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Native American on Horseback Edouard Drouot
By Edouard Drouot, Etling Paris
Located in Newark, England
“Indien à cheval” (“Indian on horseback)
From our Sculpture collection, we are thrilled to introduce this good sized Native American on Horseback by Edouard Drouot. The Bronze beautifully cast with a rectangular plinth base elevating the bronze from the surface with a Native American in full dress peering upon horseback bearing a weapon. The rider seated upon an animal skin saddle and the horse in naive reins as it walks across the rocky base up to a buffalo skull. The Bronze expertly sculpted by the renowned French Sculptor Edouard Drouot finished with hand chiselling and polychrome patination cast by the famous foundry Etling Paris. The Native American on Horseback by Edouard Drouot dates to the early 20th century and the start of the Art Deco period in Europe circa 1920.
Edouard Drouot (1859-1945) was a renowned French sculptor who trained under Mathurin Moreau at the École des Beaux-Arts in Paris. Drouot began exhibiting from 1889 at the Paris Salon and his work was part of the sculpture event in the art competition at the 1924 Summer Olympics.
Edmond Laurent Etling (1878-1940) was a French art dealer, gallery owner, and designer known for producing high-quality decorative items in the Art Deco style. He specialised in manufacturing exquisite pieces made from bronze, ceramics, and art glass.
Bronze is an alloy consisting primarily of copper with approximately 12–12.5% tin and often with the addition of other metals (including aluminium, manganese, nickel, or zinc) and sometimes non-metals, such as phosphorus, or metalloids such as arsenic or silicon depending on the age of the bronze and its origin. The additions of other metals produce a range of alloys that are usually harder than copper alone and carry useful properties such as strength. The earliest known use of bronze dates to the 5th millennium BCE from Iranian plateau, the bronze mix consists of arsenical copper and copper-arsenide. The earliest tin-copper-alloy recovered is dated to circa 4650 BCE and was found in Plocnik, Serbia. It is believed to have been smelted from a natural tin-copper ore.
Animalia sculptures...
Category
Early 20th Century French Art Deco Animal Sculptures
Materials
Bronze
Antique Sterling Silver and Enamel Cigarette Case by Robert Chandler
By Robert Chandler
Located in Newark, England
Sterling Silver Birmingham Hallmarks
From our Silver collection, we are delighted to introduce this Art Nouveau Silver and Enamel Cigarette Case by Robert Chandler. The Silver and ...
Category
Antique Early 1900s English Art Nouveau Cigar Boxes and Humidors
Materials
Silver, Sterling Silver, Enamel
French Roe Deer Bronze Sculpture by Pierre-Jules Mene
By Pierre Jules Mêne
Located in Newark, England
Free international shipping
Signed P. J. Mene
From our Sculpture collection, we are delighted to introduce this Bronze Animalia Sculpture of a R...
Category
Antique Late 19th Century French Belle Époque Animal Sculptures
Materials
Bronze
Japanese Meiji Period Cloisonne Enamel Vase by Ando Jubei
By Ando Jubei
Located in Newark, England
Free international shipping
Ando Cloisonne Company Mark
From our Japanese collection, we are delighted to introduce this Japanese Cloisonne Enamel Vase by Ando Jubei. The Cloisonn...
Category
Antique Early 1900s Japanese Meiji Metalwork
Materials
Enamel, Wire
Antique Japanese Meiji Period (1868-1912) Satsuma Vase by Kinkozan
By Kinkozan
Located in Newark, England
Signed Kinkozan 金光山
From our Japanese collection, we are delighted to offer this Japanese Satsuma Vase by Kinkozan. The vase is potted in globular form with a tightly pinched neck and rolled top rim beautifully decorated with four highly detailed individual panelled scenes. The first a Geisha baring a gilt basket with her child playing with a fan infant of a gilt fence encompassing blossoming foliage and bamboo plants. The second scene depicts two birds, a Red Headed Japanese Wood Pigeon and a white dove in the foreground with a similar gilt fence with blossoming kiku flowers (chrysanthemums). The third scene is painted as a bustling village community with multiple figures going about their daily jobs, a central Palanquins can be seen with two figures carrying a seating figure. To the background a mountainous river landscape can viewed bordering the top left corner. The final scene appears similar to the opposing one with birds swooping high above a polychrome Japanese...
Category
Antique Late 19th Century Japanese Meiji Vases
Materials
Ceramic, Earthenware, Pottery
Antique French Pair of Limoges Enamel Vases
By Limoges
Located in Newark, England
Belle Epoque Circa 1880
From our Decorative collection, we are pleased to offer this pair of Antique French Limoges Enamel Vases. The French Lim...
Category
Antique Late 19th Century French Belle Époque Vases
Materials
Metal, Enamel
Unusual Pair of Japanese Meiji Period (1868-1912) Satsuma Vases by Kinkozan
By Kinkozan
Located in Newark, England
Taizan Yohei IX Style
From our Japanese collection we are delighted to offer this pair of Japanese Satsuma Vases by Kinkozan. The Satsuma Vases of baluster shape made from earthenwa...
Category
Antique Early 1900s Japanese Meiji Ceramics
Materials
Ceramic, Earthenware, Pottery
China Man Bronze Tankard by Alfonso Canciani K. K. Kunst-Erzgiesserei
By K.K. Kunst-Erzgiesserei Wien, Alfonso Canciani
Located in Newark, England
Viennese Secession Orientalist Bronze
From our Sculpture collection, we are delighted to introduce this rare China Man Bronze Tankard by Alfonso Cancia...
Category
Antique Early 1900s Austrian Vienna Secession Figurative Sculptures
Materials
Bronze
Arts and Crafts Scottish Antique Bronze Plaque by James Pittendrigh MacGillivray
Located in Newark, England
Exhibited at Dundee Fine Art Exhibition
Plaque measures 17cm High x 10.5cm Wide (Domed) ( 12 x 6.5 x 2.36 Inches)
From our Sculpture collection, we are delighted to introduce this ...
Category
Antique Early 1900s Scottish Arts and Crafts Mounted Objects
Materials
Bronze
Antique Sterling Silver Mirror by William Comyns
By William Comyns
Located in Newark, England
Engraved with Roses
From our Decorative collection, we are delighted to offer this Sterling Silver Mirror by William Comyns. The Silver Mirror of shaped form fitted with the origin...
Category
Early 20th Century English Art Nouveau Table Mirrors
Materials
Silver, Cut Steel
Antique Italian Bronze Girl and her Puppy Sculpture by Antonio Lanzirotti
Located in Newark, England
Young Girl and Her Spaniel
From our sculpture collection, we are delighted to offer this Italians Bronze Group by Lanzirotti. The Italian Bronze stood on an octagonal bronze base w...
Category
Antique Late 19th Century Italian High Victorian Figurative Sculptures
Materials
Bronze
Sterling Silver and Oak Coopered Jug Frazer and Haws
By Frazer & Haws
Located in Newark, England
Rare Example Mounted in Sterling Silver
From our Decorative collection we are pleased to offer this Silver and Oak Coopered Jug by Frazer and Haws. The Silver and Oak Jug of good si...
Category
Antique 19th Century English High Victorian Barware
Materials
Silver, Sterling Silver
Vienna 19th Century Porcelain Cup and Saucer
By Royal Vienna Porcelain
Located in Newark, England
Decorated with a Female Portrait
From our Ceramics collection, we are pleased to offer this Vienna Cup and Saucer. The Vienna Cup and Saucer with a brown iridescent glaze decorated ...
Category
Antique Late 19th Century Austrian High Victorian Tea Sets
Materials
Ceramic, Porcelain
Antique French Bronze Pheasant and Weasel by Jules Moigniez
By Jules Moigniez
Located in Newark, England
Pheasant and Weasel
From our Sculpture collection, we are delighted to offer this French Bronze Pheasant by Jules Moigniez. The French Bronze of good scale cast with a large male Pheasant clambering upon a rocky outcrop startled by a Weasel hiding within the foliage. The Pheasant naturalistically cast with individual feathers visible, sharp claws and spurs above the foot. The Weasel sits hidden in the foliage visible from viewing the French Bronze from the side as it shocks the Pheasant. The French Bronze signed to the front left on a rock face J. Moigniez (Jules Moigniez). The bronze sculpture dates to the late 19th century belle époque period Circa 1870.
Jules Moigniez (1835-1894) was born at Senlis, Oise, just north of Paris, France on the 28 May 1835 the son of a metal gilder. Moigniez studied under Paul Comoléra (1813-1890) a specialist Animalia sculptor. It is clear that Moigniez’s career in Animalia was passed down from his tutors specialism in Animalia and in particular birds. Moigniez father bought a foundry specifically to cast his son’s sculptures. This gave Moigniez a huge advantage compared to other artist as it greatly reduced his costs during manufacturing and increased productivity keeping the process in-house. Moigniez throughout his career became known for this Animalia sculptures...
Category
Antique Late 19th Century French Belle Époque Animal Sculptures
Materials
Bronze
Pair of KPM Porcelain Plaques Franz Wagner Signed Sceptre Mark 19th Century
By Königliche Porzellan-Manufaktur (KPM), KPM Porcelain, Wagner Kpm, Franz Wagner
Located in Newark, England
Featuring Two Females In Period Dress
From our Ceramics collection, we are delighted to offer two KPM Porcelain Plaques by Franz Wagner sold as a pair. The KPM Porcelain Plaques fitted within their original gilt wood frames with scrolling borders both signed to the base of the frame F. Wagner each featuring a portrait of a female, the first plaque is a portrait of Charlotte, Lady Milnes after the British 18th century painter George Romney currently held in the Frick Collection, Manhattan, New York. The second plaque features the lute player after German 19th century historical portrait painter Friedrich August von Kaulbach. The Lady Milnes plaque is visibly signed to the lower right corner “Wagner” which is partially hidden by the frame, the second frame does not have a visible signature and is possibly hidden within the frame or very faint. Each of the plaques bear original provenance to the rear and are held within their original frames stating they were purchased in 1959 at £75 for the pair and were owned in a collection in Jersey along with collection numbers. Both plaques are firmly attributed to KPM and are well known plaques by the company under Wagners hand, we have not removed the original framing to confirm the mark and therefore are attributing them only. The KPM Porcelain Plaques date to the second half of the 19th century Circa 1890.
KPM (Königliche Porzellan-Manufaktur – The Royal Porcelain Factory) in Berlin was founded in 1763 Frederick the Great (King Frederick II). Its actual origins, however, lie in three private enterprises which, under crown patronage, were trying to establish the production of “white gold” (porcelain) in Berlin from the mid-18th century onwards.The company logo is a sceptre, which is stamped (painted prior to 1837) or incised on every piece. All painted pieces produced by KPM are also signed by the painter. KPM is still producing porcelain today.
Franz Wagner was from a famous family of painters working from Starhemberggasse in Vienna, Austria in the late nineteenth century. F. Wagner became known for his exceptional quality reproductions of historic old masters on porcelain for Vienna and KPM (Königliche Porzellan-Manufaktur). There is little information regarding his career but he was a known painter for Vienna and KPM active in the late 19th century to the early 20th century.
George Romney (1734-1802) was born in Beckside, Dalton-in-Furness, Lancashire (now part of Cumbria), to John Romney a cabinet maker and Anne Simpson. Raised in a cottage named High Cocken in modern-day Barrow-in-Furness, he was sent to school at nearby Dendron until he was withdrawn at the age of 11 to apprentice under his father’s business. He proved to have a natural ability for drawing and making things from wood including violins (which he played throughout his life). From the age of 15 Romney was informally taught art by a local watchmaker called John Williamson. His official studies began in earnest in 1755, when he went to Kendal, at the age of 21, for a 4-year apprenticeship with local artist Christopher Steele, who had himself studied with distinguished French artist Carlo Vanloo. In October 1756, Romney married Mary Abbot...
Category
Antique Late 19th Century German Art Nouveau Ceramics
Materials
Porcelain, Gesso
Japanese Meiji Period Bronze Monkey Group Sculpture Okimono Shosai
Located in Newark, England
Featuring Seven Japanese Macaques
Form our Japanese collection, we are delighted to offer this Japanese Bronze Monkey Group by Shosai. The Japanese Bronze Group displaying a male father monkey and his infants playing around and being mischievous with Persimmon fruit. The monkeys modelled as Japanese macaque monkeys (snow monkey). The bronze okimono is beautifully patinated with a highly lifelike and naturalistic casting signed to the underside Shosai 正齊鋳. The Bronze group dates to the Meiji Period (1868-1912) circa 1885.
Japanese macaque (snow monkey) is a terrestrial Old World monkey species that is native to Japan. They are known as snow monkeys because some live in areas where snow covers the ground for long periods each year hence their nickname. No other non-human primate lives further north or in a colder climate than the snow monkey. Individuals have brownish grey fur, pinkish-red faces, and short tails. Two subspecies are known and their conservation Status is of least concern. In Japan, the species is known as Nihonzaru ニホンザル, 日本 (Japan/Nihon) and saru 猿 (monkey) to distinguish it from other primates, but the Japanese macaque is the only species of monkey in Japan.
The Japanese macaque features heavily in the religion, folklore, and art of Japan, as well as in proverbs and idiomatic expressions in the Japanese language. They are often seen in paintings, block prints and represented in all manner of carvings from Okimono to netsuke. Many of these art forms reside in the world’s most famous museums and collections, some of the most prominent pieces by artists such as Mori Sosen and Kawanabe Kyosai. In Shinto belief (Japan’s indigenous religion/nature religion) legendary mythical beasts known as raiju sometimes appeared as monkeys and kept Raijin (the god of lightning/storms) company. In another well known tale the three wise monkeys who warn people to “see no evil, hear no evil and speak no evil” can be seen depicted in relief over the door of the famous Tosho-gu shrine in Nikko.
Meiji Period was an era of Japanese history that spanned from 1868 to 1912. It was the first half of the Empire of Japan, when the Japanese people began to build a paradigm of a modern, industrialised nation state and emergent great power, influenced by Western countries and aesthetics. As a result of radically different ideas, the changes to Japan were profound and it affected the social structure, politics, economy, military, and foreign relations across the board. The period corresponded to the reign of Emperor Meiji and was preceded by the Keio era and was succeeded by the Taisho era.
Cultural Art during the Meiji Period was of particular interest to the government and they overhauled the art export market which in turn promoted Japanese arts via various world’s fairs, beginning in Vienna at the world fair in 1873. The government heavily funded the fairs and took an active role organising how Japan’s culture was presented to the world including creating a semi-public company named Kiritsu Kosho Kaisha (First Industrial Manufacturing Company). The Kiritsu Kosho Kaisha was used to promote and commercialise exports of Japanese art and established the Hakurankai Jimukyoku (Exhibition Bureau) to maintain quality standards. For the 1876 Centennial International Exhibition in Philadelphia, the Japanese government created a Centennial Office and sent a special envoy to secure space for the 30,000 items that would be displayed. The Imperial Household also took an active interest in arts and crafts, commissioning works by select artists to be given as gifts for foreign dignitaries further emphasising the high quality and importance of Japanese art. Just before the end of the 19th century in 1890, the Teishitsu Gigeiin (Artist to the Imperial Household) system was created to recognise distinguished artists. These artists were selected for their exceptionally high quality wares and talent in their own industry. Over a period of 54 years Seventy artists were appointed, amongst these were ceramicist Makuzu Kozan and cloisonné enamel artist...
Category
Antique Late 19th Century Japanese Meiji Sculptures and Carvings
Materials
Bronze
Japanese Meiji Period (1868-1912) Satsuma Earthenware Vase Taizan for Hattori
Located in Newark, England
Meiji Period (1868-1912)
From our Japanese collection, we are delighted to offer Japanese Meiji Period Satsuma Vases. The Satsuma Vase of hexagonal form with a slight waisted neck and tight rounded rim is extensively decorated with multiple figures to two large scenes. The first scene features a beach with waves to the background and a plethora of figures including multiple geisha holding traditional Japanese wagasa’s. The second scene follows on from the first with a large building in the foreground holding figures on a large platform under a pagoda roof with a pagoda building in the background and further figures in the foreground. The scenes are framed by a full detailed border with gilt shapes, flowers amongst pink shaded backgrounds and butterflies around the neck. The Satsuma Vase is unusually signed Fine Art, Satsuma Ware, Dai Nippon (Great Japan), Hattori Made, Gosuido Works, Taizan Painted. 美術, サツマヤキ(薩摩焼), 大日本, 服部造, 五スイ堂工, 對山画 and dates to the Meiji Period (1868-1912) and the turn of the 20th century circa 1905.
Satsuma ware is a type of earthenware pottery originating from the Satsuma province in Southern Kyushu, Japan’s third largest island.
Wagasa are traditional Japanese umbrellas made of washi paper attached to a bamboo frame and treated to ensure it is waterproof.
Meiji Period was an era of Japanese history that spanned from 1868 to 1912. It was the first half of the Empire of Japan, when the Japanese people began to build a paradigm of a modern, industrialised nation state and emergent great power, influenced by Western countries and aesthetics. As a result of radically different ideas, the changes to Japan were profound and it affected the social structure, politics, economy, military, and foreign relations across the board. The period corresponded to the reign of Emperor Meiji and was preceded by the Keio era and was succeeded by the Taisho era.
Cultural Art during the Meiji Period was of particular interest to the government and they overhauled the art export market which in turn promoted Japanese arts via various world’s fairs, beginning in Vienna at the world fair in 1873. The government heavily funded the fairs and took an active role organising how Japan’s culture was presented to the world including creating a semi-public company named Kiritsu Kosho Kaisha (First Industrial Manufacturing Company). The Kiritsu Kosho Kaisha was used to promote and commercialise exports of Japanese art and established the Hakurankai Jimukyoku (Exhibition Bureau) to maintain quality standards. For the 1876 Centennial International Exhibition in Philadelphia, the Japanese government created a Centennial Office and sent a special envoy to secure space for the 30,000 items that would be displayed. The Imperial Household also took an active interest in arts and crafts, commissioning works by select artists to be given as gifts for foreign dignitaries further emphasising the high quality and importance of Japanese art. Just before the end of the 19th century in 1890, the Teishitsu Gigeiin (Artist to the Imperial Household) system was created to recognise distinguished artists. These artists were selected for their exceptionally high quality wares and talent in their own industry. Over a period of 54 years Seventy artists were appointed, amongst these were ceramicist Makuzu Kozan and cloisonné enamel artist...
Category
Antique Early 1900s Japanese Meiji Ceramics
Materials
Earthenware, Pottery
French 18k Gold and Enamel Perfume Bottle
Located in Newark, England
Featuring Renascence Inspired Scenes
From our collectables category, we are thrilled to introduce this outstanding French Gold and Enamel Perfume Bottle...
Category
Antique Late 19th Century French Belle Époque Bottles
Materials
Gold, Enamel
French Aesthetic Movement Bronze Vases
By Ferdinand Barbedienne
Located in Newark, England
Decorated with Insects
From our Decorative collection, we are delighted to offer a pair of French Aesthetic Movement Bronze Vases. The Frenc...
Category
Antique Late 19th Century French Aesthetic Movement Vases
Materials
Slate, Bronze, Ormolu
Rare Model Swiss Black Forest Bear Tobacco Jar
By Black Forest
Located in Newark, England
Rare and Unique Model
From our Black Forest collection, we are delighted to introduce this rare example Swiss Black Forest Bear Tobacco Jar. The Bear Tobacco Jar carved from Linden ...
Category
Antique Late 19th Century Swiss Black Forest Animal Sculptures
Materials
Wood
Japanese Meiji Period Komai Style Box and Dish Fujii Yoshitoyo
Located in Newark, England
Original Box and Dish Pair
From our Japanese collection, we are pleased to offer this Japanese Komai Style Box and Dish Fujii Yoshitoyo. The Box of sl...
Category
Antique Late 19th Century Japanese Meiji Metalwork
Materials
Metal
Japanese Earthenware Meiji Period Satsuma Iris Vase by Ryuzan
Located in Newark, England
Meiji Period (1868-1912)
From our Japanese collection, we are delighted to offer this Japanese Satsuma Iris Vase Painted by Ryuzan. The Japanese Satsuma vase of tall tapered form features a circular rolled foot rim, slightly pinched base with a tapered body and slightly bulbous opening. The vase is decorated with a central continuous band of bright iris flowers with various shades of green to the stems and beautiful violet petals. The central band is framed by greek key borders and honeycomb geometric patterns to the top and bottom. The vase is signed to the base Ryuzan 龍山 and dates to the Meiji Period (1868-1912) and the late 19th century circa 1895.
Satsuma ware is a type of earthenware pottery originating from the Satsuma province in Southern Kyushu, Japan’s third largest island.
Meiji Period was an era of Japanese history that spanned from 1868 to 1912. It was the first half of the Empire of Japan, when the Japanese people began to build a paradigm of a modern, industrialised nation state and emergent great power, influenced by Western countries and aesthetics. As a result of radically different ideas, the changes to Japan were profound and it affected the social structure, politics, economy, military, and foreign relations across the board. The period corresponded to the reign of Emperor Meiji and was preceded by the Keio era and was succeeded by the Taisho era.
Cultural Art during the Meiji Period was of particular interest to the government and they overhauled the art export market which in turn promoted Japanese arts via various world’s fairs, beginning in Vienna at the world fair in 1873. The government heavily funded the fairs and took an active role organising how Japan’s culture was presented to the world including creating a semi-public company named Kiritsu Kosho Kaisha (First Industrial Manufacturing Company). The Kiritsu Kosho Kaisha was used to promote and commercialise exports of Japanese art and established the Hakurankai Jimukyoku (Exhibition Bureau) to maintain quality standards. For the 1876 Centennial International Exhibition in Philadelphia, the Japanese government created a Centennial Office and sent a special envoy to secure space for the 30,000 items that would be displayed. The Imperial Household also took an active interest in arts and crafts, commissioning works by select artists to be given as gifts for foreign dignitaries further emphasising the high quality and importance of Japanese art. Just before the end of the 19th century in 1890, the Teishitsu Gigeiin (Artist to the Imperial Household) system was created to recognise distinguished artists. These artists were selected for their exceptionally high quality wares and talent in their own industry. Over a period of 54 years Seventy artists were appointed, amongst these were ceramicist Makuzu Kozan and cloisonné enamel artist...
Category
Antique Late 19th Century Japanese Meiji Ceramics
Materials
Earthenware
Antique Dog Kennel Silver and Enamel Vesta Case
By George Heath
Located in Newark, England
Enamelled Jack Russel
From our Silver collection, we are delighted to offer this Dog Kennel Silver and Enamel Vesta Case. The Silver and Enamel Ves...
Category
Antique Late 19th Century English Art Nouveau Sterling Silver
Materials
Silver, Sterling Silver, Enamel
Meissen Mandarin Duck Max Esser Art Deco
By Max Esser, Meissen Porcelain
Located in Newark, England
Chinese Mandarin Duck
From our Ceramics collection, we are delighted to offer this Meissen Mandarin Duck Modelled by Max Esser. The Meissen Mandarin Duck beautifully sculpted in nat...
Category
Early 20th Century German Art Deco Porcelain
Materials
Porcelain
Georgian Treen Dog Snuff Box
Located in Newark, England
George III (1760-1820)
From our collectables, we are delighted to offer this Georgian Treen Dog Snuff Box. The Treen Snuff Box beautifully formed in ...
Category
Antique Late 18th Century European George III Snuff Boxes and Tobacco Boxes
Materials
Wood
Georgian Yew Wood Parrot Snuff Box
Located in Newark, England
18th Century George III Period
From our collectables, we are delighted to offer this Georgian Yew Wood Parrot Snuff Box. The snuff box made from Yew wood is beautifully formed in the shape of a parrot with big round beak, simulated feathers and feet tucked under the base of the snuff box. The box with visible patination and wear from years of handling leaving it in a beautiful golden brown colour. The sniff box...
Category
Antique Late 18th Century European George III Snuff Boxes and Tobacco Boxes
Materials
Wood, Yew
French Champleve and Onyx Urns Barbedienne
By Ferdinand Barbedienne
Located in Newark, England
Onyx & Champleve Enamel
From our Decorative collection, we are delighted to offer this pair of French Champleve and Onyx Urns attributed to Barbedienne. The Urns of typical form wi...
Category
Antique Late 19th Century French Belle Époque Urns
Materials
Onyx, Bronze, Enamel, Ormolu
Contemporary Japanese Cloisonne Enamel Vase Tamura
By Tamura
Located in Newark, England
Showa Period Circa 1940
From our Japanese collection, we are pleased to offer this Antique Japanese Cloisonne Enamel Vase by Tamura. The vase of tapered cylindrical form with a tigh...
Category
Mid-20th Century Japanese Showa Vases
Materials
Enamel, Metallic Thread
Antique Japanese Cloisonne Enamel Vase Pair Hayashi School
Located in Newark, England
Meiji Period (1868-1912)
From our Japanese collection, we are delighted to offer this pair of Antique Japanese Cloisonne Enamel Vases by the Hayashi School in their Original Tomoba...
Category
Antique Early 1900s Japanese Meiji Metalwork
Materials
Metal, Enamel, Metallic Thread
Art Nouveau Silver Plate Swan Decanter WMF
By WMF Württembergische Metallwarenfabrik
Located in Newark, England
Glass Body with Silver Plated Mounts
From our Glassware collection, we are pleased to offer this Art Nouveau Silver Plate Swan Decanter by WMF. The Deca...
Category
Antique 1890s German Art Nouveau Barware
Materials
Metal, Silver Plate
French Pair of Louis XIV Style Ormolu Candelabra Henry Dasson
By Henry Dasson
Located in Newark, England
French Late Bronze Dore
From our Decorative collection, we are delighted to introduce this French Pair of Louis XIV Style Ormolu Candelabra by Henry Dasson. The pair of candelabra b...
Category
Antique Late 19th Century French Louis XIV Candelabras
Materials
Metal, Bronze, Ormolu
Italian Grand Tour Micro Mosaic Spaniel After the Hunt
Located in Newark, England
Mounted in an Oval Ebonised Frame
From our collectables we are delighted to offer this Italian Grand Tour Micro Mosaic Spaniel ‘After the Hunt’ after Antonio Aguatti and Gioacchino ...
Category
Antique Early 19th Century Italian Grand Tour Ceramics
Materials
Wood
Chinese 18th Century Qianlong Ormolu Mounted Lamps
Located in Newark, England
Lampshades can be provided at an additional charge.
Famille Rose Decoration with a Jade Finial
From our Decorative collection, we are delighted to offer this pair of Chinese 18th...
Category
Antique Late 18th Century Chinese Qing Table Lamps
Materials
Jade, Brass, Bronze, Ormolu
French Bronze Ariadne After Clodion
By Claude Michel Clodion
Located in Newark, England
Signed Clodion
From our Sculpture collection, we are pleased to offer this French Belle Epoque Bronze of Ariadne cast after Clodion (Claude Michel). The sculpture of fine casting and beautiful patination is sculpted as a bust of a Ariadne in nature with her hair tied up and leaves intwined in her hair. The Bronze sits upon a circular socle with a square base signed to the right hand face Clodion. The Bronze cast after the original during the neoclassical era dating to the second half of the 19th century during the Belle Epoque era (c.1970-1914) circa 1875.
Clodion was the alias of Claude Michel (1738-1814) a French born sculptor working in the Rococo style, especially noted for his works in marble, bronze, & terracotta. Many of Clodion’s works feature in museum collections around the world with some of his most pivotal works including The Intoxication of Wine and The Dance of Time.
Ariadne In Greek mythology was a Cretan princess and the daughter of King Minos of Crete. Ariadne was known for aiding Theseus escape the Minotaur and then being abandoned by him on the island of Naxos. There, Dionysus saw Ariadne sleeping, fell in love with her, and later married her. Many versions of the myth recount Dionysus throwing Ariadne’s jewelled crown into the sky to create a constellation, the Corona Borealis...
Category
Antique Late 19th Century French Belle Époque Busts
Materials
Bronze
Art Deco Lion Cold Painted Bronze Table Lamp Sculpture Louis-Albert Carvin
By Louis-Albert Carvin
Located in Newark, England
Free Shipping
Wired & PAT Tested
From our Decorative collection we are delighted to offer this French Lion Table Lamp by Louis-Albert Carvin. The table lamp cast in Bronze and cold...
Category
Early 20th Century French Art Deco Animal Sculptures
Materials
Bronze
Japanese Meiji Period Cloisonne Enamel Koro signed Tsukamoto Hikokichi
Located in Newark, England
The Koro of exceptional quality shaped in bulbous squat form with three looped handles and removable lid raised on three tapered feet. The Koro with a sky blue ground decorated exten...
Category
Early 20th Century Japanese Meiji Metalwork
Materials
Metal, Enamel, Metallic Thread
Italian Carrara Marble Bust Augustus Caesar
Located in Newark, England
The bust intricately carved from Italian Carrara marble with lifelike features including textured hair and shaped chest. The bust carved as Gaius Julius Caesar Augustus Octavius (lat...
Category
Antique Early 18th Century Italian Renaissance Busts
Materials
Carrara Marble
Japanese Meiji Period (1868-1912) Three Wise Monkeys Box Komyo 光明
Located in Newark, England
The Silver box of rectangular form with rounded corners features the Three Wise Monkeys to the front, see no evil, hear no evil and speak no evil. The monkeys cast beautifully with n...
Category
Early 20th Century Japanese Meiji Metalwork
Materials
Silver, Enamel
Japanese Tashio Period (1912-1926) Cloisonne Enamel Vase Ando Company
By Ando Jubei
Located in Newark, England
The vase of large globular form decorated with a fine pastel blue ground enamel base and striking blue tulips in bloom across the centre. The base signed to the centre with the Ando ...
Category
20th Century Japanese Meiji Vases
Materials
Metal, Silver, Enamel, Metallic Thread
French Strawberry Girl Bronze Figure Emile Pinedo
By Émile Pinedo
Located in Newark, England
The unusual model bronze dating to the late 19th century cast as a patinated bronze cherub holding two large strawberries with the vine looping over the back of the cherubs neck as i...
Category
Antique Late 19th Century French Belle Époque Figurative Sculptures
Materials
Marble, Bronze, Ormolu
Japanese Meiji Period Cloisonne Enamel Tea Set
Located in Newark, England
Extensively Decorated with Traditional Japanese Images
The Tea Set comprises of fifteen pieces including six cup and saucers, a lidded teapot, a lidded sugar pot and a milk jug. The...
Category
Early 20th Century Japanese Meiji Tea Sets
Materials
Metal, Enamel, Metallic Thread
Japanese Meiji Period (1868-1912) Silver Dragon Box
Located in Newark, England
Hammered Silver Decoration Stamped Jungin Pure Silver 純銀
From our Japanese collection, we are pleased to offer a Japanese Meiji Period Silver Dragon Box...
Category
Antique Late 19th Century Japanese Meiji Metalwork
Materials
Silver
German Romantic KPM La Gondole D’amour Porcelain Plaque
By Königliche Porzellan-Manufaktur (KPM)
Located in Newark, England
La Gondole D’amour (The Gondola of Love)
From our Cermics collection, we are delighted to offer this KPM La Gondole D’amour Porcelain Plaque. The plaque of rectangular form with a g...
Category
Antique Late 19th Century German Baroque Revival Decorative Art
Materials
Ceramic, Porcelain
Japanese Meiji Period Satsuma Vase Pair Gyokuzan
Located in Newark, England
Painted with Continuous Scenes
From our Japanese collection, we are delighted to offer this Japanese Satsuma Vase Pair by Gyokuzan. The vases of squat bulbous form with pinched neck...
Category
Antique Late 19th Century Japanese Meiji Vases
Materials
Ceramic, Earthenware, Pottery
Swiss Black Forest Novelty Anvil Tobacco Jar Smokers Compendium
By Black Forest
Located in Newark, England
With Secret Compartments & Locks Cigar Cutter & Vesta Case
From our Black Forest collection, we are delighted to offer this very rare and unusual Swiss Black Forest carving of a tob...
Category
Antique Early 1900s Swiss Jugendstil Snuff Boxes and Tobacco Boxes
Materials
Metal
White Onyx Polar Bear by Alfred Lyndhurst Pocock (Faberge Sculptor 1905-1915)
By Alfred Lyndhurst Pocock
Located in Newark, England
Onyx Polar Bear on a Rock Crystal Iceberg
From our Sculpture collection, we are thrilled to offer this White Onyx Polar Bear by Alfred Lyndhurst Pocock. The Polar bear beautifully carved with a naturalistic look finished with cabochon ruby eyes stood upon a natural rock crystal base simulating an iceberg. The Polar Bear was carved by the Faberge sculptor Alfred Lyndhurst Pocock (1882-1962) during the first half of the 20th century circa 1920.
Provenance this sculpture was owned by the family of Percy and Winifred Bottley. The Bottleys ran the gem dealership Gregory & Bottley from the 1930s (later Gregory, Bottley & Lloyd), and worked with Pocock supplying him with gemstones for his carvings. When Pocock died...
Category
Early 20th Century English Animal Sculptures
Materials
Multi-gemstone, Onyx, Rock Crystal
French Sevres Château de Fontainebleau Porcelain Serving Dishes
By Manufacture Nationale de Sèvres
Located in Newark, England
Ormolu Mounted
From our Ceramics collection, we are delighted to offer a pair of French Sevres boat-shaped porcelain dishes with original ormolu mounts. The serving dishes beautifully decorated with a frieze of vibrant green undulating foliate garlands interspersed with mosaic style classical romanesque cartouches and birds. The inside decorated with gilt scrollwork embellishments with a six point start to the centre. The porcelain raised on four scrolling legs draped with garlands of fruiting vine. The porcelain bearing the Louis Philippe interlaced L's Sevres mark, the Chateau de Fontainebleau mark, incised marks for the original serves blank manufacturing along with initials and finally the painted initials WB. The dishes dated to the first half of the 19th century 1839/1840 respectively. The ormolu mounts stamped to the base CHER.
Château de Fontainebleau (also known as the Palace of Fontainebleau) is located southeast of Paris and is one of the largest French royal châteaux. The medieval castle served as a residence for the French monarchs from Louis VII...
Category
Antique Mid-19th Century French Louis Philippe Ceramics
Materials
Ormolu
Japanese Bronze Pheasant Okimono Genryusai Seiya
Located in Newark, England
Unusual Casting of a Pheasant in Flight
From our Japanese collection, we are delighted to offer this Japanese bronze okimono of a Pheasant upon a naturalistic root wood base. The Ph...
Category
Antique Late 19th Century Japanese Meiji Sculptures and Carvings
Materials
Bronze
Novelty Art Deco Tea Server
Located in Newark, England
From our Silver collection, we are pleased to offer this Novelty Art Deco Tea Server. The tea server cast in silver plate and shaped as a squat form jug with a viewing window to the front below the word Tea in capital letters. The jug opens from the top by sliding the lid across the handle allowing the user to fill the jug full of loose leaf tea. The tea then fills through to the bottom of the jug where another viewing window can be seen. The user then tips the jug and a single serving will be administered from a small spout at the bottom of the front. The server is truly a novelty way to both store and serve loose leaf tea! The base is hallmarked EPNS A1...
Category
Early 20th Century English Art Deco Sheffield and Silverplate
Materials
Metal, Silver Plate
Japanese Meiji Period Bronze Group Bear & Alligator by Yoshimitsu
Located in Newark, England
The Japanese group comprises of a Bear being attacked by a large alligator. The alligator jumping on the back of the Bear with mouth wide opening showing its razor sharp teeth. The b...
Category
Antique Late 19th Century Japanese Meiji Animal Sculptures
Materials
Bronze
English Silver Engraved Decanter Widdowson & Veale
By Alexander MacRae
Located in Newark, England
The Decanter of slim tapered form with bulbous body, splayed circular foot with pinched stem and shaped opening. The Decanter extensively decorated throughout the body with two large fern leaves stemming from a central tied ribbon in the form of a bow. The decanter features a rounded handle fitted to the upper half of the decanter with a hinged shaped lid opening with gravity. To the base of the decanter an engraving reading “Jesse Collings. from I. Chamberlain.” Hallmarked to the neck AM (Alexander Macrae), Lion passant (sterling silver), Leopard Head town mark for London, Date letter R (1872) and the sovereign head duty mark. The Decanter is complete with its original latched fitted box lined in purple velvet with gold stringing to the exterior and the retailers mark to the inside doors “Widdowson & Veale, Goldsmith & Jewellery, to the Court of Spain, 73 Strand London.”
Widdowson & Veale George Widdowson (b. 1804 Lincoln – Died 1872 Dulwich Village) was a celebrated silversmith and goldsmith although he took the route of retailer rather than a craftsman and by the age of 28 he had taken over his uncle’s London shop on the Strand, London. His uncle John Salter had been a close friend of Lord Nelson’s daughter, Horatia, and was godfather to one of her children. The shop was very successful and John Salter had supplied Nelson with many pieces of jewellery, including mourning rings.
Widdowson developed the shop into Widdowson & Veale located at No. 73 Strand on the corner of Adam Street and opposite the Adelphi. Widdowson had a real eye for marketing. He once had a detailed newspaper article dedicated to his proposal to make a copy of Aeneas’ shield, as described in Virgil’s Aeneid. There is no evidence the shield was ever made though it did get good publicity.
The company made swords and other weapons for the British army and navy, orders and decorations for the British court and were goldsmiths and jewellers to the court of Spain. In 1842 on the christening of Queen Victoria’s eldest son (later King Edward VII), Widdowson’s eye for publicity meant that the firm gave a christening gift of ‘an immense silver coronet supporting the Prince of Wales feathers.’ Widdowson & Veale were also makers to HRH the Duke of Sussex and the Court of Spain.
In 1844, George was 40 and his business was doing well, as was the economy as a whole. The firm were able to advertise for apprentices, asking for a premium of £100. On 11 February 1847 George married Eliza Duffield (nee Boville), the daughter of a Putney wine merchant who had been living in Gibraltar but returned when her first husband, John Duffield, died. George and Eliza were middle-aged when they married and did not have children.
Alexander Macrae founder of the firm that went on to be C J Vander Ltd. Macrae was recorded at 32 Bow Street, Covent Garden, London September 1856. He was joined in partnership by Martin Goldstein c. 1870, whereupon the style of the firm was changed to Macrae & Goldstein – first listed in 1871 as a silversmith. Alexander Macrae supplied many of the great firms at that time such as Elkington, Harry Emanuel...
Category
Antique Late 19th Century British Late Victorian Pitchers
Materials
Silver, Sterling Silver
Art Nouveau Gradient Perfume Bottle
Located in Newark, England
Fitted with the original Glass Stopper
The bottle of large sized with tapered base and top with a gradient Green hand cut glass body, silver hinged lid and original glass stopper. T...
Category
Early 20th Century Central American Art Nouveau Glass
Materials
Silver, Sterling Silver
French Siena Marble Tazza Urns Charles X
Located in Newark, England
Applied Lyre Decoration
The pair stood upon four cast Bronze feet with a pedestal Siena Marble foot with an applied bronze scrollwork border. The central square column with a bronze Swan neck lyre harp bordered by floral swags to the front of the vase. The base of each Tazza Urn cast in Bronze with Ram’s head twin loop handles and a floral band surmounted by a tapered Siena Marble Core finished with a Bronze liner. The Tazza Urns dating to the first half of the 19th century during the latter reign of Charles X circa 1830.
Bronze an alloy consisting primarily of copper with approximately 12–12.5% tin and often with the addition of other metals (including aluminium, manganese, nickel, or zinc) and sometimes non-metals, such as phosphorus, or metalloids such as arsenic or silicon depending on the age of the bronze and its origin. The additions of other metals produce a range of alloys that are usually harder than copper alone and carry useful properties such as strength. The earliest known use of bronze dates to the 5th millennium BCE from Iranian plateau, the bronze mix consists of arsenical copper and copper-arsenide. The earliest tin-copper-alloy recovered is dated to circa 4650 BCE and was found in Plocnik, Serbia. It is believed to have been smelted from a natural tin-copper ore.
Sienna Marble consists of various dark yellow and gold colours, it is extremely heterogeneous due to the presence of grains with shades ranging from ivory white to light yellow to a reddish yellow ocher and is usually an intense marble.
Lyre a stringed musical instrument part of the lute-family and consists of two arms and a crossbar with strings. The Lyre has featured on classical objects like the pair of vases above for thousands of years. They were commonly used in several ancient cultures surrounding the Mediterranean Sea. The earliest known examples of the lyre have been recovered at archaeological sites that date to c. 2700 BCE in Mesopotamia.
Charles X (Charles Philippe 1757-1836) was the King of France during a short reign between 1824 to 1830. He was the uncle of the uncrowned Louis XVII and younger brother to reigning kings Louis XVI and Louis XVIII, he supported the latter in exile. After the Bourbon Restoration in 1814, Charles (as heir-presumptive) became the leader of the ultra-royalists which was a radical monarchist faction within the French court. The ultra-royalists declared absolute monarchy by divine right and opposed the constitutional monarchy concessions towards liberals and the guarantees of civil liberties granted by the Charter of 1814. Charles gained...
Category
Antique Early 19th Century French Charles X Urns
Materials
Marble, Siena Marble, Metal, Bronze
WMF Roller Skating Cigarette Case
By WMF Württembergische Metallwarenfabrik
Located in Newark, England
Rare Roller Skating Cigarette Case
The Cigarette Case of slim rectangular form plated in Silver features a central front scene with three male figures r...
Category
Early 20th Century German Art Nouveau Sheffield and Silverplate
Materials
Metal, Silver Plate
Swiss Black Forest Dog Group Walter Mader (attributed)
By Walter Mäder
Located in Newark, England
Featuring a Dog with Pups
Rare Swiss Black Forest Dog group. The group modelled as a smooth coat St. Bernard female with her three puppies. The...
Category
Antique Early 1900s Swiss Black Forest Animal Sculptures
Materials
Wood
South East Asian Grey Stone Head
Located in Newark, England
Unusual carved stone head with storage compartment. The South East Asian grey stone carved in the shape of a male head wearing a conical hat and having a moustache. The hat lifts to ...
Category
Antique 19th Century Southeast Asian Qing Busts
Materials
Stone
Japanese Meiji Period Cloisonne Enamel Sake Pot
Located in Newark, England
Fine Japanese Meiji period cloisonne enamel Sake pot. The Sake pot of rounded form with with clean edges profusely decorated with blossoming flowers throughout upon a black ground ba...
Category
Antique Late 19th Century Japanese Meiji Metalwork
Materials
Metal, Enamel
Italian Carrara Marble Nymph Figure
Located in Newark, England
Fine Italian Carrara marble of a Nymph. The figure stood upon a rocky plinth partially nude with a draped robe seen pouring water from a large urn as she looks on. The beautiful carv...
Category
Antique Late 19th Century Italian Classical Greek Figurative Sculptures
Materials
Carrara Marble
Vienna Porcelain Classical Vase
By Royal Vienna Porcelain
Located in Newark, England
Fine ‘Vienna‘ Austria porcelain vase. The vase of Classic Roman shape with flared rim and pinched neck with scrolling shoulders and tapered body stood...
Category
Antique Late 19th Century Austrian Classical Roman Vases
Materials
Ceramic, Porcelain
Chinese Export Silver Basket Wang Hing
By Wang Hing & Co.
Located in Newark, England
Fine Chinese silver basket (bon-bon dish/bridal basket) circa 1900. The presentation basket of circular form expertly crafted with spigs of blossoming flowers to the outer boarder ho...
Category
Antique Early 1900s Chinese Qing Sterling Silver
Materials
Silver
