McNaught Fine Art Paintings

An early twentieth-century, American Impressionist School oil landscape showing a sunlit view of a woman standing on a country road lined with eucalyptus trees. The work of an anonym...

Signed lower left, 'Inman' for Robert Inman (American, 1927–2016) and dated, lower right, outside of design, '79'. Retaining original, card, mat and backi...

A large and dramatic portrait of a young Spanish woman shown formally dressed with a lace mantilla and a head-dress laced with red roses and holding an o...

Signed lower right, 'A.Danitschek' for Amanda Danitschek (American, born 1956) and painted circa 2010. Additionally signed, verso, and titled, 'No One Said It Would Be Easy'. A substantial Modernist figural oil showing a view of a man dressed in a multi-colored coat and leaning away from a scumbled, parchment and ivory background. Born in Delano, California, Amanda Danitschek first studied art and design at San Jose City College and, subsequently, at West Valley College, Saratoga. Danitschek explores her fascination with postures, expressions, and colors in her collages and paintings through unconventionally observed figures that often appear untethered from the physical world. Speaking of her work, the artist has said: "My figurative paintings are a menagerie of quirky creatures that evoke a curious sense of dislocation. They are redolent of actors in a play, characters from a novel and depression-era survivors. I am fascinated by postures, expressions, colors and textures. I eliminate detail so that the persona is left with only their essence. The alternative reality is shared with birds, boats and ethereal costumes. The stage is set and the figures are finding their path; their role in life." (with thanks to the artist's website) Selected Exhibitions 2021 - San Luis Obispo Museum of Art, Revisiting the Vessel 2021 - San Luis Obispo Museum of Art, Finding Spaces Exhibit 2020 - San Luis Obispo Museum of Art, Brushstrokes, Juror's Award of Excellence 2018 - John Natsoulas Gallery, 2nd International Figurative Biennale 2016 - John Natsoulas Gallery, Amanda & Mark Danitschek Collaborative Show 2015 - John Natsoulas Gallery, The Art of Painting in the 21st Century, Davis CA 2015 - John Natsoulas Gallery, Bark Show, Davis CA 2014 - John Natsoulas Gallery, Small Works Show, Davis CA 2014 - John Natsoulas Gallery, The Art of Painting in the 21st Century (Catalog), Davis CA 2014 - John Natsoulas Gallery, Bark Show, Davis CA 2014 - Lilify Gallery, Solo Show, Monterey CA 2013 - ACGA Juried Members Show, Brea CA 2012 - Lark Books, 500 Prints on Clay 2011 - Pacific Art...

Initialed lower left, 'A.D.' for Amanda Danitschek (American, born 1956) and painted circa 2010. Additionally signed twice, verso, and titled, 'Against All Odds (12 Stories)' A substantial Modernist figural oil showing a view of a woman standing before an azure band of distant ocean. Born in Delano, California, Amanda Danitschek first studied art and design at San Jose City College and, subsequently, at West Valley College, Saratoga. Danitschek explores her fascination with postures, expressions, and colors in her collages and paintings through unconventionally observed figures that appear untethered from the physical world. Speaking of her work, the artist has said: "My figurative paintings are a menagerie of quirky creatures that evoke a curious sense of dislocation. They are redolent of actors in a play, characters from a novel and depression-era survivors. I am fascinated by postures, expressions, colors and textures. I eliminate detail so that the persona is left with only their essence. The alternative reality is shared with birds, boats and ethereal costumes. The stage is set and the figures are finding their path; their role in life." Selected Exhibitions 2021 - San Luis Obispo Museum of Art, Revisiting the Vessel 2021 - San Luis Obispo Museum of Art, Finding Spaces Exhibit 2020 - San Luis Obispo Museum of Art, Brushstrokes, Juror's Award of Excellence 2018 - John Natsoulas Gallery, 2nd International Figurative Biennale 2016 - John Natsoulas Gallery, Amanda & Mark Danitschek Collaborative Show 2015 - John Natsoulas Gallery, The Art of Painting in the 21st Century, Davis CA 2015 - John Natsoulas Gallery, Bark Show, Davis CA 2014 - John Natsoulas Gallery, Small Works Show, Davis CA 2014 - John Natsoulas Gallery, The Art of Painting in the 21st Century (Catalog), Davis CA 2014 - John Natsoulas Gallery, Bark Show, Davis CA 2014 - Lilify Gallery, Solo Show, Monterey CA 2013 - ACGA Juried Members Show, Brea CA 2012 - Lark Books, 500 Prints on Clay 2011 - Pacific Art...

Signed lower left, 'Soekardji' for Raden Soekardji (Indonesian, 1880-1950) and painted circa 1950. An elegant and lyrical oil by this noted landscape ...

Signed lower left, 'H. Howard Miller' (American, 20th century) and painted circa 1965. A large, American Impressionist oil study of a young woman wearing an orange blouse...

Signed lower left, 'Soekardji' for Raden Soekardji (Indonesian, 1880-1950), painted circa 1950 and bearing shipping label from RMS. Otranto. An elegan...

A whimsical and unique, Ghanaian barbershop haircut board signed, upper left, 'Joe Addai' (Ghanaian, 20th century), inscribed 'City Boy Artworks, Kumasi' and ...

Initialed lower left, 'RCW' for Richard Whitten (American, born 1958) and dated, lower right, in Roman numerals, 2009. Formerly in the collection of the Triton Art Museum, Santa Clara, California. Whitten's early work may loosely be termed geometric abstraction, but he is best known for his later representational paintings that combine his interest in architecture, invented machinery and toys. Whitten is also known for his toy-like sculptures. His paintings and drawings are essentially representational but have strong ties to geometric abstraction. A native of New York City, Richard Whitten first attended the Collegiate School before studying economics at Yale where he received his BA in 1980. He then constructed a personal painting program at Yale where he studied with Gretna Campbell...

Signed lower right, 'M.S. Bremer' for Marlene Bremer (German-American, 1937-2018); additionally titled, verso, 'Spring Series 96 No. 3', signed and pain...

An unsigned, early twentieth century oil showing a view of an old wooden wharf with longshoremen working. A well-composed work by an anonymous but skilled hand; painted circa 1925.

A substantial, mid-century American School oil abstract comprising adjacent and overlapping rectangular and geometric forms in shades of amethyst, emer...

Initialed lower left, 'C.B.' (American, 20th century) and painted circa 1925. Framed dimensions: 14 H x 11.75 W x 1 D inches N.B. The artist initials show more distinctly under (365n...

Initialed lower right, 'A.F' (American, 20th century) and painted circa 1960. A substantial, mid-century American School oil showing a view of a busy harbor with numerous boats moor...

Signed lower right, "C. Stilling" for Carl Conrad Stilling (Danish, 1874-1938) and inscribed 'Hyères'; dated lower left, '1928' and titled in Danish, verso...

Signed lower right, 'Puccinelli' for Cathy Puccinelli, (American, born 1952), a member of the Santa Cruz Art Guild, and painted in 2022.

Signed lower right, 'Schwark' for Mary Beth Schwark (American, 1954-2001) and painted circa 1990. Additionally signed, verso, and titled, 'A Curious Pair' The daughter of professional musicians, Mary-Beth Schwark was born in Michigan and grew up surrounded by music. She attended Macomb Community College where she studied Graphic and Commercial Art with Ray Vinella, John Asaro...

Signed lower right, 'Di Gesu' for Victor Di Gesu (American, 1914-1988) and dated 1971; additionally signed, verso, and titled, 'Leslie'. Winner of the Prix Othon Friesz, Victor di G...

Signed lower left 'Gordon', for Bud Gordon (American, born 1959); additionally signed, verso, and titled, 'Storefront with Mannequins and couple'. Accompani...

Signed lower right, 'A. Naur' for Albert Naur (Danish, 1889-1973) and painted circa 1955. A cheerful, mid-century oil showing a pair of leisure chairs wit...

Signed lower left, 'Carl Fischer' (Danish, 1887-1952) and painted circa 1935. Carl Fischer first studied under Viggo Johansen (1907-12) and, subsequen...

A delicately-observed, three-quarter length oil portrait of a young woman in society, fashionably dressed in a pinch-waisted, embroidered chiffon ball-gown and wearing a gold pendant and teardrop earrings with tea roses in her hair; the subject shown gazing towards the viewer with candor and good humor. Displayed in a period, black-walnut frame with period gilt liner. Danish School...

Signed lower right, 'Van Pitterson' for Lloyd H. Van Pitterson (Jamaican, 1926-1997) and created circa 1985. Additionally, inscribed, verso, 'Pink Balcony'. Born in Jamaica in the West Indies, Lloyd van Pitterson worked in the rum industry for twenty-two years while studying and painting in his spare time. In 1965, he decided to fully commit himself to a career as a fine artist and first studied with Edna Manley, the leading West Indian sculptor...

Signed lower left 'Girard' (French, 20th Century) and painted, circa 1965, in the style of Bernard Buffet. (N.B. Additional signature detail photographed under 365nm ultraviolet lig...

Signed lower right, 'H. Nourry' for Henri Nourry (French, 1902-1978) and painted circa 1965. Label, verso, with title 'Trouville', artist dates, and inscription, 'Voiliers près de la côte bretonne' (Sailboats near the Brittany coast...

Initialed upper right, 'C.N.' (Danish, 19th Century) and dated 1898. A late nineteenth-century oil composed with a fresh palette and finely-observed detail. This elegant feline stud...

American School coastal landscape showing a view of breakers crashing in towards a rocky coast with cypress trees in the distance.

A substantial, mid-to-late 19th century American School nocturnal landscape showing a view of three children, accompanied by their terrier, fishing by ...

Signed lower right, 'Barnes' for David P. Barnes (American, 20th Century) and painted circa 1985 A substantial, oil seascape showing a dramatic view of the oc...

Signed lower left, 'Charmaine Girelli' (American, 20th/21st century) and painted circa 2015. A very large, American School proto-organic abstract comprising dynamic and fluid trailing forms in primary and secondary colors, contrasted against a speckled and scumbled, aqua and sky-blue background. A substantial and lyrical work by this largely self-taught, Palm Springs woman...

'Inscribed lower right, 'Len Chmiel' (American, born 1942) and painted circa 1980. Born in Chicago, Chmiel moved to California at the age of eight. He firs...

Signed lower right, ‘Zenteno’ for Sergio Zenteno (Mexican-American, born 1955), additionally signed, verso, titled, ‘Trinity’ and dated 1994. Zenteno i...

Signed lower right, 'R. Schloss' for Richard Schloss (American, born 1953) and dated 2014; additionally signed, dated and inscribed, verso. This notable California artist received ...

Signed upper right, 'Gertrude Schoeler' (American, 1913-2007) and dated December, 1980. Additionally signed, verso, on stretcher bars and with artist...

Signed upper left, 'O. Foss' for Olivier Foss (French, 1920-2002) and painted circa 1945. Born in Hanover, Germany, Olivier Foss first studied art in Ber...

Signed lower right, 'Elisabeth' for Elisabeth Gevaert (Belgian, 1934-2016) and dated 1970. A finely-painted, whimsical study of the interior of a milliner's shop with a woman seated...

Signed lower center, 'Buchfink' for Marie Buchfink (American, born circa 1931) and painted circa 1985. Accompanied by artist card, attached, verso. Bo...

Painted by Mine Grassetti (American-Dutch, 1928-2021) circa 1995. Inscribed, verso, with certification of authenticity dated October 6th, 2021, by the artist's son, Richard Grassetti. Mine Grassetti first attended Vermont's Bennington College, the first college to include visual and performing arts as an equal partner in the liberal arts curriculum. In 1948, she graduated with a degree in art and architecture and subsequently studied at the Richmond Art Center. It was during this extended period, the 1950's through the mid 1960's, that the Center was staffed with such California luminaries as David Park, Richard Diebenkorn and Elmer Bischoff and Grassetti had the good fortune to be exposed to the ferment of artistic ideas and theories of modernism that were generated there. We are pleased to offer this vibrant figural triptych...

Signed lower left, 'Ray Radliff' (American, 1900-1974) and painted circa 1964. Bearing old exhibition labels, verso, and titled 'High at 15:48'. Exhibited at: Santa Cruz Art League, ...

Signed lower right, 'A. Naur' for Albert Naur (Danish, 1889-1973) and painted circa 1955. Albert Naur first studied Philosophy and Law in Copenhagen (1908...

Signed lower left, 'Inman' for Robert Inman (American, 1927–2016) and dated, beneath the mat, 1981. Matted dimensions: 20 x 30 inches. Robert Inman first...

Signed lower left, 'Inman' for Robert Inman (American, 1927–2016) and dated, beneath the mat, 'September, 1983'. Titled on old backing 'The Wanderer'. Pap...

Signed, verso, 'A Heinsbergen' for Antoon Heinsbergen (Dutch-American, 1894-1989), inscribed 'Painted in Paris from the top floor of the Grand Hotel Paris' and dated 1941. A panoramic view of early twentieth-century Paris with early automobiles, charabancs and pedestrians filling the boulevards converging on the Paris Opera beneath sunny blue skies. Painter and theatrical designer, Antoon Heinsbergen immigrated to Los Angeles as a small boy and first studied at the Chouinard Art School and the Otis Art Institute. He subsequently became sought after as a decorator of theaters and, working with a crew of 185, designed and painted wall and ceiling decorations...

Signed verso "F. Kastner" for Fenton Kastner (American, 1915-2008), dated 1955, and titled "Waterfront-IV". Old label verso inscribed with artist's name and title. A dynamic, mid-...

Signed lower right with initials 'H.L.' for Harald Leth (Danish, 1899-1986) and painted circa 1935. Leth commenced his art studies with Johannes Larsen (1921) before attending Harald Giersing...

A substantial oil landscape showing a view of a sunlit courtyard with a fountain and blossoming perennials in earthenware pots, and a view beyond towards a neo-classical villa. Signed lower right, "Loraine Balsillie" (American, 1919-2016) and painted circa 1980. Loraine Balsillie first studied painting with Leo Fairbanks...

Impressionist-style California landscape with eucalyptus trees growing beside a river and a view beyond towards distant hills. Signed lower left "M. Gilbert" (American, 1867-1945) for Mae Hill Gilbert and painted circa 1940. Born in Illinois, Mae Gilbert was living in Monterey by the 1930s and exhibiting at the Carmel Art Association. Her son, Arthur Hill...

Signed lower center, "Mancini"; additionally signed verso and painted circa 1975. Figurative oil in crimson, vermilion, jade, and deep blue, showing a young woman wearing a hat with...

Signed lower left, 'Aung Aung Taik' (Burmese, born 1948) and dated 1981. Exhibited: San Francisco Cultural Center, 1981. A major work by this celebrate...

Painted circa 1965 by Virginia Sevier Rogers (American, 1916-2015), a listed artist. Stamped verso with certification of authenticity. A vibrant oil still-life of daffodils and an ...

Painted circa 1950 by Karl Larsen (Danish, 1897-1977) and with certification and seal of of authenticity stamped verso. From 1917, Karl Larsen participated in numerous exhibitions i...

Signed lower right, "Derk Smit" (American, 1889-1985) and painted circa 1950. An Impressionist oil landscape showing riverside, autumnal trees with scarlet, rust and ochre foliage ...

A dramatic oil seascape showing a view of translucent, gray-green waves rolling in towards a rocky coastline, with the first light of the day showing golden through dark clouds overh...

Signed, verso, "Ament" and "de la Roche" for Janet Ament de la Roche (American, 1916-2000) and titled "Black Vase"; painted circa 1955. Oil still-life of a black teapot...

Signed lower left, 'Georg W. Rössner' for Georg Walter Rössner (German, 1885-1972), titled 'Bildnis Lieselotte Friedländer' and painted circa 1926; original artist card verso. A substantial, Modernist portrait of the fashion designer, Lieselotte Friedländer, shown seated in a chrome-steel Bauhaus chair with a view beyond to a sunlit, woodland grove. Georg Rössner first studied in Berlin and, later, in Paris with Lovis Corinth. Rössner was a member of both the Berlin and Munich Sezession committees and, in 1920, was appointed professor at Berlin’s Staatliche Kunstschule. Over the course of a long career, Rössner exhibited internationally with success including at the 1929 Paris Exhibition des Peintres-Graveurs Allemands. His work is held in prominent private and public collections including the permanent collection of the National Gallery in Berlin.  Born in 1898, Lieselotte Friedländer moved to Berlin with her family in 1909. By the mid-1920s, she had established herself as the Weimar Republic...

Signed verso with artist monogram 'DM' for Dora Maar (Argentine-French, 1907-1997); additionally impressed, upper left, with Dora Maar Estate stamp, Maison de la Chimie sale, Paris; October, 1998. In addition to her central role as Picasso's model and lover, Dora Maar served as his constant muse during the period of his creation of Guernica for which she also served as model for the lantern-holder, appearing at upper right. Prior to embarking on her two-year relationship with Picasso, Maar had already produced a widely-respected body of work and was celebrated as an influential and cutting-edge photographer. Nevertheless, it is her high-profile relationship with Picasso and her own personality- both in publications about Picasso and in those dedicated to her own life and work- that have acquired particular significance in art-historical literature. Maar's close link to the Surrealists, however, derived from her personal radiance and enigmatic personality as well as to the conscious and politically-informed artistic perspective that underlay her cutting-edge photomontages of the 1930s. Her increasingly radical political views during this period reinforced Picasso's own awareness of the deteriorating international political situation and of the civil war in his homeland. This heightened awareness culminated in the creation of "Guernica', his supreme artistic and political statement of the 1930's. Born in 1907, Henrietta Theodora Markovitch adopted the pen name of Dora Maar during the first years of her photography career. Growing up in Buenos Aires and Paris, she learned to speak French, Spanish and English fluently and, from 1927 on, attended the Art Academy of Andre L'Hote in Montparnasse. At the Academy, she studied painting but, by the end of the 1920s, she had transferred to the Ecole de Photographie de la Ville de Paris. In the early 1930s, she founded a photographic studio together with Pierre Kfer, who was later to make a career as stage designer. Numerous fashion and advertising photography shoots resulted from this collaboration and these were soon followed by her first Paris exhibitions. Dora Maar's photographic style during the 1930s show clear, surrealist characteristics. In her photographs and photomontages, she frequently played with shifting proportions, thus echoing an important feature of surrealist pictures. This tendency was augmented by the combination of disparate objects, which robs the photographs of their character of reflecting extreme reality, converting them to expressions of inner visions and psychic states. In parallel to these surreal photographs, Dora Maar produced sobering documentary photographs of her urban environments in Paris, London or Barcelona. Repeatedly, she records, in her photographs, the underprivileged, the unemployed and homeless, the socially disadvantaged and the physically deformed. It was precisely the simplicity of these photos that enabled Dora Maar to give the day-to-day and the ugly a magnificent monstrosity in which the beautiful and the horrible blend into one another. This recorded reality is thus accompanied by a level of inner associations, fears and visions. This present work, painted in the 1930's, remained in Dora Maar's possession until the end of her life, and shows her early interest in abstraction and her preoccupation with the complex inter-relationships of color and form. This painting is accompanied by a first edition copy of...

Signed center left, 'Christine Sundberg' (Swedish, 1837-1892) and dated 1888. Displayed in a period golden maple frame; Framed dimensions: 25.5 x 1...

Signed lower right, 'I. Stry', for Irene Stry (Hungarian-American, 1904-1963) inscribed verso and painted circa 1960. Irene Stry worked in Provincetown and...

Signed lower left, 'V. Isbrand' for Victor Isbrand (Danish, 1897-1989), titled 'Paris' and painted circa 1965. Bearing 1965 exhibition label, verso, on stretcher bar. Precocious as...