caldwell, to his disappointment, was out of town. So he drove on to Georgia to have a look at the Tobacco Road people.
He found Dr. I. C. Caldwell, the author's father, in Wrens, Ga., going on his ministerial rounds among people like the Lesters. Fredenthal got a room from a couple who ran a 1-pump filling station...
Category
1930s American Realist Figurative Drawings and Watercolors
Materials
Paper, Ink, Watercolor
"Men in Barracks" WPA Mid 20th Century American Scene Realism Gay Modernism WWII
By David Fredenthal
Located in New York, NY
"Men in Barracks" WPA Mid 20th Century American Scene Realism Gay Modernism WWII. 18 x 24 inches Watercolor on paper. c. 1940s. Signed lower right.
BIO
...
Category
1940s American Realist Figurative Drawings and Watercolors
Materials
Paper, Watercolor
NYC Watercolor Drawing American Modern 20th Century Modernism Mid-Century WPA
By David Fredenthal
Located in New York, NY
NYC Watercolor Drawing American Modern 20th Century Modernism Mid-Century WPA.
David Fredenthal (1914-1958) "View of New York from New Jersey,"7 x 10 inches. Watercolor on Paper, c. 1948. Signed lower right.
David Fredenthal (1914 - 1958) was one ot America's most respected watercolor artists. He was famous for his bold, intensely vigorous and complex paintings and drawings that expressed his deep feeling for excitement with life and living. He was a draftsman with seemingly a special gift for catching anything, physically and emotionally on the spot, and he never went anywhere without three or four loaded pens and a sketchbook in his pocket.
As part of the WPA project he executed a number of murals including the Sports Pavilion on the Heinz Building of the New York World's Fair 1939. Some of his fresco and mural techniques were inspired by his friendship with Diego Rivera who had admired and encouraged him in the early 1930's.
After he won a traveling scholarship to Europe from The Museum of Modern Art at age 19, he was the recipient of two Guggenheim grants in Painting. He had his first solo exhibition at the Downtown Gallery in New York in 1937 at age 23, and many others after that including the Whitney Museum of American Art in 1947.
Because of Fredenthal's prodigious drawing gifts, he was chosen by Erskine Caldwell to illustrate his novel "Tobacco Road...
Category
1940s American Modern Landscape Drawings and Watercolors
Materials
Paper, Watercolor
"Tobacco Road" Mid 20th Century Realism 1940 Drawing from the Novel WPA Literary
By David Fredenthal
Located in New York, NY
"Tobacco Road" Mid 20th Century Realism 1940 Drawing from the Novel WPA Literary
19 1/4 x 11 1/2 (sight), Signed David Fredenthal lower right. Framed by ...
Category
1930s American Realist Figurative Drawings and Watercolors
Materials
Paper, Ink, Watercolor
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