Lehmann Maupin Figurative Prints

Edition of 5. Tom Friedman’s conceptual practice uses expert craftsmanship to investigate the logics of perception and plausibility by playing with scale, humor and everyday objects...

Edition of 100. 'Untitled (dollar bill back)' is an edition print. In this work, artist Tom Friedman replicates the reverse of a United States one-dollar bill, transforming its tra...

Visual poems, the works in Vicuña’s PALABRARmas series are carefully attuned to the power of language. Many of these works incorporate wordplay, and throughout her practice, Vicuña t...

Edition of 7. Sold unframed. Nari Ward is known for re-contextualizing found/discarded objects in juxtapositions that create complex and metaphorical meanings that highlight cultur...

Edition of 25. Nari Ward is known for re-contextualizing found/discarded objects in juxtapositions that create complex and metaphorical meanings that highlight cultural values or o...

Billy Childish (b. 1959, Chatham, Kent, United Kingdom; lives and works in Whitstable, Kent) is known for his introspective, autobiographical, and deeply emotional paintings, writing...

Visual poems, the works in Vicuña’s 'PALABRARmas' series are carefully attuned to the power of language. Many of these works incorporate wordplay, and throughout her practice, Vicuña treats words as embodied entities whose forms can be parsed to reveal subliminal meanings across a variety of languages. For the series title, Vicuña has invented the word “palabrarmas,” a fusion of “palabra” (Spanish for “word”) and “armas” (“weapon”). At the same time, “palabrarmas” also suggests an even wider range of meanings, bearing similarities, for instance, to a portmanteau of the the verb “apalabrar” (“to agree on”), and the word “más” (more). Just as Vicuña emphasizes the capacity of words to cause violence and destruction, so she also suggests that they can be potent tools of reconciliation and understanding. Another edition of this work was exhibited as part of 'Cecilia Vicuña...

Visual poems, the works in Vicuña’s 'PALABRARmas' series are carefully attuned to the power of language. Many of these works incorporate wordplay, and throughout her practice, Vicuña treats words as embodied entities whose forms can be parsed to reveal subliminal meanings across a variety of languages. For the series title, Vicuña has invented the word “palabrarmas,” a fusion of “palabra” (Spanish for “word”) and “armas” (“weapon”). At the same time, “palabrarmas” also suggests an even wider range of meanings, bearing similarities, for instance, to a portmanteau of the the verb “apalabrar” (“to agree on”), and the word “más” (more). Just as Vicuña emphasizes the capacity of words to cause violence and destruction, so she also suggests that they can be potent tools of reconciliation and understanding. In 'Sol y dar y dad' (1974/2016), Vicuña again looks to language as she considers notions of truth and community, and she extracts from “solidaridad” (Spanish for “solidarity”) the word “sol” (“sun”) and the Spanish verb “dar” (“to give”). Another edition of this work was exhibited as part of 'Cecilia Vicuña...

Full title: 'Unir a todo el pueblo contra la dictadura (Unite All the People against the Dictatorship)' Edition of 25. Work is sold unframed. Another edition of this work was exhi...

Edition of 10 Cecilia Vicuña (b. 1948 in Santiago, Chile; lives and works in New York and Santiago) integrates practices of poetry, performance, Concept...

Cecilia Vicuña (b. 1948 in Santiago, Chile; lives and works in New York and Santiago) integrates practices of poetry, performance, Conceptualism, and te...